Oscar Nominated Short Documentary Films — Profiles In Courage

Documentary Shorts At The Riverview, Droid Shots, original photograph edited with Paper Camera, Minneapolis, Minnesota, February 2012, photo © 2012 by QuoinMonkey. All rights reserved.

When Liz was asked what movie she wanted to see before a belated birthday dinner at Blackbird, she chose the Oscar Nominated Short Documentary films at the Riverview Theater in Minneapolis. The filmmakers took us around the world, Baghdad to Birmingham, Pakistan to Japan. The presentation included four of the five films nominated for an Oscar in the Short Documentary category for 2012: Incident in Baghdad, Saving Face, The Tsunami and the Cherry Blossom, and The Barber of Birmingham: Foot Soldier of the Civil Rights Movement. (The fifth nominee, God Is The Bigger Elvis could not be shown due to licensing issues.)

In 130 minutes, I swept through a full range of emotions. Saving Face moved me to tears one minute; the next I was smiling with the big hearted doctor who traveled to Pakistan to reconstruct the acid scarred faces of women attacked by their husbands. Incident in New Baghdad horrified me and reminded me how sheltered most Americans have been from the ravages of two wars.

The Tsunami and the Cherry Blossom had a visual yin and yang quality. Grief, destruction, devastation, and loss following the tsunami in northern Japan; delicate blossoms of centuries old cherry trees restore hope in ways “beautiful but not showy.” James Armstrong, The Barber of Birmingham, walked steady and strong through decades of the Civil Rights Movement, and listened closely when he cut the hair of Dr. Martin Luther King. His mantra: “Dying isn’t the worst thing a man can do. The worst thing a man can do is nothing.”

The men, women, and children in these documentaries survived against all odds. They are impeccable warriors who teach me to pay attention, find my voice, and not be afraid to speak out. They teach me to show gratitude for the gift that is my life. They teach me about courage.  Through hardship and injustice, they show up and tell their stories to filmmakers who ensure their stories are heard. I hope you take the opportunity to see these films. They will inspire you to live life to the fullest, to take risks with your art and writing, and walk the way of the peaceful warrior.

______________________________________


Incident in New Baghdad – 25 minutes – USA – James Spione

One of the most notorious incidents of the Iraq War – the July 2007 slayings of two Reuters journalists and a number of other unarmed civilians by US attack helicopters – is recounted in the powerful testimony of American infantryman Ethan McCord whose life was profoundly changed by his experiences on the scene.


______________________________________


Saving Face – 40 minutes – Pakistan/USA – Daniel Junge, Sharmeen Obaid Chinoy

Every year hundreds of people — mostly women — are attacked with acid in Pakistan. The HBO Documentary SAVING FACE follows several of these survivors, their fight for justice, and a Pakistani plastic surgeon who has returned to his homeland to help them restore their faces and their lives.


______________________________________


The Tsunami and the Cherry Blossom – 39 minutes – Japan/USA – Lucy Walker

Survivors in the areas hardest hit by Japan’s recent tsunami find the courage to revive and rebuild as cherry blossom season begins. A stunning visual poem about the ephemeral nature of life and the healing power of Japan’s most beloved flower.


______________________________________


The Barber of Birmingham: Foot Soldier of the Civil Rights Movement – 25 minutes – USA – Gail Dolgin and Robin Fryday

Mr. James Armstrong is an 85-year-old barber, a “foot soldier” and a dreamer whose barbershop in Birmingham, Alabama has been a hub for haircuts and civil rights since 1955. The dream of a promised land, where dignity and the right to vote belong to everyone, is documented in photos, headlines and clippings that cram every inch of wall space in his barbershop. On the eve of the election of the first African American president, the Barber of Birmingham sees his unimaginable dream come true.

-posted on red Ravine, Wednesday, February 22th, 2012. Read more about the films at the links and watch a trailer at the Riverview website.

-related to posts: And The Oscar Goes To…, Eloquent Nude At The Riverview

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Ears Still To The Lonely Wind — Mandala For Rabbit

Ears Still To The Lonely Wind — Mandala For Rabbit – 26/52, BlackBerry 52 – WEEK 26, July 10th, 2011, photo © 2011 by QuoinMonkey. All rights reserved.

Medium: Drawn by hand with a black Staedtler archival pigment ink Fineliner on Canson Mix Media XL Series 98lb drawing paper, collage paper. Colored & collaged with DecoColor Glossy Oil Base Paint Markers, Caran D’Ache NeoColor II Water Soluble Wax Crayons, Sharpie Medium Point Oil-Based Opaque Paint Markers, Lineco Archival PVA Adhesive, archival card stock paper. Gogyohka & haiga by QuoinMonkey. Photograph taken with a Samsung DROID.

It must be a plentiful year for Rabbit. I see her everywhere on my journeys across the Twin Cities. If you look to the spiritual aspects of Rabbit, she represents calling out Fear—looking it right in the eye. It is said that if we focus on people, places, and things we fear, we draw them closer to us. The very act of ruminating on what we are afraid of creates opportunities to learn the lessons conjured by those fears.

It’s a good time for me to pay attention to Rabbit. Lotus wrote the poem Becoming a Rabbit -26/52 for one of the BlackBerry 52 Jump-Offs in our collaboration. I pulled in a line from her poem that spoke to me, wrote a gogyohka, and scripted it around the edge of the circle that would become a haiga:

Sidewinding summer rain
plays hide and seek with the sky.
Rabbit holds her ground ---
blades of mint awash in shadow,
ears still to the lonely wind.

I want to carry my Rabbit fetish from New Mexico in my pocket for the rest of July; there are challenges ahead of me with outcomes out of my control. Is it on the dresser with the other animals? She was a gift from friends, hand carved, and sold at one of the pueblos. I have carried the balsa Rabbit for a long, long time. To help ease my fear.

Rabbit may signal:

• feeling frozen in place from trying to find resolution to a situation you are unable to resolve
• being too focused on the future, trying to control what has not yet taken form
• a need to write down your fears
• space to stop, rest, reevaluate
• time to wait for bigger, outside forces to move again
• opportunities to reframe the way you see your present set of circumstances
• the need to take a deep breath, burrow into a safe space, & release your fears

Lucky for me, Fear is a universal emotion. There is not a person on Earth that has not experienced Fear. I read it in the Writing Practices of friends. We talk about it over birthday dinners. I see it at the state, local, and federal government levels. I read about it in the news every day.

Naming my fears helps to dissipate anxiety I feel about things I can’t control. Rabbit helps me remember to breathe. And to listen for answers. Ears still to the lonely wind.

-posted on red Ravine, Sunday, July 10th, 2011, with gratitude to Lotus for the inspiration

Lotus and I will continue to respond to each other’s BlackBerry Jump-Off photos with text, photography, poetry (however we are inspired) for the 52 weeks of 2011. You can read more at BlackBerry 52 Collaboration. If you are inspired to join us, send us a link to your images, poetry, or prose and we’ll add them to our posts.

-related to posts: Flying Solo — Dragonfly In Yellow Rain, Shadow Of A Dragonfly, Dragonfly Wings — It Is Written In The Wind, Dragon Fight — June Mandalas, EarthHealer — Mandala For The Tortoise, ode to a crab (haiku & mandala), Eye Of The Dragon Tattoo

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WRITING TOPIC — DEATH & DYING

Web & Dew: The Space Between, BlackBerry Shots, July 2010, photo © 2011 by QuoinMonkey. All rights reserved.

Over 90 inches of snow have disappeared from our lawn in temperatures that reach the 50’s by day, drop down to freezing at night. Winter is dying a slow death. Seasons change, transitions in temperament and landscape. The snowmelt runs into rivers and streams, the salt leaves potholes. But soon, tiny shoots of emerald will erupt through the dank, dead, chestnut grass. Winter must die to usher in Spring.

There is power in recognizing impending death. I remember the year my mother told me that when her time came, she was ready to die. We were visiting the South, walking down the cemetery hill from my grandmother’s grave in Georgia. I burst out crying; she hugged me and held me close. I thought the tears inside would never stop. “Honey, don’t worry,” she said. “I’m ready.”

