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Posts Tagged ‘Frank Gehry’

Grandmama Elise On Washington Road, Augusta, Georgia, August 23rd, 1958, photo © 2008-2009 by QuoinMonkey. All rights reserved.

Grandmama Elise On Washington Road, Augusta, Georgia, August 23rd, 1958, photo © 2008-2009 by QuoinMonkey. All rights reserved.



What do you remember most about your grandmother? Was she tall, thin, short, heavy? Or maybe she changed shape over the course of your lifetime. Do you remember what she smelled like, or the color of her hair? Is your grandmother living? Or has she passed on after a life well-lived. Out of all the relatives that come to mind, grandmothers wield tremendous power and are often respected by the entire family.

Grandmothers are the Elders, the Wise Ones, the Matriarchs, the glue that holds a family’s odd misshapen tree together. Many writers and artists are influenced by their grandmothers. Frank Gehry’s grandmother was the inspiration for his personal symbol, the fish. He includes fish in his architectural drawings, makes fish lamps, and has even designed buildings shaped like fish.

One of his most famous fish sculptures is the Standing Glass Fish commissioned by the Walker Art Center. Its first home was the lobby concourse between the Walker and the old Guthrie, where it was built scale by scale and exhibited as part of The Architecture of Frank Gehry Exhibition, September 21-November 30, 1986.

After two years in the Walker concourse, the 22-foot sculpture (constructed of glass and silicone and supported by a wooden armature with steel rods) was taken apart in five sections and reassembled at its second and permanent home in the central gallery of the Cowles Conservatory in the Minneapolis Sculpture Garden. Gehry made a number of plexiglass models to study the flip of the fish’s tail, the characteristics of its eyes, and the shape of the scales.

The brass plaque on the edge of the pond nearby, calls to mind Gehry’s fond remembrance of his grandmother’s fish:


In Toronto, when I was very young, my grandmother and I used to go to Kensington, a Jewish market, on Thursday morning. She would buy a carp for gefilte fish. She’d put it in the bathtub, fill the bathtub with water, and this big black carp–two or three feet long–would swim around in the bathtub and I would play with it. I would stand up there and watch it turn and twist . . . and then she’d kill it and make gefilte fish and that was always sad and awful and ugly.

        —Frank Gehry



Glass Fish Scales, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.Standing Glass Fish, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, photo © 2008-2009 by Liz. All rights reserved.Flying Fish, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, photo © 2008-2009 by Liz. All rights reserved.

Glass Fish Scales, Standing Glass Fish, Flying Fish, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, photos © 2008-2009 by Liz & QuoinMonkey. All rights reserved.


In dire circumstances, when money is tight or family tensions rise, grandmothers often step up and help raise their children’s children. Nikki Giovanni was born in Knoxville, Tennessee in 1943 and, though she moved to Cincinnati as a child, she returned in 1958 to spend her summers in Knoxville with her grandparents, John and Louvenia Watson. With explosive tensions between her parents difficult for Giovanni to handle, she chose to live in Knoxville for a time and attended Austin High School where her grandfather taught Latin.

It’s at this time that her grandmother’s influence profoundly shapes her life. According to her biography:


Her grandmother, who is involved in numerous charitable and political endeavors, becomes an increasingly important influence on her (Giovanni), teaching her the importance of helping others and of fighting injustice. When a demonstration is planned to protest segregated dining facilities at downtown Rich’s department store, her grandmother Louvenia cheerfully volunteers her granddaughter Nikki. In high school, Giovanni has two influential teachers: her French teacher, Mrs. Emma Stokes, and her English teacher, Miss Alfredda Delaney.


Her grandparents’ home stood at 400 Mulvaney Street in a neighborhood that’s long since been demolished, a casualty of urban renewal. In 1964, Giovanni’s grandmother Louvenia must move from her home at 400 Mulvaney Street; Nikki’s biography recalls the impact: Although her new house on Linden Avenue is nice, it lacks the accumulated memories of the home on Mulvaney, which Giovanni has also come to regard as her own home.

