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Posts Tagged ‘Northwestern Casket Company’

First Thursdays At Casket Arts, poster by Linnea Marie Doyle, © 2009-2010, used by permission of the artist.


Once a month the artists in the Casket Arts Building in Northeast Minneapolis open their doors to the public. The March date is coming up fast. The Casket Arts Building, which includes the Carriage House, has a rich history (see Casket Arts Photoblog). Not only did it used to be a genuine casket company, it’s one of the oldest surviving buildings in Minneapolis. And in 2006, after over 100 years on 17th Avenue NE, the Northwestern Casket Company moved their business to New Hope and sold the building.

That’s when two visionaries, Jennifer Young and John Kremer, turned vintage real estate into the Casket Arts Building. Together they work hard to maintain the integrity of the original structure, and create a thriving space for artists. I share Studio 318 with Liz and two other artists on what used to be the floor where women sewed and embroidered the inside of the caskets (more at Casket Arts Epilogue). It’s a beautiful space. Please stop by and visit if you are in the area!


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Date: First Thursday of Every Month
Time:
5:00pm – 9:00pm
Street:
681 17th Ave NE
City:
Minneapolis, MN


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If you miss us this Thursday, we are open the First Thursday of Every Month from 5 to 9 pm at 17th and Madison Street NE. And don’t forget about one of the highpoints of the year for the Minneapolis Arts District, ART-A-WHIRL Open Studio and Gallery Tour which takes place May 14th – 16th, 2010 (in 2011, the dates are May 20th – 22nd). It’s a great way to kick off Spring in Minnesota — in community and support of the Arts.


-posted on red Ravine, Wednesday, March 3rd, 2010, with gratitude to Linnea for creating and giving us permission to distribute her poster. You can see more of her work at her website.

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Halloween Spider Exit, Casket Arts Building, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Halloween Spider Exit, Casket Arts Building, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Spider Walk, Casket Arts Building, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Spider Walk, Casket Arts Building, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Casket Arts Halloween, Casket Arts Building, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Casket Arts Halloween, Casket Arts Building, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.



There was a Halloween Open Casket event at the Casket Arts Building last weekend. We spent several days hanging out in our studio, visiting with community artists and art lovers who stopped by to view and talk about art.

One couple had just moved into the building and we were talking about how the entire 3rd floor was once filled with women who sewed silk casket linings for the Northwestern Casket Company. And the polished maple we were standing on contained patches of thrown away boards from the casket builders downstairs.

That got me to thinking about caskets and, well, things just snowballed from there. Here’s my short list of fun things to do on Halloween.




1) Take A Casket Decorating Class


All things associated with death, including obituaries, caskets, and burials used to be an art form. People spent painstaking hours building and decorating caskets with the art of Rosemaling or Dalmalning. And there are people who still excel at this craft.

Rosemaling is Norwegian decorative painting. In an interview, Casket Painting Uplifted by Folk Art Tradition, Alegria talks about how she got started in casket painting. It’s spiritual work for her:


I do what I do because I have been given opportunities to experience dying, death and loss in the biggest ways, and I want to take what I’ve learned and experienced and help transform grief to glory.


If you head over to the Alternative Funeral Monitor News, you can read the whole interview with Alegria and see a photograph of a casket with Rosemaling.


Here’s an excerpt:


I paint Folk Art, primarily Rosemaling, a Norwegian folk art. I also use other forms, including Dalmalning, which is Swedish flower painting, and Baurnermalerai, a Bavarian folk art. In fact, every country has specific ethnic folk art forms, with designs and patterns that have been used for centuries.

Rosemaling actually comes from the early itinerant painters who traveled throughout Scandinavia. They stayed with families, became part of the family and decorated precious dowry trunks, beams, walls, ceilings and pews in the churches for the people. This art helped to bring light, color and joy into the long, dreary, dark winters.

The patterns and designs invoked spirits that the wood carvers had first carved on the Viking ships, such as acanthus vines, serpents and dragons. The shapes have meanings which they incorporated into the designs of this early work.

In addition, in the earliest burial customs, people were buried wrapped in a shroud. Later, when customs started to change and people harvested timber and used planks of wood to make caskets to bury people in, the custom began of adorning and decorating caskets. The ancient motifs and designs I paint with rise from the subconscious that now really is a form of tribal art.



2) Learn To Build Your Own Casket


The North House Folk School up on the Harbor of Lake Superior in Grand Marais, Minnesota is offering a Build Your Own Casket class. I don’t know about you, but this looks fascinating and fun to explore. What better way to prepare for that final resting place.

There are photographs and more at the link below. Just scroll down the Woodworking page to get to the casket building class.


