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Posts Tagged ‘love of photography’

Finale- 3/365  2 Artists No Waitin'  Archive 365 - 1/365 Sony NEX Shots Minneapolis, MN, Fulton neighborhood Field Number: IMG 2012-06-28 DSC00007

Finale – 3/365, Archive 365, Stone Arch Festival of the Arts, St Anthony Main, Minneapolis, Minnesota, June 2010, photo © 2010-2012 by skywire7. All rights reserved.


Here I am, running around the Stone Arch Fest, capturing candid moments of people enjoying a summer day with music and art in the heart of Minneapolis. I catch the tail end of this awesome band who were enjoying the climax of their set to the max. But who are they? I still don’t know. I would love to see them again. If someone recognizes the band, let me know!

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ARCHIVE 365 is a photo collaboration between skywire7 and QuoinMonkey featuring images from our archives. We will alternate posting once a day in our Flickr sets from July 1st 2012 through June 30th 2013. You can view our photographs at skywire7 Archive 365 set on Flickr and QuoinMonkey Archive 365 set on Flickr.

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Twin-Lens-Reflex Camera, illustration from Black & White Photography: A Basic Manual by Henry Horenstein, Droid Shots, original photograph edited with Paper Camera, Golden Valley, Minnesota, February 2012, photos © 2012 by QuoinMonkey. All rights reserved.



One of the goals that came out of my last writing retreat with the Midwest writers was to focus on organizing, storing, revisualizing, and selling my photographs. I took a photojournalism class this week from a journalist who makes a living from her stories and photographs. I spent much of this morning perusing old photo books while sipping French Roast (I have a Twin-Lens-Reflex in my collection just like the one in the illustration above).

Old print photograph and design books are inexpensive and inspirational. It is exciting to view the work of the photographers who came before us and to learn from their art. At MCAD, I focused primarily on black & white photography, along with alternative processes. I’d like to do more along those lines with my digital photographs. I remember…


-posted on red Ravine, Saturday, February 18th, 2012, with gratitude to Liz (one of my Muses) who consistently brings home tons of books from our local library

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Gray Spring day in Minneapolis. Rain pings the windows of my Casket Arts studio, wind rustles the frayed telephone wires. I’m staring at a city shrouded in fog. A Westclox Big Ben on the table next to me ticks away the minutes; the first quarter of 2010 is history. March in Minnesota was one of the warmest and most snowless in 100 years.

In the context of a whole century, the 90 days I’ve persevered with the BlackBerry 365 Project seems like a small effort. In busy human terms, it feels like forever. Some days, the photographs are grayed out snapshots with little focus. Other days, I can see the image framed and hung on the wall. It’s the nature of creative effort. And the boundlessness of living.

Once a quarter, I’d like to acknowledge this strange little body of work with a slideshow of my favorites. The project makes me keenly aware of the passage of time. Endings. New beginnings. I am learning patience, the consistent ability to show up for myself, progress not perfection.

I am grateful for the support. Thank you. And if there is anything you notice about the photography — subject matter, framing, content, I’m all ears. What seems lacking, what’s appealing? Sometimes we are too close to projects and practices to see them clearly. Hearing from others can help tap into new veins of work.



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Best Of BlackBerry 365 — First Quarter, favorites from 90 days of shooting & posting a phone photo a day, January 2010 – March 2010, all photos © 2010 by QuoinMonkey. All rights reserved.



Note: the full BlackBerry 365 set is posted on my Flickr account. Along with a daily commentary of little details about the photograph, where I took it, what I was doing that day. I’m excited to be heading into Spring. Expect days to move from white, ice blue, and gray to seaweed, azure, and copper green.

-posted on red Ravine, Friday, April 2nd, 2010

-related to post: BlackBerry 365: Things Loved, Things Learned

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Berth Of The Night Owl, outside Mickey’s Diner, St. Paul, Minnesota, November 2009, photo © 2009 by QuoinMonkey. All rights reserved.







drenched beads of lens sweat
black fog that spawns crusty rain
berth of the night owl







Sometimes the best shots are unplanned. A few weeks ago, Liz and I drove through St. Paul after going to see a music performance of Strange Attractors. It was almost midnight, rainy and foggy. We parked at different spots downtown and took a series of photographs. She stepped out into the rain; I stayed behind and shot from the car. I feel lucky my partner is one who loves the night (and art) as much as I do. It provides opportunities for creative sharing that might not otherwise take place. And we can spend downtime together in our art studio in Northeast Minneapolis.

