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Posts Tagged ‘the magic of mystery’

Prehistoric DNA

Wandering Glider, Droid Shots, Minneapolis, Minnesota, July 2014, photos © 2014 by QuoinMonkey. All rights reserved.





wandering glider
in purple rain–
silent muse
migrating thousands of miles
to sit still in my garden





Dragonflies have existed for over 300 million years. According to the Migratory Dragonfly Partnership, about 16 of the 326 dragonfly species in North America are regular migrants, some traveling hundreds to thousands of miles each year. The major migratory species in North America are: common green darner (Anax junius), wandering glider (Pantala flavescens), spot-winged glider (Pantala hymenaea), black saddlebags (Tramea lacerata), and variegated meadowhawk (Sympetrum corruptum). Learn more about the mystery of dragonfly migration at The Nature Conservancy piece, Dragonfly Migration: A Mystery Citizen Scientists Can Help Solve, and at Dragonflies That Fly Across Oceans, a TED talk by biologist Charles Anderson.


-posted on red Ravine, Friday, August 8th, 2014

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DRAGONFLY BACKDROP AUTO

Dragonfly Wings, BlackBerry Shots, Golden Valley, Minnesota, July 2010, photo © 2010 by QuoinMonkey. All rights reserved.


I’ve seen a dragonfly every day since I took this BlackBerry photograph on July 2nd. It landed atop a daylily in the garden on a sweltering afternoon. Earlier that day, I saw two dragonflies mating on the wing, the first time I had spotted the insect all year. Dragonflies, butterflies and fireflies — highlights of Summer. We don’t see the volume of fireflies here in Minnesota that I used to see growing up in the Deep South and in Pennsylvania. So I look to the Dragons for inspiration. If I see enough of them, I start to pay attention.

According to the Minnesota DNR site, dragonflies are prehistoric insects that date back to the dinosaur:


Dragonflies and their close relatives called damselflies are ancient insects and prehistoric reminders of the age of the dinosaurs. Enormous dragonflies with a wingspread up to 30 inches across were part of the Paleozoic landscape about 300 million years ago. The largest insect ever known was a dragonfly called Meganeura monyi. It had a wingspread of 30 inches and a body 18 inches long. It lived until about 250 million years ago and then became extinct.


The last time I wrote about Dragonfly was in May of 2007. The second Canon Powershot photograph on Shadow Of A Dragonfly is one of my favorites, with the recent BlackBerry Dragonfly photo closing in for the tie. There is just something about Dragonflies. I pulled out the Medicine Cards tonight and this is what I read:


Dragonfly medicine is of the dreamtime and the illusionary facade we accept as physical reality. The iridescence of Dragonfly’s wings reminds us of colors not found in our everyday experience. Dragonfly’s shifting of color, energy, form, and movement explodes into the mind of the observer, bringing vague memories of a time or place where magic reigned. Some legends say that Dragonfly was once Dragon, and that Dragon had scales like Dragonfly’s wings.

Dragonfly is the essence of the winds of change, the messages of wisdom and enlightenment, and the communications from the elemental world. This elemental world is made up of the spirits of plants, and the elements Air, Earth, Fire, and Water. On one level, you may need to give thanks to the food you eat for sustaining your body. On a psychological level, it may be time to break down the illusions you have held that restrict your actions or ideas.

Dragonfly medicine always beckons you to seek out the parts of your habits which you need to change. Have you tended to the changes you have wanted to make in your life? If you feel the need for change, call on Dragonfly to guide you through the mists of illusion to the pathway of transformation. See how you can apply the art of illusion to your present question or situation, and remember that things are never completely as they seem.

–excerpt from the Medicine Cards by Jamie Sams & David Carson, published 1988, Bear & Company, Sante Fe, New Mexico


There are over 5000 species of dragonflies and damselflies. Not only do they eat mosquitoes and fly between 19 to 38 m.p.h., they are magic. When we were at a Fourth of July gathering and ritual healing for the Gulf of Mexico, a friend found a Dragonfly wing in her garden. When she heard about my encounters with Dragonfly, she handed the veined, translucent wing to me. I tucked it inside the cover of my writing notebook. The things I carry. Dragonfly secrets. Written in the wind.


-posted on red Ravine, Wednesday, July 14th, 2010

-related to posts: What Is Your Totem Animal? and WRITING TOPIC – INSECTS & SPIDERS & BUGS, OH MY! (You haven’t lived until you’ve seen ybonesy’s photograph of a Jerusalem Cricket in the Rio Grande Valley. Check out Child of the Earth and Me at the Insects & Spiders & Bugs Writing Topic link!)

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RUNES, BlackBerry Shots, Minneapolis, Minnesota, December 2009, all photos © 2009 by QuoinMonkey. All rights reserved.