Bury Yourself In Your Work – Build Your Own Casket
Instructor: Randy Schnobrich
Session Options: 12/5/2008 – 12/7/2008


None of us are getting out of this alive, so you might as well bury yourself in your work. Join a growing number of independent-minded people looking for a more meaningful alternative to today’s burial arrangements. This course covers a range of important details such as: proper sizing, joinery, handle construction, hardware and design options.

The finished casket need not wait for a final departure before being put to use. Above-ground applications include use as bookshelves, coffee tables, storage containers and entertainment centers.




3) Read Old Obituaries (1920’s – 1950’s) & Write Your Own


This one offers immediate satisfaction. We’ve talked about the obits many times on red Ravine. After reading today’s obits, I’m stunned by the richness and character of the old obituaries, how people used to take time to honor people in death by writing about their lives.

Mom uses obituaries in her research on the family tree and they often lead to uncovering buried skeletons. What a treat!  It makes me wonder if there used to be people in a community who excelled at writing obituaries, writers that the grief-stricken would turn to to write the obit of a lifetime.

Here’s a link to FR – FZ section of a few Wisconsin ancestral obituaries. And a little bit about the poetic character of Anton N. Freng in this short excerpt from his obituary:


Anton Nilson Freng was born in Brottom, Norway, on July 31, 1852, and died at his home in South Valley, town of Summer, on November 6, 1933, having lived 81 years, three months and six days. He learned the painting trade under Master Erick Alm. In 1873, the family immigrated to America, stopping at Chicago for a few weeks and then making their home in LaCrosse, Wisconsin.

A.N. Freng was a man of action. He served on his school district board for many years, was an organizer and director of the Osseo Canning Company, and served for thirty years as director and agent for the Pigeon Mutual Fire Insurance Company. He was secretary of the South Valley church for the past 45 years.

Mr. Freng was the leader in his community. He was endowed with more than ordinary amount of common sense and courage. His neighbors depended upon his counsel. He was a man of sterling character. He had a kind and jovial disposition. He was loved and respected by all who knew him well. His oft repeated phrase, “Another of our old and venerable pioneers has gone to his well-earned rest” has again come true, and may we add that the greatest of them all has gone.

Coming from a foreign country at the age of 21, not knowing a world of English and having had but little schooling, he rose to heights and power unsurpassed by many who had much greater advantages. He was great because he had ability, because he was honest and sincere. He expended his energies in the right direction, for the betterment and advancement of his community and country. The world is better for his having lived.

      -Written by J. Reese Jones. THE WHITEHALL TIMES – NOVEMBER 15, 1933

 


Mr. Ghoul, Casket Arts Building, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.Pumpkin Man, Casket Arts Building, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Mr. Ghoul, & Pumpkin Man, Casket Arts Building, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.





Any takers? There’s nothing boring about death and dying folks. And for an extra special treat, visit Heather’s blog, Anuvue Studio. She goes crazy every Halloween with all things wild and wonderful.



Happy Halloween. Happy Day Of The Dead. Happy Samhain.





     Casket Arts Glow, Halloween at the Casket Arts Building, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.Ghoulish Toast, Minneapolis, Minnesota, October 2006, photo © 2006-2008 by QuoinMonkey. All rights reserved.String Theory, Halloween at the Casket Arts Building, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.


-posted on red Ravine, Friday, October 31st, 2008

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Icon Painting, May 19th, 2007, photo © 2007 by QuoinMonkey. All rights reserved.

Icon Painting, May 19th, 2007, all photos © 2007 by QuoinMonkey, all rights reserved


A week ago, I was at Art-A-Whirl in Northeast Minneapolis, where I spent most of the time in the Casket Arts Building (see Casket Arts Photoblog).  ybonesy asked in a comment if the building had a funeral home during the time it was a casket factory.

The answer is no. But what I did find out was there were whole floors of needle-clad seamstresses who sewed quilted silk liners and cushions for the caskets.

I had pictured the factory as mostly men, a likely scenario for woodworking factories during the late 1800’s. According to John, one of the owners, that’s far from true. He said he thought the energy of the building was so good because of all the women that were there every day, honing their craft.

No funeral home. Mostly women. The building produced custom made caskets up until it was sold a few years ago.

I could imagine it – a woman of the time taking great pride in her needlework softening the loss of a family member (and the ride to the other side). John also said that some of the rosewood and cherry leftover from building the caskets had been used to patch the floors up on the 4th level. They discovered it when they sanded and refinished them.

I don’t know about you, but details like this light up my nights. The history of century-old people and architecture gives me something to hold on to, a thread of continuity, a place to stand. Buildings are living, breathing places we walk in and out of every day. We spend so much time there. We take them for granted.


      All That Glitters, May 19th, 2007, photo © 2007 by QuoinMonkey. All rights reserved.  Pigment, May 19th, 2007, photo © 2007 by QuoinMonkey. All rights reserved.

