WRITING TOPIC — I BELIEVE…

believe

Definition:	accept as true, credit with veracity, follow a credo, judge or regard
Synonyms:	v. 1. maintain, assert, opine, hold, consider, regard, conceive, trust, have faith in, confide in, credit, accept, affirm, swear by, have no doubt
Quotes:	♦ In the sky, there is no distinction of east and west; people create distinctions out of their own minds and then believe them to be true. — Buddha   ♦ I believe that every person is born with talent.  — Maya Angelou   ♦ The probability that we may fail in the struggle ought not to deter us from the support of a cause we believe to be just. — Abraham Lincoln   ♦ 20. Believe in the holy contour of life — Jack Kerouac from BELIEF & TECHNIQUE FOR MODERN PROSE
Antonyms:	disbelieve, distrust

I believe…

Do you believe in the Lock Ness Monster, the Man in the Moon, Santa Claus? Do you believe in finding Big Foot, flying saucers, ghosts in the machine? Do you believe this year will be better than the last? Do you believe in yourself, your visions, your dreams? The things I believe change from year to year, decade to decade. I used to believe in the tooth fairy, the Velvet Underground, peace, love and rock and roll. What do you believe?

In the 1950s, a radio program called This I Believe was hosted by journalist Edward R. Murrow. Each day, Americans gathered by their radios to hear essays from people like Eleanor Roosevelt, Jackie Robinson, Wallace Stegner, Helen Keller, and Harry Truman—anyone able to distill the guiding principles by which they lived into a few minutes. (For inspiration, you can listen to essays on broadcasts from the 1950s at This I Believe.)

What are the principles by which you live? Are they different than they were two, three, or four years ago? Do you hang around friends who share your beliefs? Or push to expose yourself to other ways of thinking. The goal of the contemporary version of This I Believe (revived on NPR in 2004) was not to persuade Americans to agree on the same beliefs, but to encourage people to develop respect for beliefs different from their own.

Get out your fast writing pens and write the Topic I believe… at the top of your spiral notebook (or start tapping away on your computer or Smartphone).

You can write a haiku, tanka, or gogyohka  practice and post it in the comments.

Or you may be surprised at what you discover when you follow the rules of Writing Practice —- I believe…, 10 minutes, Go!

-posted on red Ravine, Monday, January 2nd, 2012

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Presidential Poetics — Elizabeth Alexander

Tickets, mural outside the vintage Riverview Theater, Minneapolis, Minnesota, August 2007, all photos © 2007-2009 by QuoinMonkey. All rights reserved.

A few weeks ago, our monthly Poetry Group read the work of Elizabeth Alexander, the poet selected to read at the inauguration of Barack Obama. When we sat down to dinner the next day after work, Liz announced, “I took a half day off Tuesday. Want to go to the Riverview for the inauguration?”  It took a few seconds to sink in. Then, with no hesitation, I said, “Yes, let’s do it. I’ll ask for time off, too.”

Elizabeth Alexander, a 46-year-old professor of African American Studies at Yale, and author of five books of poetry, will be only the 4th poet to read at a presidential inauguration. Robert Frost was the very first during President John F. Kennedy’s inauguration in 1961. When it came time to read, Frost, blinded by the sun, could not see his notes and quickly moved to Plan B. He recited from memory another poem from his prolific body of work.

Maya Angelou read for President Bill Clinton’s first Inauguration in 1993. And for President Clinton’s second, he chose Miller Williams in 1997. It’s been a long 12 years since a poet has had the honor of reading at an inauguration. It’s important to notice this detail; it’s a strong indicator that the Arts matter to the upcoming administration.

I was moved by the poetry of Elizabeth Alexander. She was only a one year old on August 28th, 1963 when her father, a civil rights advisor to President Johnson, and her mother, Adele, brought her to the Lincoln Memorial to hear Dr. Martin Luther King’s “I Have a Dream” speech. On January 20th, 2009, she will read at the swearing-in of the first African American U.S. president.

I am obviously profoundly honored and thrilled. Not only to have a chance to have some small part of this extraordinary moment in American history……This incoming president of ours has shown in every act that words matter, that words carry meaning, that words carry power, that words are the medium with which we communicate across difference and that words have tremendous possibilities, and those possibilities are not empty.