Last year, my brother nearly died, before receiving a liver transplant at the 11th hour. It’s an experience that pulled our family together, one we share with countless others. If a person who loses their spouse is a widow, what’s the name for a child who loses a parent? Or a parent who loses a child? There should be a formal naming. For children, it should not be the word “orphan.” That implies that you never held the person close, lived with or loved your parent. There should be another word.

I think of what it must be like to be the one left behind. When I saw writer Joyce Carol Oates in Minneapolis at Talk of the Stacks last week, I bought her new memoir, A Widow’s Story. Her husband Raymond died unexpectedly late one winter night in 2008; the next morning Joyce was supposed to have gone to the hospital, picked him up, and brought him home to recover. It’s the story of loss, grief, and pain; of giant gift baskets, grieving cats, and mounds of trash; of how no one really understood. Yet in the end, she realized that everyone understood. Because Death is a universal experience. It’s just that we don’t talk about it anymore or know how to incorporate it into our lives.

There is more to Death than the loss of loved ones. Sometimes whole cultures die, like the Anasazi who inhabited the Four Corners country of southern Utah, southwestern Colorado, northwestern New Mexico, and northern Arizona from about A.D. 200 to A.D. 1300, and then disappeared. Cultural traditions die, too, like Porky’s Drive-In in St. Paul. It was owned by the same family since 1953, and closed its doors last Sunday, April 3rd, 2011. Animals die, and it is certain that we will probably outlive many of our beloved pets (our cat Chaco died a few years ago, June 25th, 2009).

Groups we are in community with have life spans, too. Circles of intimacy change and grow; sometimes we end up leaving people behind. Or they leave us. During one session of a year-long Intensive with Natalie Goldberg, one of the participants was killed in a car crash. The group was stunned. These were people we thought we would sit and write with for an entire year. It was not to be. I remember we chanted the Heart Sutra. I remember finding comfort in the ritual.

Ah, I feel a heaviness this Spring. But it’s a collective heaviness. Like something is shifting in the Universe. There’s too much going on in the world, too many catastrophes, too many unexpected deaths, too many aging and dying people, too many widows and widowers, for there not to be something going on at the Spiritual level. But that’s just my belief. I know there are people who say this occurred at every period in history. But there are certain paradigm shifts that happen and change the planet as a whole. We can either learn our lessons and get on board the train that moves forward. Or stay stuck in the past, not doing the work that’s required of us.

It’s the New Moon. New beginnings. There is value in what has come before, in the history we have with other people we were close to at one time. It’s good to honor and remember. All of that follows us, and I believe we transform it. All energy is creative energy. Even the energy of Death. It cycles back around into new life. Death can be a release of suffering. It also creates a giant abyss of loss. Maybe we’d be wise to befriend the Grim Reaper. Maybe it is others who are dying or have passed over who teach us the courage and strength to face our own death. Maybe the space between death and dying…is life.

_______________________

Though many of our ancestors accepted and honored the process of Death through rituals, sitting, slowing down, it feels like our fast-paced modern world doesn’t know how to stop moving, how to have a conversation about death and dying, or where to put it in the flow of our day-to-day lives. It makes for a good Writing Topic, a good topic for discussion on red Ravine. Why can’t we talk face to face about death? Maybe it’s easier to write about it.

Take out a fast writing pen and notebook, or fire up your computer and write Death & Dying at the top of your page. Then 15 minutes, Go! Or do a Writing Practice on everything you know about any aspect of death and dying. Please feel free to share any insights in the comments below.

-posted on red Ravine, Tuesday, April 5th, 2011. Parts of the piece were taken from several Writing Practices written last weekend, April 2nd & 3rd.

-related to posts: WRITING TOPIC — 3 QUESTIONS, Reflection — Through The Looking Glass, Make Positive Effort For The Good, The Uses Of Sorrow — What Is It About Obituaries?, Reading The Obits, and a great interview with Joyce Carol Oates on MPR Midmorning with Kerri Miller – A Widow’s Story — The Story Of Joyce Carol Oates

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An Open Letter To My Father

An Open Letter To My Father, BlackBerry Shots, Minneapolis, Minnesota, December 2009, photo © 2009-2011 by QuoinMonkey. All rights reserved.

I haven’t seen my father since I was six years old. He reached out to me that day for the first time since I was a toddler. But I was scared and didn’t want to come out of my room. I was only a child; he had become a stranger. I never saw him again.

I keep a pack of letters tied with red string in a shoebox on the top shelf of my closet. What is important comes in small packages. Snippets of correspondence become family heirlooms; letters are reminders of people whose memories and handwriting I want to remember.

One letter is from my mother, dated August of 2000. I had a hard time that year and (in an extroverted moment) reached out to 7 people in my inner circle. I asked if they would write a letter and tell me what my good qualities were; at the time, I just couldn’t remember. My mother wrote a beautiful letter to me from Pennsylvania, a story about the day I was born.

In the same shoebox is a letter from my father’s two sisters. Several years ago, by an act of grace, I reconnected with my aunts after 50 years, and stood with my mother and Aunt Annette under the Georgia pine over my Grandmother Estelle’s grave (the back story and photographs in Georgia Pine Over My Grandmother’s Grave.) It was a few months later, New Year’s Day 2009, when my aunts sent the letter from South Carolina, and something more:

I feel so badly our family never got to see or know you before now. I know Mother would be so pleased about our reunion. Mother left this ring to me and I would very much like you to have it. She had it a long time and wore it as a pinky ring. This is not much, but I never want you to be left out of our lives. I hope you feel the same about us. Maybe you could try to come for Christmas one year while Annette and I are still here. We are all very much family oriented and want our kids to know you. I’m proud to pass your grandmother’s ring to you, her granddaughter.

It’s as if all that time between us never happened. My trips to the South with Mom to research and explore family history have paid off in unexpected and miraculous ways. During our brief visit, my aunts showed me old family photographs and filled me in on the paternal side of my family. They told me my father had been estranged for 10 years; a dispute had erupted after my grandmother died. I don’t take serendipitous events lightly. I believe we are reunited with the past for reasons beyond our understanding.

A Letter From My Mother, BlackBerry Shots,
Minneapolis, Minnesota, December 2009, photo
© 2009-2011 by QuoinMonkey. All rights reserved.

That’s why when I called my aunts on Christmas Day 2010, they told me my father had called them out of the blue; he has cancer. He found out in September 2009, a few months before they mailed the letter with my grandmother’s ring. He didn’t contact them until a year later. During their visit, they told him they had seen me and my mother on a recent trip to Georgia. He did not jump at the chance to reconnect. Maybe for him, the past is the past.

My father was 17 years old when I was born, my mother 16. They divorced two years later—still teenagers. My mother went to work and provided for us. She eventually remarried a wonderful man who became my step-father.  After the age of 6, I never saw my blood father again. And now I find I may never get another chance. Should I write him a letter? What would I say?

Dear ______,

A few years ago on a visit to Georgia, I reconnected with your sisters, my aunts, after 50 years apart. They briefly filled me in on the family history; it made me think of you. I live in Minnesota now, have lived in the West and Midwest for most of my adult life. I try to get home once a year to visit family — for me, home is both Pennsylvania and Georgia. I may be visiting the South again this year and thought it might be a chance to touch base. Maybe we could meet for coffee or dinner.

Your daughter,

__________

I start the letter, I stop the letter. The drafts seem to fall short. What would you say? Should the salutation use his proper name? Or Father. Would you ask him to meet for dinner? Or talk on the phone. What if he doesn’t want to have contact with me? Maybe you’ve been in a similar situation where you haven’t talked to a close family member in many years. In reconnecting with my father’s sisters, it’s as if we were never apart. With parents, no matter how old you are, they are still your parents. Should I send a letter to my father?

-posted on red Ravine, Sunday, February 6th, 2010

-related to posts: The Dying Art Of Letter Writing (Postcards From The Edge), You Can’t Go Back, WRITING TOPIC — MEMORIES OF CARS, WRITING TOPIC — 3 QUESTIONS

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The Devil’s Bridge

by Teresa Williams

Joseph Mallord William Turner from St. Gotthard & Mont Blanc
Sketchbook [Finberg LXXV], The Devil’s Bridge, near Andermatt,
Pass of St. Gotthard, Switzerland, 1802.

