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Georgia Pine Over My Grandmother’s Grave, BlackBerry Shots, Augusta, Georgia, October 2009, all photos © 2009 by QuoinMonkey. All rights reserved.






visiting Estelle
gravestones outlast the living
markers for the dead


all that’s left behind
a letter, a horseshoe ring
lasting love and luck


face of a pine tree
warm thoughts of the Grandmothers
hover over me







It’s the time of year when I think often of family and loved ones, living and dead. One of the highlights of my October trip to Georgia was visiting my Grandmother Estelle’s grave for the first time. I did not know her well, had not seen her since I was 2 years old. I knew none of my blood father’s family. It was synchronicity when in 2007 my paternal aunts ended up in the insurance office of my maternal uncle and asked the question, “Are you related to….?”

It happened to be two weeks before Mom and I were scheduled to travel to Georgia. After 50 years apart, the question’s answer led them to me.

It turns out, my paternal grandparents are buried down the hill from my maternal grandparents in the same cemetery. I’ve been visiting the cemetery with my mother for years and never knew. These photographs are of the pine tree that grows high over their graves. My Aunt Annette told me that my grandfather loved pine trees. So do I. When I was a child, I would spend hours sweeping pine needles, the scaly bough of a branch curving to make just the right shape, a prairie-style home.

The thing about cemetery trees is that they are many times old growth trees, never to be cut. I like to think this pine is a guardian for my grandparents, its long roots extending deep underground, branches tall and proud (reminds me of another pine in New Mexico that I’m quite fond of, the Lawrence Tree).

There is more to the story — a letter, an obituary, a ring. Perhaps another post. This week I give thanks for all who live, and those who have come before.


Skin Of A Pine Tree, Pine Trunk In The Graveyard, My Grandmother’s Grave, Cemetery Pine, BlackBerry Shots, Augusta, Georgia, October 2009, all photos © 2009 by QuoinMonkey. All rights reserved.


Post Script: the day Mom and I met my aunt at the cemetery, we also visited the Gertrude Herbert Memorial Institute of Art in Augusta. That’s where my Canon G6 battery died; I had forgotten to charge the backup battery. These photos are all taken with the BlackBerry cell phone camera.


-posted on red Ravine, Tuesday, November 24th, 2009

-related to post: haiku 2 (one-a-day)

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Continuity, BlackBerry Shots, pool near Clarks Hill Lake, Georgia, October 2009, all photos © 2009 by QuoinMonkey. All rights reserved.






streaks of Southern light
splash across concrete pool deck
sink to the bottom


wading through memoir
old gravestones crack and crumble
worn secrets revealed


John Cheever lives on
fine art of the short story
distant memories


pool to pool to pool
we have all been The Swimmer
fighting for our lives






When I travel to Georgia with Mom, we stay at my Uncle Bill’s place on Clarks Hill Lake. Mom likes the wicker room on the first floor with a view of the lake and grounds. This year I stayed in the only upstairs bedroom in the wing of the house dedicated to recreation, exercise, and watching movies. In the past, I thought it a little strange to be the only person sleeping on the whole second floor. But this year, I grew to love the room. It’s quiet. No widescreen TV on the wall, no noise. And it looks out over a sea of Georgia pines on the shore of Clarks Hill Lake.

The dividing line between Georgia and South Carolina runs right through Clarks Hill Lake. I stay on the Georgia side with my uncle; my paternal aunts, Annette and Brenda, live not far from my uncle on the South Carolina side. I reconnected with my blood father’s sisters a few years ago after nearly 50 years. They had not seen me or my mother since I was 2 years old. Small world.

One morning I awoke and saw these streaks of light pulsing through the pool below me. It struck me how they hit the concrete first, then jumped into the water and immediately sank to the bottom. One thing I like about outdoor pools is the way the sunlight plays through the water during the day. Another thing about swimming — you get really good at holding your breath.

My grandfather had a pool when I was growing up. It wasn’t far from the bomb shelter he built outside his new home; it was the 1950’s. Among the things I remember clearly are the few sultry evenings when we swam at night. I also associate pools with John Cheever’s short story, The Swimmer. Ever since Natalie Goldberg had us read it for one of her Taos workshops, I’ve never forgotten it. Neither has writer Michael Chabon. In Salon, he calls The Swimmer “a masterpiece of mystery, language and sorrow.”

