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Posts Tagged ‘the practice of poetry’

2014 06 26_6806

Bloom On The Dhobi Tree,  Droid Shots, Washington, D.C., June 2014, photos © 2014 by QuoinMonkey. All rights reserved.





spring equinox
eclipsed by the dark
side of the moon






2014 06 26_6807 Spring arrived under a New Moon and Total Solar Eclipse fanfare, in spite of March with her gray skies and flurries. Snow has melted from the Twin Cities landscape, leaving behind a patchwork of late winter beige and timid green. Anxious for 2014 06 26_6808 spring color, I revisited photographs from a June walk in the Enid A. Haupt Garden outside the Smithsonian Castle. It was the first time I had seen a Dhobi Tree and it was in full bloom.

The Dhobi Tree (Mussaenda frondosa) is pollinated by butterflies attracted by a modified leaf growing at the base of the flowers. The plant grows wild in India and is part of the Rubiaceae Family which also includes Coffee and Gardenias. I am grateful for urban green space, a refuge and remembrance that every city was once a wild place.

___________________________________________

2014 06 26_6810

-posted on red Ravine, Sunday, March 22nd, 2015

-Part of a yearly practice to write a short form piece of poetry in a Moleskine journal once a day for the next year. Related to post: haiku 4 (one a day) Meets renga 52

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Fire 3 - IMG_20150308_131427 copy5




We sat in a circle around a ring of snow, inside a ring of stones, inside a ring of kindling. It was damp outside. The moon rose in a foggy black and white photo over the house to the east. The fire felt good on my bones. After a while, my feet got cold but it didn’t seem to bother me. I saw something hop and trot, then stop. Is that a fox? I said. It is, it’s coming our way. The fox stared and came right for us. It walked close to the fire, headed to the next yard, and circled back. Susan said she had put out a lamb shank earlier in the day. The fox must have smelled it. The shank was gone. The fox came close to the spot where it had been and dug up a bone out of the snow, crunched on it. The fox was small and petite. A month or so ago, I saw a fox at Lake Como near the Conservatory over lunch. I watched it for a good fifteen minutes before it disappeared into a grove of trees. After the petite fox left, we saw another fox out on the pond in the distance. Then we heard them barking to each other across the ponds that are Twin Lakes.

___________________________________________

-haiga & excerpt from today’s writing practice posted on redRavine, Sunday, March 8th, 2015
-Part of a yearly practice to write a short form piece of poetry in my Moleskine journal once a day for the next year. Related to post: haiku 4 (one a day) Meets renga 52

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Ice Shadows PS3TFinalrR 2015-01-08 22




-haiga posted on redRavine, Saturday, January 24th, 2015
-Part of a yearly practice to write a short form piece of poetry in my Moleskine journal once a day for the next year. Related to post: haiku 4 (one a day) Meets renga 52

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Top Of Minnehaha Falls, Droid Shots, Minneapolis, Minnesota, July 2014, video © 2014 by QuoinMonkey. All rights reserved.




Top of Minnehaha Falls

Twilight turns the water to mist.
Mosquitoes hum, a cool breeze
grazes the hair on my arms.

Laughter echoes off steep walls,
the three of us pull close
for one last photograph.

“You are lucky to have her,” she told me.

White winter night,
bundled beneath down comforters,
the warmth of your skin sizzles against mine.

silent monarch wings –
top of Minnehaha Falls
drowning in summer




-posted on red Ravine, Sunday, January 4th, 2015
-related to post haiku 4 (one-a-day) Meets renga 52

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By Timothy Hastings



walljasper photo for tanka

Seaside, Kingdom of Tonga, May, 2014, photo © 2014 by Timothy Hastings. All rights reserved.



seaside, selling shells
each of her beautiful strands
spoke her memories
we shared names and nods and smiles
and lapping waves sang her song



-related to post: haiku 4 (one-a-day) Meets renga 52

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Royal - 152/365

Royal – 152/365, Archive 365, BlackBerry Shots, Minneapolis, Minnesota,
February 2011, photos © 2011-2013 by QuoinMonkey. All rights reserved.