Yesterday we went to a book signing at Common Good Books. Jeff Hertzberg and Zöe Francois recently released their second book Healthy Bread in Five Minutes a Day. The bread was delicious, the authors serious about their work, down-to-earth, engaging and fun. In casual conversation, it came out that Zöe knows Latin. I remembered that I had taken two years of Latin in junior high, a curriculum requirement in the 1960’s. That got me to thinking about language and alphabets.

After the signing, Liz and I did a little Christmas shopping and later went to the studio. I was looking at this set of Runes I made from clay a number of years ago. For a period of time in my life, I consulted with different oracles on a daily basis: the I Ching, the Runes, Tarot, Medicine Cards. I have a passion for learning about symbols in different systems of mysticism.

Symbols are used to create structure within a system, to help us understand complicated ideas with a simple visual. Over time, color has been organized into systems like Goethe’s Triangle and subsequent Colour Wheel, while chakras are symbolized by certain colors. Logos and brands (like red Ravine or ybonesy’s new logo) take their lead from symbols of yore. Graphic designers are always trying to create  innovative new fonts with which to drape old symbols in more imaginative cloaks. (Yet people still like an old standby because Helvetica remains one of the most widely used fonts around.)

I couldn’t find my Runes book last night or I would have drawn the Runes. But I did find an odd book I’d snapped up at a sale, an old Readers Digest Book of Facts. According to the Languages section of the book, all the alphabets around the world can be traced to a North Semitic alphabet that emerged around 1700 B.C. at the eastern end of the Mediterranean. From the Semitic alphabet developed Hebrew, Arabic, and Phoenician. Then Phoenician alphabet was adopted and adapted by the Greeks who in 1000 B.C. introduced a modified form into Europe.

The Greeks standardized the reading of written lines from left to right, added symbols for vowels, and gave rise to the Roman alphabet (used for modern Western languages) and the Cyrillic alphabet (named after Saint Cyril and used in Eastern Europe and the former Soviet Union). The North Semitic alphabet spawned the Aramaic alphabet which eventually developed into Asian alphabets, such as Hindi.

The earliest forms of writing are picture writings found on clay tablets in parts of the Middle East and southeastern Europe. Some of the oldest found in Iraq and Iran recorded land sales and business deals.

Where do the Runes fit into all this? They are a mystery. The Runic alphabet is one of the oldest in northern Europe with early examples dating to the 3rd century A.D. They have been found in 4000 inscriptions in Britain, Scandinavia, and Iceland but nobody knows for sure where they originated.

For some reason, the Runes remind me of the ancient celebration of Winter Solstice. Some scholars believe the Runes were derived from the Etruscan alphabet of southern Europe and brought north by the Goths after their invasion of the Roman Empire. To me, they are an oracle of mystery. And that’s what draws me to them.


Post Script: The bread baked by Jeff Hertzberg and Zöe Francois was delicious. Their new book Healthy Bread in Five Minutes a Day looks like a winner with many whole wheat and gluten-free recipes. There’s a recipe for their whole wheat Christmas Stollen Bread in the post of their video interview at KARE 11. Or you can visit their website Artisan Bread In Five with fabulous photographs of mouthwatering baked goods. You will come away hungry for more!


-posted on red Ravine, Sunday, December 13th, 2009

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Not A Velociraptor, Lake Creature spotted in Lake Harriet, Minneapolis, Minnesota, July 2009, by QuoinMonkey. All photos © 2009 by QuoinMonkey and SkyWire7. All rights reserved.

 
 
Liz and I set out on my birthday to geocache around the Minneapolis chain of lakes. One of the joys of caching is the chance to learn about local history that might otherwise be swallowed by day-to-day routines. We dropped off two Travel Bugs and scooped up three caches that evening. Along the way, we headed over to the edge of Lake Harriet to listen to a full orchestra perform at the band shell and waved to passengers on the retro streetcar rumbling along tracks that stretched all the way from Minneapolis to Lake Harriet in the 1880s.

Perched high on glacial debris, Lake Harriet was formed when continental glaciers spread over Minnesota during the Great Ice Ages. Starting with the Mississippi River channel at the Plymouth Avenue Bridge, a preglacial valley runs almost directly south beneath Lake of the Isles, Lake Calhoun, and Lake Harriet to the Minnesota River at Bloomington. Lake Harriet lies 250 feet over this ancient valley filled by glacial deposits, and is nestled between hills that piled up when the ice front paused in its final retreat about 10,000 years ago.

At dusk, we were making our way home when Liz spotted a shadow skimming the lake surface with a shape much like Dino, the Flintstones’ pet dinosaur, or a distant relative of the Loch Ness monster. Quickly pulling over to the side of the road, we scooted down the hillside Indiana Jones style, and landed right smack dab next to the Minneapolis Lake Creature. Had it risen from the depths of a preglacial valley?