*The Devil’s Bridge

Blue twilight
of ash
washing
the weathered mountains,
a single goat-bell
clangs
disrupting
the high silence.
The traveller stops
in the middle
of the narrow stone bridge,
her listening is
lonely.

Beneath
the bridge,
dark water
rushes and falls;
tangled serpents
pushing
the frenzied depths
of time’s black core
down
the ravine’s
bottomless hollow;
a night heron
swoops over
the churning,
red eye widening
seeing through
to the place
where the snakes
lie still.

A sudden wind
blows
from the nostrils
of the mountain,
as if
to extinguish
all hesitation,
dark rocks
crumble down
filling the air
with a scoured-out echo
that waits
for what must cross.

The traveller steps forward
calls out,
no response
no sign
for what it is
she wants to know;
who made the bridge
and is she
the first to cross it?

The twilight
deepens, quickens
the pause;
the traveller looks ahead
her eyes fierce
and determined,
she steps forward
again
and the cold light
leads her
further than she
ever imagined
and
without turning back
she enters
a new silence;
it is in the not knowing
that makes her cross
it is in the knowing
that stops her.

*Legends tell us that bridges throughout the British Isles, Scandinavia, and continental Europe were built by the devil in return for the sacrifice of the first being to cross over.

_________________________

About Teresa: Teresa Williams is a psychotherapist, poet and translator in Seattle, Washington. She has been writing and trying to live poetry for as long as she can remember. Her love for travel and the Spanish language has called her into translation work. She is also an active member of Grupo Cervantes, a bilingual writer’s group and literary community in Seattle.

Teresa’s poetry has been featured at births, weddings, funerals and several talent shows held by the closest of friends. Her first piece on red Ravine, Sound Falling From One World Into Another, was published in August 2010 and featured the poems: Swans, Two Coyotes at Dawn, and Tarot.

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New Beginnings: Mandala For A New Year

Mandala For A New Year, BlackBerry Shots, Golden Valley, Minnesota, January 2011, photo © 2011 by QuoinMonkey. All rights reserved.

A Downy pecks at the suet feeder. Black-eyed peas simmer in a vintage crock-pot in the kitchen. Temperatures hover around zero; it’s 3 degrees and windy. Gifted with unexpected time alone on New Year’s Eve, I wrote in my journal, checked in with the Midwest Writing Group, worked on a mandala, completed the BlackBerry 365 practice, made plans for the New Year. It felt positive to me, this forward thinking.

I am one of those people who mines for specks of gold in old and burly mountains, drags silvery threads of the past forward. Lineage. Writers, artists, photographers. Process. Birth, death, old age. What makes something work? Like The Fool archetype in Tarot, it is with great humility that I embrace the unknown and begin again. Beginner’s Mind. I will miss ybonesy and her free spirited and vibrant creative fire on a daily basis at red Ravine, but I know I have to face forward. It’s one of the things she taught me — take risks. Move into the future. When you collaborate with a person who strikes a balance, one who possesses the qualities you lack, it’s easy to become complacent about that which needs strengthening inside.

I need a strong back, flexible muscles. I will build on the Bones of red Ravine. I have so many dreams I want to pursue; they have not gone away. I will have to be diligent. Courageous. Disciplined. It takes courage for ybonesy to leave to spend more time with her family; it takes courage to stay. I’d be lying if I said I wasn’t scared. There are days when the work of blogging feels like it needs a whole army of writers and artists to move it forward. But I believe in the mission and vision of red Ravine and am excited to steer her in a new direction. The winds may be stiff; I will follow the structure we put into place—teacher, practice, community—and see where red Ravine takes me.

I am forever grateful to Roma who walked up to me in Mabel’s dining room after one of the silent retreats, and asked if I wanted to write together. I would be returning to Minnesota, she to Albuquerque, 1200 miles between us. The Turtle in me had to give it some thought; not for long. The seed for red Ravine had been planted. Now this space is Home, a strong cottonwood by the Mother Ditch, in her adolescent years, still growing. But nothing can thrive without nurturing, play, attention, and time. I have to plan carefully, regroup. Thank you for standing by me.

I am grateful for the 5 years of creative collaboration with ybonesy. She is a strong, gifted woman, a dear friend. I am grateful for a community that keeps coming back. I feel supported. I’ve committed to keeping red Ravine alive through another year. It’s one of my practices. I draw on what Natalie taught me: Continue under all circumstances. Don’t be tossed away. Make positive effort for the good (adding under my breath, Cross your fingers for Good Luck!).

Back to the moment. Time to feed Mr. Stripeypants and Kiev. Liz will be rising soon. We spent part of New Year’s Eve watching Lily and Hope on the NABC 2011 DenCam. They aren’t worried about such things as red Ravine. They are busy being Bears. I focus on my new practices for 2011: (1) a daily Journal entry 365 (2) a BlackBerry collaboration inspired by Lotus (one of our readers) (3) a year-long Renga collaboration. I’ll write more about these practices in coming posts. Happy New Year, ybonesy. Happy New Year to all red Ravine readers. Happy New Year, red Ravine. New Beginnings. The Promise of Spring.

-posted on red Ravine, Saturday, January 1st, 2011

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ybonesy’s FAREWELL to red Ravine (aka Letting Go)

Letting Go, one of the themes at the Natalie Goldberg silent retreat in Taos, December 2010,  collage made of magazine paper, wax crayons, and pen and ink in Moleskine journal, image © 2010 by ybonesy. All rights reserved.

 
 
 

It was strange to find myself sitting in the zendo at the Mabel Dodge Luhan House in Taos, our teacher Natalie Goldberg urging us to Let Go. I had just a few weeks before made the decision to leave red Ravine, although QuoinMonkey and I had agreed to wait until the end of the year to make the announcement. Though not intended as such, the week in Taos could be a test of how ready I was to let go of this special virtual space that had inspired and sustained me for so long.
 
It was in Taos, after all, that red Ravine was born. The year—2006. QM and I, having already written together for some time, are both participating in a four-season Intensive with Natalie Goldberg. This Intensive is part of a bigger plan I have for myself, a wannabe writer-and-artist withering away inside the body of a corporate manager and breadwinner for my family of four. I am bored and unhappy. I want to write and do art, but I can’t seem to motivate myself to do much with either except to dream about it. QM and I and a couple of others hatch red Ravine over intense working sessions in Taos and through the phone lines while back at our respective homes. Setting up a blog is hard work, but it is also real. For the first time, I am motivated to do more than fantasize about writing and making art. red Ravine promises to be the impetus to actually producing. 
 
Those first two years of creating red Ravine, QM and I worked our butts off and had a blast doing it. The blog was a perfect outlet for the deep, low creative growl that the Intensive seemed to unleash within us. Some days we posted more than once, and often we had to make sure that we weren’t publishing over one another. For my part, I was making art like crazy. After years of being fearful of the lack of control inherent in a brush (as compared to a pencil), I took a workshop at Ghost Ranch and learned to paint. My corporate job changed around the same time, too. I landed an assignment that took me back and forth to Vietnam. I bought myself a slew of different colored inking pens and began using the long trips back and forth as opportunity to take on a doodling practice.

QuoinMonkey and I worked surprisingly well together. We were both committed to the idea of a creating a space where we would each be inspired and where we might inspire others. She brought to red Ravine and to me her strong values around Community and Giving Back. Her thoughtful and thorough turtle complemented my quick and often irreverent spirit. (What animal am I anyway? The brown bird, I guess.) We found ourselves in synch whenever we wanted to try something new or make a change. We pushed each other to do our best.
 
 
what I learned

 
One of the things I love about Taos and Mabel’s place is how they never seem to change. Here I am, early December 2010, and I’m crossing the same flagstone patio that I walked those years ago back when red Ravine was still an infant. Over the past several years, I’ve brought my daughters here, and my husband. I bring my father back each year after we clean his parents’ graves in Costilla, 42 miles north. One summer he laid some of these very flagstones,when he was about 16 and living on Morada Lane in a house with a storefront.

