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Posts Tagged ‘celebrating the ordinary’

OWL FEATHER 2-IMG01800-20110218-1034 AUTO

Owl Feather Study In Blue 2, BlackBerry Shots, Minneapolis, Minnesota, February 2011, photo © 2011 by QuoinMonkey. All rights reserved.



OWL FEATHER 5-IMG01803-20110218-1035 AUTO

Owl Feather Study In Blue 5, BlackBerry Shots, Minneapolis, Minnesota, February 2011, photo © 2011 by QuoinMonkey. All rights reserved.



OWL FEATHER 4-IMG01808-20110218-1037 AUTO

Owl Feather Study In Blue 4, BlackBerry Shots, Minneapolis, Minnesota, February 2011, photo © 2011 by QuoinMonkey. All rights reserved.



OWL FEATHER 3-IMG01802-20110218-1035 AUTO

Owl Feather Study In Blue 3, BlackBerry Shots, Minneapolis, Minnesota, February 2011, photo © 2011 by QuoinMonkey. All rights reserved.



OWL FEATHER 1-IMG01801-20110218-1034 AUTO

Owl Feather Study In Blue 1, BlackBerry Shots, Minneapolis, Minnesota,
February 2011, photo © 2011 by QuoinMonkey. All rights reserved.



It was a windy 10 degrees when I found this downy owl feather blowing across a parking lot. I decided to photograph it with my BlackBerry over a break. The bright sun made the shadows pop against the texture of my lunch bucket. Feathers are symbolic. Ordinary as extraordinary.

Yesterday we drove down to Monticello, Minnesota to see the wintering Trumpeter Swans. Again, two downy swan feathers floated across the observation site and landed by my foot. I’ve added them to my feather collection. Hope is the thing with feathers. And, thanks to Yves Klein, I think I’ve entered my Blue Period.


-posted on red Ravine, Sunday, February 20th, 2011

-related to post: WRITING TOPIC — LIGHT AS A FEATHER

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September Red Pepper, Minneapolis, Minnesota, September 2009,
all photos © 2009 by QuoinMonkey. All rights reserved.








red pepper study
yellow, green, orange palette
god in the details








Pepper Study: Pepper Pot, Green Before Red, Pepper Leaves,
Hole In A Pepper Leaf, Red Pepper Green, 8 Faces Of A Pepper Stem,
Alone But Not Lonely
, Minneapolis, Minnesota, September 2009,
July 2009, all photos © QuoinMonkey. All rights reserved.






-posted on red Ravine, Monday, September 14th, 2009

-related to post: haiku 2 (one-a-day)

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Passing Of Time, Robert Frost as a young man, from Poetry & Meditation Group, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.Passing Of Time II, Robert Frost as a middle-aged man, Poetry & Meditation Group, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.Passing Of Time III, Robert Frost as an aging man, Poetry & Meditation Group, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.


Passing Of Time, Robert Frost, Poetry & Meditation Group, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.



It’s November 4th, 2008 and history is being made in the United States of America. Liz and I voted this morning at our local precinct in Minneapolis; ybonesy is out in New Mexico continuing her good work. I take comfort in the realization that we all contribute to the process in the ways we are able. Some are out canvassing, some write articles for the newspaper or on their blogs, some work at the polls, some pray and hold the space, a kind of quiet peace.

All contributions matter in times like this, from the most subtle to the most vigorous. And I have a great deal of gratitude that we live in a democracy that allows us to have a voice, to vote our conscience, whoever that may be. Yet it occurs to me that the ordinary day-to-day things continue to go on around us. We don’t stop living our lives.

Yesterday, we got a new roof on our house, called the dentist office, cleaned the living room, folded laundry, stocked up on groceries in preparation for a long and busy week. Tomorrow night we’ll attend the next Poetry & Meditation Group with Langston Hughes. Yesterday, ybonesy and I celebrated 2 years of writing together on red Ravine. Tomorrow we’ll know the results of the election and a long, tumultuous, political process will come to an end.

The extraordinary lives by the ordinary. Practice continues. Writing continues. Life continues. Someone will be born; someone will die.



In our last few Poetry & Meditation groups, we continued with the Dead Poets series. Since we can no longer send the poets postcards, Teri addressed cards to the directors of the Robert Frost and Emily Dickinson homes, thanking them for their Great Effort in keeping poetry alive.

We all signed our names in a gesture of gratitude and kindness. Because in moments when we are unsure, or times when we want to give up, these people, places, and books become our mentors. The preservation of literary places is vital to our creative livelihood.

So on this electric Tuesday, I’m celebrating the historic; I’m celebrating the ordinary. November 3rd and 5th are as important as November 4th.  Every day counts. If you feel anxiety about the election results, sometimes it helps to go back to basics — writing, journaling, a practice. Both Frost and Dickinson wrote about everyday events in their lives.

In times of uncertainty, I find peace in expressing gratitude for the people who came before us — because they pave the way for the history being made today. A prize-winning American author of children’s literature, Virginia Euwer Wolff (not to be confused with British novelist, Virginia Woolf) shows her love of Emily Dickinson in the Introduction to I’m Nobody! Who are You?, a children’s book about Dickinson’s poetry.


Here’s an excerpt from Virginia Wolff’s tribute to Emily Dickinson:


In my studio I have a quotation from Emily Dickinson: “My business is Circumference.”

Near my desk I keep a photo of Emily Dickinson’s bedroom and writing table. The photograph reminds me that writing — yours, mine, ours — is important in our relationship with the world, even if no one else ever sees it. Even if it was to stay in bundles in our bedrooms, it would still have pungence, spunk, and heart — if only because we had the courage to put it on paper.