Nikki Giovanni often mentioned her grandmother when we saw her at the Fitzgerald Theater in January. She had returned to Knoxville on April 29th, 2008 when Mayor Haslam unveiled of a historical marker honoring Giovanni and the old neighborhood where her grandmother lived. It is now Hall of Fame Drive across the street from the Cal Johnson Recreation Center. It was on that childhood ground that Nikki Giovanni stood and recited her poem, “Tennessee By Birth.”


  Elise & Her Children, Augusta, Georgia, circa mid-1940s, photo © 2008-2009 by QuoinMonkey. All rights reserved.  Elise & Her Children, Augusta, Georgia, circa mid-1940s, photo © 2008-2009 by QuoinMonkey. All rights reserved.

Elise & Her Children, Augusta, Georgia, circa mid-1940’s, photo © 2008-2009 by QuoinMonkey. All rights reserved.


My maternal grandmother (lead photograph) is standing on the dirt of what used to be Washington Road in Augusta, Georgia. Her neighborhood, too, has been long gone, sacrificed to the growth of suburbs and cities. She was a hairdresser in her 30’s when I was born. My father was “allergic” to work and could not (or would not) support our family. My mother left him at 18, a few years after their marriage, and went to work. During that time, I stayed at my grandmother’s home. When I was a child, we were always close.

I remember the smell of her talcum powder, the imprint mark she would leave when she dabbed her lips after putting on her lipstick, the sound of her laughter in the evenings, her snoring at night.


*     *     *     *     *

When you say the words “my grandmother,” who comes to mind? (Most of us have at least two.) Who was your grandmother? Was she the matriarch, a dowager, estranged from the family? What was her name? Did you call her Grandmother, Granny, Grandma, or Grandmama. Did she spoil you, was she strict, how often did you see her, what kind of house did she live in? Does she ever sneak into your dreams?

Get out a fast writing pen and write the words “My Grandmother.” If you have any family photographs of your grandmother, it’s fun to pull them from the archives. Then set your timer for a 15 minute Writing Practice and Go!


Della Elise, Augusta, Georgia, circa mid-1950s, photo © 2008-2009 by QuoinMonkey. All rights reserved.Della Elise, Augusta, Georgia, circa mid-1950s, photo © 2008-2009 by QuoinMonkey. All rights reserved.Della Elise, Augusta, Georgia, circa mid-1950s, photo © 2008-2009 by QuoinMonkey. All rights reserved.Della Elise, Augusta, Georgia, circa mid-1950s, photo © 2008-2009 by QuoinMonkey. All rights reserved.

For Della Elise, I Miss You, Augusta, Georgia, circa mid-1950’s, photo © 2008-2009 by QuoinMonkey. All rights reserved.



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-posted on red Ravine, Thursday, March 19th, 2009

-related to posts: Art & Architecture – 2 Reasons, WRITING TOPIC — MEMORIES OF CARS, The Dying Art Of Letter Writing (Postcards From The Edge), You Can’t Go Back, Nikki Giovanni – Hope at V-Tech

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Sage & John Cowles Convervatory, Minneapolis Sculpture Garden, Minneapolis, Minnesota, May 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.

Sage & John Cowles Convervatory, Minneapolis Sculpture Garden, Minneapolis, Minnesota, May 2008, all photos © 2008-2009 by QuoinMonkey. All rights reserved.



In keeping with last week’s Writing Topic, hundreds of windows turn Winter inside out at the Minneapolis Sculpture Garden adjacent to the Walker Art Center. Established in 1927, the Walker began as the Upper Midwest’s first public art gallery. The Minneapolis Sculpture Garden, which opened in 1988, is one of the nation’s largest urban sculpture parks and visitors to the Twin Cities don’t often leave without walking the 11-acre home to more than 40 works of art.