It doesn’t matter what I have accomplished, what roles I have taken on in the years since I’ve been back. Inside the zendo, Natalie reminds us to Let Go. For me this means letting go of my responsibilities, my ego, any self-assigned self-importance. Here, in Taos, I am zero. In my raw, stripped-down state I feel my sadness. It is deep inside me, under everything else I carry. 

My heart breaks open.
 
Letting Go in Taos means being able to clearly see that red Ravine was, in fact, the catalyst for change in my life. It means being grateful for everything I’ve learned as a result of opening up to others. Because of red Ravine, I’ve had a place to publish my writing, to experiment with and share my art, to meet other writers and artists. red Ravine has been Muse, sounding board, supportive audience, friend, family, mentor.

I started a fledging business because of the creativity that flowed out, thanks to red Ravine. Because of this blog I’ve learned to commit to and follow through with my practices; to make jewelery; to turn unpolished writing into finished pieces; to put my creative self out into the world. I used to think I couldn’t finish anything; it took having this blog to realize that I’m an actualizer at heart. 

Of course, there are downsides to setting and realizing intentions. Jim long ago gave up complaining when I’d spend hours socked away in my writing room. But I don’t take for granted any more, not since April of this year when he collapsed on the bed clutching his heart, that he will always be there waiting when I need to take a break. And my daughters—full-fledged teenagers! Just today I accompanied my oldest for nearly an hour while she drove us all around town, adding experience under her belt in preparation for graduating from learners permit to drivers license. I don’t have much time left to influence their lives.

 
 
letting go

 

At the December retreat, we walk the dirt trail out at the morada, just down the way from Mabel’s place. Natalie often takes her students there. The day we go, boys and men from Taos Pueblo run past us in the cold air. I feel alone and sheltered in my layers of warmth, and for a moment I am homesick for family and our traditions. 

My parents are old now. They’ve passed from the stage of old-yet-mostly-healthy to being old-and-frighteningly-frail. I visit them every Sunday. All year long I struggle to keep up with everything I have on my plate. Some weeks it feels impossible to eke out even the simplest of posts.

QM is a rock. Her posts are—like her—consistently high-quality, thorough, and deep. I am honored to have worked with her for this long.

A good friend of mine who a few years back started up his own blog had this to say when I told him I was thinking of leaving red Ravine: “Blogging has no exit strategy.” Which is another way of saying that unless you’re getting paid to do it, blogging is a labor of love. This particular labor has born much fruit. 

It has so much more potential, so much yet to become. I’m going to be here, on the other side of the screen, cheering on QM to keep moving it forward. I know I’ll always be proud to say I was a part of creating it.

Thank you for everything you’ve done, QM. Thank you to the friends I’ve met here. So long for now. See you in Comments. 8)
 
 

 

Self Portrait, December 2010, collage made of magazine paper, wax crayons, and pen and ink in Moleskine journal, image © 2010 by ybonesy. All rights reserved.

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PRACTICE — Joy — 15min

Joy. My heart is full of joy. Even though much of December has been a struggle. Joy is connected to giving. To the Holiday Spirit. I feel joy when I am connected to people who are close; I feel joy when I am alone, writing, doing art, sitting in silence. I live in the times between. Joy is not temporal, not limited by time or possessions or Earthly matters—like human happiness seems to be. Joy rises above the everyday slothing about. When I remember what I am grateful for, I feel joy. When I see the Downy Woodpecker at the suet feeder, I feel joy. I feel joy when I am out shoveling the driveway at 8pm, stop to stand in the snow and stillness, view the December Moon rising in the dark.

I remember a time when I was afraid to feel too much joy, or let it grow too big in my life. I was afraid of what would be left behind when it vanished. I waited for the other shoe to fall. I feel more connected to a Higher Power these days. I believe in what I cannot see. Joy lives in the invisible places. Tears that well up when I watch a sappy movie; the director’s vision, a tugboat of joy. Things no longer bring me joy. They might make me happy for an hour, a few days. But I’m not in the mood to accumulate things to fill the Void.

Driving through the snowstorm this week, I started thinking about the future. A solid Cancer/Taurus combo, I dwell mainly in the Present or the Past. The Future, it’s not here yet. I have to sit down and make myself plan. That’s where a yearly practice comes into play. Scheduling time in the studio, writing retreats, or art events. Goals, deadlines, something I can shoot for in the creative fields. What I was thinking about on my drive along snow packed roads and layers of black ice, is that if I live a full life, I may only have a good 30 years left. Then I started to panic. I have so many books I want to write, so many photographs I want to take, so much love. How will 30 years ever be enough?

The thought process continued over lettuce, ham & cheese, past the Grain Belt sign on the Northeast Gateway, and around the bend where the Mississippi River crosses the Plymouth bridge. Then it came to a screeching halt. There are no guarantees that I will live to the end of the day. I am planning for the future; I don’t know if I will even be alive. I still need to plan. But it’s not where I’m going that matters. It is where I am. The panic subsides. This morning I am too serious. Yet the Joy — she’s still there.

No matter what happens, I feel like I have already lived a full life. During one of my 10-year, single jags after art school, I started a timeline of my life. I drew a long thick line on a yellow parchment scroll, began with the year I was born, and started marking in significant life events. The scroll is rolled up on a shelf in my art studio. I want to take it out and look at where I left off. It’s been at least 7 years, maybe longer, since I added a new cairn. It’s a way that I honor my life, the fact that I have walked on the Earth. I am only a small dot on the planet, loved by a few, invisible to most. It’s easy to get lost. The visual teaches me to pay attention to what has passed; it informs the future.

Joy is a day of making art, writing a story, working on photographs, posting on red Ravine. Joy is not fleeting like happiness. It’s always there, waiting for me to recognize its face. Joy is not what numbs me. Joy is the first strawberry on the vine, the Strawberry Moon, the Winter Solstice, Summer in Minnesota. Joy is a film that moves, a tumble in the hay, a Stripeypants in the hand, a Kiev curled in a ball next to me on the couch. Joy is a loving partner, a new dream, the center of the labyrinth, along the edges, too. Joy is a handful of October leaves, tumbling down a mountain path. Joy is a Giant Moon rising over the Bitterroots, half in Shadow. Joy is Light.

-related to Topic post:  WRITING TOPIC — JOY

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double Ferris wheel haiku

Double Ferris Wheel, Minnesota State Fair, September 2010, photo © 2010 by QuoinMonkey. All rights reserved.

dark cycles of life,
giant octagonal stars —
dive into your fear

-posted on red Ravine, Sunday, September 12th, 2010

-related to posts: haiku 2 (one-a-day), red Ravine At The MN State Fair — Minding Our P’s & Q’s, MN State Fair On-A-Stick (F. Scott Fitzgerald — A Night At The Fair)

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PRACTICE — Door — 20min

By Judith Ford

Image by Jude Ford, July 2009, in front of the Mathematics Building, University of Michigan, Ann Arbor, MI, photo © 2010 Jude Ford. All rights reserved.

This is my son, at the door of the math building at the University of Michigan. A month after this picture he’d go through that door to begin his life as a math PhD candidate and as a college teacher. He’d discover the frustration of trying to teach calculus to a bunch of freshmen who wouldn’t give a damn. Who wouldn’t share one drop of the passion he feels for his subject. Years before this photo, he’d told me, with tears in his eyes, that he wished more people could see how elegant and beautiful math was.

Despite the beauty of math, it was never enough.

My son started grad school a month short of his 21st birthday. He was overly ready and not ready at all. He’d had a summer of brutal awakenings, realization upon realization of all he missed out on by being a child math prodigy. Not that he could have avoided being who he was. He was blessed, as much as cursed, with an unusual mind, shunned by children who thought he was showing off, trying to make them feel stupid, when all he was doing was using the language and thoughts natural to him. He had a 30-year-old’s vocabulary by the time he was in first grade. I’m not kidding.

He and I had a conversation just a week ago, about his intellectual differentness. He pointed out to me that he’d met a lot of really smart people in the honors math program at the U of Chicago, from which he’d graduated last June. “There are a lot of people out there who are way smarter than I am,” he said. “I don’t think I was all that unusual when I was a kid.”

