Feeds:
Posts
Comments

Posts Tagged ‘truth’

By Anonymous


My stomach still tenses and my palms still sweat when I recall, and relive, a time I was mistakenly accused of something I didn’t do. Forty years have yet to erase the fear and confusion I felt the night my father woke me from my sleep while hurtling accusations and threats at me. In my half-awake state, it took me too long to realize what was happening, and when I eventually denied any wrongdoing, the timing made anything I said in my defense seem like a lie. That night was the fatal crack in the foundation of my father’s relationship with me, and one that was never repaired.

My neighborhood, once mansioned and gracious and occupied by physicians and factory owners with Southern manners, was still mansioned, but it was neither gracious nor well mannered. The expansive homes, far too large for a single family when they had been built in the late 1800s, had been partitioned into apartments during the Depression Years. Often four or six families lived in divided sections of the grand older homes on the street my family lived on.

When friends would drive me home from school or a party, they were always impressed by the looks of my house. Its exterior was certainly impressive, but I seldom invited anyone inside. I didn’t want to explain that my family’s apartment took up two rooms on the second floor of the stately house and two more rooms carved from attic space. I knew it wasn’t right to be embarrassed by my family’s home – it was clean and cared for, it had all the essentials – and yet at 14, I would rather have lived in an architecturally barren 50s ranch with no character. I longed to live in the neighborhood I tended carefully in my imagination – no ‘hoods gathering in the alleyway, no fist fights breaking out in the dim backyards, no strangers prowling in the hallways of my home.

I was a good kid at 14. The kids I hung around with were good kids too, all smart, ambitious, college bound. Instead of drugs or alcohol, we brought guitars to our parties and we played our music and sang. Not rock ‘n roll either. We sang our share of Beatles’ tunes, but we also sang “Where Have All the Flowers Gone” and “Kumbaya.” We also protested the Viet Nam War, not by throwing rocks at store windows and setting American flags on fire, but by wearing MIA bracelets on our wrists, with earnest promises that we wouldn’t remove them until the soldier whose name was inscribed on our bracelet came home from the war.

On that pivotal night, the night of the false accusation, my father returned to the apartment late. He had been drinking. This was a major source of stress in my family, and I often was awakened in the middle of the night by my parents’ arguments in the next room. But on that night I became a major player in the drama.

I was startled awake by my father who came storming into my room. He began hurtling accusations at me. He claimed to have found a bag of marijuana in the garage he rented behind our house. He wanted an explanation. He wanted to know what else I was hiding from him.

I stammered my innocence, but he refused to believe me. Repeatedly he asked me what drugs I used, who gave them to me, what else did I do that he wouldn’t approve of. When he pulled off his belt and started thrashing me, I burrowed deep under my blankets, trying to hide from his verbal and physical assaults. I shrieked, one loud, hysterical scream.

He stopped hitting me then, and left as quickly as he had come in, and for much of the night I stayed awake wondering what had happened. I wanted to pretend it had only been a vivid nightmare, fabricated in my dreams, and yet, the night silence was punctuated by angry bursts of words from my parents’ bedroom. I knew it was not a nightmare of my creation.

I never saw the marijuana I supposedly was hiding. It was never discussed again.

There was never any resolution. That, I think, was the hardest part about the entire incident. The accusation remained a silent wall, thrust up in the middle of a single night, and never repaired or torn down. I think now, if we had talked about that incident, we might have lessened the damage it did to our relationship. But he was a man of few words when he was sober. He was not one for talking through a problem.

And so, with a wrong accusation, a father-daughter relationship was irreparably harmed.




-Related to topic post WRITING TOPIC – 3 QUESTIONS. [NOTE: This Writing Topic refers to three questions mentioned by actor and writer Anna Deavere Smith in an interview with Bill Moyers (see link). She talked about the questions in the context of interviewing people and listening to them. The three questions came from a linguist Smith met at a cocktail party in 1979; the questions were, according to the linguist, guaranteed to break the patterns and change the way people are expressing themselves. QuoinMonkey, ybonesy, and frequent guest writer Bob Chrisman take on the three questions by doing a Writing Practice on each. A red Ravine reader, who wished to remain anonymous, also sent us a piece, based on a 25-minute Writing Practice on the second question, Have you ever been accused of doing something you didn’t do?]

