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Posts Tagged ‘what’s left behind’

Solstice - 20131220_205919

Winter Solstice Fire (What I Bring Into The Light), Droid Shots, Minneapolis, Minnesota, December 2013, photo © 2013 by QuoinMonkey. All rights reserved.




Winter Solstice
darkness reigns

light turns a corner




She placed last year’s Yule branches into the ring, shook drifts of snow off the woodpile. Four boots, two drums, two rattles. No wind drifted off the cattails, stiff in the frozen pond. She watched for fox; maybe he would approach the chicken carcass and fatty skin, leftovers from soup stock made earlier that morning. The neighbors’ windows glowed—holiday lights, TV screens, reading lamps. The air was an eerie blue, foggy and wet.

She wanted to let go of the death of her father. She wanted to let go of all the the things she would never be able to ask. She wanted to let go of thinking it was her. Others let go, too, circles upon circles. Drums, rattles, chants.

Morning now. Her hair smells of smoked birch and charred cedar. Her dreams were deep and dark. Her heart is lighter.

Solstice 2 - 20131220_205933

Charred Dreams (What I Leave Behind), Droid Shots, Minneapolis, Minnesota, December 2013, photo © 2013 by QuoinMonkey. All rights reserved.




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IMG_4072 cutout

Lincoln’s Birthday, Indie bookstore window photographed with Canon Powershot & edited with PhotoShop Elements, Wayzata, Minnesota, February 16th, 2009, photo © 2009-2012 by QuoinMonkey. All rights reserved.


A few years ago, Liz and I went to see Ronald C. White, Jr. at the Bookcase of Wayzata, an independent bookstore on Lake Minnetonka. He was there to discuss his new book, A. Lincoln: A Biography. I had heard him interviewed earlier in the morning on MPR; Liz and I decided to be spontaneous and go hear him speak. The little Indie bookstore was packed.

White talked about how Lincoln loved words. And because of that, his words were like poetry. White wrote his book for those who might be reading a Lincoln biography for the first time, or to introduce Lincoln to a younger generation. He also spoke about how Obama started to shine a light on Lincoln, and how he (White) was booked for speaking engagements in Mississippi and Alabama, and also in Europe where many think Abe Lincoln personifies the American Dream.

More than 16,000 books have been written about Abraham Lincoln. Yet not all of his story has been told. At the end of the Civil War, between March and April 1865, Lincoln went to Northern Virginia to meet with his generals. He shook hands with thousands of Union soldiers and visited the former Confederate capital in Richmond, Virginia. But little is known about the last week of his life before his assassination on April 14, 1865.

Historian Noah Andre Trudeau thinks that in their rush to get to Ford’s Theater, historians have overlooked this important part of Lincoln’s life. After the Civil War, the President of the United States met Generals Grant and Sherman in Virginia to talk about the surrender of the South and its impact on our country. Lincoln visited Richmond, then considered enemy territory, as an observer. He was looking for ways a torn nation could begin to heal.

Having spent my childhood in the South, and most of my adult years in the North, I am compelled to follow literature about the Civil War. One of my ancestors was a courier for Robert E. Lee. When we moved to the North, one of the first places we visited was the Gettysburg battlefield. I am fascinated by the work of photographer Timothy H. O’Sullivan who took this photo, one half of a stereo view of Alfred R. Waud, artist of Harper’s Weekly, while he sketched on the battlefield near Gettysburg, Pennsylvania in July of 1863. (See links below for the rest of the Atlantic series on photographs of the Civil War.)

Last year marked the 150th anniversary of the start of the American Civil War. Trudeau is known for uncovering its secrets. His previous books, Bloody Roads South and Gettysburg, have unveiled information about General William Tecumseh Sherman’s march to the sea in 1864, and the legacy of Confederate General Robert E. Lee. Now, in preparation for the book about a largely unexamined period of President Abraham Lincoln’s life, Trudeau is in search of witnesses.

