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Posts Tagged ‘stepping out of silence’


by Willa Cather

Evening and the flat land,
Rich and sombre and always silent;
The miles of fresh-plowed soil,
Heavy and black, full of strength and harshness;
The growing wheat, the growing weeds,
The toiling horses, the tired men;
The long empty roads,
Sullen fires of sunset, fading,
The eternal, unresponsive sky.
Against all this, Youth,
Flaming like the wild roses,
Singing like the larks over the plowed fields,
Flashing like a star out of the twilight;
Youth with its insupportable sweetness,
Its fierce necessity,
Its sharp desire,
Singing and singing,
Out of the lips of silence,
Out of the earthy dusk.

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“Prairie Spring” is in the public domain and was released by Poem-A-Day from The American Academy of Poets on December 29th, 3013. Launched during National Poetry Month in 2006, Poem-A-Day features new and previously unpublished poems by contemporary poets on weekdays and classic poems on weekends.


Willa Cather was born on December 7, 1873, in Virginia. She grew up in Nebraska and studied at the University of Nebraska, before moving to Pennsylvania, and then to New York. Cather is best remembered for her novels depicting frontier life on the Great Plains. “Prairie Spring” was first published in 1913 as the prologue to Willa Cather’s novel O Pioneers! Although Cather received widespread recognition as a novelist, her first published book was April Twilights (1903), a collection of poetry. In 1923, Cather was awarded the Pulitzer Prize for her novel, One of Ours (1922). Cather died in 1947 in New York City.


♦ ♦ ♦ ♦ ♦


After our New Year’s book cleaning, I pulled out all of our poetry books and was inspired to read poetry every day. On a frigid winter weekend, when the air temperatures will drop to -27°F in the Twin Cities, it helps to read poems about spring. I felt closest to Willa Cather when I traveled through Nebraska on frequent road trips to New Mexico where she met D. H. Lawrence in 1924. I stayed in the Cather room at the Mabel Dodge Luhan House and wrote about her after one of those trips in Valentine.


-posted on red Ravine, Sunday, January 5th, 2014

-Related to posts: Discovering The Big Read, Midwest Poets & Writers — When Can You Call A Place Home?, The Vitality Of Place — Preserving The Legacy Of “Home”, The World According To Mr. Schminda (et al.)

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Shuttlecocks, 1994 - 34/365

Shuttlecocks, 1994 – 34/365, Archive 365, Nelson-Atkins Museum of Art, Kansas City, Missouri, April 2009, photo © 2009-2013 by QuoinMonkey. All rights reserved.


At a writing retreat in 2009, our host took us to the Nelson-Atkins Museum of Art in Kansas City, Missouri. Like we had done at museums in New Mexico with Natalie Goldberg (see Diebenkorn Leaves Taos – Museum Walking Lives On), we walked around in silence, then gathered in front of the museum to do Writing Practice. I like the practice of taking photographs in the silence; this photo of the sculpture Shuttlecocks was snapped on a slow walk around the museum grounds. Museums are energizing places to find inspiration for writing and art.

The Nelson-Atkins Museum of Art is a neoclassic structure designed by Kansas City architects Wight and Wight. Groundbreaking took place on July 16, 1930. The sculpture Shuttlecocks was created by husband and wife team Claes Oldenburg (American, born Sweden 1929) and Coosje van Bruggen (American, born The Netherlands, 1942), the same pair that created the Minneapolis sculpture, Spoonbridge & Cherry at the Walker (see my foggy winter photograph of Spoonbridge & Cherry in the piece White Elephants On Art). It is the scale of these sculptures that draws me in.

According to Nelson-Atkins, when Oldenburg and van Bruggen were commissioned in 1994 to design a sculpture for the space, they responded to the formality of the original neoclassical building and the green expanse of its lawn by imagining the museum as a badminton net and the lawn as a playing field. The pair designed four birdies or shuttlecocks (made out of aluminum, paint, and fiberglass-reinforced plastic) that were placed as though they had just landed on opposite sides of the net. Each shuttlecock weighs 5,500 pounds, stands nearly 18 feet tall, and has a diameter of 16 feet.


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ARCHIVE 365: Archive 365 is a photo collaboration between skywire7 and QuoinMonkey featuring images from our archives. We will alternate posting once a day in our Flickr sets from July 1st 2012 through June 30th 2013. You can view our photographs at skywire7 Archive 365 set on Flickr and QuoinMonkey Archive 365 set on Flickr.


-posted on red Ravine, Sunday, January 13th, 2013

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Triptych: After The Blue Rain, inspired by Irish poet John O’Donohue, original photograph: an early Winter Solstice Fire 2011, altered in PhotoShop Elements, Minneapolis, Minnesota, January 2012, photos © 2012 by QuoinMonkey. All rights reserved.





after the blue rain

Have you walked
the barren landscape
of the chattering wire —
blue rain runs in the silence
of a white hot fire.






-posted on red Ravine, Saturday, January 28th, 2012, gogyohka inspired by Irish poet John O’Donohue after listening to one of his last interviews before his unexpected death in 2008:  The Inner Landscape of Beauty with Krista Tippett, On Being (LINK)


When you cease to fear your solitude, a new creativity awakens in you. Your forgotten or neglected wealth begins to reveal itself. You come home to yourself and learn to rest within. Thoughts are our inner senses. Infused with silence and solitude, they bring out the mystery of inner landscape.” — John O’Donohue from Anam Cara (In Memoriam)


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View from The Gatehouse,” Mabel Dodge Luhan House, Taos,
December 8, 2010, photo © 2010 by ybonesy. All rights reserved.