Midwestern writer
pretending to understand —
what love left behind.






-posted on red Ravine, Saturday, March 2nd, 2013

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By Teri Blair



The Poets, Minneapolis, Minnesota, April 2011, all photos © 2010-2011 by Teri Blair. All rights reserved.



On June 11, 2011, four people will stand on a stage in rural America to debate one question: Does poetry matter?


19 years ago, a man named John Davis started an amateur philosophy contest called the Great American Think-Off. He wanted to give ordinary people a chance to voice their opinions on serious issues. Each year a question is announced in January. People have three months to submit a 750-word essay speaking in favor or opposition to the topic. Four finalists are selected to debate their views before a live audience, an audience who determines the winner. Each of the four receive a $500 cash prize, travel expenses, a medal, and the winner is declared “America’s Greatest Thinker.” John’s two-decade-old idea has flourished. In 2010 (Do the rich have an obligation to the poor?) there were hundreds of entries representing nearly every state.


I was barely awake on January 1st when MPR’s Cathy Wurzer announced this year’s question. I was listening to my bedside clock radio when I heard her say Does poetry matter? My eyes opened in a shot.

I’ve spent a lot of time since that day thinking about the question. Before I started a poetry group, poems didn’t matter that much to me. I admired poets, was in awe of poetry, but it wasn’t until I started reading poetry in earnest that it began to penetrate my life in any meaningful way.

Emily Dickinson, April 2011, photo © 2011 by Teri Blair. All rights reserved.

Now I see poetry everywhere: imprinted on the sidewalks of St. Paul, recited in films like Invictus, and incorporated into presidential inaugurations. Poetry distills events of our common human experience into a few words. I’m informed, assured I’m not alone, and given direction. I’ve read Bill Holm’s “Letting Go of What Cannot Be Held Back” dozens of times since my dad died. It gives me permission to set down the pressure to do something about death. I’ve committed May Sarton’s “Now I Become Myself” to memory, saying it over and over as I swim laps at the YWCA, continually calling myself to authenticity.

I knew the day I heard the question that I’d enter the contest. Not to win, but to document what happened in our poetry group. The words fell onto the page, and I felt closure for the group that had been so hard to disband the previous year.

On May 1st I’ll find out if I’m one of the four finalists. I hope I’m chosen, and I really hope I’m not. I want to share what my poetry group discovered, and can’t stand the thought of standing on a stage trying to think on my feet. I wasn’t on the high school debate team for good reason.


I want to hear from you: Does poetry matter? If it doesn’t, were you subjected to obscure passages in high school English class that left you with a bad taste in your mouth? Does poetry seem a lofty and inaccessible pursuit for snobs?

If poetry does matter to you, how come? Do you have a favorite poet?

Whether I’m nervous on the stage (or at ease in the audience), I plan to be at the Think-Off on June 11th. Maybe I’ll see you there.


To read more about the Great American Think-Off: www.think-off.org.



Ted Kooser’s Studio, Dwight, Nebraska (pop. 259), January 2010,
all photos © 2010-2011 by Teri Blair. All rights reserved.


________________________________


About Teri: Teri Blair is a freelance writer living in Minneapolis and founder of the Poetry & Meditation Group of which QuoinMonkey has fondly and frequently written. (See Letter From Poet Elizabeth Alexander for the last post on the group and Teri’s piece titled Desire And A Library Card — The Only Tools Necessary To Start A Poetry Group for a step-by-step on how to start your own.)

Teri’s first red Ravine guest post, Continue Under All Circumstances, was written on the road during a 2007 trip to Holcomb, Kansas. She journeyed back to Holcomb in 2010 and published a sequel, Back To Holcomb, One Last Time . In March 2010, she wrote Discovering The Big Read , a piece about the largest reading program in American history. Its mission is simple: to restore reading to the center of American culture.

Teri spent February 2011 with visiting writers and artists at the Vermont Studio Center, walking, writing, and finding inspiration by the Gihon River in the heart of the Green Mountains. Her last piece for red Ravine, Emily’s Freedom, is a photo essay about what she learned on a writing pilgrimage to Amherst, Massachusetts to visit the home of poet Emily Dickinson.