He is seeking diary entries, letters or stories of people who encountered Lincoln at the time. During the NPR story, I was surprised to hear several people call in with leads to family scrapbooks and letters relating to Lincoln. (To share information, contact him at lincoln65@earthlink.net.) About his quest for truth, Trudeau states: “My one nightmare is that I’m going to do a very good job of discrediting all the good stories.” I think it’s quite the contrary. The more stories revealed, the closer we are to weaving together the textured layers of the past, and unraveling the sometimes painful chapters in American history.


Resources:

Historian Seeks Artifacts From Lincoln’s Last Days : NPR Talk Of The Nation (LINK)

A. Lincoln: A Biography by Ronald C. White, Jr. at his Official Website (LINK)

Abraham Lincoln and Slavery | Minnesota Public Radio News (LINK) – historian Eric Foner examines Abraham Lincoln’s complex ideas about slavery and African Americans, casting fresh light on an American icon.

The Civil War, Part 1: The Places, the Atlantic – February 8th, 2012 (LINK) – First installment of amazing b&w photographs of important places in the Civil War. (Some images in the three Series are graphic.)

The Civil War, Part 2: The People, the Atlantic – February 9th, 2012 (LINK) – Second installment of b&w photographs of the Civil War. Includes a photo portrait of Abraham Lincoln taken by photographer Alexander Gardner on February 5, 1865.

Traditionally called “last photograph of Lincoln from life”, this final photo in Lincoln’s last photo session was long thought to have been made on April 10, 1865, but more recent research has indicated the earlier date in February. The crack comes from the original negative, which was broken and discarded back in 1865. The entirety of the American Civil War took place while Lincoln was in office, starting a month after he was elected, and ending just days before his assassination in April of 1865.

The Civil War, Part 3: The Stereographs, the Atlantic – February 10th, 2012 (LINK) – Third installment of the Stereographs of the Civil War with the work of photographer Timothy H. O’Sullivan


-posted on red Ravine, Sunday, February 12th, 2012, birthday of Abraham Lincoln. Related to posts: Abraham Lincoln & Nikki Giovanni (On Poets & Presidents), Presidential Poetics — Elizabeth Alexander, President Barack Obama, Book Talk — Do You Let Yourself Read?

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By Judith Ford


My grandmother, who was Dutch, did an incredible job of spring cleaning, every March, every year she was alive. No object and no surface was spared a scrubbing. Rugs were taken out and beaten within an inch of their threaded lives; walls were washed with a hard brown scrub brush. Curtains taken down and washed. Every closet emptied, every sheet and towel bleached and washed. Everything dried outdoors on a clothesline. In March, Wisconsin is still cold so things froze out there, pillowcases transformed into wrinkled boards. Socks turned into twisted sculptures. She washed every dish and pot and spoon. Then when it was all done and everything set back in its proper place, she’d cover the sofa and chairs and lampshades in the living room with plastic covers. She’d lay a plastic path from doorway to living room couch and into the dining room. When I was around 11, I asked her, finally, who she was keeping everything so clean for and when would she remove the ugly plastic. (I didn’t say the word, ugly, I’m sure). “The plastic keeps everything ready for company,” she replied. “But, “I protested, “Aren’t I company?” I had never once seen her living room without plastic. “You,” she explained, “are family. Not company.” She didn’t need to add that I, being a rather messy child, was one of the reasons she protected her furniture.


My mother didn’t do spring cleaning. She did like to open up all the windows on the first day the temperature rose over 50–to air everything out. I always loved that, coming home from school for lunch and finding the windows all wide open, the house looking like a toothless, eyeless caricature of itself, the air sweet and chilly. My mother hated being a housewife and did not cotton to cooking or cleaning. She did the minimums and stuck to the 50’s schedule that most of her friends observed: Monday clean and do laundry; Tuesday iron; Wednesday, volunteer work; Thursday, groceries; Friday, light cleaning (a lick and a promise, is what she called it); Saturday was the night my dad cooked burgers and Sundays we went to my grandparent’s house for dinner. My mother did what she felt she must but mostly without joy and often with many sighs. She did seem to enjoy ironing (which I so don’t get) and would sing while she ironed, in a voice like Ella Fitzgerald. Singing over the ironing and walking in the mountains – those are the times I remember my mother at her happiest. Not cleaning. Never spring cleaning.