Who is your favorite short story writer? Have you ever written or published a short story? What do you associate with swimming pools? Exercise, relaxation, water polo, relief from the heat, family fun? Do a Writing Practice on Swimming Pools….10 Minutes, Go!


Lifeline, Lightbending (3), BlackBerry Shots
of pool near Clarks Hill Lake, Georgia, October
2009, all photos © 2009 by QuoinMonkey. All
rights reserved.


-posted on red Ravine, Saturday, November 14th, 2009, with gratitude to Natalie for all the writers she has introduced us to and made us read in spite of our resistance!

-related to posts: haiku 2 (one-a-day), PRACTICE — Holding My Breath – 10min, The Vitality Of Place — Preserving The Legacy Of “Home”

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Pink Cadillac, Hindsight, outside the Pink Cadillac Diner, Natural Bridge, Virginia, October 2009, all photos © 2009 by QuoinMonkey. All rights reserved.


Back in Pennsylvania. I always think I’m going to post more than I do from the road. But at the end of the day, I find myself exhausted. Out as soon as the head hits the pillow. Perhaps it’s the introvert in me. I love traveling West to East, North to South, all the people I see only once a year. I wish there were a dozen of me. Maybe a baker’s dozen.

Yesterday I drove 13 hours back from Georgia with Mom. I spent this October day with my family in Pennsylvania. It’s almost 4am and I find myself wide awake, wanting to write. It’s the best I can do to post a haiku, a note, a few photographs from the Pink Cadillac Diner in Natural Bridge, Virginia. It’s a little off the beaten trail. Mom was finishing up her ice cream cone while I walked out to photograph the Caddy. A young woman strode proudly up behind me with her two daughters, camera in tow.

“My dad took a photo of me in front of this very spot,” she said, “and now I get to take a photo of you.” Snap. I watched her daughters gleaming next to the rusty chrome. “Would you like me to take a photo of all of you together?” I asked. “I’d love that,” she smiled, rushing over to hand me her pocket camera.

Lineage. Family legacies. The things we pass down.

The day was perfect for driving. The light illuminated by Fall. I hung my head out the window and snapped photos of a sunset front over Virginia. There is so much to tell. For the time being, will you settle for the highlights?


  • visiting the Gertrude Herbert Institute of Art in Augusta, Georgia with my mother
  • walking with my dad through the Brick Pond Ecological Park in North Augusta, South Carolina
  • dining on my uncle’s chili he’s been making since he was 12
  • riding on the back of my brother’s Harley Softtail
  • driving through Virginia with the mountains framed in gold
  • visiting my paternal grandparents’ graves for the first time with my aunt
  • photographing a historic Sand Oak at Westover Memorial Park Cemetery
  • standing by the Savannah River on the down side of Clarks Hill Dam
  • spending the day on the Georgia side of Clarks Hill Lake working on family history with Mom
  • watching the Vikings/Steelers game with my family
  • grits, sweet tea, barbecue hash, boiled peanuts
  • seeing the faces of my brother and mom at the airport when I land
  • talking to Liz on the new BlackBerry from Sconyer’s Bar-B-Que (she asked for hushpuppies)
  • Twittering across the Mason-Dixon line (and the rest of the 1200 mile round trip to Georgia) with the same said BlackBerry
  • photographing the October Blood Moon rising over Pennsylvania, setting over Georgia and South Carolina
  • writing haiku in the air, Minnesota to Maryland and Pennsylvania
  • watching my sister-in-law tap dance across her living room floor (and later my niece and brother’s fiancee danced across the same floor)
  • The Beatles Rock Band with my niece, nephew, and brother in his living room
  • attending a huge Halloween bash with my aunt at the Julian Smith Casino building where in the 1950’s my mother used to go to dances and work barbecues to raise money to build a local church
  • laughing with my family, North and South
  • stopping at the Pink Cadillac Diner in Virginia with Mom on the way home from Georgia





season to season
hindsight is 20/20
reflecting the past;
future remains uncertain,
jumps hoops through the looking glass




-posted on red Ravine, Sunday, October 25th, 2009

-related to posts: haiku 2 (one-a-day), WRITING TOPIC — MEMORIES OF CARS, WRITING TOPIC– ROADSIDE ATTRACTIONS, you can’t go back — 15 haiku, Cassie’s Porch — Then & Now, Excavating Memories

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The White Chair, St. Simons Island, Georgia, July 2008, all photos © 2008-2009 by QuoinMonkey. All rights reserved.