-Also related to posts: PRACTICE: Have You Ever Come Close To Death? — 15min (by ybonesy), PRACTICE: Have You Ever Come Close To Death? — 15min (by Bob Chrisman), PRACTICE — Have You Ever Come Close To Death? — 15min (QuoinMonkey),  PRACTICE: Have You Ever Been Accused Of Doing Something You Didn’t Do? (by Bob Chrisman); PRACTICE: Have You Ever Been Accused Of Doing Something You Didn’t Do? (by ybonesy), and PRACTICE — Have You Ever Been Accused Of Doing Something You Didn’t Do? (by QuoinMonkey)

Read Full Post »

Most of the things I’ve been accused of, I did do. Not terrible things. Normal, living day-to-day things. I once got into trouble for walking into the larger-than-life, under construction, sky barrel that would later become the water tank for the little subdivision I grew up in. I wanted to hear how it would sound to yell inside the green tank. Would it echo? Fall flat? I must have been only 9 or 10. I got in so much trouble when my parents found out. It scared them to know where I had been, what might have happened. I did it, I did.

I wish I could think of something ruthless or edgy that I’ve been accused of. Or even done. I can’t. I’m mundane, run of the mill ordinary. Yet I’ve done some extraordinary things. I thought about this topic while driving through yesterday’s snowstorm. The 35mph winds nearly blew the pickup off the road. At one point, I had to do three of those turn-into-the-curve corrections when I hit a patch of black ice on a freeway curve. Thank goodness no one was near me.

On a snowy backroad, I started to wonder what kind of people get accused of things they didn’t do. What about the American who recently was found guilty of murder in Italy for a crime she says she didn’t do. Is she guilty? Innocent? Who are we to believe.

What about Tiger Woods. Is he being accused of things he did or didn’t do? Are all those women lying? Or is it his wife. I have to admit, when I heard about the early morning jog off the road, the crash and burn, I immediately thought “domestic situation.” And wondered what he had done. I noticed he seemed angrier this year on the golf course, less focused, throwing his clubs around. No wonder. Who can keep all that pent up inside?

I don’t think I have the kind of thick skin it takes to be accused of things I didn’t do. Maybe it led me to play it safe. It makes me seem boring, even to my own self. Where’s the drama? Like I said, when I was accused of things, I often did them. Have I ever lied about what I’ve done? Yes, on occasion in order to get out of a messy situation. But not as a rule of thumb.

I’ve been accused of being quiet, moody, crabby, over-emotional, shy. I’ve been accused of being fearful. Are those things true? At times. When I was in second grade Mrs. Hamrick took a ruler, bent the palm of my hand backwards so the inside of my hand was taut and facing up, and slapped my palm with a ruler. She did the same thing to my friend Melanie. We were cracking up in class over the word “smelly.” It was the way Melanie said “smelly” that had me in stitches in the middle of class.

Should I have been accused of laughing too hard, too loud, too much? I don’t know. But I was. And the ruler stung. I rarely got in trouble, rarely got a spanking. Why was I so goody two-shoes? Always running down the middle line, playing it safe. I don’t know. I prefer to be accused of being the good guy than the bad. Yet I like the tough guy rebel reputation. That just doesn’t make sense. Nothing makes sense in the world of false accusations. Nothing makes sense in the world of truth. Everything is subjective, even the way facts are presented. I’ve been accused of being too detailed and long-winded. That’s a good reason to draw this practice to a close.