Well, it’s sort of spring now and I am sort of spring cleaning. I’ve been putting hours in every week to clean my attic. It has to be done. We’re selling the house and moving to the country.

I’ve lived in this house for 28 years, married husband #2 after living alone here with my daughter for 5 years, moved that husband and his daughter in, had another baby, raised these kids until each one grew their feathers and flew off. Also raised a cockatiel, a parrot, four dogs and numerous gerbils and hamsters in this house. Can you imagine the debris? My attic had become a combination museum, closet (huge closet), and file cabinet. Treasures and cast-offs that have trickled down to me from three generations and two family lines. The leftover objects include outgrown clothes, games, books, and life directions. My very first poem, written at age 10. A couple of Jessie’s baby teeth, nestled inside the newborn bracelet she wore in the nursery: “Baby girl, Marks-Szedziewski, 2-19-78.” An envelope containing a curling wisp of very blond baby hair, Nic’s first haircut, 1988, a battered and faded pink pair of tiny toe shoes (mine, from 1955, I think; although they might be my aunt Jeanne’s). A hair curling iron (great-grandmother Nettie’s, late 1800’s). Aunt Jeanne’s bracelets from the 30’s. So glad I didn’t throw those away. Hundreds of notes from Jessie and from Nic: I Love You, Mommy. Mommy don’t tell anyone but I love you best. Thank you for being my mommy, You are the best Mommy, Next time you go on a trip, take me too. Mommy, I hate camp. Come and get me out of here, please!please!please! Nic’s version of Jingle Bells, written at age 4 with a few backwards letters, words scrawled across the page, Jingle Bells Jingle Bells Jingle all the way, Oh What Fun on Al’s True Ride, On the One on Holken Slay. Jessie’s school trophies, soccer and swimming, her camp and sports t-shirts, Nic’s academic medals for top scores in the state on the ACT and SAT at age 9 and 10, his IQ testing done at Northwestern U when he was 5.

The way I wept when the tester called me and told me the test results.

I wish I had known more back then how to feed his ravenous brain, his wonderful mind. So much I wish I could do over for him.


I will be 63 in a month. The past is truly the past. There are no do-overs and no time left for holding on. Time, instead, for letting go. For boxing up, and throwing away, for going to UPS to send Jessie her soccer and swim team t-shirts, to send Nic his Pokemon card collection. Handing the keepsakes over to my grown-up kids, handing over to them the job of remembering.

In the process of this sorting and cleaning, I’ve had to remind myself again and again to let go not only of the objects but the feelings. I’ve laughed, I’ve cried, I’ve longed to have my children back in my arms, on my lap, longed for one more night of reading in bed with Jessie at age 7, one more night of long conversation at bedtime with Nic when he was 10. One more chance to see each of them for one hour during each year of their growing-up – one more chance to drink in the sight of them, their wispy hair, freckled faces, braces and missing teeth, to listen to their piping little voices more intently, memorize each one of them even more completely.

I had expected that cleaning out all this old stuff would help me clear the decks for this next chapter of my life, and yes, I guess that’s happening. I had anticipated reminiscing. I hadn’t anticipated the wave upon wave of memories to be so visceral, so wrenching, so expanding and swooping and full of love. I am not only clearing the decks; I am also rejuvenating both myself and the attic. Am going through some kind of death and resurrection here. Turning myself inside out and right side out again. Right side out and I must admit, a little trembly.

Spring cleaning is a piece of cake compared to this.




About Judith: Judith Ford is a psychotherapist and writer who lives in Milwaukee, Wisconsin. She was red Ravine’s very first guest writer, with the piece 25 Reasons I Write. Judith’s other pieces on red Ravine include lang•widge, Mystery E.R., I Write Because, and PRACTICE – Door – 20min. Spring Cleaning is based on a 15 minute Writing Practice on WRITING TOPIC — SPRING CLEANING.

