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Posts Tagged ‘fish’






1.

fish are social












2.

(with other fish)












3.

i am like that rare solitary koi












4.

left alone for a moment












5.

before the rest of my school darts to my side












6.

i can be a fish







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Grandmama Elise On Washington Road, Augusta, Georgia, August 23rd, 1958, photo © 2008-2009 by QuoinMonkey. All rights reserved.

Grandmama Elise On Washington Road, Augusta, Georgia, August 23rd, 1958, photo © 2008-2009 by QuoinMonkey. All rights reserved.



What do you remember most about your grandmother? Was she tall, thin, short, heavy? Or maybe she changed shape over the course of your lifetime. Do you remember what she smelled like, or the color of her hair? Is your grandmother living? Or has she passed on after a life well-lived. Out of all the relatives that come to mind, grandmothers wield tremendous power and are often respected by the entire family.

Grandmothers are the Elders, the Wise Ones, the Matriarchs, the glue that holds a family’s odd misshapen tree together. Many writers and artists are influenced by their grandmothers. Frank Gehry’s grandmother was the inspiration for his personal symbol, the fish. He includes fish in his architectural drawings, makes fish lamps, and has even designed buildings shaped like fish.

One of his most famous fish sculptures is the Standing Glass Fish commissioned by the Walker Art Center. Its first home was the lobby concourse between the Walker and the old Guthrie, where it was built scale by scale and exhibited as part of The Architecture of Frank Gehry Exhibition, September 21-November 30, 1986.

After two years in the Walker concourse, the 22-foot sculpture (constructed of glass and silicone and supported by a wooden armature with steel rods) was taken apart in five sections and reassembled at its second and permanent home in the central gallery of the Cowles Conservatory in the Minneapolis Sculpture Garden. Gehry made a number of plexiglass models to study the flip of the fish’s tail, the characteristics of its eyes, and the shape of the scales.

The brass plaque on the edge of the pond nearby, calls to mind Gehry’s fond remembrance of his grandmother’s fish:


In Toronto, when I was very young, my grandmother and I used to go to Kensington, a Jewish market, on Thursday morning. She would buy a carp for gefilte fish. She’d put it in the bathtub, fill the bathtub with water, and this big black carp–two or three feet long–would swim around in the bathtub and I would play with it. I would stand up there and watch it turn and twist . . . and then she’d kill it and make gefilte fish and that was always sad and awful and ugly.

        —Frank Gehry



Glass Fish Scales, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.Standing Glass Fish, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, photo © 2008-2009 by Liz. All rights reserved.Flying Fish, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, photo © 2008-2009 by Liz. All rights reserved.

Glass Fish Scales, Standing Glass Fish, Flying Fish, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, photos © 2008-2009 by Liz & QuoinMonkey. All rights reserved.


In dire circumstances, when money is tight or family tensions rise, grandmothers often step up and help raise their children’s children. Nikki Giovanni was born in Knoxville, Tennessee in 1943 and, though she moved to Cincinnati as a child, she returned in 1958 to spend her summers in Knoxville with her grandparents, John and Louvenia Watson. With explosive tensions between her parents difficult for Giovanni to handle, she chose to live in Knoxville for a time and attended Austin High School where her grandfather taught Latin.

It’s at this time that her grandmother’s influence profoundly shapes her life. According to her biography:


Her grandmother, who is involved in numerous charitable and political endeavors, becomes an increasingly important influence on her (Giovanni), teaching her the importance of helping others and of fighting injustice. When a demonstration is planned to protest segregated dining facilities at downtown Rich’s department store, her grandmother Louvenia cheerfully volunteers her granddaughter Nikki. In high school, Giovanni has two influential teachers: her French teacher, Mrs. Emma Stokes, and her English teacher, Miss Alfredda Delaney.


Her grandparents’ home stood at 400 Mulvaney Street in a neighborhood that’s long since been demolished, a casualty of urban renewal. In 1964, Giovanni’s grandmother Louvenia must move from her home at 400 Mulvaney Street; Nikki’s biography recalls the impact: Although her new house on Linden Avenue is nice, it lacks the accumulated memories of the home on Mulvaney, which Giovanni has also come to regard as her own home.

Nikki Giovanni often mentioned her grandmother when we saw her at the Fitzgerald Theater in January. She had returned to Knoxville on April 29th, 2008 when Mayor Haslam unveiled of a historical marker honoring Giovanni and the old neighborhood where her grandmother lived. It is now Hall of Fame Drive across the street from the Cal Johnson Recreation Center. It was on that childhood ground that Nikki Giovanni stood and recited her poem, “Tennessee By Birth.”


  Elise & Her Children, Augusta, Georgia, circa mid-1940s, photo © 2008-2009 by QuoinMonkey. All rights reserved.  Elise & Her Children, Augusta, Georgia, circa mid-1940s, photo © 2008-2009 by QuoinMonkey. All rights reserved.

Elise & Her Children, Augusta, Georgia, circa mid-1940’s, photo © 2008-2009 by QuoinMonkey. All rights reserved.