If I took the time to list all the things I’ve been accused of over the years that I did do, it would fill another writing practice. Most I’m not proud of. I’m flawed, human. I used to be a jealous person. I feel like I’ve dulled down in the area of personal relationships. And that’s where all the drama is. I don’t step in the mire as much as I used to when I was young and trying to figure out what made relationships tick. I crossed boundaries, stepped through quicksand, threw a few tantrums. “Throwing a tantrum.” Where do you throw one. Out the window, across the river, slithering through the psyche of a loved one?

Pitching a fit. That’s an old Southern phrase. I used to say it. I hear it still when I visit the South. “Don’t pitch a fit, Shug.” Or “She’s fixin’ to pitch a fit.” I love that phrasing. There is something more colorful about the Southern dialect. Descriptive and loose. Uncontained, visual. You can not accuse Southern dialect of being stilted or canned.

Have you ever been accused of something you didn’t do? Lawdy-mercy, no.




-Related to topic post WRITING TOPIC – 3 QUESTIONS. [NOTE: This is the second of three questions mentioned by actor and writer Anna Deavere Smith in an interview with Bill Moyers (see link). She talked about the questions in the context of interviewing people and listening to them. The three questions came from a linguist Smith met at a cocktail party in 1979; the questions were, according to the linguist, guaranteed to break the patterns and change the way people are expressing themselves. QuoinMonkey, ybonesy, and frequent guest writer Bob Chrisman take on the three questions by doing a Writing Practice on each.]

-Also related to posts:  PRACTICE: Have You Ever Come Close To Death? — 15min (by ybonesy), PRACTICE: Have You Ever Come Close To Death? — 15min (by Bob Chrisman), PRACTICE — Have You Ever Come Close To Death? — 15min (QuoinMonkey), PRACTICE: Have You Ever Been Accused Of Doing Something You Didn’t Do? (by Bob Chrisman), and PRACTICE: Have You Ever Been Accused Of Doing Something You Didn’t Do? (by ybonesy)

Read Full Post »

I could probably wrack my brain and come up with something someone wrongly accused me of during a spat or a fight, but nothing stands out. In fact, I pretty much have done everything anyone ever accused me of. Maybe someone called me selfish, and I don’t think I’m very selfish at all. But you see, there’s always more than one side to a story. I might in fact be pretty selfish at times.

I once ran across some little gangbangers walking down the road. I got into a tiff with them. My girls cried in the backseat as I got out of the car and confronted them. They had slapped the side of my car as I drove by, as if my car were the rump of a big horse. It was summer and we had the windows rolled down. The gang kids were walking abreast, three of them, taking up almost my entire lane. Another car was coming down the opposite lane, and so I honked to get the kids to move off to the side. It was a slow road, normally 25 miles an hour, so it wasn’t like I couldn’t wait for the other car to pass and then drive around the kids, but when they glanced back yet stayed put in the middle of the lane, I inched so close that I almost ran over a foot. But I was going about five or ten miles an hour. I don’t think I could have hurt anyone.

They accused me of starting a fight with them. This I learned from the cop who I sic’d on them after I had a confrontation with the kids. They were two girls and boy. The girls were 15 and maybe 16, and the boy slightly older. After I got out of the car, that being after they slapped the side of the car as I inched by, we had words. I think I might have said, “What the hell did you just say???” I had heard something like “What the fuck?” as I drove by, probably because I almost ran over a foot.

There was a whole next part of the confrontation, where they followed me to the library, which was just a few yards from where I had first stopped the car, and I was feeling mean and strong, like the 16-year-old in me who’d gone to school with a bunch of pachucas was rising to the top, ready to go to blows if need be. I said a bunch of stuff that provoked them. I was mad that they were so damned cocky and stupid. And that they were probably going to waste their lives, acting too cool for their own good. My anger came out, and I remember feeling ready for a good fist fight.

And my girls were still in the backseat of the car waiting while I turned in my book, which, by the way, was To Kill A Mockingbird, which, by the way, I never read in high school or junior high but in my mid-40s. The girls were pretty scared, crying while they watched their mother walk by three kids who thought they were pretty tough, the boy was bouncing on his Pumas or whatever tennis shoes boys like him wore. And his bling were flying in the air, hitting his chest every time he went up and the bling went down.