I disagreed. “Yes, dear, you really were different. It was obvious by the time you were 2. You learned things in big huge gulps. At a rate that wasn’t usual, that was, frankly, a little scary. And you didn’t know how to play with other kids.”

“I still don’t.”

“That’s what was scary to me when you got tested and those scores came back so freakishly high. I knew you were going to be lonely.”

“I don’t remember ever not being lonely.”

“Kids your age were intimidated by you. By third grade, they’d started avoiding you.”

“I thought they all knew this secret thing that I’d somehow missed out on. I thought math could make up for that. I thought it would solve everything. I was pathetic. I never learned how to be a human being.”

“How brave of you to see that,” I think I said. “So now what do you need to do?”

“I don’t have a clue,” he answered.

There’s ivy growing over the top of this door, up at the right hand corner. Brings to mind the academic cliché of ivied walls and the idea that this door, being partly occluded, is yet another incomplete solution, leading to an unknown and no doubt imperfect path. Math, a career in math, still won’t solve my son’s life or end his loneliness.

See the way he holds his arms and shoulders. His uncertainty and discomfort are obvious. And that he’s trying to be patient with me as I take his picture. He squints at me. He frowns. He knows I’m doing a mom thing that, for some reasons not clear to him, I need to do.

Does he know how my heart hurts for him? How much I wish I could soothe away the pain in his face with something as simple as a hug and a bedtime story. How these things, too, are mom things that I can’t help feeling. He doesn’t need to know. I don’t tell him and I try not to let him see.

He tolerates my hug when I say good-bye. He doesn’t hug back. He doesn’t hold on. His gaze, over my shoulder, already fixed on that door.

It’s trite to say that when he walked through that door he walked into the rest of his life. But I want to say it. So I am. He did. He walked into his adult life without a clue. Which is the only way possible to walk into one’s life. And interestingly, the only way that is, in fact, a kind of solution.

Judith Ford is a psychotherapist and writer who lives in Milwaukee, Wisconsin. She was red Ravine’s very first guest writer, with her 25 Reasons I Write post. She joins ybonesy and QuoinMonkey in writing about Topic post WRITING TOPIC — DOOR. Judith’s other pieces on red Ravine include Mystery E.R. and a writing group practice I Write Because.

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PRACTICE — Have You Ever Come Close To Death? — 15min

I have not come close to death. But I have feared it. Taunted it, too. Repelled down the sides of cliffs. Spelunked in the bowels of caves. Flown over the Arctic in a small plane that landed on a short gravel bar on the banks of the Nahanni. Once I drove through the mountains on a cold snowy night, joyriding with friends. We ended up stranded in a ditch, no coats, no water, no food. Another night I got lost hiking in Arches National Park. But I sat tight with the bats, two camera bodies, flickering distant desert, until rangers whispered my name.

I was younger then, took more risks. I feel more cautious. Older and prone to safety. It’s boring to lose that sense of adventure. The bones creakier. The face more wrinkled. The risks emotional.

Who do I know that has come close to death? A girlfriend in high school told me she had meningitis as a baby and nearly died. She was scarred from the shots, said it was a miracle that she was still alive. What must it be like for a parent to lose a child? My grandmother lost her son, my mother her brother, at the age of 18. There are ways I would not want to die. I wouldn’t want to be in a fire or drown in the ocean. I don’t think I’d be fond of a shark bite ripping me in half. Car accidents don’t sound like a way to go either. Maybe there is no good way to die. To imagine death.

There have been times when I felt like I was a millisecond away from making a wrong turn with the wheel, a swerve of a bald tire, and something righted the machine. The hand of Fate? A God or Goddess? Is there something bigger, unimaginable to the mortal brain, there to intervene? I believe so. What if reality turns out to be only what we believe. I watched a movie recently called Paper Heart. It was an exploration of love. What is love. When was the first time you fell in love. Have you ever been in love?

I was thinking of the broken heart. In the movie, a faux documentary, the experts said love wasn’t in the heart, but chemical reactions in the brain. How then to explain the tight chest, crackling near the ribs when someone suddenly says goodbye. When I think of death, I wonder about being ready to die. Will I feel like I’m ready when my time comes. And when will that be.

It’s unpredictable, a good argument for living in the moment. And here I am writing about death like it was love and love like it was death. And on the screen in front of me a shark swims next to a narwhale, elusive creatures of the sea. You could go your whole life and never see a narwhale. Yet there he was, the National Geographic photographer who spotted the ivory tusked cluster from the air.

And when he zoomed in with the telephoto, face to face in the water, who was closer to death, animal or human. Do skeptics believe in love? Maybe they don’t need to. Dense and blue. I think love is blue. “In love” is that bright color mix of powder and turquoise. Broken love, a deep blackberry navy. Death. What color is death? In the end it does not matter. The one thing we share besides birth is death. I haven’t come close to it. Yet skin cells continue to shed. New skin, new me. Haggard and prunish, a raisin in the sun.

-Related to topic post WRITING TOPIC – 3 QUESTIONS. [NOTE: This is the first of three questions mentioned by actor and writer Anna Deavere Smith in an interview with Bill Moyers (see link). She talked about the questions in the context of interviewing people and listening to them. The three questions came from a linguist Smith met at a cocktail party in 1979; the questions were, according to the linguist, guaranteed to break the patterns and change the way people are expressing themselves. QuoinMonkey, ybonesy, and frequent guest writer Bob Chrisman take on the three questions by doing a Writing Practice on each.]

-Also related to posts PRACTICE: Have You Ever Come Close To Death? — 15min (by ybonesy), PRACTICE: Have You Ever Come Close To Death? — 15min (by Bob Chrisman)

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WRITING TOPIC — 3 QUESTIONS

Question Mark, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, all photos © 2008-2009 by QuoinMonkey. All rights reserved.

A few weeks ago, I watched an interview on Bill Moyers Journal and was mesmerized by the work of Anna Deavere Smith. It is tough work. She takes on controversial subjects most would not touch in our sanitized, politically correct language of the day. Her 1992 one-woman performance Fires in the Mirror explored the violence between Jews and Blacks after an August 1991 civic disturbance in the New York neighborhood of Crown Heights in Brooklyn. Her solo performance in Twilight: Los Angeles dramatized the 1992 riots that broke out in L.A. following the first Rodney King trial.

For her current one-woman play Let Me Down Easy, Anna Deavere Smith interviewed Americans from all walks of life about healthcare, medical, and end of life issues. After 9 years and 300 plus interviews, she chose 20 people; through their words, body language and speech, she transforms on stage into each one. I’ve only seen snippets of her 90 minute performance on TV. And from bullrider to politician to Buddhist monk, I could hear the voice of all America inserted into the healthcare debate, leaving little room for doubt — something has to change.

We are trying to bring disparate worlds together, not so that we can all get along, but so we can see out of the ‘me’ into ‘us.’

— Anna Deavere Smith

__________________________________________

Highlights

Below are few notes I jotted down while listening to her conversation with Bill Moyers. A few may seem cryptic, but will make more sense when you watch the interview:

• Though Walt Whitman and Abraham Lincoln lived in the same town and Whitman saw Lincoln 22 or 23 times, they never met. Maybe it was a good thing; Whitman was doing another kind of work for the country. [Related article: Abraham Lincoln and Walt Whitman: War’s Kindred Spirits]

• The title Let Me Down Easy came to her almost out of a dream. There are two songs with the name. Of the title, James H. Cone of the Union Theological Seminary said they are the words of a broken heart and can be interpreted as broken love. “Don’t do it harshly. Not too mean. Let it be easy.”

• Let Me Down Easy is a call about grace and kindness in a world that lacks that often —  in a winner take all world.

• Death is the ultimate form of loss, the ultimate form of abandonment

• It broke her heart to know that we, with all of our money and technology, believe that we can afford to leave people so alone

• Are we afraid of being poor, afraid of losing, afraid of being sick? Is that why we distance ourselves from that reality all around us?

• She chose these 20 particular people because they are very connected to the life cycle – death and life

• The most important thing you can do is be with someone when they die

• Art comes in when the official language falls apart. When things fall apart, you can see more and you can even be part of indicating new ways that things can be put together.