The Sage & John Cowles Conservatory on the western edge of the Sculpture Garden is a community contribution from philanthropists John Cowles, Jr. and his wife Jane Sage Fuller (who also had key roles in bringing the Guthrie Theater and Metrodome to Minneapolis). John Cowles Jr. was named president and CEO of Cowles Media in 1968, after beginning as a police reporter in 1953.

His father, John Cowles Sr., made the cover of TIME in 1935 when he and his brother, Gardner (Mike) Cowles Jr., bought the Minneapolis Star, then the 3rd weakest newspaper in the community. The brothers are descendants of a small-town banker, son of a Methodist elder in Iowa, who started out with little money until turning the Des Moines Register & Tribune and the Minneapolis Star Tribune into well-respected national newspapers.


According to a 1997 article in the Star Tribune:

John Sr. was president of the Minneapolis Star and Tribune Co. from 1935 to 1968, and chairman from 1968 to 1973. Through the influence of his newspaper and his own activities, he is credited with turning Minnesota from an isolationist state to an internationally engaged one, and leading the fight against the anti-Semitism that was openly practiced in the state when he arrived.


    RainGrate, Cowles Conservatory, January, 2008, all photos © 2008-2009 by QuoinMonkey. All rights reserved.      Standing Pink, Cowles Conservatory, January, 2008, all photos © 2008-2009 by QuoinMonkey. All rights reserved.

RainGrate, Standing Pink, Cowles Conservatory, January, 2008, all photos © 2008-2009 by QuoinMonkey. All rights reserved.



Sage Fuller Cowles is a dancer from Bedford Village, New York, and the stepdaughter of Cass Canfield, Sr., one-time chairman of Harper & Row. In the 1950s, she danced on Broadway and television and served as president of Planned Parenthood of Minneapolis from 1957-59. Her approach to philanthropy leans to the holistic, and our community receives the benefit:

I needed to have a new definition of philanthropy. The Greeks came to my rescue. “Love of mankind” was in the dictionary and that suited me fine. Philanthropy is not just about dollars and cents. It’s about giving time, energy, commitment to some idea or cause that we care about. We can all be philanthropists fueled by our individual passions, and we can do a better job of identifying our passions if our early experiences give us confidence to pursue them.

If we focus on educating the whole being would it make a difference to the quality of our communal life? Would we grow a different kind of citizen?

     -Sage Fuller Cowles from Getting Ahead of the Curve: Engaging Our Youngest Citizens, April 2006


We take a leisurely stroll through the Minneapolis Sculpture Garden every time we head to the Walker for a show. The main section of the three-part Cowles Conservatory houses Frank Gehry’s 22-foot Standing Glass Fish that you can just make out in the photograph. It also houses palm trees, pass-throughs covered in creeping fig, and striking seasonal displays in the Regis Gardens designed by landscape architects Barbara Stauffacher Solomon and Michael Van Valkenburgh.

When we walk by Deborah Butterfield’s horse, Woodrow, we are walking on the same ground where a 1913 convention of the Society of American Florists and Ornamental Horticulture was held in Minneapolis’ old armory. It was there that Theodore Wirth designed temporary display gardens to show what could be grown in Minnesota’s wintry climate. They were such a success that they were kept in place for decades as demonstration gardens until finally becoming casualties to freeway construction.


     String Theory, Cowles Conservatory, January, 2008, all photos © 2008-2009 by QuoinMonkey. All rights reserved.Ghostwalker, Cowles Conservatory, January, 2008, all photos © 2008-2009 by QuoinMonkey. All rights reserved.Palm Red, Cowles Conservatory, January, 2008, all photos © 2008-2009 by QuoinMonkey. All rights reserved.


But the seed had been planted. Architect of the museum, Edward Larrabee Barnes, picked up the torch and designed the original 7.5 acre Sculpture Garden. In winter months (which in Minnesota can run from October to April), the cave-like city dwellers of Minneapolis and Saint Paul bask in places like Cowles Conservatory where walls of glass allow warmth and light to penetrate the Vitamin D deprived, sun-kissed face of a long dark Winter.