Well, what I want to say is I probably did provoke that confrontation. I was in that kind of a mood, and when I drove away, peeling out so that the gravel under the tires of my car spit up toward them, I saw a cop sitting in his car just around the corner. I pulled up and told him that there were some delinquents by the library. Later, when I saw the cop again and asked him how things had turned out, he said that they accused me of saying a bunch of stuff to them and starting the whole thing. “Oh, really?” I said. And then he told me, “Yeah, but who was I to believe? A middle-aged woman with kids or a bunch of delinquents?”

I kind of felt bad for them just then.




-Related to topic post WRITING TOPIC – 3 QUESTIONS. [NOTE: This is the second of three questions mentioned by actor and writer Anna Deavere Smith in an interview with Bill Moyers (see link). She talked about the questions in the context of interviewing people and listening to them. The three questions came from a linguist Smith met at a cocktail party in 1979; the questions were, according to the linguist, guaranteed to break the patterns and change the way people are expressing themselves. QuoinMonkey, ybonesy, and frequent guest writer Bob Chrisman take on the three questions by doing a Writing Practice on each.]

-Also related to posts PRACTICE: Have You Ever Come Close To Death? — 15min (by ybonesy), PRACTICE: Have You Ever Come Close To Death? — 15min (by Bob Chrisman), PRACTICE — Have You Ever Come Close To Death? — 15min (QuoinMonkey); and PRACTICE: Have You Ever Been Accused Of Doing Something You Didn’t Do? (by Bob Chrisman)

Read Full Post »

By Bob Chrisman

It would strain the imagination of anyone to believe I have escaped false accusations in my long life, so I won’t try. Early on, the world taught me that attention and praise attracted mean and nasty comments from other people. My life’s goal became to blend in with the world around me, to not stick out. That never worked for me.

The song, This Little Light of Mine, from my childhood Sunday school keeps running through my mind. The lyrics tell us to let our lights “shine, shine, shine” and never “hide it under a bushel.” I tried to hide my light, but I might as well have tried to hide the Sun. Took me almost forty years to raise my light. I admitted to myself that I couldn’t dim the brightness.

One consequence of shining brightly is being accused of doing things I didn’t do. High profile people make easy targets for unhappy foes. I know lots of people. I know lots of things about lots of people. I know lots of secret things about lots of people. They’ve told me their secrets. As a result, I’m sometimes the first person who comes to mind when someone feels betrayed because one of their secrets got out.

First, a secret is something that not more than one person knows. Secrets lose their secret-ness when two or more people know. If you want to keep a secret, don’t tell anyone else.

The most hurtful thing I have been accused of doing was telling a secret I didn’t even know. The person confronted me with my alleged indiscretion. “How could you tell him about that incident?” he demanded. “What reason could you have had for divulging that embarrassing information?”

“But, I didn’t even know about that situation. How could I tell anyone else?”

“You liar. I’m giving you a chance to come clean. How can you stand here in front of me and lie to my face?”

I toyed with the idea of admitting my guilt, even though I hadn’t told. Then I could throw myself on his mercy. I wanted to remain friends, but I hadn’t done anything. I repeatedly denied any part in telling the secret.

“You aren’t my friend anymore.” He ended the drama by stomping out of the room and slamming the door. We haven’t spoken since that confrontation.

Later I learned that he found out who told the secret. That betrayer and the betrayed forgave and forgot. They remain friends to this day. Sometimes knowing that bit of information hurts more than the false accusation.




-Related to topic post WRITING TOPIC – 3 QUESTIONS. [NOTE: This is the second of three questions mentioned by actor and writer Anna Deavere Smith in an interview with Bill Moyers (see link). She talked about the questions in the context of interviewing people and listening to them. The three questions came from a linguist Smith met at a cocktail party in 1979; the questions were, according to the linguist, guaranteed to break the patterns and change the way people are expressing themselves. QuoinMonkey, ybonesy, and frequent guest writer Bob Chrisman take on the three questions by doing a Writing Practice on each.]

