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Posts Tagged ‘summer in New Mexico’



By Sandra Vallie



It’s hot, pushing 100, and I have to wait until it’s cooler to water the heat-sapped garden. Until it’s cooler, or dark, or 7 pm, the time the city allows watering – whatever measure I decide today is the tipping point where the amount of water soaking into the sand is greater than what the bone-dry overheated air is sucking up into itself. In the house, safe out of the sun, I’m anxious looking at the heat-limp plants across the yard. Corn leaves curled into points, drooping tomato plants and cucumber leaves flat against the ground. I know the plants are well-watered; some of what I see is self-protection and some a part of the taking up and giving off of water. As soon as the sun moves further toward the west and I carry water to the plants through the hose, the leaves and stems will fill with water and this limp spread of green will become plants again.


I’m from Michigan and this is my first year trying to grow vegetables in New Mexico. I pretty much planted the garden twice because I hadn’t learned that we can still have below-freezing nights even when the temperature in the day is 80 degrees. How much water is too much and what is enough. Why, when I asked the woman at the nursery about gardening in New Mexico, she told me to not even try. Half the plants I put in my son’s yard last fall didn’t make it through the winter, falling to the cold and what I haven’t learned yet.


For 20 years, I watched peonies, lilacs, tulips, hosta, coneflowers, azalea, iris, daylilies and butterfly bushes grow tall, wide, and fragrant. Lush. Luxuriant and juicy. Moisture in the air reflected the hundred greens growing around the yard and the air glowed. Lettuces, green, red and purple, came in the spring, followed by peas and beans that reached across the raised beds to share the poles supporting plants and pods. Tomatoes grew so fast and heavy they kicked away their cages. Cucumbers ran across the garden to the corn and climbed high enough I could pick the fruit without bending over.


I exaggerate. A little. Lush it was, very different from my yard here, each plant holding to its own space, as if each one feels it deserves only so much water and so many nutrients from the spare soil. I’ve never seen plants grow so slowly; at first it’s almost as if each morning they decide whether or not to push up, out, forward, just one little bit. As if they know that growing higher will put them closer to the sun and they’ll be hotter. My plants in Albuquerque work harder than plants in Michigan. In this place where there is so much space, where I finally feel I can be as big as I am, exuberant, joyful, expansive and – well – lush, my vegetables appear so tentative and afraid.


Cactus spread, although I don’t know that I’ll ever call them lush. There are several in the neighborhood I’m drawn to, even a couple I’m lusting after for their deep, almost hallucinatory red-purple blooms or their improbable flowers, yellow and ten feet above the plant their stalk grew from. Cactus, though, and weeds like the silverleaf nightshade, the most prolific plant in my landscape cloth- and gravel-covered yard, are what led me to write a few years ago after a visit: “Everything green here bites.” I know I’m never going to embrace a cactus or walk barefoot across the goatheads and foxtails to get to them. I yearn to load my arms with heavy-headed peonies and stargazer lilies that are deep enough to serve soup in, although I’m afraid I’d have to drain the remaining water out of the Rio Grande to do it. Before I moved here I asked a friend if I could grow roses in Albuquerque. “You can grow anything you want in Albuquerque as long as you can afford the water.”


The roots of my grandmother’s peonies I carried south are in pots out back, not growing. Soon, not yet, I’ll have to admit what I know and stop watering. I didn’t have time before we moved last fall to lift lilies or divide a few coneflowers. The rose bush by my bedroom window, though, is the same as the one that died in my Michigan garden a couple of years ago, my grandmother’s favorite. There are green tomatoes on the plants and sooner than I know they’ll be full and red enough for dinner. Lush is changing, from the huge bushes and plants that grew in the Michigan rain to the sound of water rushing through the garden hose, the sight of it spreading around the watermelon plants and at the feet of the raspberries, the corn leaves unfolding as the still skinny stalks draw up water from the soil, and the gratitude I feel that I have water to grow food with. The air may not be green from the plants, but the sky is crystal blue. While I’ve written this, it has become late enough to head outside to water and the first flowers on the cucumber plants have opened today in the heat.




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About Sandra:  My fairly recent move from my job and life in Michigan to Albuquerque, New Mexico, has opened up the opportunity (for which I’m gut-wrenchingly grateful) to write in spans of hours instead of stolen minutes. Although I’ve written mostly poetry in the past few months, I’m enjoying the process of exploring different forms for different subjects. I’ve been fortunate to have a community of encouraging and creative writers in the Albuquerque Ink Slingers, a local Meetup group, and my husband’s graceful willingness to live and work in 100 degree temperatures.