 

Several fishermen paddled behind the creature oblivious to any danger; we decided it was safe to approach. The air smelled like honey, the night quiet and breezy — no mosquitoes. The sun fell behind the oaks, ash, and elm. A couple on a tandem bike stopped to photograph the 13-foot creature. Kids could not resist leaning over the edge of the rails to get a closer look. “I wonder if it’ll move,” one boy said. “Yeah, we wouldn’t be standing here for long!” his sister replied.

 

 

Everyone was drawn to the mystery — the power of public art.

 

 

 

After Lake Creature’s mysterious appearance in Lake Harriet on July 8th, the Minneapolis Parks Foundation came forward on July 16th to formally announce that it was the sponsor of a special art project in the parks with its first sculpture being the collaboration with New York City artist Cameron Gainer who now resides in Minneapolis. According to Cecily Hines, President of the Minneapolis Parks Foundation:

 

The Minneapolis Parks Foundation and artist Cameron Gainer came together because of our shared passion for the arts and belief that public works of art can truly enrich a community and the lives of its residents. We are proud to bring that passion and belief to life with Gainer’s _[ and invite people to share in her beauty while enjoying the Minneapolis parks with family and friends.

Gainer’s work includes film, video, sculpture, and performance art and explores human perception and the notion of “cinema inside out” when you encounter something in an environment and are not exactly sure what you are looking at. Symbolically titled _[, Lake Creature is based on the iconic, “Surgeon’s Photo” of 1934 that was presented as evidence of the existence of Scotland’s Loch Ness monster. Though later proven to be a hoax, the photograph remains a universal representation of the mystical lake creature.

In support of the Arts, the Minneapolis Parks Foundation has also established a new Public Arts Fund to support future art projects in Minneapolis parks. The Foundation believes that public art is important, especially in tough times, and can make a difference in a community’s quality of life. Public art is not only free, it’s accessible and:
 

Φ  inspires imagination
Φ  can be enjoyed by all age groups
Φ  helps foster a sense of community and mutual enjoyment
Φ  accesses audiences that may not be going to art museums
Φ  allows people to encounter art in their environment which creates an unexpected “moment of access”
Φ creates opportunities to reach audiences not expecting to see art which increases appreciation for the Arts

 
  -from the Minneapolis Parks Foundation, Public Art In The Parks, Lake Creature

 

Lake Creature At Sunset, Minneapolis, Minnesota, July 2009, by SkyWire7. All photos © 2009 by SkyWire7 and QuoinMonkey. All rights reserved.

 
The Lake Creature project leads me to think of Everyday Poems for City Sidewalk, another public art project collaboration between Saint Paul Public Works and the City of Saint Paul. These projects are living reminders of how the Arts matter and I’m grateful to all the people and organizations that make them possible.

_[ has been seen in New York City, the Salt Marsh Nature Preserve in Brooklyn, and Key West, Florida and is making plans to explore another Minneapolis lake sometime this summer. Keep your eyes peeled on a lake near you.

There is also a storytelling contest to name the Lake Creature and create the mythology surrounding her life. What nickname would you give to the Lake Creature? You can enter the contest and tell your story at Nickname the Lake Creature.

 
-posted on red Ravine, Wednesday, August 5th, 2009

-related to posts: State Of The Arts (haiku for Kuan-yin), Wet Cement (It Only Takes A Second), A Little Less War

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Pulling A Rabbit Out Of A Hat, St. Paul, Minnesota, January 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.

Pulling A Rabbit Out Of A Hat, drawing by writer Ann Patchett, St. Paul, Minnesota, January 2008, all photos © 2008-2009 by QuoinMonkey. All rights reserved.


I was watching WCCO’s Good Question: What’s With The Easter Bunny? when it dawned on me that I had this old snapshot of a drawing by Ann Patchett on the front page of The Magician’s Assistant. The night we saw her at the Fitzgerald Theater, she smiled when I handed her the book — “I don’t get a chance to draw these much anymore,” she said, and from her pen flew this big-eared bunny poking out of a hat.

According to Darcy Pohland who covered last night’s Good Question (watch the video for some fun footage from kids on the subject), the Easter Bunny has ancient roots:

It’s part of a pagan tradition that started in Germany as part of a spring celebration. It honored Eastre (also Ēostre or Ôstarâ), the Anglo-Saxon goddess of dawn and spring; a fertility goddess who brought the end of winter.

One version of the bunny legend comes when she comes late one spring and finds a bird with wings frozen to the ground. She turns it into a snow hare with the ability to lay eggs in rainbow colors one day a year.