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Joy. My heart is full of joy. Even though much of December has been a struggle. Joy is connected to giving. To the Holiday Spirit. I feel joy when I am connected to people who are close; I feel joy when I am alone, writing, doing art, sitting in silence. I live in the times between. Joy is not temporal, not limited by time or possessions or Earthly matters—like human happiness seems to be. Joy rises above the everyday slothing about. When I remember what I am grateful for, I feel joy. When I see the Downy Woodpecker at the suet feeder, I feel joy. I feel joy when I am out shoveling the driveway at 8pm, stop to stand in the snow and stillness, view the December Moon rising in the dark.

I remember a time when I was afraid to feel too much joy, or let it grow too big in my life. I was afraid of what would be left behind when it vanished. I waited for the other shoe to fall. I feel more connected to a Higher Power these days. I believe in what I cannot see. Joy lives in the invisible places. Tears that well up when I watch a sappy movie; the director’s vision, a tugboat of joy. Things no longer bring me joy. They might make me happy for an hour, a few days. But I’m not in the mood to accumulate things to fill the Void.

Driving through the snowstorm this week, I started thinking about the future. A solid Cancer/Taurus combo, I dwell mainly in the Present or the Past. The Future, it’s not here yet. I have to sit down and make myself plan. That’s where a yearly practice comes into play. Scheduling time in the studio, writing retreats, or art events. Goals, deadlines, something I can shoot for in the creative fields. What I was thinking about on my drive along snow packed roads and layers of black ice, is that if I live a full life, I may only have a good 30 years left. Then I started to panic. I have so many books I want to write, so many photographs I want to take, so much love. How will 30 years ever be enough?

The thought process continued over lettuce, ham & cheese, past the Grain Belt sign on the Northeast Gateway, and around the bend where the Mississippi River crosses the Plymouth bridge. Then it came to a screeching halt. There are no guarantees that I will live to the end of the day. I am planning for the future; I don’t know if I will even be alive. I still need to plan. But it’s not where I’m going that matters. It is where I am. The panic subsides. This morning I am too serious. Yet the Joy — she’s still there.

No matter what happens, I feel like I have already lived a full life. During one of my 10-year, single jags after art school, I started a timeline of my life. I drew a long thick line on a yellow parchment scroll, began with the year I was born, and started marking in significant life events. The scroll is rolled up on a shelf in my art studio. I want to take it out and look at where I left off. It’s been at least 7 years, maybe longer, since I added a new cairn. It’s a way that I honor my life, the fact that I have walked on the Earth. I am only a small dot on the planet, loved by a few, invisible to most. It’s easy to get lost. The visual teaches me to pay attention to what has passed; it informs the future.

Joy is a day of making art, writing a story, working on photographs, posting on red Ravine. Joy is not fleeting like happiness. It’s always there, waiting for me to recognize its face. Joy is not what numbs me. Joy is the first strawberry on the vine, the Strawberry Moon, the Winter Solstice, Summer in Minnesota. Joy is a film that moves, a tumble in the hay, a Stripeypants in the hand, a Kiev curled in a ball next to me on the couch. Joy is a loving partner, a new dream, the center of the labyrinth, along the edges, too. Joy is a handful of October leaves, tumbling down a mountain path. Joy is a Giant Moon rising over the Bitterroots, half in Shadow. Joy is Light.


-related to Topic post:  WRITING TOPIC — JOY

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Liz Really Liked It!, BlackBerry Shots, vintage recipe card, November 2009, all photos © 2009 by QuoinMonkey. All rights reserved.

 
 

It’s almost Thanksgiving, a time of gratitude for our many blessings. And a time for good food. I walked over to the fridge this morning and under a Morton Salt “When it rains it pours” magnet was this faded recipe card for Chicken L’Orange. Liz’s mother (oliverowl) mailed it to us after a discussion on Memories, Writing & Family Recipes.

She told us that Liz’s maternal grandmother, Frances Oliver Biggs, loved that Liz liked the Chicken L’Orange. So much so, that she handwrote her comment on the back of the family recipe card she sent to Liz’s mom:

Does Liz remember the recipe for “Chicken L’Orange” that her Nana sent me? I still have the card in my recipe box. At the end is her comment, “Liz really liked it!” (Sent after Liz’s visit to CA.) It is probably similar to what you had on the Cornish game hens.