The White Chair, St. Simons Island, Georgia, July 2008, all photos © 2008-2009 by QuoinMonkey. All rights reserved.








white chair on hard sand
pale footprints leading nowhere
dreaming of Georgia










Post Script: I had a dream about Georgia last night, swimming with the Ancestors. It reminded me of this beach at St. Simons where Liz, Mom, and I hung out for a few hours last July. The sand is so hard and compact, you can easily ride a bicycle. It was hotter than any Minnesotan can ever imagine. The breezes off the Atlantic Ocean offered quiet relief.

Liz found the most beautiful living shell; a rainbow appeared. We went back to the motel where one of Mom’s cousins waited. She had driven to St. Simons to meet us. They had not seen each other in years. There in the motel lobby, we spread out a giant paper copy of the family tree. Nicholas smiled down.


-posted on red Ravine, Thursday, March 26th, 2009

-related to posts: haiku for the live oak, St. Simons Island haiku, black-eyed susan haiku, Georgia’s Scottish Highlanders (On Tartan & Targe), haiku 2 (one-a-day)

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Grandmama Elise On Washington Road, Augusta, Georgia, August 23rd, 1958, photo © 2008-2009 by QuoinMonkey. All rights reserved.

Grandmama Elise On Washington Road, Augusta, Georgia, August 23rd, 1958, photo © 2008-2009 by QuoinMonkey. All rights reserved.



What do you remember most about your grandmother? Was she tall, thin, short, heavy? Or maybe she changed shape over the course of your lifetime. Do you remember what she smelled like, or the color of her hair? Is your grandmother living? Or has she passed on after a life well-lived. Out of all the relatives that come to mind, grandmothers wield tremendous power and are often respected by the entire family.

Grandmothers are the Elders, the Wise Ones, the Matriarchs, the glue that holds a family’s odd misshapen tree together. Many writers and artists are influenced by their grandmothers. Frank Gehry’s grandmother was the inspiration for his personal symbol, the fish. He includes fish in his architectural drawings, makes fish lamps, and has even designed buildings shaped like fish.

One of his most famous fish sculptures is the Standing Glass Fish commissioned by the Walker Art Center. Its first home was the lobby concourse between the Walker and the old Guthrie, where it was built scale by scale and exhibited as part of The Architecture of Frank Gehry Exhibition, September 21-November 30, 1986.

After two years in the Walker concourse, the 22-foot sculpture (constructed of glass and silicone and supported by a wooden armature with steel rods) was taken apart in five sections and reassembled at its second and permanent home in the central gallery of the Cowles Conservatory in the Minneapolis Sculpture Garden. Gehry made a number of plexiglass models to study the flip of the fish’s tail, the characteristics of its eyes, and the shape of the scales.

The brass plaque on the edge of the pond nearby, calls to mind Gehry’s fond remembrance of his grandmother’s fish:


In Toronto, when I was very young, my grandmother and I used to go to Kensington, a Jewish market, on Thursday morning. She would buy a carp for gefilte fish. She’d put it in the bathtub, fill the bathtub with water, and this big black carp–two or three feet long–would swim around in the bathtub and I would play with it. I would stand up there and watch it turn and twist . . . and then she’d kill it and make gefilte fish and that was always sad and awful and ugly.

        —Frank Gehry



Glass Fish Scales, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.Standing Glass Fish, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, photo © 2008-2009 by Liz. All rights reserved.Flying Fish, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, photo © 2008-2009 by Liz. All rights reserved.

Glass Fish Scales, Standing Glass Fish, Flying Fish, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, photos © 2008-2009 by Liz & QuoinMonkey. All rights reserved.


In dire circumstances, when money is tight or family tensions rise, grandmothers often step up and help raise their children’s children. Nikki Giovanni was born in Knoxville, Tennessee in 1943 and, though she moved to Cincinnati as a child, she returned in 1958 to spend her summers in Knoxville with her grandparents, John and Louvenia Watson. With explosive tensions between her parents difficult for Giovanni to handle, she chose to live in Knoxville for a time and attended Austin High School where her grandfather taught Latin.