– Elizabeth Alexander from the Washington Post article, Selection Provides Civil Rights Symmetry

We’ll hope to have free tickets and front row seats to the Riverview Theater’s screening of the inauguration (you can also watch it free at the downtown Minneapolis Central Library). The Riverview doors open at 9:30am CST with the viewing lasting until around 1pm. And on the wide Riverview screen, behind the original late 1940’s vintage curtains:

11:30am EST — If you have tickets to the Inauguration ceremony, you must have passed through security by this time.

• Call to Order and Welcoming Remarks: Senator Dianne Feinstein
• Invocation: Dr. Rick Warren
• Aretha Franklin will sing
• Vice President-elect Joe Biden will be sworn into office
• Music composed by John Williams and performed by Itzhak Perlman, Yo-Yo Ma, Gabriela Montero, and Anthony McGill.

12:00 Noon EST — As specified by the U.S. Constitution (20th Amendment), presidential terms of office begin and end at 12:00 noon on January 20.

•  Barack Obama will take the oath of office, which is this simple, 35-word, statement: I do solemnly swear (or affirm) that I will faithfully execute the office of President of the United States, and will to the best of my ability, preserve, protect and defend the Constitution of the United States.

12:05pm EST (approx) — President Barack Obama will give his inaugural address, speaking to the nation and world, for the first time, as President of the United States, followed by:

• Poem: Elizabeth Alexander
• Benediction: The Reverend Dr. Joseph E. Lowery
• The National Anthem: The United States Navy Band “Sea Chanters”

 

It’s been almost two years since Barack Obama announced his candidacy for President of the United States in front of the Old State Capitol building in Springfield, Illinois. For those who supported and voted for him, it’s the end of a long journey through a couple of grueling years of Presidential politics. For those who did not, it is a time-honored moment in our country’s history, and on the 200th anniversary of Abraham Lincoln’s birth, one you will not want to pass up.

I can’t think of a better way to honor the memory and legacy of Dr. Martin Luther King Jr. than to take time off of work on Tuesday to listen to Barack Hussein Obama II be sworn in as our 44th President. That we will be graced with a moment of poetry falling on the listening ears of millions of people across the world, offers the promise of poetic justice — another chance to keep the magic of poetry alive.

In that moment, really I am the vessel for the poem. It’s not about the poet at that moment, it’s about the poem.

— Elizabeth Alexander from the NPR interview, Poet Calls Writing Inaugural Poem A ‘Challenge’

EPILOGUE

Poems were meant to be read out loud. That’s part of the joy of hearing others read live in a poetry group. Mende Vocabulary is one of the poems beautifully read by one member at our last poetry group and can be found, along with The Last Quatrain, and other poems, in Elizabeth Alexander’s piece, The Negro Digs Up Her Past: ‘‘Amistad’.”

The essay explores historical poetry and fiction through such works as Robert Hayden’s Middle Passage (which he first published in 1943 and continued to publish in revision as late as 1962), Toni Morrison’s Beloved, and Arthur Schomburg’s 1925 essay The Negro Digs Up His Past.

Mende Vocabulary

by Elizabeth Alexander

they
my father
our father
your father
my mother
my book
his house
one ship
two men
all men
good man
bad man
white man
black man

I eat
he eats
we eat
they sleep
I see God
did I say it right?
we sleep
I make
he makes
they have eaten

this book is mine
that book is his
this book is ours
I am your friend
here
now
that
there
then

The Last Quatrain

by Elizabeth Alexander

and where now
and what now
the black white space

 

If we contemplate the Amistad as a ship without mothers, the utter absence of mothers in a violently formed society; if we wonder what people dreamed in their captivity, we might begin to understand what they lost, what it took to build themselves up again, and what it might take to move forward.

It is the unique potential of poetry to be able to locate and activate what is in the imagination. Art takes us to knowing that may have no other way of being found, and that is one of the very things we need in order to move more intelligently forward. 

— Elizabeth Alexander

– poems and final quote from an essay by Elizabeth Alexander on historical poetry and fiction, The Negro Digs Up Her Past: ‘‘Amistad’’ from The South Atlantic Quarterly 104:3, Summer 2005. Copyright©2005 by Duke University Press.