What seems to be important to Anna Deavere Smith is the art of listening. And letting what she hears soak into each cell of her body. Words matter. People matter. She believes something she learned from her grandfather (who was also the inspiration for her method of theater) — if you say a word often enough, it becomes you. In a New York Times article Through 1 Woman, 20 Views of Life’s End she says, “I try to embody America by embodying its words.”

Near the end of the interview, Bill Moyers asked, “When did you begin to listen to people so acutely?” Anna said when she was young, she lived next to a woman who weighed 400 pounds. The neighbor would ask her to go to the store to buy her fatback and she’d love to sit on her porch and listen to her stories —  that’s when she started really listening.

__________________________________________

Writing Topic — 3 Questions

How do we teach ourselves to listen? How do we get people to talk about what has meaning for them, moving beyond repetition or sound bites? In Anna’s words, “I say their words over and over. I listen and I wear the words.”

She said she also taught herself to listen by breaking up certain rhythmic speech patterns. She met a linguist at a cocktail party in 1979 who said she would give her 3 questions that were guaranteed to break the patterns and change the way people are expressing themselves:

Have you ever come close to death?

Have you ever been accused of something you didn’t do?

Do you know the circumstances of your birth?

And that’s the inspiration for this Writing Topic — 3 Questions.

Choose one of the 3 questions above. Write it down at the top of your paper. Take out a fast writing pen and do a timed 15 minute Writing Practice.

Maybe 3 questions, combined with the wild mind of Writing Practice, will break patterns in our writing and lead us to listen more closely to our own voices.

__________________________________________

Epilogue

Anna Deavere Smith is on fire. In pursuit of her mission to translate art into social commentary about race, poverty, and injustice, she’s won two Obie Awards, been nominated for the Pulitzer Prize and two Tonys, and is a recipient of the prized MacArthur fellowship. (Not to mention her role in NBC’s The West Wing, as National Security Advisor Nancy McNally.) You can read more about Anna Deavere Smith at Bill Moyers Journal. Or watch the full interview with Anna Deavere Smith and Bill Moyers at this link.

In November, the Moth Storytelling Awards in New York honored her as their 2009 recipient at the Annual Moth Ball. The Wall Street Journal blog Speakeasy covered the event which was also attended by writer Garrison Keillor. On the subject of healthcare, the blog references a compelling verbal account from Keillor that night about his stroke in September. He had the stroke while on a massage table, eventually drove himself to the ER, and waited 15 minutes in line before he was able to tell anyone he was having a stroke. Read the full story at Speakeasy: Jonathan Ames, Garrison Keillor and Anna Deavere Smith Headline Annual Moth Ball.

In some ways the most effective politicians are the ones who have the best verbal clothes that they manipulate the best way. And there is a gap between that type of clothing and where people walk and where people live.

Whitman was doing another kind of work for the country at that time. Speaking a different song. And I think the politicians can sing to us but I respect, in a way, the limitation of their language. I mean I guess it’s a part of our culture that goes back as far as Jefferson, that they have to be so careful about what they say. My only desire would then be that we would find other places in our culture to work out our differences.

— Anna Deavere Smith from Bill Moyers Journal, November 2009

-posted on red Ravine, Sunday, November 29th, 2009

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My Life With Dad

 
 

By Bob Chrisman

 
 
 

Father & Son, circa 1958, St. Joseph, Missouri,
photo © 2009, Bob Chrisman. All rights reserved.

 
 
 
On May 3, 1952 I arrived to take part in the family drama. My parents celebrated their twelfth wedding anniversary the week after I was born. Dad had turned 38 in February. My sister would turn ten in September, followed by Mom’s 37th birthday the end of November.

As a child I adored my father, but around the age of five I didn’t want him to touch me. I would scream if he came close. He loved to come home from work and rub his unshaven face against my cheeks until they turned red. I hated that. I hated him.

My father exploded at odd times. Seemingly benign topics of conversation would cause him to yell and pound the table. Although never physically violent, his fits scared me and made conversation with him unpredictably frightening.

Not a particularly outgoing man, he withdrew more from social interactions. At family gatherings he would collect all the reading material in the house, find a comfortable chair, and read and sleep the afternoon away.

My sister left for college when I was nine. My father grew even more distant. His only ally had left the house.

The first craziness that I remember occurred one Sunday afternoon. My sister had come home. My grandmother had come to town from the farm. Our car pulled up in front of the house and I went to the door.

My mother was yelling. My father, half in and half out of the car, shouted at someone. I looked to see who they were screaming at and realized they were arguing. I had never seen them argue like that. “Sis, come here. You gotta see this.”

From behind me I heard, “What the hell?” She nudged me. “Shut the door. We don’t want them to know we saw.” I closed the door.

Five minutes later, Mom walked into the house and threw her purse on the bed. When she noticed us staring at her, she sighed, “Len will join us later. He has something to do right now.”

Twenty minutes passed before he returned home and sat down at the table. No one said a word about what had happened between them.

 
 
 

Years later my mother said, “Your father got scared when you started to first grade. He knew someone wanted to kidnap you kids. They planned to snatch you at the Frosty Treat.” The Frosty Treat was a popular, after-school, ice cream shop. Without any explanation our parents had forbidden us from joining our friends there. I didn’t think much about it. By the time I started school, I had grown used to these commands. The new order was, “Come home directly from school.” I obeyed.

My mother told me that Dad has accused her of moving the pillows on their bed to make him crazy. “We only had two pillows. I never understood what I had done.” Although these episodes continued through my childhood, she never talked about them.

When I asked about the argument on that Sunday afternoon, my mother swore me to silence. “Your dad said an angel descended into the church and stood next to him during the service. It communicated telepathically and told him to watch himself. The man next to him had been sent to see if he played with himself during church. I told him he was crazy. That’s when he yelled at me.”
 
“Mom, that’s nuts. Did you think of going for help?”

“To whom? God? I prayed for your dad night and day.”

“How about a psychiatrist or psychologist?”

“We took care of our own problems.”

 
 
 

My Father, circa 1968, St. Joseph, Missouri, photo © 2009, Bob Chrisman. All rights reserved.

 
 

Physical problems plagued Dad during the late 1960’s. The grain dust at work irritated his one good lung and caused severe asthma attacks. I can close my eyes and hear the gasping sound as he struggled to breathe. I can see him sitting at the kitchen table, his mouth wide open and his neck muscles strained, as he inhaled.

My mother walked twelve blocks in the dark to the pharmacy to buy the “breathing medicine.” She never asked me, her teenage son, to go. As soon as she left, I crawled under my bed and hid. I didn’t want to hear any calls for help. I’d fail him. I always did.

He underwent hernia surgery in December 1968 and a re-do in January 1969. He stayed off work until March. Two weeks after he returned to work he suffered his stroke.

Chaos erupted. My mother stopped being a mother and became a devoted wife. I resented his stroke because it hadn’t killed him and because it took my mother away.

Somewhere in the years that followed, he gave up. Not that I blame him. His life beat him down. The stroke and residuals destroyed what little will he had left.

It ended any chance I had to talk with him about what happened between us, to ask him questions, to make my accusations, to hear his side of the story. Even if he hadn’t lost his mind, I couldn’t have talked to him, so great was my hatred. On May 2, 1984, he died of old age. A birthday “present” I can never forget.

I’ve always felt incomplete as a man because he didn’t teach me the secrets that fathers pass to their sons. Even now, after decades of searching for that knowledge, which I doubt exists, I still feel inadequate.

 
 
 

Recently a psychic said, “Your father asks you to forgive him for what he did to you.”

Without hesitation I replied, “I have forgiven him. He needs to forgive himself.”

I joined forces with my mother. I disliked the failure I thought he was. I sometimes treated him with no dignity because I thought he deserved my contempt. Perhaps most importantly, I hated him because he didn’t love me enough. But then, I never gave him a chance. Like my father, I must forgive myself for all the things I did and didn’t do in my relationship with him. Only then can I truly bear witness for my father.

