Joshua Trees & Desert Sands — Jan 25 1947

Joshua Trees & Desert Sands, southeastern California, postcard found in Monticello, Minnesota, March 2011, Colortone © Curt Teich & Co., photo scan © 2011 by QuoinMonkey. All rights reserved.

The “JOSHUAS” or “PRAYING TREES” are found throughout the desert sections of the Southwest. The coarse fibrous limbs growing in unusual grotesque shapes bear branches of dagger-like leaves.

When we visited the Trumpeter Swans in Monticello a few weeks ago, we ended up going for pie and coffee at Cornerstone Cafe. But not before we checked out the local thrift shop and a new antique store that opened just around the corner. Liz and I were drawn to a table of vintage postcards, much like the postcard from Atlanta that my Uncle Jack sent to Mom in 1952.

Vintage linen postcards were printed from 1930 to 1945 by Curt Teich & Co. of Chicago; they closed their doors in 1978. In my research, I found that the company used a color printing technique called C.T. Art-Colortone. The thick paper was embossed to give the card a linen texture, and the inks were printed on a lithography press using color separation. Linen postcards often portrayed landmarks, landscapes, and roadside attractions, but fell out of fashion in the late 1940’s when polychrome printing was invented.

I thought it would be fun to post a few over the course of the year. My favorites in Monticello were a series of postcards that had been hand addressed and mailed from somewhere across the USA, back to the small town of Dover, Minnesota. In January of 1947, Ione made it clear that she sprang from the swampy Land of 10,000 Lakes, and found it hard to love the dry beauty of the California desert:

Joshua Trees & Desert Sands – Jan 25 1947, southeastern California, postcard found in Monticello, Minnesota, March 2011, Colortone © Curt Teich & Co., photo scan © 2011 by QuoinMonkey. All rights reserved.

Fri. night.

We are just a few miles from Riverside. May call Ralph Keyes. Guess we are through the desert at last. Will finish the last 100 miles tomorrow. We went thru Tuscon this A.M. I called Margaret. She was so surprised to hear me. We covered miles and miles of desert and cactus. Margaret says the desert will soon start to bloom then it is beautiful. We went through El Centro where Eva Ferrier and Don used to live. Don’t blame them for leaving here. I haven’t been travel sick yet so guess I’ll be alright.

Ione.

The desert has a beauty all its own. Though I have not spent time in the California desert, I find peace and solace in the high desert country around Taos, New Mexico. I read that Mormon settlers named the Joshua tree when they traveled west toward their promised land. The shape of the tree’s outstretched branches reminded them of the Biblical story in which the prophet Joshua reaches his hands toward the sky. Joshua Tree National Park gives the tree another important place in American history: Franklin Roosevelt dedicated Joshua Tree National Park in 1936 (only 11 years before this postcard was written) to assure that California’s rapid urban sprawl wouldn’t threaten the unique desert ecosystem in which the trees thrive.

During the Ice Age, Joshua trees grew strong across the American Southwest. According to an NPR article, in the 1930s scientists explored Gypsum Cave outside of Las Vegas where they found parts of skeletons, hides, and hair from the giant ground sloth — an animal that had been extinct for 13,000 years. In layers of the sloth’s dung, there was evidence that Joshua trees were a favorite food of the sloth, including leaves, seeds, and fruits. When the desert turns dry as a bone, the only way animals like the antelope ground squirrel, desert wood rat, and blacktail jack rabbit find moisture is by gnawing through the bark of live trees. The Joshua tree is one of the “great canteens of the desert.” What would we do without ancient trees?

