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Posts Tagged ‘Virgin Mary sightings’


No bunnies in the garden, Easter bunny statue
after a visit by the ghost, April 2009, photo ©
2009 by ybonesy. All rights reserved.



On Easter Sunday night, the night Patty came over with my ugly rabbit in tow, the ghost was active. We sat in the great room, exhausted but satisfied. The party had been a success. The house was clean (we vacuumed up edible Easter basket grass from all corners of the playroom), ham was in the fridge, the dishes done. Patty, Jim, and I stared at my ugly Easter bunny — Patty found it at Marshall’s — and laughed. It stood two feet tall on hind legs. Other than the basket it carried in its paws, the rabbit was meant to be realistic, not a cartoon bunny. It was painted khaki tan.

When the gate outside the window snapped closed, Jim glanced my way. “What?” I said, knowing exactly why he looked at me. He told Patty that it was the ghost. Like Jim, Patty has a sixth sense. Jim told her that the ghost was matriarchal, that she had been a gardener and wanted the place to be looked after.

Patty looked out into the darkness. It was late. She got up to leave. I walked her to the front door as Jim took my ugly bunny out to the back patio.


The first year we lived here the ghost was most active in the master bathroom. She flushed the toilet at random, sometimes several times a night. One time she bumped me as I leaned over the sink brushing my teeth. Jim had also felt her presence, even seen her—not her face but the old-fashioned fabric of her dress—in the laundry room. I pictured her to be matronly, gray hair in a bun, benevolent but stern like an elderly woman in a Mary Cassatt painting.

But lately she’s been out by the side gate, along a brick path leading from the front porch to the rose garden in the back. That’s where the greenhouse is, too. Jim is convinced she wants to see us using the greenhouse. He thinks my recent project revitalizing the rose garden is especially making her happy.

It is a sweet spot. An old apple tree anchors it, hanging like a weeping willow over the large plot. In the dirt are the graves of two dogs, an entire sprinkler system that no longer works, and several round stepping stones that were (until we uncovered them) buried under debris. The only living remnants of a thriving garden, besides the apple tree, are the several rose bushes, one taller than me by a couple of feet. I’ve told Jim, “Someone once loved this space.”

It must have been lush at one time.




Easter bunny in front of the garden, April 2009, photo © 2009 by ybonesy, all rights reserved




Day after Easter we wake to rain. It’s come down all night, gentle but steady. I stay in bed; I worked hard getting ready for the party, getting ready for spring, getting that special garden into shape for the first round of perennials I planned to plant there soon. Em runs into the bedroom.

“Mom, did you paint the rabbit?”

I’m not sure if I heard her right and if I did, what in the world was she talking about?

“What?”

“Did you paint the rabbit??”

Paint the rabbit? I turn it over in my head. What rabbit?

Jim comes in behind Em. “Roma, the rabbit has green splotches on it.”

Green splotches!?

I get up, trudge to the windows looking out over the wet patio. There the ugly rabbit stands on hind legs. He is khaki tan, yes, but now he has big army green splotches all over him.

“Were they there before?” Jim asks, mostly to the universe. We wrack our brains. I don’t remember them. Em doesn’t remember them.

I call Patty. “Patty, our rabbit has green spots. Big green spots. Did it have green spots last night?”

“No,” she says, laughing.

“Are you sure?”

“I drove around with that rabbit in the back seat for weeks; of course I’m sure. It did not have green spots!”

We develop our theories: water-activated paint, all of us were just too tired to see the splotches, or the ghost has a sense of humor.


Two weekends have passed since Easter. I’ve managed to get more than 40 plants into the flower garden. Two mums, four hollyhocks, three clumps of daisy. I planted the Easter lillies we got as gifts for hosting the Easter celebration. Under the rose bushes I put leafy coral bells, the color of ruddy cheeks, as ground cover.

A patch of columbines sit in the shade of the apple tree, penstemons in full sun, flowering woodruff, soapwort, salvia, coleus for the exotic red-green foliage, evening primrose, Icelandic poppies, a bleeding heart bush. Near the brilliant violet of a plant whose name I’ve forgotten, I seed small marigolds. I can just imagine the bright orange-yellow against the purple in summer. Because I know Jim loves herbs, I plant a large oregano in the corner closest to the back door, and I leave room for the chives he bought at Grower’s Market.

Jim remarks that she’s happy to see the garden take shape. I have noticed less of her. The last time I felt her presence was one morning early in the week after Easter; I went outside, not a breeze in the air, and the gate swung slowly closed. It dawns on me that I had been schooling our pug, Sony, to use the garden as her potty area. Nowadays my refrain to Sony is, “Out of the garden, out of the garden.”

The ghost is happy.

Jim is comfortable with her presence; me, less so. I don’t much like the idea of just letting a ghost be. At one point I suggested that we invite a friend of a friend, a ghost whisperer, to come and at least make contact with her, see why she’s here. Jim looked at me askew. “You’re not going to pay for him to do it, are you?” I know what he was thinking: I know why she’s here.