My maternal grandmother (lead photograph) is standing on the dirt of what used to be Washington Road in Augusta, Georgia. Her neighborhood, too, has been long gone, sacrificed to the growth of suburbs and cities. She was a hairdresser in her 30’s when I was born. My father was “allergic” to work and could not (or would not) support our family. My mother left him at 18, a few years after their marriage, and went to work. During that time, I stayed at my grandmother’s home. When I was a child, we were always close.

I remember the smell of her talcum powder, the imprint mark she would leave when she dabbed her lips after putting on her lipstick, the sound of her laughter in the evenings, her snoring at night.


*     *     *     *     *

When you say the words “my grandmother,” who comes to mind? (Most of us have at least two.) Who was your grandmother? Was she the matriarch, a dowager, estranged from the family? What was her name? Did you call her Grandmother, Granny, Grandma, or Grandmama. Did she spoil you, was she strict, how often did you see her, what kind of house did she live in? Does she ever sneak into your dreams?

Get out a fast writing pen and write the words “My Grandmother.” If you have any family photographs of your grandmother, it’s fun to pull them from the archives. Then set your timer for a 15 minute Writing Practice and Go!


Della Elise, Augusta, Georgia, circa mid-1950s, photo © 2008-2009 by QuoinMonkey. All rights reserved.Della Elise, Augusta, Georgia, circa mid-1950s, photo © 2008-2009 by QuoinMonkey. All rights reserved.Della Elise, Augusta, Georgia, circa mid-1950s, photo © 2008-2009 by QuoinMonkey. All rights reserved.Della Elise, Augusta, Georgia, circa mid-1950s, photo © 2008-2009 by QuoinMonkey. All rights reserved.

For Della Elise, I Miss You, Augusta, Georgia, circa mid-1950’s, photo © 2008-2009 by QuoinMonkey. All rights reserved.



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-posted on red Ravine, Thursday, March 19th, 2009

-related to posts: Art & Architecture – 2 Reasons, WRITING TOPIC — MEMORIES OF CARS, The Dying Art Of Letter Writing (Postcards From The Edge), You Can’t Go Back, Nikki Giovanni – Hope at V-Tech

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The 7 tea roses sitting on the deck, roots untangled and exposed, tilted in their makeshift pots, looked like fish out of water. I stared at them through the picture window. The wind whipped the mustard ash leaves across the peeling gray paint. We called a handyman to help shore the deck for winter. He is coming Thursday. And we are looking into gutters for the small white cottage named Indria. Another way I knew I loved Liz – when she referred to her home by proper name.

I have felt like a fish out of water most of my life. A grand sweeping statement, not made of detail or feeling. Living an alternative lifestyle is a long swim upriver. Strong. Strong and long. Luckily, I am a good swimmer. But lately, weak in the knees. And fish don’t have knees, do they? Only fins and gills. They breathe with gills. Oxygen out. Or in? Now I’m confusing lungless fish with the leaves on the oaks that bend and gnarl across skies to the west of me.

I’m longing for more confidence. Everything is going fine. Swimmingly, in fact. Yet that nagging doubt. It rises this time of year, when the skies grow darker and the hours of light, leaner. I am sad to see the light go. Happy for a snowy winter. Can you have it both ways? Maybe in pulp fiction.

The tea roses – Liz drove home from work, unpadlocked the shed, and out came the square-toed shovel. I was commenting on red Ravine and peeked up to see her bent body over a grassy hole. I had to go out and help. 7 tea roses. We inherited them from our friends who moved last summer, only 10 minutes away. They bought a new house and are not fond of the idiosyncrasies of hybrid roses.

But Liz never shrinks from a challenge. It is I who run. She has the greenest of thumbs and now I’m thinking about the time we visited the Jolly Green Giant sign down in rolling, hilly southern Minnesota, Le Sueur. She snapped a photo of me standing next to the pea-clothed big guy. Did he have a leaf for a hat? Oxygen. If I find the photo, maybe I’ll post it. But then I’d have to blur out my face and body leaving nothing but – this writing practice.

Last night before the rain, I pulled on steel-toed motorcycle boots and helped Liz plant the 7 tea roses we dug up from our friends’ home on Sunday. They have round white tags with silver edges and names like Queen Elizabeth and Glowing Peace and Elle and Mirandy and Betty White, but we gave Betty away to our neighbor, Bev. And when we were done, they looked happier and no longer like fish out of water, but roots in wet land.

And my fingernails bled dirt underneath and my hands smelled like a ribbon of earthworm. My hair blew back behind my eardrums and the wind was so loud she swept the changing season that seems to pound through my head. We walked into Indria and made chicken and dumpling soup. And all seemed right with the world until I remembered the fish that I’m allergic to now, and the lump came back into my throat. The same watery lump that dumps me on dry land, wondering which decision it is that will tip the gray scales.


-posted on red Ravine, Wednesday, September 26th, 2007

-from Topic post, WRITING TOPIC – FISH OUT OF WATER

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