-related to posts: lack of oxygen haiku, Georgia Pine Over My Grandmother’s Grave, WRITING TOPIC — TREES, Spirits In The Bosque — Patrick Dougherty Leaves His Mark On Albuquerque, Tales Of A Prodigious Cottonwood, Excavating Memories, virgin cottonwood haiku, Fourteen Dozen Roses: The World As The Jungle It Is, World Labyrinth Day, Trees For The Forest Series, lone pine haiku

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PRACTICE — Trees — 15min

I don’t have a favorite tree. Not one — many. When I attended the ritual gathering for the oldest tree in Minneapolis, the Northern Burr Oak, I realized that the relationships people have with trees are varied and complex. One man had fallen in love with his wife under the oak; another woman had gone there to find solace and healing when she learned she had cancer. Two poets read poems for the tree. An artist talked about creating sculptures from the branches. Trees are a life force. Like food, water, the air we breathe. I don’t know why we take them for granted, like they will always be there, always be replenished. Trees are our roots.

When I lived in the Northwest, trees were a constant source of tension between landowners, state government, the U.S. National Forest Service. How many trees to let private companies cut down, who would benefit. What about controlled burns that eat up trees, reduce them to cinders. Ponderosa pines, aspens, tamaracks. In the northwest corner of California, the southern tip of Oregon, live the biggest trees I’ve ever seen in my life. The Giant Redwoods. If we had not created federal and state parks, there would be no trees left. We tore down thousands of acres to make way for the railroad, to clear fields for agriculture.

The trees that mean the most to me? Last year, it was a tall skinny Georgia pine, the longleaf pine growing over the graves of my paternal grandparents. They were not part of my life when they were living. It is only since I’ve started researching memoir that I have come to know these kin, and reconnected to family I have not seen since I was 6 years old. In the South, we called family kin. I don’t know the origin of the word. I like to think it comes from kindred, like Kindred Spirits. My Aunt Annette told me that my granddaddy wanted to be buried under that pine tree. He was very specific about that. My mother wants her ashes scattered over Clarks Hill Lake. At least part of them. Again, very specific. Do I want to be scattered over mountain, ocean, forest, or dale?

I loved seeing the pine that Georgia O’Keeffe painted at the D. H. Lawrence Ranch, Kiowa. I’ve seen it three times, each visit standing under the canopy, or lying on a bench, staring straight up through the branches, dreaming of O’Keeffe. Is she in heaven? Ash mixed into her oils? The stroke of a brush. Could she have known that people would travel to that spot in New Mexico, just to stand under her tree, to walk where D.H. Lawrence and Dorothy Brett and Aldous Huxley and Frieda walked.

Oaks make a half circle around our yard. We are surrounded on one side by old growth trees. Who knows what they have seen: the building of neighborhood homes, the planting of gardens, restless children ice skating in the park across the street. Me, moving my belongings from a tiny apartment in Northeast Minneapolis to this hilly plot of land in Golden Valley. I love the oaks. But the most important tree on our land is the green ash in front of the deck that shades us from the sweltering sun. Last year, we were careful to watch for the possibility of an Emerald Ash Borer digging a home in her bark. We watered the ash, had her branches trimmed to keep her healthy. She seems less stressed this year, bushy and green.

In our front yard in Pennsylvania, where my mother still lives, there is a Royal Red Maple that my step-dad planted when we first moved into the house in 1966. There is an old color photograph of my brother as a child, taking out the garbage — that tree is barely at the top of his head. Now it’s a giant with massive roots which tear at the pavement that makes up the hilly drive where I shoveled snow as a child. Behind the house are acres of forest where we rode our mini-bikes in the Summer, went sledding in the Winter, took long walks in the Fall. They found an endangered species there a few years ago and were prohibited from developing the lots. Relief. Spared from the dozer.

For me, New Mexico is the Cottonwood, Montana the Ponderosa, Oregon the Redwoods, Minnesota the Red and White Pines, the South those skinny little Georgia Pines, the longleafs, where I built tree forts and dug caves to keep cool in the Summer. For all my digging, I don’t have a clue. I only know I feel a kindred spirit to the trees. Shade, oxygen, bark for medicine, needles for walls, pecans for good eating, I can’t imagine life without trees.