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by Teresa Williams



Devil's Bridge II

Joseph Mallord William Turner from St. Gotthard & Mont Blanc
Sketchbook [Finberg LXXV], The Devil’s Bridge, near Andermatt,
Pass of St. Gotthard, Switzerland, 1802.






*The Devil’s Bridge


Blue twilight
of ash
washing
the weathered mountains,
a single goat-bell
clangs
disrupting
the high silence.
The traveller stops
in the middle
of the narrow stone bridge,
her listening is
lonely.


Beneath
the bridge,
dark water
rushes and falls;
tangled serpents
pushing
the frenzied depths
of time’s black core
down
the ravine’s
bottomless hollow;
a night heron
swoops over
the churning,
red eye widening
seeing through
to the place
where the snakes
lie still.


A sudden wind
blows
from the nostrils
of the mountain,
as if
to extinguish
all hesitation,
dark rocks
crumble down
filling the air
with a scoured-out echo
that waits
for what must cross.



The traveller steps forward
calls out,
no response
no sign
for what it is
she wants to know;
who made the bridge
and is she
the first to cross it?


The twilight
deepens, quickens
the pause;
the traveller looks ahead
her eyes fierce
and determined,
she steps forward
again
and the cold light
leads her
further than she
ever imagined
and
without turning back
she enters
a new silence;
it is in the not knowing
that makes her cross
it is in the knowing
that stops her.




*Legends tell us that bridges throughout the British Isles, Scandinavia, and continental Europe were built by the devil in return for the sacrifice of the first being to cross over.


_________________________




About Teresa: Teresa Williams is a psychotherapist, poet and translator in Seattle, Washington. She has been writing and trying to live poetry for as long as she can remember. Her love for travel and the Spanish language has called her into translation work. She is also an active member of Grupo Cervantes, a bilingual writer’s group and literary community in Seattle.

Teresa’s poetry has been featured at births, weddings, funerals and several talent shows held by the closest of friends. Her first piece on red Ravine, Sound Falling From One World Into Another, was published in August 2010 and featured the poems: Swans, Two Coyotes at Dawn, and Tarot.


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Insomnia, Minneapolis, Minnesota, July 2009, photo © 2009 by
QuoinMonkey. All rights reserved.

 
 
 
 
 
 
 

every waking moment
fitful bursts of sleeplessness
posing as dreams

 
 
 
 
 
 

Couldn’t sleep last night; so many scattered thoughts rolling around in my head. They say you wake up at 3 a.m. for anxiety, 4 a.m. for depression. I must be feeling anxious. At a few minutes before 3 a.m. (Dead Time), I was wide awake. So wide awake, I even broke the 5-7-5 structure on the Sleeplessness senryu (not typical of my haiku).

I did keep the 17 syllables. After a few years of haiku, they must be hardwired into me. Sometimes I’ll dream about writing and counting haiku in my sleep. I once read about a Japanese poet, Shuson Kato (born Takeo Kato but referred to by his pen-name, Shuson), who counted syllables on his fingers while he lay unconscious a few weeks before his death.

 
Here is an excerpt from his 1993 obituary in the Independent — Shuson Kato, poet and scholar: born Tokyo 26 May 1905; died Tokyo 3 July 1993:

In April this year, he fell sick, but again recovered and started the arduous task of choosing the weekly poems for the Asahi. Alas, on 20 June he lost consciousness: the 11 July issue of the Asahi poetry page was his last. It was said that even while he lay unconscious he was moving his fingers in the typical syllable-counting fashion of every haiku poet, bending the fingers inwards towards the palm, then releasing them again one by one.

Shuson believed in the healing powers of poetry. Again from his obituary:

In 1957, Kadokawa Shoten issued a first collected edition of Shuson’s works. But the poet fell ill in 1960 and underwent chest operations, presumably for tuberculosis. Yet he continued writing haiku. As he said: ‘Without my haiku I am nothing. It is only haiku I live for, and only haiku that keep me alive.’