 





Sleepwalking I arrive
but silence awakens me
to our suffering










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On this second full day of silence, something snaps. I thought I came here because: I had vacation time to kill, I wanted to give myself a gift, it had been a long time since I’d been to a silent retreat in Taos with Natalie Goldberg. Today I am reminded that this is not play. When I go into silence, pain emerges. I wake up.

A quick step out of silence to give you an update, QM. I am also reminded that I met you here, that our friendship was created in silence and through the humanity and compassion we find when we come here. I am grateful for you, for all the friends I have met through Taos, and for everything I have learned about myself through coming here.

I am not writing much since arriving. In fact, I have only thus far written in the zendo during collective Writing Practice. Outside of class, I have spent my free time in The Gatehouse, where I’m staying. I’ve read, slept, and worked on collages. After I publish this post, I might venture out for a walk. I crave the cold air in my lungs.

It is good to be here, to wake up to all of me. To be humbled again.

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-Related to posts Sitting in Silence and haiku 2 (one-a-day)

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I don’t remember Martin Luther King in 1962 or ’63 when I was 8 or 9 or 10. I don’t remember him when I lived in the South. I must have been sheltered from all the strife and unrest that was going on during those years. I would not have understood.

I do remember him in the early years of being a teenager in Pennsylvania. I remember watching him give his speeches on television. He was on fire. I watched the unrest, the riots, the musicians of the time rallying around his cause. It was the 1960’s in America. And unless you lived through them, it’s hard to describe what it was like. No one was untouched. Everything was polarized.

There was the essence of pop culture, the Brady Bunch, the Jackson 5, the Partridge Family, living right along side Jimi Hendrix, Santana, Janis Joplin, and Crosby Stills Nash and Young. Burnt orange polyester bled into red and blue tie-dye. You had Gloria Steinem and Bella Abzug and Shirley Chisholm (first African American candidate from a major party for President of the United States); you had Phyllis Schlafly and Anita Bryant.

And TV news, it wasn’t spun the way it is spun today. I remember getting home from junior high and seeing black and white footage of Vietnam splattered all over the television. Gruesome images. We will never see a war the way we saw that one. Not the average person. Not someone like me.

I couldn’t watch. I wanted to cling to the things that gave me hope. I was caught in-between in the mid to late 1960’s: too young to be out there protesting, too old to not understand what was happening. And I was different, too. I never fit in to what it meant to be a mainstream American teenage girl.

It would take many years to grow into my own skin. When religion is telling you you’re a sin, and psychology sees a basic component of your identity as a sickness (as it did until the early 1970’s), you learn pretty quickly to fend for yourself. And live with big secrets.

It’s not like that anymore. At least, not for me. There are those who choose to remain closeted. But I have grown comfortable with who I am. There are many reasons for that. Lifestyles that are different have become strangely trendy. And my family is understanding, nurturing, and embrace me for the person I am (though back then, we just didn’t talk about it).

It was public support, paradigm shifts and movements, that taught me it was okay to question. And public figures who gave me hope. Leaders like Martin Luther King. For me, he was a humanitarian. Non-violent. Peace loving. Supportive of anyone who was different. He wasn’t afraid to ask the hard questions. He would no longer be silenced. And that’s what I remember.

When I listened to Enrique Rivera’s piece, I was moved to write about King. It opened me up to remembering that he stood for everyone, for the civil rights of all people. I cried the day he died. My parents probably cried, too. I’ve been thinking about those who lived by his side; many are still alive. They risked their lives, too. How many thousands of people did he inspire?

We had to read the John Lewis book, Walking with the Wind for one of Natalie’s retreats. He gave a riveting account of what it was like to meet Dr. King at such a young and impressionable age. I remember King was in a secret location, and Lewis walked through a dark hall into a small room to shake his hand. Later, as a Freedom Rider, Lewis would be beaten by a mob in Montgomery, and, finally, rise to the House of Representatives, representing Georgia.

I saw a documentary of an Iranian woman who worked in government under the Shah in the 1960’s, I can’t remember her name, but she recounted what it was like to run up to Martin Luther King on one of his marches and have him actually know who she was, to say her name, shake her hand, and know that she was fighting the good fight. She was on fire for human rights, too.

Last night I watched a PBS show about Temple Grandin, a 60-year-old woman with autism. When she was born, they blamed her mother, stating she was cold and unfeeling and that’s why Temple turned out the way she did. Turns out, it was Temple’s father who was cold and unfeeling, and her mother who kept her out of an institution.

Later, two scientists, working at different geographic places at the same time, unknown to each other, came up with the word autism. More research and they realized it was neurologically related, not anything to do with the mother, the family, or lack of intelligence.

Anyone who knows Temple’s story, knows that she’s now the rock star of the cattle industry. She went on to write books, to develop the squeeze machine, and to work on humane conditions and rights for cattle as they are led to the slaughter. If you can’t stop people from slaughtering and killing cows for food, you can at least create practical solutions that make the journey more humane. That was her thinking. I was glued to the TV. I couldn’t believe her story.

And that’s what Martin Luther King means to me.

When I think of him, I remember Katherine, the woman who ironed for my grandfather in 1963, and riding along to drive her home in the poorer part of town. I remember Shirley Chisholm’s 1972 Presidential Campaign. I remember John Lewis walking with the wind in his family’s shotgun shanty. I remember Temple, fighting for her cows. I remember the monk who set himself on fire during Vietnam. And in remembering all of them, I remember that part of me.


-posted on red Ravine, Friday, January 25th, 2008

-related to Topic post, WRITING TOPIC – MARTIN LUTHER KING

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