Functioning Ego — August Mandalas (Goethe & Color)

Night Flower Faces The Sun, Minneapolis, Minnesota, August 2008, photo © 2008 by QuoinMonkey. All rights reserved.

ONE: The 8th Stage of the Great Round, Functioning Ego, allows you to stand on your own two feet, reach out, and engage the Universe, much like a flower turns to face the sun. Medium: Crayola markers, Portfolio Brand Water-Soluble Oil Pastels, and Rainbow Magic pens that change & erase color.

5-Pointed Star, Minneapolis, Minnesota, August 2008, photo © 2008 by QuoinMonkey. All rights reserved.

TWO: In the rising star of Stage 8, others begin to take notice of skills, abilities, and dedication to your craft. The 5-poined star mandala has a firm foundation, arms outstretched, head held high. Medium: Reeves Water Colour Pencils.

Laws Of Nature, Minneapolis, Minnesota, August 2008, photo © 2008 by QuoinMonkey. All rights reserved.

THREE: During Stage 8, you take life by the hand and learn to manage the many circles spinning around you. Whether a complex project, people working together in the spirit of cooperation, or the waxing phases of the Moon, you are learning to work in harmony with Nature. Medium: Crayola markers, Portfolio Brand Water-Soluble Oil Pastels, and Reeves Water Colour Pencils.

Thunderbird, Minneapolis, Minnesota, August 2008, photo © 2008 by QuoinMonkey. All rights reserved.

FOUR: In this Native American mandala, the static cross sprouts wings and becomes a spinning Thunderbird form, ancient symbol of the Sun. Archaeological evidence of this shape on ornaments dates from the Neolithic period. Medium: Crayola markers, Portfolio Brand Water-Soluble Oil Pastels, and Reeves Water Colour Pencils.

August Mandalas — Stage 8 – Functioning Ego

Whether starting your own business, remodeling your home, or managing interpersonal issues as a community leader, Functioning Ego is about taking Action. A time of doing, not being, Stage 8 becomes activated when you take the initiative to bring an inspiration into reality, and really kicks in when you are engrossed in the challenging tasks required to reach your goals.

These mandalas are from the 8th month of a year-long mandala practice that began with the post Coloring Mandalas . Early this year, I made the decision to follow the twelve passages of Joan Kellogg’s The Great Round. According to Susanne F. Fincher, the healing benefits of The Great Round: Stage 8 – Functioning Ego are:

• ability to work comfortably in group settings, organizations, or alone, whichever is needed to accomplish your goals
• inspiration becomes reality through great effort, and takes on a form that is seen and appreciated by others
• you are actively engaged toward personal goals, living life on life’s terms, using the imagination to the fullest to create new and wondrous things
• on the spiritual level, healing takes place through finding ways of sharing wisdom gently and respectfully with others, in ways they can understand

I’m currently working on the tail end of October’s mandalas, along with a painting in the studio. The textures and colors are kind of wild on the canvas, so I thought I’d continue to use the mandalas to talk about color. Some time ago, when I was researching information on Providence, I ran into Johann Wolfgang von Goethe’s Theory of Colours (original German title, Zur Farbenlehre).

Goethe's Colour Wheel, 1809, image Public Domain

Goethe, originator of the concept of World Literature (Weltliteratur), took great interest in the literatures of England, France, Italy, classical Greece, and Persia, and wrote what is considered a high point of world literature, the two-part drama Faust. Theory of Colours was published in 1810 and Wassily Kandinsky called it, “one of the most important works.”

The last major color breakthrough had been in 1660 with Sir Isaac Newton whose work in optics led to his creation of the color wheel. For Newton all the colors existed within white light. But Goethe’s Colour Wheel arose from the interaction of light and dark, and the psychological effects of color. Goethe didn’t see darkness as an absence of light, but polar opposite and interacting with light. Colour resulted from the interaction of light and shadow.

He wrote:

Yellow is a light which has been dampened by darkness; Blue is a darkness weakened by the light. Light is the simplest most undivided most homogenous being that we know. Confronting it is the darkness.