RESOURCES & READINGS

To read more about Elizabeth Alexander, Amistad, poetry, and the upcoming inauguration schedule, below are links to the resources used in this essay:

________________________

Presidential Inauguration at the Riverview Theater – Riverview’s page on their screening of the inauguration, Tuesday (Jan 20th): 10:30AM CST
Inauguration Day 2009 Schedule of Activities and Events — details and times for 2009 Inaugural Events, along with an hours, minutes, seconds countdown
Words on the Inauguration at the Poet’s Website, Elizabeth Alexander – “Words matter. Language matters. We live in and express ourselves with language, and that is how we communicate and move through the world in community.”

________________________

Inaugural Poet Part Of History – Again – part of the Road To The Inauguration Series on the CBS Evening News with Katie Couric
The Inaugural Poet: Selection Provides Civil Rights Symmetry – article in the Washington Post by Michael E. Ruanein, Thursday, December 18, 2008
Poet Calls Writing Inaugural Poem A ‘Challenge’ — listen to the NPR interview with Elizabeth Alexander, December 18th, 2008
Weaving Words For The Inaugural Poem — listen to NPR Host Scott Simon ask Elizabeth Alexander for a sneak peek, January 17th, 2009

________________________

The Negro Digs Up Her Past: ‘‘Amistad’’ by Elizabeth Alexander – The South Atlantic Quarterly 104:3, Summer 2005. Copyright©2005 by Duke University Press. — document from the author’s website, an excellent essay on the significance of historical poetry and fiction
The Amistad Comes to Life! — lesson planning article at Education World on teaching the story of The Amistad across all grades, a curriculum to bring life to the story of the revolt on the Amistad in the early 1800’s. Great links, one to the historic sites on the Connecticut Freedom Trail.
The Mende Language – a few word translations from the Mende language at Education World, part of the curriculum for the complete story of the Amistad (link above) and the role Josiah Gibbs, a language professor at Yale University in New Haven, played in finding a translator for the Africans so their side of the story could be told.

Circles Within Circles, Casting Light 1950’s lamp at the Riverview Theater, Minneapolis, Minnesota, August 2007, all photos © 2007-2009 by QuoinMonkey. All rights reserved.

-posted on red Ravine, Martin Luther King Day, Monday, January 19th, 2009, day before the inauguration of President-elect Barack Obama

-with gratitude to Teri who took the leap and started our Poetry Group over a year ago, has provided strong leadership, and helps Keep Poetry Alive!

-related to posts: Out With The Old, In With The Old (Recycled Fashion Goes To Washington, DC), If You Can’t Say Something Nice…, Why It Won’t Matter To You That I’m Voting For Obama, The Politics Of Primary Season 2008 (A Presidential Primer)

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Desire And A Library Card — The Only Tools Necessary To Start A Poetry Group

By Teri Blair

Five months ago I started a poetry and meditation group in my home. And I’ll tell you straight up: if I can start a poetry group, anyone can start a poetry group.

I am not well read when it comes to poets. Before doing this, if called upon to name poets I would have only been able to tick off the most obvious choices: Robert Frost or Emily Dickinson. For most of my life I’ve felt intimidated by poetry. When I’d hear a poem read, I’d usually feel like I didn’t get it. I considered the door to poetry locked and bolted, entered by only a heady few.

But at the beginning of 2008, I began to get an itch to do something to make the world a better place. I know, I know, such a cliché. But I was tired of feeling depressed by the sort of people and events that grab headlines. I was frustrated, feeling like my country was being taken over by things I didn’t like or believe in. I was worried that people weren’t reading like they used to. I wanted to do something to steer the world in the direction I wanted it to go.

The idea for the group dawned on me one day, and I recognized it immediately as something I could pull off. I could invite people over to my house; we’d sit together for an hour, hear good poetry, and be still. And that’s pretty much what we do. It’s not a complicated event.

Each month I pick out a poet. To do this, I browse in a bookstore or library, or go to an online poetry site. I like choosing poets from around the country and from varied backgrounds, but for the first meeting of the group, I picked a Nebraskan poet, just so we could get used to hearing poetry from a Midwestern voice. Since then, we’ve been to Massachusetts, North Carolina, California, and Virginia.

I select poets whose words and voices are accessible. I live in a city with a sensational library system, so I get all the poet’s books with my public library card. I sit on my living room floor with books scattered around me, and slowly page through them. Certain poems jump out at me, and these are the ones I put a bookmark next to.