The best part of this rainy shot of Mickey’s Diner through the windshield is the BlackBerry sitting on the dash. When the photo is viewed in its largest size, you can clearly see the raindrop reflections on the screen. They make it look like the rain fell through the glass. This time the photograph was not taken with the camera phone; she’s one of the stars.


Other Night Owl posts from over the years:



-posted on red Ravine, Friday, November 27th, 2009

-related to posts: haiku 2 (one-a-day), WRITING TOPIC — WINDOW

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I’m at Arches National Park near the town of Moab, Utah. I don’t know if I’m looking at an arroyo or a wash. Is it both? We set up camp in a low-lying area surrounded by high boulders and pointy crops of red rock. The elevation reaches over 5500 feet.

I’m camping in the desert with photographers from RIT. They are strangers to me until this trip. I’m an MCAD student and see a flyer on the bulletin board for a summer exchange program. I make a plan for one man to swing by Minneapolis on his way to Albuquerque and pick me up. I meet him in a small town in Wisconsin, ride with him along the southern route through Iowa and Texas. We stop to chat with a friendly woman at an east Texas gas station that I would love to interview.

No time. We have to keep driving.

We visit and photograph a hot springs north of Jemez Springs, New Mexico — Spence Hot Springs. It’s a short hike across a foot log over the Jemez River, and up a wooded hill. Before that, I walked around Albuquerque and bought a pair of binoculars in a camera store. We stayed the first night in an old travel motel with a single squat room. Green linoleum floors, a refrigerator, a small stove. It smelled musty like decades of old sweat.

I don’t know what possessed me to sign up for the month trip. It was a time when I took more risks. I didn’t end up being friends with any of the RIT photographers. But the photographs – I’ll never forget pitching my borrowed Eureka! tent right on a ledge over Lake Powell. It wasn’t a smart move. I woke up in the middle of the night to tent stakes being ripped out of the ground by gale force canyon winds. Frightened, I quickly stirred, circled the green flaps and tried to pound the stakes back into the hard earth.

It was no use. I dragged my tent, with everything inside, further back into the grassy area. I couldn’t get back to sleep. So I went out to the edge of what used to be Glen Canyon (until they flooded her to make the lake) and took black and white photographs of the full moon. It was a lonely feeling. Yet the stars were so bright. The way they can only shine in New Mexico or Montana.

Arches Park. The wash. The arroyo. I’m back in Arches. Not long after we pitched our tents in the campsite, a thunderstorm approached. I was starting to get used to the afternoon rains, 108 degree daytime temperatures that dipped to freezing at dark, fierce lightening that cracked across the late night skies. But this storm was different.

The torrential rain hit suddenly and fast, pelting our sun burnt faces and skin. There were about 12 of us in various camping positions around the site. A flash flood rushed headlong down the cracks and gullies between outcropped rocks, sweeping into our campsite.

No time to think. I was taking a nap when my tent floor started filling with water. Unzipppppped the fly and poked my head out to chaos. Everyone was scrambling to get their camera equipment, clothes, and sleeping bags up off the ground and into the cars. Ankle deep water, rising to the knees. Then it was over.

The fire burned all night, flames licking sleeping bags, shirts, and cargo shorts perched on sticks in a circle around the heat. Eventually, we dried out. But I’ll never forget how quickly the arroyo filled with hot-blooded summer rains, scaring the living daylights out of me. A valuable lesson learned about the arroyo seco and the wash – dry to wet in the blink of an eye. If you are living on the land, beware.


-posted on red Ravine, Friday, September 18th, 2009

-Note: lost track of time when doing this practice. It ended somewhere between 15 -20 minutes, probably closer to 20.

-related to Writing Topic post: Standing Your Ground — Arroyo, Gulch, Gully & Wash

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American Rug Laundry, Lake Street, Minneapolis, Minnesota, June 2009, all photos © 2009 by QuoinMonkey. All rights reserved.

