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Posts Tagged ‘Barack Obama face’

Flower Power, second in a series, gouache and spray paint on gessoed canvas, image and painting © 2009 by ybonesy. All rights reserved.











 

Mr. President:
Yes you can. Give peace a chance.
My message to you.













-related to posts This, That & The Other, The Making Of A Painting Painter, and haiku 2 (one-a-day)

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This.


Wistful for Wisteria, our wisteria vine about this time last year, right before a freeze zapped it, photo © 2008-2009 by ybonesy, all rights reservedThis is our wisteria vine just about this time last year, right before a hard freeze zapped the blooms.

We’re hopeful that we’ll see the wisteria go wild this spring, yet the vine’s tender young buds already froze once, last month, and a second set is barely sprouting anew.

This is the time of year when I can’t wait for the weather to make up its mind and choose warm over cold, calm over windy. It’s the time of year when I go crazy wanting to fast-track nature. I’m tired of the color brown and the dull tan of cottonwood leaves and old pine needles. I long to see sumptuous greens and every hue of purple imaginable.

I plant pansies in pots and spend too much money at the nursery. I tempt nature by pulling the geraniums out of the greenhouse, and the jade plant, too. Then nature pulls a punch, with a day of rain that almost turns to snow. And right when I think I’ve once again underestimated how cool these desert mountains of the Rio Grande Valley can be, the sun comes out and a rainbow, too.



 




That.


Spared, a Virgin Mary statue that my aunt Olivia painted for me, barely missed being crushwed when a tree branch broke from a storm, photo 2008-2009 by ybonesy, all rights reservedApril is a windy month in Albuquerque. You can sweep the elm seeds from the porch and in an hour open the front door to an entire elm seed colony waiting to swirl on in and see the place.

But I like April anyway. Good people are born in April. My youngest daughter. My sister. One friend I’ve known since junior high school and another I’ve known since our first job out of graduate school.

And there’s our friend and fellow writer/blogger/traveler “lil,” who recently celebrated a birthday and received an amazing poem from her husband, which she posted on C. Little, no less. Check it out.

Happy birthday to those all you Aries and happy blowy days to the rest of you!




The other.


       

    




Obama Peace, gouache on 12×12 canvas, painting © 2009 by ybonesy. All rights reserved. (Trying to figure out if it’s finished.)

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Tossed away.

A subset of my doodles on FlickrIn fall of last year I had an opportunity. A gallery owner in New York City saw my doodles on Flickr and invited me to join a group show in spring 2009. (Several artists on Flickr were asked to join.)

I rejoiced in being invited yet hemmed and hawed about whether I’d accept. In the end I signed up, making a vague notation in my brain about April being a key month for getting the paintings done. Then I went on with my life.

Thanksgiving and Christmas came and went, as did the new year. I made the intention to Finish what I start. President Barack Obama was inaugurated. I rejoiced again.

I bought canvases for the art show, gessoed them, set them aside in my writing room. Looked at them most days, noted that it was time to begin painting, procrastinated.

In early February I decided to get serious about starting the pieces. I cleaned off my work table, filed three months’ worth of bills. We took on a Mexican exchange student from February 7-21. A pinched sciatica kept me in bed for almost two weeks.

By the time I sat down to paint, I had frittered away four months. I looked up the date when the paintings needed to be in Manhattan. February 28. The show was in early April. I missed the deadline. 


Second chances.

A subset of my doodles on FlickrI have a new opportunity. Our community, which boasts an inordinately large number of artists and craftsmen, holds an annual art studio tour. This year the tour happens the weekend of May 2-3. I will be showing in a gallery with a handful of other artists—real artists.

Here is my chance to make the leap.

When Obama was inaugurated, I did a quick doodle. As soon as I finished it, I knew I wanted to do a series of Obama faces on 12″x12″ canvases for the New York City art show. My problem was never a lack of ideas; rather, it was a lack of follow through.


Showing up.

I picked up the paintbrush in March. When I started, I painted to the tempo of a little voice saying, I don’t know how to do this. I’ve never painted on canvas. If gessoed, I figured, canvas should act similar to gesso on wood. I was wrong.

Painting is a process. This painting, the first in a series, is a work in process. I thought it was almost done, but then I realized that I hadn’t learned how to control—or, rather, let myself lose control—of the paintbrush. 