The people in my poetry group have the option of helping me read, so I email them poems I’ve selected. This gives them the chance to practice reading the poems out loud before we meet. I do a little research on the poets so I can share a bit about their lives and what brought them to writing. I keep this short. I don’t think anyone wants an endless historic lecture.

When we gather, I have candles lit. We get quiet, and I tell everyone what I’ve learned about the poet whose work we’ll hear. I don’t memorize this; I have it written on a piece of paper. I play a song to begin to slow us down, and then we listen to poetry. About one poem every five minutes with silence in-between. Sometimes I can find sound recordings at the library of the authors reading their own works. So at the end, we’ll listen to the writer reading a few of his or her own poems.

So far, our poets have all been living. So we sign a card thanking them and telling them the titles of the poems we heard. I find mailing addresses online and mail the card the next day. Then we drink tea, eat snacks (I ask for a volunteer to bring treats), and hang around. That’s it.

This is what I know so far:

1. I feel a lot better adding something of decency and substance to the world.
2. I am getting to know poets, and I am thrilled. If you say the name Maya Angelou to me, I’m tracking with you. If Rita Dove comes to town to read, I’ll be all over her work.
3. Everyone who comes knows that for at least one hour every month they will get to be still in a busy world.
4. After the Mary Oliver night, a 26-year-old from our group went and bought all her books. Three people purchased tickets to hear her speak when she came to Minneapolis last March. I’m pretty sure these things wouldn’t have happened if not for the exposure to her work.
5. We got to participate in National Poem in Your Pocket Day in April. We wouldn’t have known about it had I not been searching poetry websites.
6. Ted Kooser wrote to our group. I’m here to say I have a postcard from a two-time Poet Laureate and Pulitzer Prize winner hanging on my bulletin board. Not bad.
7. The people who come range in age from 26-55. It feels healthy to be in a cross-age group.
8. Hosting these evenings is part of my writing practice. It is a tangible way to move my life in the direction I want it to go.
9. The people who come seem genuinely happy to participate. Someone told me this morning that it feeds her soul.
10. On Gary Soto night, a young group member (a Spanish major) read her poem twice, first in Spanish and then in English. It was deeply touching to hear another language spoken; it brought tears to our eyes. I don’t know why it did, but it was good. Gary sent us a postcard, too. Part of it is written in Spanish. That Gary.
11. After deciding that July would feature the poetry of Louise Erdrich, my friend and I saw her a few rows back on the same airplane when we were returning from a writing retreat. It was almost too much synchronicity to grasp. The sort of serendipity that makes your head feel dizzy and your stomach full of butterflies.
12. When Robert Bly was named Minnesota’s first Poet Laureate, we swelled with pride. Poetry mattered to us.

 

All that. And all I had was desire and a library card.

All The Best From Nebraska, postcard (back), March 2008, photo © 2008 by QuoinMonkey. All rights reserved.

      

Golden Rule, postcard (front), painting by Ted Kooser, 1978, acrylic on canvas, 24″ x 24″, March 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Teri Blair is a freelance writer living in Minneapolis. She is currently writing a profile series on teachers who taught in one-room rural schools before, during, and after WW II. They appear monthly in Senior Perspective.

 

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Got Poetry? (National Poem In Your Pocket Day)

Pocket Poetry, Minneapolis, Minnesota, April 2008, photo © 2008 by QuoinMonkey. All rights reserved.

 

April 17th is the first national Poem In Your Pocket Day. It’s part of the wider celebration of National Poetry Month. I went to my monthly poetry group last Friday. We talked about the life of Maya Angelou, read her poetry, sat in silence between poems. We listened to her voice. This is the 3rd month we have met.

The first month was Ted Kooser. After the group ended that night, Teri passed around a thank-you card (gratitude to those who came before us). We all signed it; the next day she mailed it off to Ted. A generous man, the former Poet Laureate and Pulitzer Prize winner wrote back within the month (look for an upcoming post).

The second month was Mary Oliver. In March, three members of the poetry group went to see Mary Oliver at the State Theater in Minneapolis (here’s Mary with her famous dog, Percy, in Jim Walsh’s MinnPost article, The poet as rock star: Mary Oliver returns for a reading). They shared stories about the funny and engaging Pulitzer Prize-winning poet, who read to a packed house; Mary Oliver is one of the humblest and highest paid poets in America.