 

About Bob: Bob Chrisman is a Kansas City, Missouri writer who frequently writes memoir about his mother, her three sisters, and their influence on his life. My Life With Dad is Part III in his exploration of a trilogy series about his father. Part I, My Father’s Witness, was published on red Ravine in August, followed in September by Part II, Bearing Witness.

Bob’s other red Ravine posts include Aunt Annie’s Scalloped Oysters, Growing Older, Goat Ranch, Stephenie Bit Me, Too, and The Law Of Threes. He has also published two pieces about the life and death of his mother — Hands and In Memoriam.

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PRACTICE — My Grandmother – 15+min

My grandmother was a generous woman. With only a 6th grade education, she managed to pull herself out of the poverty of rural Georgia to study for her hairdresser’s license and run her own business. Later she would work at Gracewood State School and Hospital helping those she saw as less fortunate than herself. Elise was a pretty woman and always sought to live a better life. She was a lucky Sun sign, the 9th, Sagittarius — surprisingly unlucky when it came to men.

Her last husband was a good man though. She met him when she lived with us in rural Pennsylvania for a few years in the 1960’s. I was in junior high; we shared a room. At that time, we had 9 people in a small rambler with 3 bedrooms. It’s something we didn’t think much about then, how small the house was, how little privacy we had. We were a close family; I was a brooding teenager. I found solace in riding my brother’s mini-bike down the hill behind the house, shooting hoops on the uneven backyard slope, a net my step-father put up for me, and hiding under my headphones, lost in the music of Led Zeppelin, Neil Young, and Chicago.

Elise didn’t like the cold. Neither does my mother for that matter. But after 43 years of living in the North, Amelia has learned to tolerate it. My mother and grandmother did not always see eye-to-eye. Even though they loved each other deeply, they often disagreed on style, clothes, and how to raise the kids. It wasn’t for my grandmother to say; she was living in my mother’s home. But that didn’t keep her from voicing her opinions. I held a soft spot in Grandmama’s heart. I think it’s because she took care of me around age 2 while my mother worked to support us. Mom is a hard worker. I think it’s something she passed down to us kids.

I was sad when Grandmama moved back to Georgia. She met her last husband Raymond in the same state where her father was born, not all that far from Coatesville, Pennsylvania. Raymond agreed to move to Georgia with her and that’s exactly what they did. North and South have always comingled in the family tree. I don’t remember seeing her often after that (but I remember all the names of the streets she lived on). I grew up, moved out of the house, 4 hours away to college, then 2000 miles to live in the Pacific Northwest. I alienated myself from family and old high school and college friends. I was angry and wanted desperately to figure out who I was without the ties of the past. It took over 10 years.

During that time, I wasn’t in as much communication with my grandmother in Georgia. I was looking for steady work, rode my bicycle through the winter streets of Missoula to drop off job applications, hiked the Bitterroot Mountains, helped friends build their cabins. Grandmama would call to check on me. Elise was a worrier. I tried to tell her I would be alright and not to worry. Eventually, she stopped calling as much. I was 30 years old when she died. I remember getting the call from Mom that Elise had had a heart attack. She survived and came home from the hospital; I called and talked to her one last time.

A day later, she went into the hospital again and did not come home. I remember the sinking feeling of knowing I’d never get to see her again, to ask her all the questions I wanted to ask. If only I knew then what I know now. If only it had been the wiser 50-something person and not the selfish 30-year-old that made that last phone call.

What I have learned is that being close to someone doesn’t require that you see them all the time, or spend time together. Sometimes blood is thicker than water. I knew she would be there if I ever needed her, the same way Aunt Cassie was there for her. My biggest regret is that I didn’t go to my grandmother’s funeral. I have always carried a nagging guilt about that. Why did I make that choice? Money, time, shame, scared to face the relatives I knew would be there after so much time away. Why did I isolate myself so from the family?

I had to grow up. It’s that simple. I had to forgive, learn gratitude, do emotional work, mature. I had to let go, in order to pull close again. Sometimes it’s just too late to go back.

My grandmother was a strong woman. As is my mother. I like to think I carry some of that inside me. And every time someone says I’ve got strength or courage, I think of them. The smell of Elise’s perfect red lipstick, the lavender talcum powder she fluffed after her bath, the Phillips Milk of Magnesia on the edge of the bathroom counter, the jagged scar from her hysterectomy, a long, long time before laser surgery, the sweet perfumes she wore near the end of her life, the way her curls smelled like hairspray. All this and so much more.

-posted on red Ravine, Tuesday, March 31st, 2009

related to Topic post:  WRITING TOPIC — GRANDMOTHERS

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Layoffs — On Becoming A National Statistic

Close Gates, elevator shaft outside Diamonds Coffee Shoppe, Minneapolis, Minnesota, June 2008, photo © 2008-2009 by QuoinMonkey. All rights reserved.

On Friday, February 27th, 2009, I became a national statistic — I lost my job. Like most writers, I write for a living. I also have a part-time bread and butter job that helps pay the bills. In January, when all of the temporary employees at the corporation where I worked were laid off (except me), I saw the writing on the wall. A month later, after a 5-year stint at a company that paid well, offered independence, flexibility, and respected my work, poof! I was gone. Monday of the same week, 45 permanent employees got the ax; some had been there 25 or 30 years.

In Minnesota alone, 55,000 people lost their jobs over the last year, a staggering number that, according to one news station, could fill two Metrodomes. The second week of March, when I put in my claim for unemployment, the Minnesota Unemployment website crashed from the volume of new claims. It’s predicted that 72,000 more Minnesotans will lose their jobs through 2010, including 15,000 in construction, 42,000 in manufacturing, and 15,000 in professional and business services.

Of course, Minnesota is not alone. The national unemployment rate was 8.1 percent in February 2009, seasonally adjusted, up from 7.6 percent the prior month and from 4.8 percent a year earlier. In February, total nonfarm payroll employment decreased by 651,000 over the month and by 4,168,000 from a year earlier. According to a CBS article at the WCCO website (a local news channel that has also experienced layoffs) the February job loss numbers look something like this:

February 2009 U. S. Job Loss Numbers

Temporary help services ……………………………78,000
Factories ………………………………………………168,000
Construction ……………………………………………104,000
Retailers …………………………………………………40,000
Professional and business services  ……………180,000
Financial companies ……………………………………44,000
Leisure and hospitality firms …………………………33,000

At times, I’m scared. Some nights I can’t sleep. And the reality of not having steady income slips into my thoughts on a daily basis. It puts added strain on my relationship, even though I have an understanding partner who is loving and supportive. Responsibilities shift, and any part of my identity that is wrapped up in what I do for a living takes a beating. The structure of my life has completely changed.

I had to create new daily rituals to keep myself from spinning. I spent the first week unemployed scrambling to make changes to money-related items I used to take for granted: research guidelines around continued health insurance, apply for unemployment, reduce payments on my car insurance by checking with my agent about a different policy. I updated old copies of chronological, functional, and artistic resumes. I’m still working with the temporary agency that on the very day I was laid-off, closed their nearby office and consolidated to downtown Minneapolis.

Yet I remain optimistic. The flip side of the coin is that I’m a writer, an artist and photographer, with all the usual complaints about not having enough time for my creative pursuits. Now I do. I have been given the gift of time. What will I do with it? Will I be tossed away, fret and fume, worry that I don’t have a job? Or see it as an opportunity, a gateway to reinvent myself, to focus on my writing.

  

It depends on which day you ask me. I realize there are probably many other red Ravine readers who are going through layoffs, are stressed-out or down about money. Not knowing how they will pay their mortgage or put food on the table. What about people who have been out of work for many, many months. Or have taken jobs they would not ordinarily take, just to have money coming in.

How do you deal with the pressures of not working (or working but not making enough money to make ends meet). Is there anyone who has been laid off, lost their savings, posted their resume 1000 places and gotten no bites. If you are a writer or an artist, how are you coping with extra time and no money. Is it easier to work on creative projects? Or harder because of the stress. How is it affecting your children. What about health insurance?

When I start to feel crazy, my practices help sustain me: red Ravine, Writing Practice, mandalas, haiku. It’s helpful to get up at the same time, shower, get dressed, and eat lunch at noon. I do business related items, then have time to write, refill the well, revisit creative projects. But that nagging Monkey Mind. What if I’m in the same place months later?