It’s at this time that her grandmother’s influence profoundly shapes her life. According to her biography:


Her grandmother, who is involved in numerous charitable and political endeavors, becomes an increasingly important influence on her (Giovanni), teaching her the importance of helping others and of fighting injustice. When a demonstration is planned to protest segregated dining facilities at downtown Rich’s department store, her grandmother Louvenia cheerfully volunteers her granddaughter Nikki. In high school, Giovanni has two influential teachers: her French teacher, Mrs. Emma Stokes, and her English teacher, Miss Alfredda Delaney.


Her grandparents’ home stood at 400 Mulvaney Street in a neighborhood that’s long since been demolished, a casualty of urban renewal. In 1964, Giovanni’s grandmother Louvenia must move from her home at 400 Mulvaney Street; Nikki’s biography recalls the impact: Although her new house on Linden Avenue is nice, it lacks the accumulated memories of the home on Mulvaney, which Giovanni has also come to regard as her own home.

Nikki Giovanni often mentioned her grandmother when we saw her at the Fitzgerald Theater in January. She had returned to Knoxville on April 29th, 2008 when Mayor Haslam unveiled of a historical marker honoring Giovanni and the old neighborhood where her grandmother lived. It is now Hall of Fame Drive across the street from the Cal Johnson Recreation Center. It was on that childhood ground that Nikki Giovanni stood and recited her poem, “Tennessee By Birth.”


  Elise & Her Children, Augusta, Georgia, circa mid-1940s, photo © 2008-2009 by QuoinMonkey. All rights reserved.  Elise & Her Children, Augusta, Georgia, circa mid-1940s, photo © 2008-2009 by QuoinMonkey. All rights reserved.

Elise & Her Children, Augusta, Georgia, circa mid-1940’s, photo © 2008-2009 by QuoinMonkey. All rights reserved.


My maternal grandmother (lead photograph) is standing on the dirt of what used to be Washington Road in Augusta, Georgia. Her neighborhood, too, has been long gone, sacrificed to the growth of suburbs and cities. She was a hairdresser in her 30’s when I was born. My father was “allergic” to work and could not (or would not) support our family. My mother left him at 18, a few years after their marriage, and went to work. During that time, I stayed at my grandmother’s home. When I was a child, we were always close.

I remember the smell of her talcum powder, the imprint mark she would leave when she dabbed her lips after putting on her lipstick, the sound of her laughter in the evenings, her snoring at night.


*     *     *     *     *

When you say the words “my grandmother,” who comes to mind? (Most of us have at least two.) Who was your grandmother? Was she the matriarch, a dowager, estranged from the family? What was her name? Did you call her Grandmother, Granny, Grandma, or Grandmama. Did she spoil you, was she strict, how often did you see her, what kind of house did she live in? Does she ever sneak into your dreams?

Get out a fast writing pen and write the words “My Grandmother.” If you have any family photographs of your grandmother, it’s fun to pull them from the archives. Then set your timer for a 15 minute Writing Practice and Go!


Della Elise, Augusta, Georgia, circa mid-1950s, photo © 2008-2009 by QuoinMonkey. All rights reserved.Della Elise, Augusta, Georgia, circa mid-1950s, photo © 2008-2009 by QuoinMonkey. All rights reserved.Della Elise, Augusta, Georgia, circa mid-1950s, photo © 2008-2009 by QuoinMonkey. All rights reserved.Della Elise, Augusta, Georgia, circa mid-1950s, photo © 2008-2009 by QuoinMonkey. All rights reserved.

For Della Elise, I Miss You, Augusta, Georgia, circa mid-1950’s, photo © 2008-2009 by QuoinMonkey. All rights reserved.



Resources:


-posted on red Ravine, Thursday, March 19th, 2009

-related to posts: Art & Architecture – 2 Reasons, WRITING TOPIC — MEMORIES OF CARS, The Dying Art Of Letter Writing (Postcards From The Edge), You Can’t Go Back, Nikki Giovanni – Hope at V-Tech

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The Black Watch Tartan & Targe, St. Simons Island, Georgia, July 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.