In our time, this secret woman who thought of life as “mystic territory” is listed in the Academy of American Poets and crowds of eager tourists visit the large brick house she lived in at 280 Main Street in Amherst, Massachusetts.

Some thoughts on what to call her. I feel that calling her “Miss Dickinson” shows respect for her dignity and her veil of seclusion. But in the privacy of my own Home, looking at the picture of her writing table on my windowsill and reading her “Circumference” statement on my wall, I call her Emily. You’ll decide what seems right for you. I think she would want it that way.

-Virginia Euwer Wolff



What strikes me is that it’s not a photograph of the poet herself that Wolff holds close to her own writing life. Instead, it’s a place, an ordinary object, a moment in time — an image of Dickinson’s bedroom and her writing table — the place Emily rested her hand when she penned her last poem.



–posted on red Ravine, Election Day, Tuesday, November 4th, 2008, historic day, ordinary day, with gratitude to all who have led us here

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Oda a las cosas
by Pablo Neruda

Amo las cosas loca,
locamente.
Me gustan las tenazas,
las tijeras,
adoro las tazas,
las argollas,
las soperas,
sin hablar, por supuesto,
del sombrero.
Amo todas las cosas,
no sólo
las supremas,
sino
las
infinita-
mente
chicas,
el dedal,
las espuelas,
los platos,
los floreros.

Ay, alma mía,
hermoso
es el planeta,
lleno
de pipas
por la mano
conducidas
en el humo,
de llaves,
de saleros,
en fin,
todo
lo que se hizo
por la mano del hombre, toda cosa:
las curvas del zapato,
el tejido,
el nuevo nacimiento
del oro
sin la sangre,
los anteojos,
los clavos,
las escobas,
los relojes, las brújulas,
las monedas, la suave
suavidad de las sillas.

Ay cuántas
cosas
puras
ha construido
el hombre:
de lana,
de madera,
de cristal,
de cordeles,
mesas
maravillosas,
navíos, escaleras.

Amo
todas las cosas,
no porque sean
ardientes
o fragantes,
sino porque
no sé,
porque
este océano es el tuyo,
es el mío:
los botones,
las ruedas,
los pequeños
tesoros
olvidados,
los abanicos en
cuyos plumajes
desvaneció el amor
sus azahares,
las copas, los cuchillos,
las tijeras,
todo tiene
en el mango, en el contorno,
la huella
de unos dedos,
de una remota mano
perdida
en lo más olvidado del olvido.

Yo voy por casas,
calles,
ascensores,
tocando cosas,
divisando objetos
que en secreto ambiciono:
uno porque repica,
otro porque
es tan suave
como la suavidad de una cadera,
otro por su color de gua profunda.
otro por su espesor de terciopelo.

Oh río
irrevocable
de las cosas,
no se dirá
que sólo
amé
lo que salta, sube, sobrevive, suspira.
No es verdad:
muchas cosas
me lo dijeron todo.
No sólo me tocaron
o las tocó mi mano,
sino que acompañaron
de tal modo
mi existencia
que conmigo existieron
y fueron para mí tan existentes
que vivieron conmigo media vida
y morirán conmigo media muerte.







Ode to things
by Pablo Neruda

I have a crazy,
crazy love of things.
I like pliers,
and scissors.
I love
cups,
rings,
and bowls —
not to speak, of course,
of hats.
I love all things,
not just the grandest,
also the infinite-
ly
small —
thimbles,
spurs,
plates,
and flower vases.

Oh yes,
the planet
is sublime!
It’s full of
pipes
weaving
hand-held
through tobacco smoke,
and keys
and salt shakers —
everything,
I mean,
that is made
by the hand of man, every little thing:
shapely shoes,
and fabric,
and each new
bloodless birth
of gold,
eyeglasses,
carpenter’s nails,
brushes,
clocks, compasses,
coins, and the so-soft
softness of chairs.

Mankind has
built
oh so many
perfect
things!
Built them of wool
and of wood,
of glass and
of rope:
remarkable
tables,
ships, and stairways.

I love
all
things,
not because they are
passionate
or sweet-smelling
but because,
I don’t know,
because
this ocean is yours,
and mine:
these buttons
and wheels
and little
forgotten
treasures,
fans upon
whose feathers
love has scattered
its blossoms,
glasses, knives and
scissors —
all bear
the trace
of someone’s fingers
on their handle or surface,
the trace of a distant hand
lost
in the depths of forgetfulness.

I pause in houses,
streets and
elevators,
touching things,
identifying objects
that I secretly covet:
this one because it rings,
that one because
it’s as soft
as the softness of a woman’s hip,
that one there for its deep-sea color,
and that one for its velvet feel.

O irrevocable
river
of things:
no one can say
that I loved
only
fish,
or the plants of the jungle and the field,
that I loved
only
those things that leap and climb, desire, and survive.
It’s not true:
many things conspired
to tell me the whole story.
Not only did they touch me,
or my hand touched them:
they were
so close
that they were a part
of my being,
they were so alive with me
that they lived half my life
and will die half my death.


 




Pablo Neruda wrote three books of odes during his lifetime. “Oda a las cosas” appeared in the book Odas Elementales in 1954. Neruda wrote and published a vast number of poems, which spoke of love, existentialism, and political travesty. His odes — poems of praise to laziness, a tuna, things — celebrated the day-to-day — the simple ordinariness of life itself.

 

Abstract Charcoal Series and Color Links, details of charcoal on paper and details of link necklace, drawings and photos © 2008 by ybonesy. All rights reserved.

-Related to posts Got Poetry (National Poem In Your Pocket Day), Getting To Know Pablo Neruda, and Neruda – Solo La Muerte.

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