His faith in the healing power of poetry was such that he gradually recovered. It was in the Sixties that Shuson became identified in the popular mind as a poet who wrote in order to explore ‘how human beings should live’.

Powerful testament to the value of poetry, an art form whose readership is dropping. I find the ancient haiku poets inspiring. It is customary for haiku poets to compose a death haiku just before dying, an epitaph that lives on. Perhaps you’d like to leave your own haiku or senryu in the Comments to honor the recent July 3rd anniversary of Shuson’s death.

 

Blue (If I Knew Then, What I Know Now),
Minneapolis, Minnesota, July 2009, photo ©
2009 by QuoinMonkey. All rights reserved.

 

_______________________________________________________

Epilogue: At 6 a.m. when Liz’s alarm was about to go off, I was heading to bed and a Version 2 of the Sleeplessness haiku popped into my head. I don’t know if Versions 1 and 2 are opposites, or complements like red/green or orange/blue.

 

every sleeping moment
fitful bursts of wakefulness
posing as dreams

 

Below are a few other Night Owl posts from over the years. I am most creative in the middle of the night or very early in the morning in that space between dark and light. I wonder if there are other Night Owls out there who write poetry in their sleep. Or if the Early Bird still catches the worm. 
 

 

-posted on red Ravine in the space between Tuesday morning, July 14th, 2009 and Monday night, July 13th

-related to these obituary posts on red Ravine: The Uses of Sorrow – What Is It About Obituaries?, Reading The Obits, Halloween Short List: (#2) Build Your Own Casket

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First Strawberry II, Minneapolis, Minnesota, June 2008, photo © 2008 by
QuoinMonkey. All rights reserved.



June — every year she embraces Summer Solstice, holds the light in the palm of her hand. June is the month of bleeding hearts, peonies, strawberries and tea roses.

At Solstice, a friend pulled a necklace from around her neck and gently placed it on the birch fire; it was of green strawberry caps she had sewn together one by one. This morning at 7am, she is heading out to a Minnesota farm to pluck the last of this season’s strawberries.

I watched the Moon carefully in June, paid homage to the longer light of the Sun. I tried to stay present to the Moon’s many faces. Days she held her ground opposite the brighter, bolder Sun. (Why can we see the moon in the daytime?) Nights when moonlight was so bright, it woke me out of a dead sleep.

Yesterday morning, when I went to do June’s moonwriting, this poem came out. It was written stream of consciousness, like Writing Practice. I’ll call it a Practice Poem, a work in progress. I did only light editing, a few revisions. I don’t claim to be a poet. But some days poetry tugs at me, and something takes hold.





    





Strawberry Moon


plucky June, Strawberry Moon
creeps through a slit in the blinds
2:30 a.m. (wake up call)
crawls in and out of my dreams
sandpaper white, curdling violet

unsure of what it means, I duck behind a cloud
rain pummels the peonies, silent dance between ant and bloom
wise beyond her years, the Moon doesn’t have to bother
with what she does or doesn’t understand

in the morning, sitting on cloistered heels
directly opposite the sun, 6-inch spikes in a medium sky
you’ll recognize her muted fire
solar light reflections, created for perfect balance
— human chaos and confusion

everyone hates each other, no one gets along
not even the Democrats can agree,
a handshake and a smile do not cover
old wounds and battle scars
the clean slice of a wrist before dawn.

No longer that desperate,
I used to be — hidden under dirty compost
of wormy black soil, the moon a lighthouse;
I must have seen something, a spark
inching past strips of cedar bark,
lawn clippings after the blade

the Algonquins didn’t question
her power, or rename her “rose”
red is the color of the June moon
as fierce as she is peaceful
don’t underestimate the stillness

6th moon,
moon when the berries are good
turning moon, full leaf moon
christening the strawberries, greening the leaves
ripening my summers
with things I have yet to know.