The Black Watch Tartan & Targe, Fort Frederica, St. Simons Island, Georgia, July 2008, all photos © 2008-2009 by QuoinMonkey. All rights reserved.






brand new lease on life
back in the memoir saddle
where do I begin?


ancestors calling
haunting photos of Georgia —
let’s start with the Scots


family line(age),
saturated memories;
everything passed down.






Georgia’s Scottish Highlanders: Memoir Calls Again


Life circumstances have bestowed upon me the gift of time. I called Mom last weekend and we began talking ancestry again (one of our favorite topics). I’m not sure if I’ll be visiting Georgia this summer, but the seed has been planted. I’ve renewed the research catalogue we use for the family tree. And have begun going back through the photographs taken over the last two summers in Georgia and South Carolina.

History excites me; I love the ghosts of the past. Especially if they are connected to the history of our family. Mom has (almost) traced our ancestry back to the Scottish Highlanders in Darien, Georgia (Irish side of family, perhaps Scots-Irish). When we were at John Wesley’s place (English clergyman and founder of Methodism) on St. Simons Island, we read several accounts in old ledgers that led us to believe a member of our family was a Scottish Highlander. The search goes on for that one definitive piece of recorded evidence to back it up.

The Highlanders were known for their battle skills and the British recruited them to help settle the Colonies. Scottish troops serving in the British Army were sent to Georgia in 1736 to set up a new outpost. Under the leadership of General James Oglethorpe, these men established the settlement of Darien and a sawmill along the Altamaha River.

Mom, Liz, and I visited the buzzing wildness of Fort King George last summer. We braved the dripping humidity to walk through one of the ancient cemeteries at the edge of Darien, and the perimeter of a tabby building, now a historic site, that was one of the first black churches in the area (at the time many people in Darien were against slavery). It’s a sleepy, quiet river town. And boy, was it hot there last July!


Scottish Highlander Targe, St. Simons Island, Georgia, July 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.Scottish Highlander Targe, St. Simons Island, Georgia, July 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.Scottish Highlander Targe, St. Simons Island, Georgia, July 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.



Warrior Shield: History of the Targe


We had driven to Darien after our stay on beautiful St. Simons Island and a visit to Fort Frederica. St. Simons played a pivotal role in the struggle for empire between the competing colonial interests of England and Spain. Georgia’s fate was decided in 1742 when Spanish and British forces clashed on the Island. Fort Frederica’s troops defeated the Spanish, ensuring Georgia’s future as a British colony. Today, the archeological remnants of Frederica are protected by the National Park Service.

While Liz was out taking video of a British reenactment at Fort Frederica (complete with musket fire), Mom and I, sweat-covered and tired, slipped into the historical area where it was cool and checked out the books and exhibits. I was immediately drawn to the glass case with what looked like a life-sized mandala shield that turned out to be a targe.

One of our ancestors may have worn The Black Watch Tartan (plaid fabric) authorized for use by the Scottish troops serving in the British Army. Or maybe they carried a targe. I did find a link to the history of the targe written by a man who is still constructing them by hand — John Stewart, The Targeman. According to his site, the targe dates back to the 16th Century and was once the Scottish Highlander’s first line of defense. I was fascinated by the details in these excerpts:


Construction —
Targes are round shields between 18″ and 21″ (45–55 cm) in diameter with an inside formed from two very thin layers of flat wooden boards, the grain of each layer at right angles to the other. Targes were fixed together with small wooden pegs, forming plywood. The front was covered with a tough cowhide that was fixed to the wood with many brass, or in some cases, silver, nails. Sometimes brass plates were also fixed to the face for strength and decoration.

Some targes had center bosses of brass, and a few of these could accept a long steel spike which screwed into a small “puddle” of lead which was fixed to the wood, under the boss. When not in use, the spike could be unscrewed and placed in a sheath on the back of the targe.


Materials —
Most targes had their back covered with cow and goat, and 80% of original targes still show straw, crude wool and other stuffing material beneath their ruined skins. Some targes, usually those actually used in battle, had their backs covered in a piece of red cloth taken from the uniform of a government soldier (a “Redcoat”) that the owner had killed in battle.


Design —
The face of a targe was often decorated with embossed Celtic style patterns. Typically two general patterns were used – concentric circles, or a centre boss with subsidiary bosses around this. An exception is the targe in Perth Museum in Scotland which is of a star design (see photo at his site). Although some targe designs appear to have been more popular than others, there is very little to indicate that there ever were “clan” designs.