-Also related to posts: PRACTICE: Have You Ever Come Close To Death? — 15min (by ybonesy), PRACTICE: Have You Ever Come Close To Death? — 15min (by Bob Chrisman), PRACTICE — Have You Ever Come Close To Death? — 15min (QuoinMonkey)

Read Full Post »

Just Sitting, Mabel Dodge Luhan House, Taos, New Mexico,photo © 2007 by QuoinMonkey. All rights reserved.

Just Sitting, Mabel Dodge Luhan House, Taos New Mexico, February 2007, photo © 2007 by QuoinMonkey. All rights reserved.


I’ve been in a daze since I got back from the trip. Tired, unfocused, full. Obsessed with flashes of detail, and snippets of conversation. I’m getting closer to laying down my stories.

I want to write memoir. And the recent trip to the South, researching history, family, and roots, ignited a fire in me. The coals are still glowing. They infuse and invigorate my desire to write.

But it’s one thing to dig up details and memories, and write them down in practice. And another to risk the exposure of mothers, sisters, brothers, friends, fathers, lovers – and me. Every detail I write reveals more about me.

Detail, truth, and honesty – how are they related to writing and art? Every time I post a piece on red Ravine, or write a draft of a story I want to publish, I’m faced with exposing my truth.

Who might it harm? How will they take it? What if my truth isn’t their truth? Will the photograph or drawing I post be offensive? Will I alienate my friends, my family, my writing or art communities?

All good questions. And some need to be quietly and ethically considered in an immediate and public venue like the Internet. And in regard to the space where we work to uphold red Ravine’s mission and vision to foster community.

But in my personal and creative writing, the work I plan to pitch to the publisher, what is okay? And what’s not? If I go for the jugular, what do I have to lose? And what part of my dignity will I sacrifice if I don’t?

The teachers I have studied with, in both writing and art, have told me that it’s okay to go for the jugular, to ask the hard questions. But don’t worry about the answers. Not until I’m ready to publish. It will squash my creativity.

Rainer Maria Rilke addressed the same questions in 1934, in Letters to a Young Poet:

…be patient toward all that is unsolved in your heart and try to love the questions themselves like locked rooms and like books that are written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now.

Live the questions now. Part of the living is asking. While at the same time, being willing to get your hands dirty: pulling up waterlogged, granite rocks, exposing wriggling bits of ant egg, smelling ancient, earthworm underbellies.

I try to listen for the answers, ragged, tenacious blades of grass that poke through cracked cement to reclaim the ground around them. Skeletal fragments of dead frogs, dried up into compost.

I see by the conversations and comments on recent posts (this post, and this post) that writers are at different stages of coming to terms with telling their truth. It’s a process I, too, must go through if I want my work to be public and published.

After travelling and interviews and meeting with long lost family in the South, I have all this memoir material I didn’t have a month ago. I know more than I did before. How do I be authentic and credible, while maintaining personal integrity?

I have a responsibility to tell the truth as I understand it; and an equal responsibility to take time to reflect on the questions. To live the questions.

In the meantime, I keep writing. And practicing. And reading other writers. What do those who have walked before me have to say about truth?

I pulled out Anne Lamott. And I’ll end with this excerpt from Bird by Bird, Some Instructions on Writing and Life, Part Five: The Last Class:

Becoming a writer is about becoming conscious. When you’re conscious and writing from a place of insight and simplicity and real caring about the truth, you have the ability to throw the lights on for your reader. He or she will recognize his or her life and truth in what you say, in the pictures you have painted, and this decreases the terrible sense of isolation that we have all had too much of.

Try to write in a directly emotional way, instead of being too subtle or oblique. Don’t be afraid of your material or your past. Be afraid of wasting any more time obsessing about how you look and how people see you. Be afraid of not getting your writing done.