-posted on red Ravine, Saturday, July 5th, 2008

-related to posts: PRACTICE – Blossom Moon – 15min, winter haiku trilogy

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Industrial Strength Clean, pen and ink on graph paper,
doodle © 2008 by ybonesy. All rights reserved.




I went to a laundromat today
14 quarters per load
white towel with colors
it was my only white

Like the mom
and the boy
who likes to put the quarters
into the machine

They’re the only
whites in the place
Two women speaking
Spanish
sound like they’re
cussing out
the spin cycle

A black man
with white hair
A black woman
looks to be his daughter
select the washer next to mine

Mostly there are
Indians
eating French fries
between
folding sweat pants and Wrangler jeans

I like it here
like church on a Sunday
morning
the machines hum
a white noise

Like parishoners singing
a low hymn
cleansing our
lives
washing the sand out
of our pants
and the stains
from our panties
and my heart

Industrial strength clean
is like mass
or the world as I see it
bigger than I am
no bleach required
whites and colors

spinning round
together
faithful
forever faithful



-Related to post Got Poetry (National Poem In Your Pocket Day)

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Pocket Poetry, Minneapolis, Minnesota, April 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Pocket Poetry, Minneapolis, Minnesota, April 2008, photo © 2008 by QuoinMonkey. All rights reserved.

 

April 17th is the first national Poem In Your Pocket Day. It’s part of the wider celebration of National Poetry Month. I went to my monthly poetry group last Friday. We talked about the life of Maya Angelou, read her poetry, sat in silence between poems. We listened to her voice. This is the 3rd month we have met.

The first month was Ted Kooser. After the group ended that night, Teri passed around a thank-you card (gratitude to those who came before us). We all signed it; the next day she mailed it off to Ted. A generous man, the former Poet Laureate and Pulitzer Prize winner wrote back within the month (look for an upcoming post).

The second month was Mary Oliver. In March, three members of the poetry group went to see Mary Oliver at the State Theater in Minneapolis (here’s Mary with her famous dog, Percy, in Jim Walsh’s MinnPost article, The poet as rock star: Mary Oliver returns for a reading). They shared stories about the funny and engaging Pulitzer Prize-winning poet, who read to a packed house; Mary Oliver is one of the humblest and highest paid poets in America.

April is the month we honor poetry as an art form. “Poetry” comes from the ancient Greek: ποιεω (poieo) meaning I create. It is an art in which human language becomes a palette for its aesthetic qualities. Poetry creates a visual feast from the simplest ingredients — it pares language down to the bare essentials.

 

Poem In Your Pocket (National Poetry Month), Minneapolis, Minnesota, April 2008, photo © 2008 by QuoinMonkey. All rights reserved. Poem In Your Pocket (National Poetry Month), Minneapolis, Minnesota, April 2008, photo © 2008 by QuoinMonkey. All rights reserved. Poem In Your Pocket (National Poetry Month), Minneapolis, Minnesota, April 2008, photo © 2008 by QuoinMonkey. All rights reserved. Poem In Your Pocket (National Poetry Month), Minneapolis, Minnesota, April 2008, photo © 2008 by QuoinMonkey. All rights reserved.

 

New York City is hosting its 6th annual Poem in Your Pocket Day (PIYP) on Thursday, April 17, 2008, with a series of events scheduled to celebrate the versatility and inspiration of poetry. The day was created to encourage New Yorkers of all ages to carry a poem in their pocket to share with family and friends. Now it’s going national.

How can you participate? There is a list of ways to celebrate national Poem In Your Pocket Day at poets.org, which includes:

  • Post pocket-sized verses in public places
  • Handwrite some lines on the back of your business cards
  • Start a street team to pass out poems in your community
  • Distribute bookmarks with your favorite immortal lines
  • Add a poem to your email footer
  • Post a poem on your blog or social networking page
  • Text a poem to friends



       Poem In Your Pocket (National Poetry Month), Minneapolis, Minnesota, April 2008, photo © 2008 by QuoinMonkey. All rights reserved.      Poem In Your Pocket (National Poetry Month), Minneapolis, Minnesota, April 2008, photo © 2008 by QuoinMonkey. All rights reserved.