 

I’ve always wanted to photograph the American Rug Laundry building on Lake Street in Minneapolis. At the end of June, I had a chance to photograph the building before and after dining at a nearby Lake Street restaurant to celebrate a friend’s birthday.

I decided to do a photographic study from different angles, at dusk and by night. I’m a long-time fan of vintage neon signs and couldn’t decide which photographs to post, so I left most of them in my Flickr set. The graphic elements make the sign come alive: the rusted screen, angled chains, and black-tipped pins that looks like a larger version of pins a seamstress might use. I am also drawn to the vintage typography. Do you have a favorite shot?

The American Rug Laundry was established in 1895 and is the largest and oldest rug cleaning and carpet repair facility in the Upper Midwest. Large floor rugs used to be hand-delivered and there are some wonderful historic black and white photographs from the 1920’s all the way up to 1954 on their site.

There is also a FAQs page where you can learn some of the differences between handmade and machine made rugs. One of the most obvious differences is that in a hand knotted rug, the fringe is part of the rug and not sewn on as an extension. Another difference is that tufted rugs are almost always covered with a cotton/canvas backing, while the pattern is clearly visible on the backside of hand knotted rugs.

Since our current home has wall-to-wall carpet, we have a handmade rug from Liz’s childhood (last cleaned at the American Rug Laundry) stored in our attic. But I think our next house will have hardwood floors. Which do you prefer?

 
 

Lake Street At Night, American Rug Laundry Chains, American Rug Laundry Clearance, Dusk At American Rug Laundry, Cash & Carry, Sign Study – Rug Laundry, Lake Street, Minneapolis, Minnesota, June 2009, all photos © 2009 by QuoinMonkey. All rights reserved.

 

-posted on red Ravine, Saturday, August 22nd, 2009

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I saw a post over on This Is Mimbres Man that reminded me that Worldwide Pinhole Photography Day passed on April 29th. Check out his images at Pinhole Photography. I made my first pinhole camera over 20 years ago out of a Quaker Oats container. And seeing the image come to life was the thrill of a lifetime. If you are a photographer, you’re probably as passionate about photographic processes as you are about the photos themselves.

It is similar to the way artists love their canvases, drawing papers, paints, and graphite. And writers have their favorite pens, papers, and notebooks. It’s no secret that creative souls spend a great deal of time and money on regular jaunts to the nearest independent office supply or art materials store. It’s in our blood. I could spend hours trying out pens, marking across pads, or choosing the right ink.

Process is important to any art form. And old style photographic processes teach a photographer the details of capturing light and shadow and transforming them to canvas. When I was in art school, I majored in Media Arts with an emphasis on black and white photography. But I took a lot of Fine Art classes to inform my processes. That’s when I began to dabble in alternative photographic media like pinhole photography, cyanotyping, brush on emulsions, mural prints, and exposing negative images on raw clay. It busted my photography wide open.

Digital has taken over the marketplace. But there are purists who still preserve the old methods of shooting and developing, people who are more fascinated by process than instant gratification. If I had endless amounts of dollars, I’d set up an elaborate art studio and darkroom on one whole floor of a new 5000 square foot home. I know what you’re thinking – I could jerry-rig a tiny darkroom into my bathroom right now if I wanted to.

That’s true. I’ve got an old enlarger in storage. But I’m feeling too worn out for the likes of 3am romps across splashing trays of developer, stop, and fix to get to the shower. And it sounds too perilous for our cat, Chaco, who has currently taken up residence in the bathroom sink.

What I do want to say is that I’m happy to still be able to find people like Mimbres Man and George L. Smyth at Handmade Photographic Images who are still doing it the old fashioned way. (Mimbres Man is also into insect noises and bottle rockets. So I head over to his site when I can to surf unusual behind the scenes happenings, the white noise in all our heads!)

You can learn how to make a pinhole camera at Oatmeal Box Pinhole Photography by Stewart Lewis Woodruff.  And George L. Smyth also has a blog, Meanderings, at Best, about handmade photographic images.

If you’ve never experimented in the photography of yesteryear, there’s no time like the present. Handmade photographic processes are the world of photography’s best kept secret. They are image-making history and bones, photographic anthropology. Archaic practices will slow you down long enough to really listen to the visual. And build on the structures of the past.

Saturday, May 5th, 2007

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