-Related to Topic post:  WRITING TOPIC — TREES

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WRITING TOPIC — TREES

Northern Burr Oak – 333 Years Old – 192/365, Minneapolis, Minnesota, July 2010, photo © 2010 by QuoinMonkey. All rights reserved.

On Sunday I joined over 100 people in Riverside Park near the Franklin Avenue Bridge to pay tribute to the oldest known tree in Minneapolis. It is estimated that the Northern Burr Oak dates back to 1677. In the wake of the oak’s recent death, Minneapolis Parks and Recreation will be cutting it down in the Fall. We listened to sculptors, poets, neighborhood kids, and Cancer survivors who found solace in being near this tree. It felt to me like I was standing on hallowed ground. The tree has outlived all the humans who have ever set foot here. Imagine what she has seen.

In this photograph from 1941, the ancient Northern Burr Oak seems healthy and happy, her giant crown holding court over the Mississippi River Gorge.  Here is an excerpt from documentation at the site of the gathering:

THE ANCIENT OAK TREE  — Perhaps the oldest living thing in Minneapolis is the huge Northern Burr Oak (Quercus macrocarpa var. olivaeformia) that graces the west bank of the Mississippi in Riverside Park, about two blocks above the Franklin Avenue bridge, an enduring sentinel at the point where River Road West descends down into a most picturesque stretch of river gorge. Estimated by various botanists to be all the way from 150 to 700 years old, this valiant aborigine stands 58 feet tall, with a branch spread of 66 feet and a trunk girth of 14 feet at a point two feet above the ground. Symmetrically beautiful, this “first citizen” of Minneapolis, surviving the storms, drought, and fires that during the years have scourged the area of others of its kind, still remains a picture of physical strength and majestic beauty. Many are those who periodically come to Franklin Terrace to admire this grand old tree and to marvel at its great antiquity. In his little book, Riverside Reveries, published in 1928, Dr. Otto F. Schussler paints a beautiful word picture of this beloved old tree that “with a quiet dignity unsurpassed, and a perseverance unfaltering through the years continued to grow in size, in strength and ever-increasing beauty.”

-from the book Minneapolis Park System, 1941, by Theodore Wirth

As to the fate of the tree, opinions were mixed. Should it be cut down and turned into sculptures or pins? Should it remain as it stands, a living monument to all it has seen? Should the tree be felled and replaced with sapling Burr Oaks? What is the best way to honor the life and death of an ancient tree? Let it stand or let it fall.

After I returned home, I started to think about all the posts ybonesy and I have done about trees over the years. There is the giant cottonwood in the courtyard of the Mabel Dodge Luhan House, and the Lawrence Tree that Georgia O’Keeffe painted just outside of Taos, New Mexico. ybonesy has written about the cottonwood in her backyard and the carving of the Virgen de Guadalupe in a cottonwood in Albuquerque. She also wrote a piece about the art of Patrick Dougherty who uses the limbs, trunks, and canopies of trees to build his installations.

One year on my travels to Georgia, I visited a ginkgo in Augusta that was supposedly planted in 1791 for the visit of George Washington. And last year, for the first time, I stood under the giant pine where my paternal grandmother is buried. Our guest Linda Weissinger Lupowitz writes about New Mexico cottonwoods in What’s Happened To The Corrales Bosque? And in Fourteen Dozen Roses: The World As The Jungle It Is, Erin Robertson shares her poetry and explains how her tattoo of a ginkgo leaf makes her feel closer to her grandfather.

What do trees mean to you? Is there an oak you visit that brings you peace? Do you like to write under a grove of Ponderosa pines, sketch the bark of the ash in your front yard, run your fingers across the groove of a cottonwood’s skin. Have you lost a tree that was important to you. Are there trees that make you feel closer to home. Get out a fast writing pen and spiral notebook and get started on a Writing Practice — My Favorite Tree. Ten minutes, Go!

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