And the truth of the matter is that I trust his instincts. I can sense that she’s found some peace of late. Or maybe it’s me, finally digging my hands into the earth, taking the patch of land into my care. A few days ago I moved one of the mums from the spot I first planted it. Too crowded into the rose bushes and the flowering woodruff at their base. I planted it in a roomier spot, in full sun.

Mums are an old-fashioned plant, hardy like dahlias and zinnias, a flower I associate with ancestors from a long-ago past. I have a feeling she likes them.





Image, I noticed the image of a face in this photo that Jim took of an ice crack over a hole, photo © 2007-2009 by Jim, all rights reserved   Image, I noticed the image of a face in this photo that Jim took of an ice crack over a hole, photo © 2007-2009 by Jim, all rights reserved
Image, I noticed the image of a face in this photo that Jim took of an ice crack over a hole, photo © 2007-2009 by Jim. All rights reserved.




Postscript: I wrote this as a Writing Practice (later edited) Monday night on the plane ride from Albuquerque to Portland. I was looking through pictures stored on my computer when I noticed the above photo that Jim took two winters ago. It is a shot of an ice crack over a hole. Suddenly the image of a face jumped out at me. It’s a benevolent face, like a young Madonna or the Christ child.

I marveled at Jim’s gift, how he can commune with hummingbirds (they’re back, by the way; just showed up this week) and the ghost of a former matron of the house. Patty says Jim is an innocent, that he has a clear channel to things the rest of us don’t.

This photo made me realize that the ghost is OK. As Jim said when I brought up the notion of inviting over the guy who talks to ghosts, “Not everything has to change. Some things are fine just the way they are.”

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Our Lady of Guadalupe Tree, carving of the Virgen de Guadalupe in a
cottonwood in Albuquerque, taken with my mother-in-law’s iPhone,
October 2008, photo © 2008-2009 by ybonesy. All rights reserved.










healing from inside
the heart of a cottonwood
nuestra señora













The story goes that in 1970 a parishioner of the 300-year-old San Felipe de Neri, Albuquerque’s oldest Catholic parish, carved the image of the Virgen de Guadalupe into the open wound of an ancient dying cottonwood. The Virgen saved the tree’s life.

Hundreds of people, many tourists, pass the cottonwood each day—it stands behind the church, which is in Old Town—without ever knowing that Nuestra Señora is hidden inside.

I took my mother-in-law, Celia, to see the tree one day in October of last year. We had just visited another sacred spot, a hidden chapel, also dedicated to the Virgen de Guadalupe, to pray for Celia’s recovery. She is a private woman, and this is the first time I’ve divulged on red Ravine that for the past four years she has been fighting a deadly form of lung cancer called Small Cell Carcinoma. 

Celia completed the latest round of chemotherapy in November, and last week she got a clean bill of health. I’ve been holding on to this photo since our visit last year; I wanted to post it today as a way of thanking the saints and the universe for Celia’s remission.

Today many people I know confront challenges. Illness, job loss, matters of the heart and spirit. For all of you and all of us, may the Virgen de Guadalupe bring solace and healing.

The cottonwood’s scar is closing, and soon the carving will be locked inside. I’ve been told that the carver’s son is seeking a way to remove the carving without harming the tree. I wonder if the best course would be to allow the Virgen to become the tree, as she is already.


-related to posts haiku 2 (one-a-day), Mary In Minnesota (haiku for yb), Virgin Mary Sightings, and The Virgin Mary Appears On A Bug.

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       Mary In Minnesota (haiku for yb), Minneapolis, Minnesota, August 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Mary In Minnesota (haiku for yb), ribbon winning Crop Art by Elisabeth Smeltzer, Minnesota State Fair Horticulture Building, Minneapolis, Minnesota, August 2008, photo © 2008 by QuoinMonkey. All rights reserved.













Mary of the Earth
holds the world and the wide sky
humbly plants her seeds















  Yellow Ribbon Crop Art, Minneapolis, Minnesota, August 2008, photo © 2008 by QuoinMonkey. All rights reserved. Spare Us From The Norm, Minneapolis, Minnesota, August 2008, photo © 2008 by QuoinMonkey. All rights reserved.Yellow Ribbon Crop Art, Minneapolis, Minnesota, August 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Yellow Ribbon Crop Art, Spare Us From The Norm, ribbon winning Crop Art by Elisabeth Smeltzer and Kim Cope, Minnesota State Fair Horticulture Building, Minneapolis, Minnesota, August 2008, photo © 2008 by QuoinMonkey. All rights reserved.



Post Script:  I immediately thought of ybonesy when I saw this Crop Art at the Minnesota State Fair yesterday. She has done many posts of Mary on red Ravine, an icon that spans many cultures, beliefs, and landscapes (including a VW bug). Hey, I miss you ybonesy. Safe travels, my friend.


-posted on red Ravine, Friday, August 29th, 2008

-related to posts: haiku (one-a-day), MN State Fair On-A-Stick (Happy B’Day MN!), MN State Fair On-A-Stick, Blogger In Vietnam — Is Speaking Your Mind So Dangerous?

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Mother Mary as in a Dream, Raton, NM, photos © 2008 by
ybonesy. All rights reserved.