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-posted on red Ravine, Saturday, March 14th, 2009

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Hunters Moon (Over The Weisman), Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Hunter’s Moon (Over The Weisman), Minneapolis, Minnesota,
October 2008, photo © 2008 by QuoinMonkey. All rights
reserved.



I watched October’s moon all month long. The Full Hunter’s Moon rose over the Frederick R. Weisman Museum of Art after a soft rain. The museum winds upward along the University of Minnesota campus in Minneapolis. That night we were there to see a one of a kind video performance by R. Luke DuBois, along with his exhibit Hindsight is Always 20/20 .

The Weisman, designed by acclaimed architect Frank O. Gehry, spirals high above the Mississippi River. Moonlight reflects off her curves, and the city beams in ripples that echo off sweeping balconies. Every time I see the building, I think of Sydney Pollack’s Sketches of Frank Gehry and the way the two men were playful, yet articulate, when they bantered back and forth about their craft; they each shot for the moon.



Last night, while Liz was finishing up last minute details on Rendering & Return, an Red Synonym Finder, Minneapolis, Minnesota, November 2008, photo © 2008 by QuoinMonkey. All rights reserved.Intermedia video performance she created and will be showing this weekend, I grabbed The Synonym Finder she had just put down on the couch, and looked up the word moonstruck. That led to another word, and another, until I was knee-deep in moons.

I learned about The Synonym Finder from Natalie at one of her workshops. We are the proud owners of two. It was compiled by Jerome Irving (J.I.) Rodale in 1978 and contains more than 1,500,000 words on 1,376 pages.

It might weigh in at over 5 pounds, but writers — don’t leave home without it.

I’m tired tonight and only have enough steam for a short post. Circling back to moonwriting, these are a few expressions I have run into in my research, words and phrases to describe the October moon:




Falling Leaves Moon
White Frost On The Grass & Ground Moon
Moon When The Water Begins To Freeze On The Edge Of The Streams
Moon When The Birds Fly South
Leaves Change Color Moon
Bears Hibernate Moon
Month of Long Hair
Moon When The Wind Shakes Off The Leaves
Month of the First Frost
Wilted Moon
Rutting Moon
Hunter’s Moon
Travels In Canoe Moon
Big Wind Moon





Ripples, Weisman Art Museum, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Ripples, Weisman Art Museum, Minneapolis,
Minnesota, October 2008, photo © 2008 by
QuoinMonkey. All rights reserved.



And from The Synonym Finder, letters moonlighting as words help to explain Autumn’s 10th Moon; October’s waning splendor; the November Full Moon I discovered a moment ago, rising behind me over the oaks.




moon  n.  1. satellite, secondary planet, celestial body, Archaic. lamp.
2. new moon, increscent moon, waxing moon, decrescent moon, waning moon, old moon; crescent, lune, meniscus, half-moon, demilune; full moon, hunter’s moon, harvest moon; disk, orb, sphere, globe, ball.
3. month, lunation, lunar month
4. once upon a blue moon rarely, seldom, not very often, hardly ever.
__v. 5. Informal. daydream, dream, fantasize, imagine, indulge in reverie, gaze or look out the window, stargaze, go off into one’s own world; mope, pine, languish, brook; fret, sulk, pout.
6. Informal. (all of time) waste, squander, fritter, spend idly, pass, Sl. blow.



moonlight, n. 1. moonshine, Fr. clair de lune, moonbeams, Fr. rayons de lune.
___v.  2. Informal. work two jobs, work nights.



moon-shaped, adj. crescent, crescentic, crescent-shaped, demilune, half-moon, meniscoid; lunate, lunar, lunular, lunulate, luniform; sickle-shaped, falcate, faliform, bicorn; semiglobular, hemispheric; curved, bow-shaped, convexo-concave, semicircular.