–Letter to Jacobi

Goethe's Triangle, image for educational purposes, from Color Mixing and Goethe's Triangle (csbrownedu)

Goethe wanted to uncover color’s secrets and investigated whether rules could be used to govern the artistic use of color. He created a Colour Wheel but later found his ideas were best expressed within an equilateral triangle. In Goethe’s original triangle, the three primaries red, yellow, and blue, are arranged at the vertices of the triangle. He chose the primaries based as much on their emotional content as on their physical characteristics.

To Goethe it was important to understand human reaction to color, and his research marks the beginning of modern color psychology. He believed that his triangle was a diagram of the human mind and linked each color with certain emotions. Blue evoked a quiet mood, while red was festive and imaginative. The emotional aspect of the arrangement of the triangle reflects Goethe’s belief that the emotional content of each color be taken into account by artists.

Goethe’s theories of color and emotional response, once considered radical, are commonplace in today’s world. Over the course of the year, I am learning about my own color preferences in relationship to the circle. Perhaps color observations about our work say as much about us emotionally, as they do our art.

-posted on red Ravine, Thursday, October 30th, 2008

-related to posts: The Void – January Mandalas, Dragon Fight – June Mandalas, Winding Down – July 4th Mandalas, Squaring The Circle — July Mandalas (Chakras & Color), and WRITING TOPIC – CIRCLES

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Squaring The Circle — July Mandalas (Chakras & Color)

CrossWings, Minneapolis, Minnesota, July 2008, photo © 2008 by QuoinMonkey. All rights reserved.

ONE: Squaring the Circle creates an opening which connects the (“I”) Ego with the inner self, freeing up energy for the things that really matter to you. Opposites in conflict settle into balance (like these wings). Medium: Crayola markers and Reeves Water Colour Pencils.

Meditation, Minneapolis, Minnesota, July 2008, photo © 2008 by QuoinMonkey. All rights reserved.

TWO: Stage 7 brings attention to thinking, learning, and discovering creative abilities. This mandala was designed during the Renaissance as an object of meditation. Committing it to memory was thought to draw up love, the life force in all things. Medium: Crayola markers and Reeves Water Colour Pencils.

Circle Squared, Minneapolis, Minnesota, July 2008, photo © 2008 by QuoinMonkey. All rights reserved.

THREE: Learning to feel comfortable with yourself and your place in the scheme of things creates a firm foundation for identity. The balance between circles and squares signifies the harmony between masculine and feminine energies that reside together in each of us. Medium: marker paints.

Crusader’s Shield, Minneapolis, Minnesota, July 2008, photo © 2008 by QuoinMonkey. All rights reserved.

FOUR: Resolution of inner conflict creates a stronger, more complex personality. You start to find yourself motivated by a sense of mission toward worthy goals that engage your whole being and allow you to find your place in the world. Medium: Crayola markers, Portfolio Brand Water-Soluble Oil Pastels, and Reeves Water Colour Pencils.

July Mandalas — Stage 7 – Squaring The Circle

One of the hardest things about this year-long practice of working with mandalas is getting them posted on or near the month I’ve actually created them. Isn’t it amazing how the older we get, the more a year goes by in the blink of an eye?

I was traveling most of July and completed these before I left for Georgia (I’ve had resistance to posting them). I am currently working on September’s mandalas, and have started a drawing on canvas that I hope to paint and complete by mid-November.

This mandala practice began with the post Coloring Mandalas when I decided to take a year to follow the twelve passages of Joan Kellogg’s The Great Round. According to Susanne F. Fincher, the healing benefits of The Great Round: Stage 7 – Squaring The Circle are:

• choosing goals that accomplish more than Ego desires for wealth, health, and happiness
• learning to recognize projects worthy of your best efforts, projects that challenge you to grow, create, and care for others
• dedicating yourself to principles and practices that make life better for you and for those around you

Squaring The Circle is a stage that brings the intellect into sharper focus. For a child, it is going to school for the first time; as a young adult, it might be when you complete your formal education. You are energized with a sense of power, importance, and mission and have great potential to create in ways that may impact the rest of your life.

On the spiritual level, Squaring the Circle is about dedicating yourself to principles and practices that enhance life for you and others. From that perspective, I thought I’d use July’s mandalas to talk about color and the body’s spiritual energy centers — the chakras.

