PRACTICE — My Favorite Coffee Shop — 15min

My favorite coffee shop is the Blue Moon on Lake Street in Minneapolis. Large windows facing an urban street; back-lit hideaways with less light, more cozy. Then there is my favorite table. I have two of them. The one across from the half moon string of lights over the serving bar. And the one right by the front door, up against the cooler. I would sit with my back to the cold white wall, facing the refrigerator wind that blew through the door a Minnesota winter. A writing group I used to be a part of met at the Blue Moon once a month. We called it the Blue Mooners. It has disbanded now.

Second favorite coffee shop? Diamonds in Northeast on Central Ave. The parking is limited but I like the checkerboard flag, that the owners are women bikers, that I can hide away inside what used to be the building’s bank vault. Are the walls green, yes, I think the walls are mint green with vintage lamps and tables. I don’t know how people make it in the coffee business. It was mentioned in the Writing Topic that people get into it because they love the product. We’ve got Caribou’s corporate headquarters here in Minneapolis. I’ve always tried to support them. Who can compete with Starbuck’s? And Starbuck’s may not even be the best — but they have the longest arms.

Kiev is sleeping next to me at almost 1am and I’m writing about coffee shops. She thinks I’m nuts and has left me in the dust with her zzzzz’s. Sometimes she snores her little cat snores. Mr. StripeyPants is more likely to take long, deep breaths. Long deep cat breaths. He does it when he’s frustrated or when I won’t play with him. Cats like three things: exercise (to them it’s play), food, and love. Now that I write the words, those are the same things humans need. Not necessarily in that order.

I’m fond of Tazza in Taos because I’ve got memories there with my writing friends, memories of sitting alone and jotting practices in my wire bound notebook with a fast writing pen. But there’s Taos Cow. I wrote there once, too, after a trip to the D. H. Lawrence Ranch. I have read my writing in coffee shops which, looking back, horrifies me. How in the heck did I stand up there and do that? It was a launching pad of sorts, the kind of thing you do when you’ve got nothing to lose. Maybe I need to get back into it. Coffee shops are forgiving. Also noisy. Writers and poets crammed between fiddle player and ragtime. We stuck it out. It’s important to stick things out.

All of the coffee shops have WI-FI now, which begs the question — how do they make any money? I read an article on how people would camp out in coffee shops for the free WI-FI and not buy any drinks. Or buy only one, then stay for hours chatting with their friends, writing, reading. Taking up tables and space. How do you balance the bohemian slant of a good coffee shop with the real need to make money. They need to make money to stay alive. Just like we do.

When I was a teenager, the coffee shop of choice was Dunkin’ Donuts. There was no Starbucks. No Peets, Caribou, or Java Train. No Diamonds, Urban Bean, or Anodyne. I had a friend who worked at Dunkin’ Donuts one summer. It was 1976. She wore all white (no hairnet but instead one of those creased paper hats) and served me a free cup of coffee when I came in. I’d watch her pluck lemon crèmes off the slanted steel shelves, and place them next to chocolate coconut cake donuts and fry-bogged glazed donut holes. Dunkin’ Donuts coffee smelled good, that old style percolator odor that gets into the nooks and crannies of a place. The price of a cup of coffee in 1970 might have been 10 cents, a quarter. Two bits, four bits, six bits a dollar. For a cup of perked coffee, I’d stand up and holler.

 

-posted on red Ravine, Friday, March 26th, 2010

-related to Topic post: WRITING TOPIC — MY FAVORITE COFFEE SHOP

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The Good Stuff’s In Here

-The Good Stuff’s In Here, Caffe, Tazza, Taos, New Mexico, February 2007, photo by QuoinMonkey, all rights reserved

From my Great Places to Write series. The light is right, the cast of characters stimulating, the air is full of French roast, artists, poets, and musicians. You can sit inside or out. And they don’t care if you walk in to just sit in silence. If you’re ever in Taos, this is one of the places to write.

Saturday, April 28th, 2007

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Listen for the Black Dog

My visceral response to your sketch of Dirty Dog and Retro Wallpaper is black dog – the Black Dog of loneliness. Late at night in Taos, the silence would waken me. But it wasn’t silence; it was the dogs of Taos barking in the distance. Dogs have always scared me. And when we walk Morada Lane from Mabel’s to go into Caffe Tazza to write, I’m always aware of the dogs, lurking around fence corners.

A friend in art school started a series of paintings the year we graduated. She called it her Black Dog series. She was obsessed with research on black dogs. It took me a while to understand what she was talking about. But when I saw her brooding wall-sized images, I knew. It was a gut reaction. Deep loneliness. I visit the place often. There is no map out. You have to find your own way. She painted. I took photographs. We weren’t running. We were looking to know the Dog.

What I want to say is that loneliness is a part of writing. And sometimes loneliness feels like Dirty Dog looks – bared teeth, facing off, marking territory. Underneath, the loneliness drives me. Like fear, I’ve learned to embrace it. Even when my life is so good I can’t stand it – even then, late at night when the whole house is sleeping, and I’m up writing – the Black Dog is there, lurking around fence corners.

I still wake up in the middle of the night, scared and lonely. I try not to push it away. The last few weeks, I’ve been listening to Writing Down the Bones on CD. What I love about books on CD is that I hear the writer’s voice. I first read it almost 20 years ago. Revisiting it now, I am taken back to Beginner’s Mind, where I need to be to teach. It grounds me. I find comfort in the gnarled roots of other writers’ loneliness.

I’m tired. I’ve really been pushing myself the last few weeks. On the way to work this morning, I realized I wasn’t in my body. I almost hit Liz’s car backing out of the driveway. Looking for ground, I pushed the button on the Alpine stereo; I glanced up to see the sun rising in billowing blush clouds in the distance; I listened to a writer read her work. The early sky reminded me of mornings walking from my room at Mabel’s to the zendo. A deep calm came over me.

Stopped at the light on the corner of Winnetka and Bass Lake Road, crawling to my day job, I was just sitting. Natalie was revisiting the chapter on Engendering Compassion and the way she used to be tortured by loneliness. But something had turned. The dog doesn’t come for her anymore. She seeks him out. She hunts the dog.

The last thing I heard as I turned the corner on green –

“When I don’t feel loneliness, I know I’m not in connection with the edge of my life. I look around for that Black Dog, loneliness, and make sure it’s near me.”

Listen for the Black Dog.

Thursday, March 15^th, 2007

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PRACTICE: Still My Guitar Gently Weeps in Caffe Tazza

…as my guitar gently weeps on the chair at caffe tazza where a blond bitch freaked out at the mention of El Pinto in Albuquerque…well, el pinto tu puta bitche…



Doodling guitar on chair, or is it chair with guitar?, pen and ink on graph paper, doodle © 2007 by ybonesy. All rights reserved.

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