moonshine, n. 1. U.S. Informal. U.S. bootleg, Sl. hootch, smuggled or contraband whiskey, Fr. alcool de contraband; homemade whiskey, corn whiskey.
2. moonlight, Fr. clair de lune, moonbeams, Fr. rayons de lune.
3. nonsense, Sl. hot air, humbug, claptrap, rodomontade, fustian, bombast, rant; idle or foolish talk, Inf. gab, Sl. gas, palaver, chatter, chit-chat, jabber, prate; jargon, gobbledegook, Jabberwocky, gibberish, babble, Fr. bavardage, twaddle, Brit. twattle, blather, drivel; foam, froth, bunkum, Sl. bunk, U.S. Sl. blah; flummery, Inf. hokum, Sl. applesauce, Sl. eyewash; rubbish, Sl. tripe, refuse, Dial. culch, chaff, trash, Inf. garbage, Sl. crap, Sl. crock, Sl. bull; balder-dash, Sl. horsefeathers, hogwash, stuff, stuff and nonsense, Inf. bosh, Brit. Inf. gammon, Brit. Sl. tosh, fudge, foolishness, folly, rigmarole, amphigory; footle, Inf. malarkey, Sl. bushwa, Sl. baloney, Sl. bilge or bilge water, Sl. meshugaas, Scot. and North Eng. haver; poppycock, Inf. fiddle-faddle, Inf. piffle, Inf. hooey, Inf. kibosh, Inf. flapdoodle.



moon-struck adj. 1. crazed, crazy, mad, maddened, lunatic, lunatical, insane, demented, deranged, dazed, moon-stricken, possessed, infatuated; of unsound mind, Latin non compos mentis, mentally ill, daft, Inf. daffy, unbalanced, touched. Inf. unglued. Inf. half-baked, Brit. Sl. bonkers. Brit Sl. barmy, unhinged, distracted; brainsick, Sl. kooky, Sl. meshuga; U.S. Sl. balmy, dippy, batty, bats, cuckoo, buggy, bughouse, bugs, screwy, wacky, wacko, goofy, loony, squirrely, bananas, nuts, nutty, nutty as a fruitcake.
2. out of one’s head or mind or senses or wits. Scot. redwood, Sl. loco, mad as a hatter, mad as a March hare, far-gone, stark raving mad; not all there, not quite right, not right upstairs; Inf. out in left field, Sl. in outer space, Sl. in orbit, Inf. off the wall; Inf. Cracked, Inf. mental, Sl. off one’s rocker, Sl. out of one’s tree, Sl. off one’s trolley, Brit. Sl. off one’s chump.
3. hysterical, delirious, maniacal, madding, Archaic. wood; frantic, frenzied, frenetic; ranting, raving, storming, foaming at the mouth; beside oneself, at wit’s end; out of control, uncontrollable, corybantic, Inf. haywire, berserk, rabid, wild.



Nightlight Downtown, Weisman Art Museum, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Nightlight Downtown, Weisman Art Museum,
Minneapolis, Minnesota, October 2008, photo
© 2008 by QuoinMonkey. All rights reserved.


-posted on red Ravine, Thursday, November 13th, 2008,
rabid and wild on the inside, in need of sleep on the outside,
basking in the light of November’s Full Moon

-related to posts: PRACTICE – September Harvest Moon – 15 min, Against The Grain (August Moon), The Many Moons Of July (Digging Deeper), winter haiku trilogy, PRACTICE – Wolf Moon – 10min

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Frank Gehry’s Weisman Art Museum in Minneapolis. Minnesota, longshot, photo by QuoinMonkey, all rights reserved

Nightshot, Weisman Art Museum, Minneapolis, Minnesota, April 7th, 2007, designed by Frank Gehry, photo © 2007-2008 by QuoinMonkey,  all rights reserved.




Frank Gehry’s Weisman Art Museum, Minneapolis, Minnesota, detail, photo by QuoinMonkey, all rights reserved

Inspiration, Weisman Art Museum, Minneapolis, Minnesota, April 7th, 2007, designed by Frank Gehry, photo © 2007-2008 by QuoinMonkey. All rights reserved.



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