 

Body Mapping, ancient illustration from Mapping The Body by Mark Kidel and Susan Rowe-Leete, Minneapolis, Minnesota, July 2008, photo © 2008 by QuoinMonkey. All rights reserved.

The Chakras & Color

Chakra is from the Sanskrit word for wheel. It is believed that we have hundreds of energy centers inside and around us, all connected to major organs and glands that govern parts of our bodies. On a daily basis we collect energy from different levels of vibrations, including color, that are utilized by the body.

Here are the general ideas and color schemes for each chakra:

• RED – 1st CHAKRA — base of spine: basic needs, physical health, security, survival, connections to first tribe, community
• ORANGE – 2nd CHAKRA —  between navel and tailbone: autonomy, self-worth, issues around gender, sexuality, money, energy to create (including procreation)
• YELLOW — 3rd CHAKRA — behind the navel, at the solar plexus: independence, self-esteem, ability to take action, to move toward your goals
• GREEN — 4th CHAKRA — near the heart: attachment to parents, ability to nurture yourself and others, ability to form intimate relationships, the many ways we love
• BLUE — 5th CHAKRA — throat area: creating and communicating in your own voice, sharing and expressing gifts, talents, and the spiritual within us
• INDIGO — 6th CHAKRA — just above and between the eyes: the Third Eye, developing wisdom, center for creative visualization, learning to receive information from the Higher Self
• VIOLET — 7th CHAKRA — crowns the top of the head: the 1000-petaled lotus, transcending separate existence, living in the moment, connecting with the Universe, belief that you are more than your physical body

What begin to emerge in a year-long mandala practice are patterns of color. As the months go by, you start to notice a gravitation to certain colors (the same way your body is drawn to certain foods that contain the vitamins and minerals you crave). Shades, hues, tints, values make up the thousands of color vibrations that help the body heal.

I am drawn to oranges and reds with certain undertones of blue and shades of black. The oranges and reds are at the base of the spine, connected to survival and root energies. It makes sense to me as I continue to dig into the past while working on my memoir. I revisit what has passed for rediscovery and healing. Certain materials draw me, too; those that create strong bold colors (while others may be drawn to pastels).

What Colors Are Showing Up In Your Mandalas?

RED – Is some part of you feeling vulnerable or in need of healing? How is your relationship with your tribe? Do you have a vibrant stirring of energy to create something new.

ORANGE – Are you honoring your own needs as well as those who are in relationship with you? Do you struggle with addictions to food, money, sex? Is your creative energy ebbing or flowing? Are you acting with integrity around your commitments.

YELLOW – Are you ready to learn, think, plan, take action for your future. Does your self-will overrun your common sense and good judgment. Do you accept yourself fully for who you are and stand up for what you believe in from your own unique point of view.

GREEN – Are you able to forgive (yourself and others)? Is your heart broken? Are you opening emotionally to new relationships or expanding your capacity to love and nurture.

BLUE – Is it time you spoke up about an issue you’ve been quiet about? Are you sharing your gifts with the rest of the world or hoarding them, keeping them close to your body. Do you feel you speak with integrity about your own points of view.

INDIGO – Are your intuitive abilities being expanded at this time. Do you feel a sense of wonder. Do you see the mysteries and joy in our everyday mundane existence.

VIOLET – Are you living in the present moment? Do you feel connected to something bigger than you, a larger Universal Consciousness. Do you share with others the wisdom you have gained from living in this world.

As artists and writers, color detail is of prime importance to us. Volumes of literature have been written about the meanings, color systems, and energies of the chakras. What I have posted is derived from the many books I’ve read over the years (I’ve barely scratched the surface).

For a primer, you can read An Introduction To The Chakras at Chakra Energy. And here are a few more links for exploration, including a Chakra Test to gauge strengths and areas of vulnerability:

• The 7 Chakras – color locations, imbalances, stimulants
• Chakra Chart –  associated body parts and psychological associations
• Brief History of the Chakra System – chakras are rooted across many cultures
• Take A Chakra Test – to see what energy centers you are strongest in as well as the ones you need to work on
• Chakra Energies – Ways to Energize Your Chakras – art and color are included as ways to stimulate the chakras

There is so much to be learned from the things we take on as practices. Structure, repetition, and dedication to a practice prove to be excellent teachers. Practice helps me to become a better listener.