When I began thinking about painting on canvas, QM suggested that I do a post about my process. I agreed even though I had no idea if my ideas about process would work. I’m not done with this painting, but I can tell you this—it’s not the actual process that’s important. What matters is that you have one. 


Learning process.


My original "quick and dirty" Obama doodle, pen and ink on graph paper. I enlarge it to fit my canvas and drew the outline onto tracing paper.

My original "quick and dirty" Obama doodle, done with pen and ink on graph paper. I enlarge it to fit my canvas, add a background, and draw the outline onto tracing paper.





Step One: Transfer the image outline to canvas

I transfer the image outline to the canvas using good ol' carbon paper, the kind used in days past for typing mimeographs. This prep work takes a lot longer than I expect, about half a day.





Step 2: Paint first layer of gouache (watercolor) on canvas

I paint the first layer of gouache (watercolor) on canvas, starting with Obama's face. I don't like this color of blue; it's too purpley. I still haven't figured out how to mix colors to find the right one nor how to use my brush as a tool versus an obstacle.





Never working with watercolor on canvas, I'm afraid to make mistakes. I notice when I'm bold with color, I end up going too dark, such as the brick red portion of the circle behind Obama.

I paint slowly. I'm afraid to make mistakes, and I notice that when I go bold I end up adding too much paint, like in the orange portion of the circle beside his head. I need to dig in but I'm stuck at not wanting to mess it up. I procrastinate again.





I add more paint and texture to the face, going in dark and then using lighter paint to emphasize shadow. Now that the face is coming into focus, my ideas about the background are changing completely. Good thing gouache is maleable.

Finally, I pick up the brush after a hiatus. I add more and more paint and texture to the face. To create dimension---shadow and light---I go in dark with shades up to black and then use light paint to take away the dark. Now that the face is coming into focus, my ideas for the background are changing. Good thing gouache is maleable.





While watching American Idol, I find that I loosen up with the paint. I'm also trusting that I can fix mistakes, that nothing is permanent. I experiment with using the brush the way I would a pen.

While watching American Idol, I loosen up. I'm trusting that I can fix mistakes, that nothing is permanent. Also, if the room is kind of dim, I have a better time seeing contrast. I notice that I have too much light paint on the tip of Obama's nose. I'll go in next time and put in more shadow at the bottom.





In my original doodle I forgot to capture Obama's mole next to his nose. I got it this time, although I'm not sure if I'll change it to blue to match the rest of his skin.

In my original doodle I forgot to capture Obama's mole next to his nose. I got it this time, although I'm not sure if I'll change it to blue to match his skin. I notice his eyebrow is too dark, but I can go in, lighten it and add texture to make it look more natural. (Although, is "natural" a consideration when his entire face is bright blue?)





His mouth needs work; it's clownish looking to me, and I've barely touched his teeth and gums. But I am enjoying his cheeks and those deep crevices he gets when he smiles. Also, I experiment using the brush the way I would a pen. Amazingly, painting is not that different than drawing.

His mouth needs work; it's clownish looking to me, and I've barely touched his teeth and gums. But I am enjoying his cheeks and those deep crevices he gets when he smiles. Also, I experiment using the brush the way I would a pen. Amazingly, painting is not that different than drawing.




Overcoming fear.

Here’s what I know. I’m the only person who’s ever stopped me from realizing my dreams. I’ve gotten out of my own way this time. Next time I might be right back in the middle of the road with my hands out in front of me yelling STOP! But not today.

My goal is to paint six pieces for the early May show. I have less than a month to go, and I can only paint in the evenings and on weekends. I went to a carpenter and asked him to make me wood boards to paint on. Canvas works, but I still like wood best.


Just painting.


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Gouache postscript.

Thanks to QM’s curiosity, I’m adding these excellent links on the topic of gouache.

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Mr. President, pen and ink on graph paper, based on a photo
in Mother Jones, doodle © 2009 by ybonesy. All rights reserved.





Elizabeth Alexander shared her poem, Praise song for the day.
Reverend Joseph Lowery offered his benediction.


What words do you have for the 44th president of the United States?
Share your poems, blessings, hopes, wishes, advice.



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