     Poem In Your Pocket (National Poetry Month), Minneapolis, Minnesota,
      April 2008, photo © 2008 by QuoinMonkey. All rights reserved.

 

My friend Teri, who started our poetry group, created and handed out Poem In Your Pocket sheets (above) after last Friday’s poetry group. We each copied a poem from over 20 poetry books sprawled over the living room floor. Copying a poet’s work, in my own hand on to a blank page, made it come more alive for me.

Leave your Pocket Poem in our comments if you wish. If you are stuck for ideas of where to find poems, there are tons of websites dedicated to poetry. Check out one of these:


Feeling brave? Write down a poem or haiku you have written, slip it into your pocket (the things we carry), and read it to some friends this Thursday, April 17th. For inspiration, listen to the great Queen Latifah’s version of Poetry Man (she got into rapping from writing poetry). Or maybe you prefer the original from Phoebe Snow (I wore a deep wax groove into Phoebe’s 1974 debut album, Phoebe Snow).

 

            Poetry Man by Phoebe Snow, posted by jassblue on YouTube

 

 

Thanks to Teri, for starting a poetry group and inviting all of us to come along. And to all the poets who have been inspiring us since the beginning of time — thank you.

 

-posted on red Ravine, Sunday, April 13th, 2008

-related to post, Desire And A Library Card — The Only Tools Necessary To Start A Poetry Group

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Dart of a scissor-tail kite, splash of cracked glass, cutting edge of wind-wisped Superior, tear of corduroy feathers, rusty brown
orange red

blue
sky accents.

Ripping the stems from their moorings. I packed boxes of old paints and watercolor pencils. I packed slippery porcelain paint mixers. I packed old wax 45’s and ancient letters from my grandmother.

I packed up all those old broken dreams.

Snaking through the facets of a cracked mirror, my reflection haunts me. There is a bright fear of having to choose – me in the mirror – pathology. The name escapes. A holding pattern, a wrinkle in time.

Basting a turkey,
the gravy in a molded Ball jar.

Bell Jar.

Sylvia, my hands smell like Clementines
and gently pull the skin out from under

California labels, “Supersweet” and “EZ Peel.”

I want to frost your lemons with icing sweet spatter. Fruitinize your phobia. Instead I keep slow walking toward home, along brambled beaches and tiered satisfaction – a hole in a tree that cracked off long ago fell into the lake.

Shatter-thawed ice patterns
swirl into river maps.

You stand on a booted heel,
I boost your curved heartshaped butt
up the rough ridged bark.

Woot!

Cables and wires and antennae. How is it people can’t seem to connect? Frozen splashes of $10 water bottles with ice crystal patterns. The painting, lifted mariposas in the upper left corner. You strummed your guitar, sans makeup.

All down to zero here. Hollow bone.

It was the spectacles that spun out,
that stood out, when I told you her name.

Then we were in Perkins and that song came on, “You Said”
“Hey, isn’t that….”  I blurted out, standing still in the green isle after
fried shrimp bacon cheeseburgers & mashed potatoes.

I’m not ashamed to say
I eat my favorite foods,
sometimes in combination.

Wretched memories. Why can’t I let go? The frozen gravy spread eagle on the plastic tarp. I nearly tripped and fell over myself. Fell off the tricycle in the carport and slit my hand. The Brown Creeper.

I had dreams wrapped up in that corduroy shirt. Cracked, broken, gone the way of the Firefly. A measly short life that I love to write about.

Fire of any kind lights the world.

The insects, I’d collect them in jars just like you. I’d exclaim gleefully in that Ya’ll Georgia accent and study the shape of their wings in bed (surprise – squeals of glee sound the same in Minnesota).

In Taos in December there was a fat-bodied spider that loved to climb out of the flowery wash basin when I was brushing my teeth or spiking my hair. I let her be. She wasn’t bothering me. Spiders eat flies. And spin yarny webs of sticky safety.

Webs. Connection.

The moon stood still over the shower stall. I stared up, water droplets navigating peacefully between each hair on my arm. Doing what water drops do. My legs, let’s not talk about them.