April is the month we honor poetry as an art form. “Poetry” comes from the ancient Greek: ποιεω (poieo) meaning I create. It is an art in which human language becomes a palette for its aesthetic qualities. Poetry creates a visual feast from the simplest ingredients — it pares language down to the bare essentials.

 

 

New York City is hosting its 6th annual Poem in Your Pocket Day (PIYP) on Thursday, April 17, 2008, with a series of events scheduled to celebrate the versatility and inspiration of poetry. The day was created to encourage New Yorkers of all ages to carry a poem in their pocket to share with family and friends. Now it’s going national.

How can you participate? There is a list of ways to celebrate national Poem In Your Pocket Day at poets.org, which includes:

• Post pocket-sized verses in public places
• Handwrite some lines on the back of your business cards
• Start a street team to pass out poems in your community
• Distribute bookmarks with your favorite immortal lines
• Add a poem to your email footer
• Post a poem on your blog or social networking page
• Text a poem to friends

            

     Poem In Your Pocket (National Poetry Month), Minneapolis, Minnesota,
      April 2008, photo © 2008 by QuoinMonkey. All rights reserved.

 

My friend Teri, who started our poetry group, created and handed out Poem In Your Pocket sheets (above) after last Friday’s poetry group. We each copied a poem from over 20 poetry books sprawled over the living room floor. Copying a poet’s work, in my own hand on to a blank page, made it come more alive for me.

Leave your Pocket Poem in our comments if you wish. If you are stuck for ideas of where to find poems, there are tons of websites dedicated to poetry. Check out one of these:

• Poetry 180 – a poem a day for American high schools
• Ted Kooser’s American Life In Poetry – click on Column Archive
• poets.org – more than 2500 poems from the Academy of American Poets
• Poetry Foundation – Poetry Tool archive

Feeling brave? Write down a poem or haiku you have written, slip it into your pocket (the things we carry), and read it to some friends this Thursday, April 17th. For inspiration, listen to the great Queen Latifah’s version of Poetry Man (she got into rapping from writing poetry). Or maybe you prefer the original from Phoebe Snow (I wore a deep wax groove into Phoebe’s 1974 debut album, Phoebe Snow).

 

            Poetry Man by Phoebe Snow, posted by jassblue on YouTube

 

 

Thanks to Teri, for starting a poetry group and inviting all of us to come along. And to all the poets who have been inspiring us since the beginning of time — thank you.

 

-posted on red Ravine, Sunday, April 13th, 2008

-related to post, Desire And A Library Card — The Only Tools Necessary To Start A Poetry Group

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PRACTICE – Growing Older – 20min

I’m looking at my ruddy face in a small, round, silver mirror. I look older than I remember. Thick eyebrows, salt and pepper hair; it looks the grayest to me right after a haircut. There is something about the way it lays across the black plastic smock, and falls in shredded pieces on to the floor. Accents of changing color. I don’t mind. It is my grandmother’s hair.

I have a little pouch under my chin. I hate to admit it. Blue eyes that used to be hazel. More blue with age. I don’t often look in a mirror. Once in the morning after my shower to spike my hair. I’m a fluff and blow person, not much fiddling around. I look in the mirror when I brush my teeth. That seems strange and I don’t know why I do it. I am looking into a mirror now. It was suggested in the Writing Topic on growing older; I thought it might push me (over the edge?).

The body gives out, breaks down. Elasticity is lost; wisdom gained. I don’t have a problem aging. Life is easier now than it was 20 years ago. I’m 34x happier. I worry that I won’t get everything done I want to do before I die. That goes back to the Bucket List. I don’t have any control over that. I am where I am. I’m in my 50’s.

Fifty used to seem ancient to me. Forty seemed ancient, too. I couldn’t imagine being 30. Decades have passed. The older I get, the more I know who I am. I have this theory about aging. I believe people become one of two things:  happier and more settled in who they are. Or angry and bitter. That’s black and white. I’m sure there is gray. It’s something I have noticed. And so I keep watching to prove my theory right.

Old, cranky, bitter, judging, hoarding, fighting imperfection, not able to accept that the body is aging. Graceful, happier, wiser, content with who they are, willing to not be perfect, to pass the torch, giving what they have to the next generations to come.