      Mary, May 19th, 2007, photo © 2007 by QuoinMonkey. All rights reserved.  Origins, May 19th, 2007, photo © 2007 by QuoinMonkey. All rights reserved. 


One of the best parts of Art-A-Whirl was walking down the street a few blocks to St. Mary’s Russian Greek Orthodox Catholic Church built in 1905. Haunting melodies echoed between solid oak doors and out into the late afternoon sun. I couldn’t help but imagine some of the casket workers from the early 1900’s walking down to a summer service.

As part of their participation in last Saturday’s community art event, St. Mary’s had been giving painting lessons on iconography . Rows of jars of handground pigments graced a short table at the entrance to the service. When we arrived, they were breaking for a 30 minute service. Incense filled the air.

The man who established the church, Rev. Alexis Toth, was a rebel. What artist wouldn’t like that? The history is rich. You can read the whole account in New Advent. 


Here’s a snippet:

The first great impulse to the establishment of the Russian Church in the United States on a large scale was given in 1891, when the late Rev. Alexis Toth, then a Ruthenian Greek Catholic priest in Minneapolis, disobeyed the instructions of Archbishop Ireland and, when threatened with a recall to his native country, left his parish, went to San Francisco, turned Orthodox, and submitted to Bishop Nicholas, and on returning to Minneapolis took over his whole parish to the Russian Orthodox Church.

The guy was on fire. And so were the artists I supported last weekend. I had a peaceful evening, full of art, friends, and the creative spirit. At the risk of sounding overly romantic, these kinds of connections sustain me.



Saturday, May 26th, 2007

-see Because Sometimes Catholicism *Is* Scary for another perspective

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Northwestern Casket Company building in Northeast Minneapolis, photo © 2007 by QuoinMonkey. All rights reserved.

The Northwestern Casket Company, May 17th 2007, all photos copyright © 2007-2010 by QuoinMonkey, all rights reserved.


I went over to the Casket Arts Building on Thursday to help my friend, Gail, hang her show. She recently joined the rain collective, a confluence of artists who moved into the building this week.

I took my camera along and the pleasure was all mine. The exposed brick had been restored, the studio floors had been sanded and polished to their original luster, a stunning mix of maple and pine.

The oldest portion of the former Northwestern Casket Company, which served as a casket factory until January of 2006, dates back to 1887. It’s one of the oldest surviving buildings in the city of Minneapolis.

Elevator Shaft, May17th, 2007, photo © 2007 by QuoinMonkey. All rights reserved. Smoke Stack from Gail's studio window, May 17th, 2007, photo © 2007 by QuoinMonkey. All rights reserved.

I met owner, Jennifer Young, and we stood in the door of Gail’s studio and chatted for a while about what kind of shape the building was in before they bought it – and what it looks like now (a photographer’s dream).

The former owner of Northwest Casket Company, Robert Berny, rose from clerk to president and spent 6 decades with the company until his death in 2004. He was buried in a custom cherrywood casket.

Tools of the Trade, photo © 2007 by QuoinMonkey. All rights reserved.

Yesterday, the building was bustling with artists preparing for an annual Northeast tradition, Art-A-Whirl. This is the 12th Annual Art-A-Whirl; I remember the first. I had a studio in the Northrup King seed building back then.

When artists come together, the energy is palpable – vibrating and alive. I felt like I was standing in pockets of calm when I captured these images – silent spaces between the buzz of hanging oil, acrylic, and canvas on freshly painted white walls, and lunch at Emily’s Lebanese Deli .


Casket Arts Building, May 17th, 2007,photo © 2007 by QuoinMonkey. All rights reserved. Couch, May 17th, 2007, photo © 2007 by QuoinMonkey. All rights reserved.

Counterweight - Up, Down, May 17th, 2007, photo © 2007 by QuoinMonkey. All rights reserved.


Bathroom window, 4th floor, May 17th, 2007, photo © 2007 by QuoinMonkey. All rights reserved. Emily’s, May 17th, 2007, photo © 2007 by QuoinMonkey. All rights reserved.

Inside, Outside, May 17th, 2007, photo © 2007 by QuoinMonkey. All rights reserved.


Mixing Paint, May 17th, 2007, photo © 2007 by QuoinMonkey. All rights reserved. Comes & Goes, detail, photo © 2007 by QuoinMonkey. All rights reserved.

Sightseer, detail, photo © 2007 by QuoinMonkey. All rights reserved. Where We Meet, detail, photo © 2007 by QuoinMonkey. All rights reserved. Gypsy, detail, May 17th, 2007, photo © 2007 by QuoinMonkey. All rights reserved.

Exit, May 17th, 2007, photo © 2007 by QuoinMonkey. All rights reserved.

Exit, May 17th, 2007, all photos in this post copyright © 2007-2010 by QuoinMonkey, all rights reserved.


Saturday, May 19th, 2007

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