I stopped shaving in September.
You wouldn’t believe

the length.
The softness.
Like Kiev’s raven fur.

There was that slice to the finger, a cat’s cradle claw. I yelped in pain like a kicked puppy. Was it the Scooby or Pooh bandaide that saved me? Or the Vitamin E you carefully rubbed along the torn punctured skin.

There is a flap where the slit comes together.
And I wear a healing band –
green yellow orange leopard cloth
over the wound.

A pet in the morning.

It’s glassy on the deck. I can’t stand without grasping the rail. Purple lunch pail in tow. And the Adidas black sling pack. The December dark morning hovering at 35 degrees – feels like late September.

Did you ever look closely at O’Keeffe’s painted blacks? They contain 700 colors of chocolate coffee bean brown. I stood close, next to ribbons of oil. Silent. Watching.

Watercolor nudes.
Muggy. And saturating my senses.

The car starts right up. Even though the doors crack with icy rain when I open them. Rubber stuck to metal. Rrrrriiiiippppp.

Splayed out is my anger. I lost it somewhere. I foster compassion. And hold my head high. You left me a million times. And this time for good. That tattoo, the Chinese character? I missed it in the juices. I find Home in a Valley of Gold.

It’s so quiet, my solitude quakes.

I misunderstood. I may not be cut out for making money. I hold myself back, learn to boost myself up. A scarecrow in a golden pond.

Mainstream I am not. Airstream. Chuckle.
Yes. Airstream.

You said you wanted a shiny RV. To travel the world, tootle along, you say, and diddle around. I think of
Milton, blind as a bat, shunned by his Universe, shattered, broken, writing his best work ever in the twilight of his life.

Humanity’s fall from grace.
Who knew it was in him?

Political hack they yelled.
He showed them.

I want to say I will never be broken again. But every time I sit, some pain comes up. Rising, I skim off the top. The insecurity of that old ripped shirt. I moved boxes and boxes, frayed edges unraveling, covering my treasures. And I remembered how thin and trim I used to be.

How naive.

One cold fall day we cut the wing off a Great Gray owl. Roadkill. It’s worth being buried. Then the talons – crunch. Stolen moments in the freezer, years go by. How could I forget her? Broken, headbanged raptor. I’ve felt your pain.

When I moved from Ulysses after 14 years there was only one thing left in the abandoned 5 rooms – a dim gray bag of frozen body parts. Lying in the dark. I wanted to photograph the sifting light through the tertiary bands.

I wanted to set it up
all the world’s a stage
you would have looked beautiful.

But you chose to disappear. Poof, just like that. And leave me fractured, disjointed that last day I closed the door, turned out the light, wept at the happy ending. Closet boxes of memories. And fierce wet talons vanquished into thin air. Vanquished?

The mask of a thousand ages fell upon my wrinkled face.
I wasn’t there to receive it.

I flew off to Taos.
And wondered what I was doing.

Climbing out from under Masonic clouds
or tripping over a raised crack in the sidewalk –
“I hope I’ve made it right,” you said, shaking my hand.
I smiled & shook back.

the floor boards don’t creak anymore
they are bleached blond and hard as a rock
shake a tail feather. break a leg.

Home.

What is it?
Where is it?
Why can’t I find it?

Because there’s no where to look
It’s all here. Inside.

here

inside

the spaces between

broken dreams
broken hearts
broken bones

the smell of Clementines oozing off of my skin
the soaking rain in December
the hard freeze in October

swimming in the Rio Grande in August
which face am I?

the manic joy of falling in love
the printed word on the muted white page

what did Dogen say?
when you walk in the mist
you get wet

not original
but genuine

pulpy & alive

shatter
wet pieces
together again

melt
white heart
puffy lips

money
it’s not worth
fighting over

under, around
or through

let go
drip with satisfaction
let the good stuff in

break structure
build strong bones
mend broken hearts

shatter your dreams
the sky’s big enough to hold
the juicy fractured pieces

and you.

if not,
then silence.
 

Thursday, December 14th, 2006

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