Last Wednesday afternoon I found myself in one of the best spots I could imagine, with my parents and oldest sister, and in the company of my beloved grandparents and best-ever uncle. We were in the cemetery in Raton, New Mexico, where Grandma, Grandpa, and Uncle Pat are buried.

I get my love of cemeteries from Mom. I didn’t know how much she loved them until this visit. I usually go to cemeteries with my dad; each Memorial Day we make the trek to Costilla, the place where his parents are buried. But on this particular trip Mom asked if we could stop in Raton to see her parents and brother. “I love cemeteries,” she told me as we left our relatives’ headstones and began exploring the grounds.

We walked all over the cemetery. The dry grass crackled under our feet. Most of the headstones were small and unassuming.

“Oh, there’s Joe Gourley,” Mom said. Joe was the son of a rich man in Raton, who Mom still calls “Mr. Gourley.” Joe Gourley, the son, went to war. When he came back he shot himself. Mom did the math in her head to make sure this was the right Joe Gourley, the one she knew who killed himself. “Yep, that would be about right.”

The June day my grandmother was buried here, we attended a funeral mass. According to my imperfect memory, it was a High Mass with incense and big drops of Holy water splashed in our faces. The priest, dressed in white robes and a white cap, bellowed a sermon of doom. I don’t know why this particular service seemed so gloomy to me — it was held in 1985, when I was 24 and gloomy myself — but I remember it plucked the chords of the guilt side of our Catholic faith. I felt resentful and confused. Was he talking about my grandmother or were his messages intended for us?

My relationship with Catholicism is complex, influenced, I think, by Mom’s own complex relationship with the Church. She rebelled against Dad’s absolute piety, and she strained against the rigidity — the intolerance — with which some Catholic priests ruled their parishes in those days.

If pressed, she might be apt to say something like, “I don’t believe in God.” Yet she was a believer. She was just unwilling to concede the fact.

At the rosary held for Grandma the night before her burial, Mom sat in the front right-hand side of the church. A benevolent Virgin Mary dressed in blue and white robes stood silently in the nicho of a wall facing Mom and her youngest sister, Connie. My grandmother’s death was a blow for my mother. Mom called my grandmother “Mama” up until the day she died — she still does. They were close, talking for hours each week. Mom cried and cried through the Our Fathers and Hail Marys. At one point, she peered through her veil of tears and saw that the Virgin Mary was crying, too.

“Tears came down her cheeks, we saw them!” Mom pleaded afterwards. Both she and Connie saw the tears. Later on, before the funeral mass the next day, we went to see if the Virgin Mary statue had raised porcelain tears on her cheeks. There were none. Still, I believed.


      



Beverly Donofrio in her book Looking for Mary says that when the spirit of the Virgin Mary is nearby, so too is the smell of roses. I remember Mom used to like everything — lotion, perfume, candles — that smelled of roses. Old lady smell, I always thought, even though for years of birthdays and Mother’s Days, I gave her rose-fragranced-anything-I-could-find.

I can’t recall now the last time I thought to give Mom anything having to do with roses. It’s only today that I remember how much she loved that unmistakable fragrance.


One of the photos I took on Wednesday caught my eye as I pored through the shots from that day in the cemetery. It is a small statue of Mary. She sits on the ground, a short distance from the marble headstone of the person she graces. All around the Mary statue are needles and small branches from a nearby pine. I have picked her only because of who she is, not because I know the person buried there. I have to almost lie on the grave myself to get down low enough to photograph the statue.

In the photo of her I notice a shaft of light, thin and almost imperceptible, coming down over her right eye. She is completely white, but there on that right eye is a speck of dirt exactly where her iris would be.

It is not earth-shattering. It is not the stuff that draws throngs of believers. It’s dirt and a small ray of light. It could be nothing. It’s easy to miss.

I call Mom and tell her about the photo. “Oh, really?” she says. She sounds intrigued. A lot has happened in the 23 years since her mother died. Over the years and through various family crises, my mother has turned to her imperfect faith and made it something all of us can hold on to. She prays a rosary every day. Her rebellious self has changed. You can still see remnants of it but she no longer rebels just for the sake of rebelling.

“What do you think,” she asks, “is it a little miracle?” I tell her I’m not sure but that I’ll bring by my computer so that she can see for herself. “I believe in miracles, you know,” she tells me.

I do know. I’ve never doubted that about my mom. That’s one of the gifts she gave to me and all my siblings.



Shaft of Light, Raton, NM, photos © 2008 by ybonesy.
All rights reserved.

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I know this isn’t the greatest photo, but if you squint your eyes you might be able to see the pale image of Virgin Mary on the side of this VW. Or, try covering your left eye AND squinting.

And if you really look hard, you might see Jesus peering down from what vaguely looks like an air-conditioning unit on a roof in the distance. Oh, and the stain in the concrete towards the foreground — I think it’s Moses.

We’re bracing for throngs of believers. I’ll be first in line.


         
          Virgin Car, a painting of the Virgin Mary on a VW bug
          parked near Old Town, Albuquerque, October 6, 2007.

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