If something inside you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Don’t worry about appearing sentimental. Worry about being unavailable; worry about being absent or fraudulent. Risk being unliked. Tell the truth as you understand it. If you’re a writer, you have a moral obligation to do this. And it is a revolutionary act – truth is always subversive.

Friday, June 29th, 2007

Read Full Post »

I was going through an old writing notebook I filled in Taos last year, when I ran across some notes I had jotted down on Nikki Giovanni and James Baldwin. It’s good to re-read writing practice notebooks. Sometimes there are helpful quotes, raw images, inspirational lines to be plucked from the pages of wild mind.

We read Another Country and Giovanni’s Room for the Intensive and I’d checked out a bunch of library books on Baldwin. One was called A Dialogue: James Baldwin and Nikki Giovanni (1973), published by J.B. Lippincott.

I remember thinking the generational differences between Baldwin and Giovanni would add a richness to their dialogue. It was true. At the time, Baldwin was 49 and Giovanni was 30.

On February 28th, 2007, Nikki Giovanni spoke On Poetry and Truth in the Ted Mann Theater at the University of Minnesota’s Minneapolis campus. The talk ran on PBS the first week of April and Liz taped it for me. But I didn’t get a chance to watch it until after the closing at the Virginia Tech Convocation. I was riveted to the screen.

She started out talking about how her dog, her mom, her sister, Rosa Parks, and her aunt had all died unexpectedly within a year period in 2005; she started out talking about grief and loss. Then she went on to discuss in great detail, the children’s book she wrote about Rosa Parks, titled Rosa.

She considered the book carefully and wrote with historical precision, considering every detail. That’s the hallmark of a good writer. I could see that writing the book had helped transform her grief.

I wish I would have had a chance to see Giovanni and Baldwin dialogue. They are two writers who have a startling honesty and unwavering passion for what they believe in. Speaking strictly for myself, I am completely inspired by both of them. After hearing an archived Baldwin interview, or listening to Giovanni speak, I want to run out and write my next book.

In Taos last August, I shared some of the Baldwin and Giovanni dialogue with the writers in the Intensive. Some found it inspiring. I thought it might be good to capture here the parts on Truth and Love. You can also still buy the book.

It seems like famous writers and artists used to publically dialogue with each other more regularly than they do today. Maybe it’s my imagination. But I’m hungry to hear gifted writers speak about their work and have frank conversations with one another about the issues of the day.

And while they are at it, I’d like to give them a go at world peace or global warming. It wouldn’t be the first time creative intellectuals debated the truth – and came to a place of compromise and love.


A Dialogue: James Baldwin and Nikki Giovanni (1973)
excerpt, p. 78 – p. 82 – On Truth

Giovanni: Exactly. And I’m talking about Chester’s [Himes] pursuit of truth. Because Richard Wright died, or was murdered, before he quit pursuing the truth.

Baldwin:  That’s right.

Giovanni: But Chester could say, Okay, I will pursue truth in this way, which looks a little better, so that you can make a movie out of it if you want to and it’ll still be true. And then takes it right to Blind Man with a Pistol.

Baldwin:  But, sweetheart, it’s the same thing we were doing on the plantation when they thought we were singing “Steal Away to Jesus” and I was telling you it’s time to split.

Giovanni:  But why do we –

Baldwin: Steal away, steal away –

Giovanni:  Why do we, as black writers, seem to be so hung up on the truth?

Baldwin:  Because the responsibility of a writer is to excavate the experience of the people who produced him. The act of writing is the intention of it; the root of its liberation. Look, this is why no tyrant in history was able to read but every single one of them burned the books. That is why no one yet really believes there is such a thing as a black writer. A black writer is still a freak, a dancing doll. We don’t yet exist in the imagination of this century, and we cannot afford to play games; there’s too much at stake.


A Dialogue: James Baldwin and Nikki Giovanni (1973)
excerpt, p. 92 – p. 95 – On Love

Giovanni:  People really feel the need to feel better than somebody, don’t they?