My contribution to yesterday’s meal was Grandma Caroline’s Green Salad (OLD family recipe) and a Cranberry Sauce that had orange juice and a whole jar of Orange Marmalade cooked with the fresh berries!

Now the recipe card with Liz’s grandmother’s handwriting hangs on our fridge. I told Liz I want to try Grandma Caroline’s Green Salad this year. It reminds me of my family’s version of Jell-O salad with whipped cream. Below is the recipe that Liz’s mom Marylin dropped into the red Ravine comments.

__________________________________________

 
 

Grandma Caroline’s Green Salad

 
 

1 large box of Lime Jell-O
1 8 oz. pkg. cream cheese
1 cup heavy cream, whipped
1 14-15 oz. can crushed pineapple, including juice

 
 

Take the cream cheese out of the fridge, so it begins to soften. Prepare the Jell-O, using 1 less cup of water than the recipe calls for. Chill it until it begins to thicken, but don’t let it solidify, or you’ll have a mess!

Since I only have one mixer, I whip the cream and place it in a small bowl. Then I cut the cream cheese in small chunks and place them in the mixer bowl and beat it well. When the Jell-O is a thick syrupy consistency, I add it to the cream cheese and mix until they are homogenized! (You’ll have to scrape down the sides of the bowl several times.) Next, the pineapple is mixed in and then the whipped cream, both at the slowest speed. Refrigerate until firm. Enjoy!

_____________________________________

 
 

We’re going to stop at the store today for last minute ingredients. What traditional recipes will you be sharing this Thanksgiving week? Are there any that have been passed down by your grandmother? Bob mentioned he’s making Aunt Annie’s Scalloped Oysters. ybonesy’s family always makes tamales for Christmas. And my family makes Southern Banana Pudding for almost every family gathering. Old recipes are invaluable to memoir writers. Family flavor.

Hope you enjoy Grandma Caroline’s Green Salad. And if you put together the two front and back photos of the recipe card in this post, you’ll have the Biggs family recipe for Chicken L’Orange — two great family recipes, one post. And any leftover turkey? Try Amelia’s Soft Dumpling Recipe.

 
 

Chicken L’Orange, When It Rains, It Pours,  BlackBerry Shots, vintage recipe card, November 2009, all photos © 2009 by QuoinMonkey. All rights reserved.

 
 

Post Script: The Morton Salt girl has always been a favorite icon of mine. She’s officially called the Morton Umbrella Girl and according to the Morton website, the slogan, “When it rains it pours” first appeared on the blue package of table salt and in a series of Good Housekeeping magazine advertisements in 1914. The slogan is adapted from an old proverb, “It never rains but it pours.”

You can read more about the history of Morton Salt, view vintage ads, and see the transition of the Morton Umbrella Girl from the roaring twenties to the 1968 image that we still view on packaging today. They’ve also got a recipe section with Winning Kosher Salt Recipes.

 

-posted on red Ravine, Sunday, November 22nd, 2009

-related to post: Reflections On The Other National Bird*

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Atlanta Airport - 1952, Augusta, Georgia, July 2008, photo © 2008 by QuoinMonkey. All rights reserved

Atlanta Airport – 1952, family postcard, Augusta, Georgia, July 2008, photo © 2008 by QuoinMonkey. All rights reserved.



I’ve been thinking about the lost art of writing postcards and letters. A few weeks ago, while staying at my uncle’s place in Georgia, I began the long process of scanning old photographs and historical documents for the family archives. I asked my uncle if he would pull out his collection of memorabilia. He showed up the next day with stacks of old black and white photographs. And a wide, faded brown shoebox containing bundles of newspaper clippings, letters, and postcards.

Most of the postcards were to or from my Great, Great Aunt Cassie. My Great, Great Uncle Claude had worked for the Georgia Railroad and they traveled a lot on their vacations. But there was one in particular that caught my eye – a postcard that Mom’s older brother, Jack, had sent her in high school. The postmark was July 24th, 1952. A postcard stamp was only 1 cent back then. One cent.

My Uncle Jack would have been 16 at the time. He must have been on vacation with relatives. On the front of the postcard, where we might now see a digital photograph, was a 4-color illustration of the Atlanta Municipal Airport, the same airport Liz flew out of on her way back to Minnesota from Georgia in July.