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Moon over Kitchen Mesa, the moon at dusk at Ghost Ranch, August 1, 2009, photo © 2009 by ybonesy, all rights reserved
Moon over Kitchen Mesa, moon at dusk at Ghost Ranch, August 1, 2009, photo © 2009 by ybonesy. All rights reserved.










silent Moon hovers
dreaming of New Mexico
she sits for us all




off in the zendo
friends dancing in the middle
slow walk to the end




irrational mind
each day a new beginning
Summer wears your face









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In honor of our friends sitting in Taos with Natalie this week and last; photo by ybonesy and haiku by QuoinMonkey.

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-related to too many posts to mention them all, but here are few: Birthday Of Mabel Dodge Luhan, Sunrise On Taos Mountain (Reflections On Writing Retreats), Sitting in Solidarity, A Taste Of Ghost Ranch, and haiku 2 (one-a-day).

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I know summer is coming to an end when we pick up the girls from camp. They’re sad, eat the salami-and-cheese sandwiches I pack for them with a faraway look in their eyes. They’re tired, too, plain ol’ worn out. It’s as if today, this day that we pick them up from camp, all the weight of summer presses on them. Hot and sweaty, thunderheads building. There’s a heaviness about it for all of us.

I remember summer lasted forever when I was a kid. Seems like we never started school until after Labor Day, and here we are, not even halfway into August and the closet holds two bags full of school supplies. I remember Mom making at least a sort of fuss over back-to-school. I remember my school supplies stacked up next to my bed in a tidy pile where for days I could admire the candy-apple red pencil, an oversized one that barely fit your fingers, and a Big Chief tablet.

Mom bought us a few new dresses (or sewed them), a new pair of shoes, and those thin socks that folded at the ankle to show off girly lace. We didn’t get a lot, not even enough for a new outfit each day that first week back, but that was OK. By the second week we were back to all our old clothes anyway.

I went to the mall last Sunday afternoon after dropping off the girls at camp. I wanted to get Dee some black jeans with skinny legs, she’s been asking for them for weeks plus it was tax-free weekend, which seems to function as Pavlov’s bell, we all go out like Night-of-the-Living-Dead zombies to the stores even though the 7% savings barely makes it worth the trouble. But still. I went and ran into the mother of another camper. We laughed and said something like, It’s just plain easier to shop for our kids when we’re without ’em.

We don’t have the exact same rituals to end summer that I had as a kid, but we have some of them. Mine were the school supplies and the few new clothes, plus a sudden interest in cleanliness. Bathing and curling my hair, a new pajama gown, and going to bed when it was still light. Mom and Dad were rigid about school nights. It didn’t matter what Nature had to say; it was time to turn off the sun and get to bed.

I told Em that I wanted to show her how I organized and cleaned her room while she was gone, and when I suggested that we go take a little tour of the drawers and closet, she broke out crying, “Mom, I just want to sit down!” She’s been away two weeks, being back home must be both a relief and a major letdown. Thank goodness she doesn’t start school until Tuesday.

It’s been a humid summer. Jim was saying as we drove back from the mountains that he hasn’t seen clouds like these, so many and for so many days, since he was a kid. These are the summer days from our youth, thick air, a hot that makes you sweat inside even, swamp coolers don’t work well in humidity. But a coolness this morning. I’ve been using the quilt in addition to the sheet, and even when I went to Trader Joe’s this morning at nine, I wore a sweater.

It’s a transitional time, I said to someone recently that it felt like running into a glass door. I didn’t see it coming even though I knew it was out there somewhere, this end of lazy days, quiet mornings and staying up as late as you want.

I just had a strange thought. Once our kids are grown, will it seem like the fading of summer into fall is like any other change of season?

 

-related to Topic post: WRITING TOPIC – SUMMER

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Ghost Ranch Labyrinth, with prayer rocks under Kitchen Mesa, Ghost Ranch, NM, August 2, 2008, photos © 2008 by ybonesy. All rights reserved.









with right foot forward
in step with the searing heat
we walk in circles















prayer for healing
prayer to Kitchen Mesa
slow walk of courage











-related to posts haiku (one-a-day), Labyrinth Walker, and labyrinth haiku.

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Rio Grande Swimming Hole, July 12th, 2007, all photos © 2007-2008 by QuoinMonkey. All rights reserved.