-posted on red Ravine, Monday, September 8th, 2008

-related to posts: The Void – January Mandalas, Dragon Fight – June Mandalas, Winding Down – July 4th Mandalas, and WRITING TOPIC – CIRCLES

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PRACTICE: Cornflower – 15min

I know it’s my all-time favorite Crayola color, a blue infused with white, a touch of red. I don’t know what a cornflower is, but from the name I imagine it to grow in wide fields somewhere in the vicinity of Iowa. I picture it to be small with wispy petals, blue-purple, and yellow eyes. Like purple aster. A poor man’s flower. An everyman’s flower.

Cornflower was the color I picked to paint a New Mexico sky. As a child I didn’t think “New Mexico sky” or “Washington, DC sky.” Sky was sky. There was no sense of this place or that place. I only knew where it was I came from — New Mexico dirt, scrub oak, piñon, extreme wind, extreme heat and cold, a crisp blue sky almost always.

Midnight Blue was my night sky color. Midnight. Crayola gave me the cues to know which colors to pick. Flesh. Pine Green, which I saved for piñon trees, but then the darker Forest Green was confusing; didn’t piñons grow in forests? I used Melon for fruit, Turquoise Blue for the bracelet on Grandma’s wrist.

I never understood the raw colors, Raw Sienna and Raw Umber. Why raw? They were shades of brown, and the browns threw me off the most. Sepia and Mahogany, even Maroon was a sort of brown.

But Cornflower, Cornflower didn’t give me any signals. Nothing but the color of the waxy crayon tip to tell me where to put it on my page. I was a tidy artist, one to stay inside the lines. Dad’s accounting sensibility rubbed off on me. He once put a drawing of mine into his briefcase and took it to work.

I colored to please my father, colored because I could produce something tidy, clean, literal at the end of the exercise. Something to march home and show: this is me, me being you, this is you.

Everything I know about Cornflower I learned by fifth grade. I learned it was good to be an enigma, something defiant of a label.

In the box of Crayola crayons, the big boxes with the colorful sticks laid out in rows, one row on top of another on top of another, the world was divided into clusters. My red tones here, my brown tones next, yellows and greens residing side by side. Blues were calm, Cerulean, Midnight Blue, its cousin Navy, Turquoise Blue almost too bright for its peer group.

But Cornflower, that amazing plant growing in the wide Iowa plains, Cornflower was the calmest of colors. Not a still sea with who knows what churning under the surface. Not a night where things might appear, vague and menacing. But a clear, crisp sky. A home, a place, a moment.


-from Topic post, WRITING TOPIC – EVERYTHING I KNOW ABOUT THE COLOR BURNT SIENNA…

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PRACTICE – Mahogany (or Goldenrod?) – 20min

I had a hard time choosing one color, the way I have a hard time choosing anything. When I looked over the list of Crayola colors, I realized I must have had a 64 box of crayons because it would have been impossible in my age range to grow up with a box with 80 or 120 colors. I couldn’t choose between Mahogany or Goldenrod, two of the colors I used the most. My skies were a combination of Midnight and Periwinkle blue. The lines I drew between sky and earth – Black.

But Mahogany – Mahogany was the color of the table in Mom’s dining room in South Carolina. The table would be buffed and shined with a layer of S.C. Johnson’s Pledge wax. The chairs were ornate curls at the backrest, with what I remember to be red-striped, satin seat coverings. It’s another detail I have forgotten to ask Mom about, the history of that table.

I remember family gatherings there by the windows, Grandmama with her pearls and white chrysanthemum clip-on, costume earrings, light streaming in from the carport where my brother, J, once fell off his trike, reaching for a glass jar, and slit his wrist. Mom and my step-dad recalled the memory when I was visiting in June, how my step-dad grew faint from all the blood. And that’s what I remember, blood, all that blood. But it was Brick Red, the blood, more than Mahogany.