The targe reminds me of a protective mandala — a warrior shield. Yet I had to wonder how much protection it actually provided in times of war. The Targeman answered that question, too. He mentioned that after the disastrous defeat of the Jacobites at the Battle of Culloden in 1746, the carrying of the targe would have been banned, and many may have been destroyed or put to other uses.


Scottish Highlander Targe, St. Simons Island, Georgia, July 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.Scottish Highlander Targe, St. Simons Island, Georgia, July 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.Scottish Highlander Targe, St. Simons Island, Georgia, July 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.



Epilogue


It gave me an eerie feeling knowing I was walking the same ground my ancestors had centuries before. It’s not that all of this historical detail will make it into a memoir — it’s terra firma, a place to stand. The composting of past experience lays the ground for the person I have become. What if an ancestor’s Black Watch Tartan and Targe, in some strange way, blazed the way for the mandala practice last year? And the circle archetype must hold both war and peace.



Resources & Information:



-posted on red Ravine, Thursday, March 5th, 2009

-related to posts: haiku 2 (one-a-day), Coloring Mandalas, W. H. Murray – Providence Moves Too

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Assassin's Bullet Kills Kennedy, shot of vintage copy of The Augusta Chronicle, November 23rd, 1963, Augusta, Georgia, photo © 2008 by QuoinMonkey. All rights reserved.

Assassin’s Bullet Kills Kennedy, vintage newspaper found last summer in a box of old family photographs, November 23rd, 1963, The Augusta Chronicle — South’s Oldest Newspaper — Est. 1785, Augusta, Georgia, photo © 2008 by QuoinMonkey. All rights reserved.



It’s the anniversary week of the assassination of John F. Kennedy. Could it possibly be that 45 years have passed? Last summer, when rummaging through family photographs at my uncle’s, I happened upon a vintage newspaper that headlined Saturday Morning, November 23rd, 1963, the day after the Kennedy shooting. The handwriting of some member of my family was in the top left corner — “killed Friday morning.”

The Kennedy assassination rattled me as a child. I wrote about it a few years ago, and discovered Bryan Woolley’s Dallas Times Herald account of the facts from the morning of November 22nd, 1963. It was strange to be holding a yellowed newspaper from that day, one that had circulated through the town where I was born. There were front page interviews, reactions of everyday people walking down Broad Street.


Where were you the day Kennedy was shot?

Though I was young, I clearly remember the headline photograph of LBJ, Lady Bird and Jackie. It wasn’t until later I would learn it was taken aboard Air Force One by White House photographer, Cecil Stoughton, at the swearing in of Lyndon B. Johnson. Stoughton was close to the Kennedys and rode in the fifth car in the motorcade. He heard the shots that fatally wounded JFK; he was at Parkland Hospital when Kennedy died.



LBJ & Jackie Kennedy, close-up shot of vintage copy of The Augusta Chronicle, November 23rd, 1963, Augusta, Georgia, photo © 2008 by QuoinMonkey. All rights reserved. 


The Augusta Chronicle Caption — Lyndon B. Johnson is sworn in as President in the cabin of the presidential plane as Mrs. John F. Kennedy stands at his side. Federal Judge Sarah T. Hughes administers the oath. Background, Jack Valenti, administrative assistant to Johnson, Albert Thomas, D-Tex; Mrs. Johnson and Rep. Jack Brooks, D-Tex. This photo was made by Capt. Cecil Stoughton, official White House photographer, who was the only camera-man allowed to record the ceremony.



Out of the 12,000 negatives Stoughton shot during the Kennedy years, none would be as important as these – he was the only photographer allowed aboard Air Force One that day. And his were the only shots that proved Johnson had actually been sworn in. According to Stoughton’s son, “He took about 20 pictures but the first one almost didn’t happen because his Hasselblad, the Rolls-Royce of cameras, malfunctioned.” A photographer’s nightmare.