Maya Angelou turned 80 years old on the 40th anniversary of Martin Luther King’s assassination. Do you think Martin knew he would not live to grow old? Or that Maya thought she would reach the age of 80? There were many articles written about her on April 4th. She is of the giving and wise variety. Yet she hasn’t shrunk from her responsibilities — as a woman, as a writer.

If Martin Luther King were alive, he would be one year younger than Maya. She was an aid to his cause, all those years ago. She still speaks for him through the way she lives her life. Think of everything she has seen.

I ran into a conversation between Maya Angelou and Oprah Winfrey. Maya, one of Oprah’s mentors, was talking about living according to your principles. She is a Clinton supporter, and under constant pressure, remains loyal to Hillary. She has written a poem for her. Oprah is outspoken for Obama. They debate, have long conversations. They each stand strong, loyal to their candidates. They are respectful. They remain friends.

You can talk about spiritual principles. Or you can live by them. Talk is easy. Cheap. Principles are the hardest to uphold when we want something. Or in the face of adversity. Angelou said courage is the most important principle – because without it, you can’t really live up to the others. We might think we want to live at all costs. And then something comes along we are willing to die for.

If you think about Dr. King, he had an offer to go back to a seminary and teach for a year right before he died. He wanted to go. To rest. But he knew it would feel like he wasn’t fulfilling his obligations. So he stayed true to his vision. And went to Memphis to support the sanitation workers. He marched at the front of the line, even though he was tired, worn out. And he dropped his head in despair when a group of young marchers at the end of the line erupted in violence. Maybe at the end, he felt old. He was not perfect. He was human.

I started thinking about Maya Angelou and Martin Luther King and their great courage. I pale in comparison. When I look at what they have each been through, I wonder why I complain about the obstacles that fall my way. But I have learned not to compare myself. Not to anyone. Not to other artists, or writers, or teachers. My demons are mine. I earned every age spot, wrinkle, and wart. I’m not young anymore. Yet I am the most alive inside I have ever felt.

Growing older — it is harder to keep the weight off. I could lose 20 pounds. You can’t see that on a blog. My friends look to my vibrant Spirit. My family loves me unconditionally. So does my partner. The mirror tells me I look sad. Tired. But my eyes are bright. My heart feels heavy. It will not last. It will pass. When I think about dying, I think about looking down on loved ones, urging them on toward their dreams, smiling, holding the space. The way my grandmothers Ada and Elise do for me.

When I visit the South with my mother, we often visit gravestones under plantation magnolias in ancient cemeteries. The history is there. We didn’t create it. But we carry it. We walk among the dead, recall living memories. The pilgrimage, for me, is to pay my respects. To those who have come before. I am in the lineage of the Southern mothers, fathers, grandfathers, great aunts, and grandmothers whose graves I visit. They are not there. My memories of them are.

I drive past the homes where relatives used to live. Some remain in the family. Some belong to complete strangers. I don’t know them. I never will. But I have to bear witness. I don’t want the dead to be forgotten. I don’t want to be forgotten. I want to be remembered. And so I remember and honor others.

Visiting graveyards, a wrinkle in time. The living commingling with the dead. It might sound morose. But I don’t think of it that way. In Kit Carson Memorial cemetery, Mabel is buried not far from the black, wrought iron around the Carson plot. She would not be amused. The more I think about it, the more I want to be scattered to the wind, high over some tiny, rocky beach on the Oregon Coast. No gravestone. No marker. I want to be remembered as a free spirit. Though no writer ever feels free.

I’m staring in the mirror again. “Mirror, mirror on the wall, who’s the fairest of them all?”

You are.

-posted on red Ravine, Friday, April 11th, 2008

-related to Topic post, WRITING TOPIC – GROWING OLDER and the post, 40 Years

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bell hooks & Thich Nhat Hanh – Building a Community of Love

I’m almost done with the bell hooks memoir, Bone Black. I posted a link to the bell hooks articles and profile in Shambhala Sun a few weeks ago in 10 Minutes with the King. But I want to repost Building a Community of Love: bell hooks and Thich Nhat Hanh as a separate log.

All of  the bell hooks articles in Shambhala Sun are excellent. But red Ravine is about community. I don’t want this one to get lost:

 “Building a Community of Love: bell hooks and Thich Nhat Hanh”

 Or this one:

 “There’s No Place to Go But Up” – Maya Angelou in Conversation with bell hooks” 

In honor of all practice.

 Monday, April 9th, 2007

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