Rio Grande Swimming Hole, July 12th, 2007, outside of Taos, New Mexico, at a Writing Retreat with Natalie Goldberg almost one year ago to the day, all photos © 2007-2008 by QuoinMonkey. All rights reserved.









cliffs rise, bodies howl
floating down the Rio Grande
swimming in July









  View From The Swimming Hole, July 12th, 2007, all photos © 2007-2008 by QuoinMonkey. All rights reserved.     Toward The Bridge, July 12th, 2007, all photos © 2007-2008 by QuoinMonkey. All rights reserved

  Leaving The Swimming Hole, July 12th, 2007, all photos © 2007-2008 by QuoinMonkey. All rights reserved.     From The Bridge, July 12th, 2007, all photos © 2007-2008 by QuoinMonkey. All rights reserved.

View From The Swimming Hole, Toward The Bridge, Leaving The Swimming Hole, From The Bridge, July 12th, 2007, all photos © 2007-2008 by QuoinMonkey. All rights reserved.




The Rio Grande is 1,885 miles long, the third longest river system in the United States. This is for all of our writing friends in Taos this week, diving into her river wildness — screaming, floating, swimming, wading — walking in the mist, getting wet.




          Dive In!, July 12th, 2007, all photos © 2007-2008 by QuoinMonkey. All rights reserved.       Dive In!, July 12th, 2007, all photos © 2007-2008 by QuoinMonkey. All rights reserved.       Dive In!, July 12th, 2007, all photos © 2007-2008 by QuoinMonkey. All rights reserved.



-posted on red Ravine, Friday, July 11th, 2008

-related to post, haiku (one-a-day) 

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On Thursday, September 6, the City of Santa Fe, NM, hosted the annual “Burning of Zozobra.” Zozobra is a fifty-foot-tall bogeyman, Old Man Gloom in effigy. Each year he is set before an audience of thousands and burned. (Burn, baby, burn!) Most onlookers are ecstatic to see him go; others feel sorry for him in the end.

The ritual was started by artist William (Will) Howard Shuster, Jr. in 1924 and incorporated into the almost 300-year-old Fiestas de Santa Fe. According to the “Will Shuster’s Zozobra” website, Shuster’s “inspiration for Zozobra came from the Holy Week celebrations of the Yaqui Indians of Mexico; an effigy of Judas, filled with firecrackers, was led around the village on a donkey and later burned. Shuster and E. Dana Johnson, a newspaper editor and friend of Shuster’s came up with the name Zozobra, which was defined as ‘anguish, anxiety, gloom’ or in Spanish for ‘the gloomy one’.”

 

Watch the two-part documentary of the 2005 burning made by producer, director, and writer DL Fitch. You can decide for yourself what you think about the ritual. No matter how you feel, you’ll probably agree that the notion of releasing gloom — letting go of heartache and jealousy, giving up anger — is a powerful intention.

 

Again from the website, there is this quote from A.W. Denninger:

Zozobra is a hideous but harmless fifty-foot bogeyman marionette. He is a toothless, empty-headed facade. He has no guts and doesn’t have a leg to stand on. He is full of sound and fury, signifying nothing. He never wins. He moans and groans, rolls his eyes and twists his head. His mouth gapes and chomps. His arms flail about in frustration. Every year we do him in. We string him up and burn him down in ablaze of fireworks. At last, he is gone, taking with him all our troubles for another whole year.

 
For this writing topic, watch the videos. Then do a 15-minute writing practice starting with the words, “I want to let go of… .”

 
Now Go!

 

 

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 Taos Mountain In Summer, July 2007, Taos, New Mexico, photo © 2007 by QuoinMonkey. All rights reserved.

Taos Mountain In Summer, July 2007, behind Mabel Dodge Luhan House, Taos, New Mexico, photo © 2007 by QuoinMonkey. All rights reserved.





Taos Mountain summer
wraps hard rain around soft bows
I’m drenched to the bone



black clouds in blue sky
slatted swing over the ditch
creaks slowly, I write



rain crawls through roof cracks
gusts blow open my notebook
words scatter to wind



cottonwood splashes
through the lens, afternoon rain
breaks open the sky



end of a long day
in the middle of summer
I start to wake up



green sky through laced glass
and a mourning dove’s red eye
swallows the noon sun



walking the back path
Mabel smiles from the window
I wink and then nod



black spider shimmers
cottonwood squeezes soft wind
through a glistening web



sweat drips from my arm
I don’t sit like the mountain
the sun sits on me



Lawrence and Brett stroke
painted windows in the light
camel hair bristles



the Pink House once held
summer rain, live wires that dodge
breakfast at Mabel’s



fancy dancers run
lightning drips through the pow wow
under Taos Mountain



Monday, July 16th, 2007

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