From Bryan Woolley’s account of the facts, here’s exactly what happened in those few moments that changed Cecil Stoughton’s life, and the world:


Judge Hughes boarded the plane at 2:35 and was handed a      
small white card with the oath scrawled on it. Capt. Cecil        
Stoughton, an Army Signal Corps photographer, tried to arrange    
the crowd in the cramped stateroom so that he could take a        
picture of the ceremony. “We’ll wait for Mrs. Kennedy,” Johnson   
said. “I want her here.”                                          
                                                                  
     Mrs. Kennedy came out of the bedroom still wearing the       
blood-soaked pink suit. Johnson pressed her hand and said, “This  
is the saddest moment of my life.” The photographer placed her on 
Johnson’s left, Lady Bird on his right. Judge Hughes, the first   
woman to administer the presidential oath, was shaking.           
                                                                  
     “What about a Bible?” asked one of the witnesses. Someone    
remembered that President Kennedy had kept a Bible in the bedroom 
and went to get it.                                               
                                                                  
     “I do solemnly swear…”                                     
                                                                  
     The oath lasted 28 seconds. At 2:38 p.m., Lyndon B. Johnson  
became the 36th President of the United States. The big jet’s     
engines already were screaming. “Now, let’s get airborne,” he     
said. 



JFK In Augusta Chronicle - Little People Numbed, shot of vintage copy of The Augusta Chronicle, November 23rd, 1963, Augusta, Georgia, photo © 2008 by QuoinMonkey. All rights reservedLee Harvey Oswald, shot of vintage copy of The Augusta Chronicle, November 23rd, 1963, Augusta, Georgia, photo © 2008 by QuoinMonkey. All rights reserved.

LBJ & Jackie Kennedy, JFK In Augusta Chronicle – “Little People Numbed,” Lee Harvey Oswald, shots of vintage copy of The Augusta Chronicle, November 23rd, 1963, Augusta, Georgia, photo © 2008 by QuoinMonkey. All rights reserved.


The Augusta Chronicle Caption — Lee Harvey Oswald was arrested in Dallas and charged Friday night with the murder of President Kennedy. Oswald was captured in a downtown Dallas theater after an alert cashier notified police a suspicious looking man had entered the theater shortly after the shooting. Oswald attempted to shoot his captors inside the theater but his pistol misfired. Four years ago Oswald said he was applying for Russian citizenship. His wife is Russian.



Stoughton had an amazing collection of photographs and memorabilia. He appeared on Public Television’s Antiques Roadshow in June 2007 where they estimated his collection at $75,000. Cecil Stoughton died a few weeks ago, on Monday, November 3rd, 2008. By some odd twist of fate, a pre-scheduled, taped segment of his 2007 Antiques Roadshow episode was rebroadcast that Monday night, about an hour after he died.



World Feels Shots Impact, shot of vintage copy of The Augusta Chronicle, November 23rd, 1963, Augusta, Georgia, photo © 2008 by QuoinMonkey. All rights reserved.

World Feels Shot’s Impact, vintage copy of The Augusta Chronicle — South’s Oldest Newspaper — Est. 1785, November 23rd, 1963, Augusta, Georgia, all photos © 2008 by QuoinMonkey. All rights reserved.



There is one last thing that struck me about The Augusta Chronicle account. Above the headline World Feels Shot’s Impact is a smaller headline — Little People Numbed. It reminded me of our recent presidential elections in this country, how the whole world was watching — and how it was the little people — everywoman, everyman — who really made the difference.



The Augusta Chronicle  – World Feels Shot’s Impact
Saturday, November 23rd, 2008


Word of President Kennedy’s assassination struck the world’s capitals with shattering impact, leaving heads of state and the man in the street stunned and grief-stricken. While messages of condolence poured into the White House from presidents, premiers and crowned heads, the little people of many lands reacted with numbed disbelief.

Pubs in London and cafes in Paris fell silent, as the news came over radio and television.

In Moscow, a Russian girl walked weeping along the street. At U.N. headquarters in New York, delegates of 111 nations bowed their heads in a moment of silence.

In Buenos Aires, newspapers sounded sirens reserved for news of the utmost gravity.

Britain’s Prime Minister Douglas-Home sent condolences and Sir Winston Churchill branded the slaying a monstrous act.

“The loss to the United States and to the world is incalculable,” Sir Winston declared. “Those who come after Mr. Kennedy must strive the more to achieve the ideals of world peace and happiness and dignity to which his presidency was dedicated.”



-posted on red Ravine, Tuesday, November 18th, 2008

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