And Goldenrod reminds me of a mustard seed, the name of a restaurant in Missoula, and the wheat fields of North Dakota and eastern Montana. But mostly, I like the name Goldenrod. I used to choose colors based on the names as much as the hue and tone. And what happened to Indian Red? They changed the name in 1999 so as not to be offensive.

Like the Burnt Sienna comment about the color Peach and Lillie Belle Allen and how flesh can’t be defined by race. And now I’m thinking of the over 100 different colors for flesh that I saw at a Minnesota Science Museum exhibit about a study in Brazil on skin color. And later I looked it up and found an article that listed all the colors, names created by the people themselves.

But the mustard seed – Goldenrod reminds me of the parable, was it Matthew, Mark or Luke? And how giant things can grow from a single mustard seed. Or what about the Buddha’s story of the mother whose son died. She wanted a medicine to bring him back to life. And the Buddha said to gather a handful of mustard seeds from homes where no one had lost a child, husband, parent, or friend.

And when she found no home untouched, she realized that death comes to us all. We will all experience loss and grief. And she buried her son in the comfort of that knowledge. Community. Sangha.

And now I’m thinking about Brick Red and the scary movie I watched last night, Skeleton Key. It was set in New Orleans swamp country in an old plantation. About hoodoo and how drawing a line of red brick dust between you and your enemies keeps them away. In the movie, it worked, and there were layers of history and giant draping trees (what kind were they?) on a wide canopied, dirt road leading up to the antebellum home.

And then another movie called Practical Magic, with Sandra Bullock and Nicole Kidman. And I turned to Liz and said, “Someday I want the practical magic of a movie room with Bose speakers built into the ceiling and a huge, high def, flat screen TV on the wall. And a comfy monstrous couch that soaks up your body with fluff and throw pillows.” And she smiled back at me, then we turned to watch the rest of the movie in which Sandra Bullock gets her man, one eye green, one eye blue.

And now I’m wishing that life were more like the movies where everything works out. But then, everything does work out in one way or another. The things I can’t control, well, that’s the Serenity Prayer. God grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom to know the difference.

And now I’m back to Goldenrod and Mahogany and don’t the two colors look nice together? The mustard seed and the brick dust and the family dining room table in South Carolina all meld into one memory. Which is real, which imagined?

I didn’t write everything I know about Mahogany or Goldenrod. I wrote everything.

 

Dancing Crayons, photo of an illustration on a tablet given to me by a writing friend (tablet published by Carson-Dellosa Publishing), December 2007, photo © 2007 by QuoinMonkey. All rights reserved.

-posted on red Ravine, Sunday, December 09, 2007

-from Topic post, WRITING TOPIC – EVERYTHING I KNOW ABOUT THE COLOR BURNT SIENNA…

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WRITING TOPIC – EVERYTHING I KNOW ABOUT THE COLOR BURNT SIENNA…

Everything I Know About The Color Burnt Sienna, late afternoon walk in the Rio Grande Valley bosque, photo © 2007 by ybonesy. All rights reserved.


Remember those boxes of Crayola Crayons you used in grade school? Eight in a box, and then each year you graduated to a bigger box — 16, 24, 48. Before you knew it you were up to 64, or maybe — if you were lucky and your parents rich — 120 crayons.

Good-bye brown and orange and blue! Hello Sepia, Burnt Sienna, Periwinkle!

Pick any color from the list of Crayola Crayon Colors and use it as a prompt: Everything I know about the color Sea Green or Prussian Blue… If you want, stick with one-word colors — Plum, or the metallics, Gold, Copper, Silver.

It doesn’t mean you have to write about color. Writing about Burnt Sienna might take you to yesterday’s walk in the woods just as the sun was setting, to how you almost twisted your ankle running in Danskos, to how your daughter asked you what kind of brown-orange plant it was growing at the base of a big cottonwood and the only thing you knew to tell her was “skunk cabbage.”

A prompt is simply the beginning. A line with your crayon in the Big Chief tablet.

So write, 15 minutes, on everything you know about the color ____________. If you’d prefer — instead of writing or in addition to writing — paint, draw, or photograph everything you know about this color. Now go!

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