Baldwin:  I don’t know why, but they do. Being in competition with somebody is something I never understood. In my own life, I’ve been in competition with me.

Giovanni:  Which is enough.

Baldwin:  Enough? It’s overwhelming. Enough?

Giovanni:  Just by fooling yourself –

Baldwin:  That’ll keep you busy, and it’s very good for the figure.

Giovanni:  It makes you happy, you know.

Baldwin:  Well, it means that in any case you can walk into a room and talk to somebody, look them in the eye. And if I love you, I can say it. I’ve only got one life and I’m going to live my life, you know, in the sight of God and all his children.

Giovanni: Maybe it’s parochial, narrow-minded, bullheaded, but it takes up so much energy just to keep yourself happy.

Baldwin:  It isn’t even a question of keeping yourself happy. It’s a question of keeping yourself in some kind of clear relationship, more or less, to the force which feeds you. Some days you’re happy, some days you ain’t. But somehow we have to deal with that on the simplest level. Bear in mind that this person facing you is a person like you. They’re going to go home and do whatever they do just like you. They’re as alone as you are.

Giovanni:  Because that becomes a responsibility, doesn’t it?

Baldwin:  Well, it’s called love, you know.

Giovanni:  We agree. Love is a tremendous responsibility.

Baldwin:  It’s the only one to take, there isn’t any other.

Giovanni:  I agree and it’s awful; we’re supposed to be arguing.

Baldwin:  And we blew this gig.

Giovanni:  Goofed again. I think love is an answer but you have to be logical about it, you know.

Baldwin:  You say logical or rational and I say clear, but it becomes the same thing. You can’t be romantic about it.

Giovanni:  No, you can’t be romantic about love.

Baldwin:  That’s all, you know.

Giovanni: I think we’re in agreement.

Baldwin: You think we are?

Giovanni: Yeah.

Baldwin:  You asked the loaded question.

Giovanni:  I asked the loaded question?

Baldwin:  You did. You did ask the loaded question. But it’s all right, because we’re home free.


-posted on red Ravine, Monday, May 14th, 2007

-related to post: Nikki Giovanni – Hope at V-Tech

Read Full Post »

paranoia drifts inside my sanity
I vowed to write during lunch
not agonize over one ounce of truth

if I take fear with a grain of salt,
the ever-present whispering, “I am not enough,”
the lingering voice of the Monkey in all her many forms,

will it make me a better writer?

sitting under a rock
on the steps of Calcutta
a fire ant crawls
through Gandhi’s fascination

and I breathe Minneapolis –
monsoon clouds of Pantone gray.

the truth is I feel scared
the truth is I am empty
the truth is I seek validation and comfort.

3 grains? or 1 ounce?

you said you were mirror-phobic –
your mother said the first ingredients
to add to a new apartment are:

salt
and sugar,
a broom, to sweep away Old Spirits
and bread for the breaking.

Ancient traditions,
or bonding superstitions?

the bouquet of lilies – Post Minimalist –
I saw them there, on the glass table
alone, shining, white and pure –
future clutter.

when I read your short paragraph
I threw salt over my left shoulder,
while an Angel on my right
whispered something in your ear

to keep the Devil at bay,
in a particularly vulnerable situation –

or from sneaking up on me
while I’m cleaning up my mess.

There will be Southern black-eyed peas
on New Year’s Day
a too salty ham, reminding me

I stole the title from Nikki Giovanni
and James Baldwin stole a little something, too;

something every writer should know –
we are excavating our ancestors for data

and sometimes that means walking
left of the straight and narrow,
3 sheets to the wind,
silent under
Taos Mountain

watching a sagebound magpie
through the dirty glass

listening to the wind howl
and the jackhammer roar

pushing 7,500 feet of air
through an ounce of truth.


Friday, November 17th, 2006

-from Topic post, WRITING TOPIC – BOOKENDS, BALANCES, AND HARD RAIN

Read Full Post »