In scratchy, adolescent handwriting, he wrote:



Dear Amelia,

I am having a good time here. I have met a lot of girls here and I have
had 6 dates since I got here. I’ve got another one tomorrow night and
Saturday. We are coming home Sunday. We have an air conditioner
here and it is cool.

Love,

Jack



I called Mom after I got back to Minnesota and asked her if she minded if I posted Jack’s card. She lost her brother in 1954, two years after he sent the postcard, only days before I was born. It was the year he graduated from high school. He had been ill with mono but wanted to go and celebrate with his friends anyway. They went swimming at Clarks Hill. He drowned on what is reported to have been a second swim across the lake. His body, still recovering and weak from the mono, must have given out mid-swim.

Mom said she didn’t have any qualms about me sharing the postcard. “No, I don’t mind if you post it,” she said. “We’re open about things like that.” Then, in one last thought, she sounded a little sad. “What did it say?” she asked.

I told her he wrote about what any teenage boy would write about: girls. But what struck me the most was seeing his handwriting; it was over 50 years old. And that he took the time to write, to send Mom a few lines letting her know he was thinking of her.



Dear Amelia, Augusta, Georgia, July 2008, photo © 2008 by QuoinMonkey. All rights reserved.       Dear Amelia, Augusta, Georgia, July 2008, photo © 2008 by QuoinMonkey. All rights reserved.



When we were on St. Simons Island, I looked high and low for postcards to send to friends. I finally found a rack in the corner of a novelty store along the main drag near the lighthouse. It was the same place Liz and I got our soft cotton Georgia T-shirts. But then, there were no stamp machines that sold postcard stamps. And we never made it to the spot on the island where the  post office was located. So I waited until I was back in Augusta to mail them.

Postcards are becoming a thing of the past. But I have one writing friend who sent postcards every week as part of her practice last year. And another who sends herself postcards when she goes out on the road to write. She says she has many insights while traveling, jots them down on a postcard, and mails them to herself. After returning home, it centers her to read them – a gift to her creative self.



I am running into handwritten letters at every turn. Boxes turned up in storage with letters from my mother and grandmother. And I’m midway through the letters of Flannery O’Connor; you wouldn’t believe how much I am learning about this great Southern writer (and the South) from reading her letters. Should I begin writing letters again?

I am getting closer. Last Saturday, Liz went to three garage sales; at one she bought me an antique Royal portable typewriter. I started using it that day. At the same sale (it was run by an artist/photographer; she took me back with her later), we bought some vintage vinyl for a quarter a piece, and three great literature books for 50 cents each. One of them was Frida: A Biography of Frida Kahlo by Hayden Herrera. It is full of her letters.

Later that day at the studio, I started thumbing through Frida’s biography; sticking out of the middle section, was a faded postcard sent from Colombia. The front of the postcard has a photograph of a Cuna woman in traditional garb. A small 2 was circled at the top; it was the second of a series of three. The title, URABA (ANTIOQUIA) COLOMBIA — India Cuna, was in block print. The handwriting was loopy cursive, written in Spanish. A studio mate read it to me. She recognized the sancocho, a traditional Colombian soup.



I think the postcard is like a letter haiku. Think of everything you’ve learned in brief intervals of 17-syllable haiku from our regulars on haiku (one-a-day). The postcard from my uncle spoke to me; half a century later I gained a glimpse of who he was. I got a postcard from ybonesy that arrived right after I came home from Georgia. Maybe she’ll send me one from Vietnam (smile).

I’m considering a postcard/letter writing practice in the coming months. I want to use the vintage Royal. When is the last time you received a handwritten letter or postcard? If you have insights into the art or practice of postcard and letter writing, please share them with us. All is never as it seems. And life letters only add to the mystery.



Postcard From Uncle Jack, Augusta, Georgia, July 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Postcard From Uncle Jack, Augusta, Georgia, July 2008, photo © 2008 by QuoinMonkey. All rights reserved.



-posted on red Ravine, Monday, August 25th, 2008

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