Snow hares with the ability to lay eggs in rainbow colors — you have to love that. I’m fond of the Snowshoe Hare because it’s directly related to one of my Totem Animals, the Lynx. They do a 7-year dance together and the Lynx’s ability to survive depends on the Snowshoe Hare’s abundant life and death cycle.

On this 53 degree Saturday in Minnesota, I’m longing for the end of Winter. Which means I’m jumping up and down for Eastre, the Goddess of Dawn and Spring. If you celebrate Easter, I hope you look glorious in your bonnet. Looks like tomorrow will be a good day for hunting those eggs. Or learning to pull a rabbit out of a hat.


Rocky:  And now….
Bullwinkle:  Hey Rocky, watch me pull a rabbit out of my hat.
Rocky:  But that trick never works.
Bullwinkle:  But this time for sure. Presto! [pause] Well I’m getting close.
Rocky:  And now its time for another special feature.

Rocky & Bullwinkle Sound Clips



Ann Patchetts Bunny, St. Paul, Minnesota, January 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.     Ann Patchetts Bunny, St. Paul, Minnesota, January 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.     Ann Patchetts Bunny, St. Paul, Minnesota, January 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.

Ann Patchett’s Bunny, St. Paul, Minnesota, January 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.


-posted on red Ravine, Saturday, April 11th, 2009

-related to posts:

Ann Patchett – On Truth, Beauty, & The Adventures Of “Opera Girl”
Which Came First, The Grasshopper Or The Egg?
The Ant & The Grasshopper – Ann Patchett & Lucy Grealy
Book Talk – Do You Let Yourself Read?
My Totem Animal

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Dance by the light of the moon. Which moon? September, the Harvest Moon, the Yellow Leaf Moon. But if you are Haida, near the cool waters of Alaska and British Columbia, it might be the Ice Moon. For the Ojibwe, the Rice Moon. Cherokee, the Black Butterfly Moon. Climate changes the way the moon clings to the sky.

No matter the temperature, September is a transitional month. Warm one day, cool the next. Nights start to dip. On the last day of September, our heat kicked on for the first time. We opened the windows to let the “burnt dust” smell flow out into the wind. Then bundled up on the couch. It’s sweatshirt season. The time to dress in layers is upon us.

The Harvest Moon always looks bigger to me. The full moon was dramatic, a red smear across the sky. You could barely make it out behind the mist off the lake. I start to go inside in the Fall. I am internal. It’s a good time to write. And rest. I would miss the seasons so, if I lived in a climate that did not shift with the turning Earth.

I once thought I wanted to study the stars. That was before I saw how much math was involved. The exacting part of the Heavens is fascinating. But the mystery is what holds me. Not knowing is more exciting than knowing. I still believe in Santa Claus. Fairies are alive and well with the Hobbits in the forest. Trolls and gnomes dot the darkness of Sleepy Hollow. I’ll take the mystery over the facts any day.

That doesn’t work in real life. You can drown in what you don’t know. There’s a fine balance between being informed and obsessed. But I remember writing practices on — What are your obsessions? Because they hold a lot of juice. What are my obsessions?

I watch the Moon, the Sun, the Stars. I want to know what makes the Earth tick. I’m obsessed with understanding love and forgiveness. The breakdowns, the shattered dreams, the loss of control, the forgetfulness of the last broken heart, the wild abandon that makes a person fall in love.

I am obsessed with wind and trees. A single burnt umber leaf against a cerulean sky (I like to say the word cerulean). I want to understand what makes a family tick, the ghostlike qualities of memories, how we come to love the people we love, why people stick, then fade into the sunset, or drop off entirely, the clean hatchet cleave. Sharp. Close. Far away. Serrated. Here. Gone. I’m obsessed with photography, mandalas, finding my way in spite of the erratic, misleading compass needle. Where is True North? I want to know where I fit in.

I’m obsessed with community, with the good work of everyday teaching, with the smell of wood smoke and the sound of the Downy woodpecker snapping away on a turning ash branch. Have you ever noticed the erratic way a woodpecker flies? They look like giant hummingbirds, darting, rising, falling, but always landing on their feet. Sideways, clinging to the side of a rough barked tree. I’m obsessed with what connects and what separates. And why humans can’t seem to grasp — there is no difference between the two.

The 9th Full Moon has passed. Farmers plow bulging fields by the light of the moon. Two years out of three, the Harvest Moon falls in September. Corn, rice, beans, and wild rice reach their full potential. Under the Maize Moon, where the deer paw the earth, why can’t we?



-posted on red Ravine, Thursday, October 9th, 2008

-related to posts: Against The Grain (August Moon), The Many Moons Of July (Digging Deeper), winter haiku trilogy, Squaring The Circle — July Mandalas (Chakras & Color), PRACTICE – Wolf Moon – 10min

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