         

Open Gateway, in the flow, Summer Solstice, Minneapolis, Minnesota, June 2007, all photos © 2007-2009 by QuoinMonkey. All rights reserved.

The unemployment rate is predicted to peak out around 9.5 percent next Spring. Yet the state of Colorado shows a decline in layoffs for the first time in 6 months. It’s true that 91.9% of the population still have their jobs. And a few areas such as education, health services, and government, which boosted employment last month, have been spared. F. Scott Fitzgerald might say that a “vast carelessness” has caused this money mess. But maybe there is a silver lining. Is the glass half empty or half full? What do you say?

Resources:

NPR Announces Cuts To Staff, Programs
MPR Midmorning: February Layoffs Take a Toll
U.S. Bureau of Labor Statistics: Mass Layoffs in February 2009
WCCO U.S. & World: Unemployment Hits 8.1 Percent, Highest Since ’83
Denver Business Journal: Mass Layoffs Decline in Colorado for 1st Time in 6 Months

-posted on red Ravine, Tuesday, March 24th, 2008

-related to posts: WRITING TOPIC – JOB! WHAT JOB?, Make Positive Effort For The Good

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On Providence, Old Journals, & Thoreau

Reflection Of Things To Come, performance & installation art piece, b&w photo from sketchbook & journal, Minneapolis, Minnesota, October 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Providence
1382, “foresight, prudent anticipation,” from O.Fr. providence (12c.), from L. providentia “foresight, precaution,” from providentem (nom. providens), prp. of providere (see provide). Providence (usually capitalized) “God as beneficient caretaker,” first recorded 1602.

Old Journals

I stumbled on a lost box of old journals in the studio last week. I thumbed through one and tossed it aside. It was half-full of incoherent thoughts. On the cover of another was a painting by the Zen monk, Ryōkan who lived most of his life as a hermit. I remembered the cover, but not what was inside. I had bought the blank journal at Orr Books on one of my monthly trips into Uptown.

I used to spend a whole day walking the pavement, visiting bookstores, buying art materials, taking myself to dinner at The Lotus. Dinner was the icing on the cake — beef lo mein, iced tea, fresh spring rolls, and a smorgasbord of books spread out on the table around me. Delicious.

Orr Books, Borders, and The Lotus are gone. Uptown is a shell of its former self. What used to be trendy has moved on. Or maybe it was me.

I sat down in my rocking chair and opened the cover of the journal. On the first page was a black and white glossy I’d printed of an art performance collaboration with Jennifer. That was followed by a color drawing of a mandala with Gaelic names and symbols, the Celtic Wheel of Seasons. Samhain (pronounced ‘sɑːwɪn) or Day of the Dead, has morphed into Halloween. It is the beginning of the seasonal calendar, the first High Holiday of the Celtic New Year.

The drawings reminded me of my old sketchbooks from art school. But that was long before. The journal I held in my hands was from the year 2001 — the first year I traveled to Taos, New Mexico to take a weeklong workshop with Natalie Goldberg. I had a corporate job back then, and big dreams. After 9 years, I was working hard emotionally to let myself leave. I wanted to jump off into a life structured around writing and art.

How high was the cliff? I was petrified.

Providence

The effort came in learning how to get out of my own way; I used every tool, rope, and carabiner in my arsenal. The Universe seemed to conspire in my favor. After two years of self-imposed isolation, I drove 1200 miles to Montana and hung out with my old friends in the Bitterroot Mountains for a week. I was in a gay bowling league in Minneapolis that year and met tons of new friends.

The last night of the Strike Pool, my name was called. All I had to do was bowl a strike on the spot, and I would win the kitty. Every eye in the place was on me.

Something must have guided my wrist. The pins fell in slow motion like the parting of the Red Sea. I left with pockets stuffed — over a thousand dollars in $1’s, $10’s, $20’s, and $5’s; a buff friend walked me to my car. The next day, I went down to the bank and exchanged the stack of green for a money order made out to the Mabel Dodge Luhan House. That’s the only way I could afford to go on my first writing retreat sitting under Taos Mountain.

There were other things in the journal/sketchbook that reminded me of how hard I worked back then, how hungry I was, how much I wanted to live an abundant life around writing and art. I became fearless and put myself out there in strange and unusual ways. There were four pages on the stages of Alchemy, drawings from Prima Materia to Solutio, starting at the Full Moon on 5/7/1.

On a page marked June 9th was a Medicine Shield, I think it was a Butterfly spread. There was a page of drawings on the Ancient Tree Alphabet and its relationship to the Runes. “What Is community?” was written at the top of another page, followed by writing exploration, ideas, and meanderings.

I had forgotten I had taken an Enneagram workshop that year (the Ego forms around 1 of 9 enneagrams). There are positive aspects to each identity, but the False Cores of the Enneagram are harmful, learned belief systems, Monkey Mind mantras, that when studied, help answer the question of why we feel separate and alone, rather than part of a larger whole.

With Providence we are aligned with the Universe; whereas the separation of Ego causes us anxiety, insecurity, and pain. The Enneagram types and False Cores were listed in the journal this order (turns out I’m a Four) with notes that followed on ways to turn the tide:

1. Perfectionist – False Core: Something is wrong with me
2. Helper – False Core: I am worthless
3. Performer – False Core: I have an inability to do
4. Romantic – False Core: I am inadequate
5. Observer – False Core: I am nothing; I don’t exist
6. Loyalist – False Core: I am alone
7. Epicure – False Core: I am incomplete
8. Boss – False Core: I am powerless
9. Mediator – False Core: I am loveless

Wilderness & Thoreau

My favorite journal spread was a rough drawing of 10 Mile Canyon in the Pintler Mountains of Montana. I had taken a once-in-a-lifetime pack trip with a friend, 2 dogs, and 4 llamas that we carted in the back of her Toyota pickup. I had never saddled a llama before or even been that close to one. Their names were underlined in my journal with the following notes:

• Crow – for the Crow Reservation where she adopted him, part coyote, she called him “Crazy Indian Dog”
• Camas – from the purple flower, like a gentle lap dog
• Rumpel – Stiltskin – The King, The Old Man – he was 15 years old and all white
• Chaco – for Chaco Canyon in New Mexico – he was feisty and black
• Willie – the friendliest, roams free, he was brown, she called him William III
• 10-Mile – for 10 Mile Canyon – the lead and the youngest with a white stripe, very stubborn

I never would have remembered these details without writing them in my journal by the fire (it reminds me why it’s important for a writer to take good notes):

The glacial Montana lakes we passed that trip were not named. There was a Snow Cave at 9000 feet. We saw a pair of migrating Sandhill Cranes on the hike in. Llamas do spit but it’s okay; it’s only cud, regurgitated grass or hay. And they only spit if they are irritated. The moon rose on Friday, July 5th, 2001 at 11:45, one day past full. The wind was constant, keeping the mosquitoes away. Until later that night, when the tent zipper broke and we spent the buzzing night with our heads covered.

The journal was so alive. Did I really go on a llama pack trip in the Anaconda-Pintler Wilderness? Drive twice cross-country by myself, join a bowling league, win $1000 on a single strike, attend a writing retreat on the edge of Taos desert with 48 complete strangers, all in one year? When did I stop sketching and drawing? Have I become complacent? Lazy?

I don’t know if I’m supposed to be laying low, slipping inside like the turtle way I feel. Or force myself to get back out there, take the next step, walk hard in the world again. It’s alright to rest, reflect, fill the well. But that journal woke me up — nothing comes easy. Nothing comes without hard work and risk. In 2001 I was working my ass off. The Universe lined up beside and behind me, nudging me along.

It’s kind of like those few lines from Natalie about the angels cheering her on. Or the way W. H. Murray and Goethe write of Providence. Or these lines in scratchy block print from the first few pages of my journal, penned by Henry David Thoreau:

I learned this, at least, by my experiment; that if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours. He will put some things behind, will pass an invisible boundary; new, universal, and more liberal laws will begin to establish themselves around and within him; or the old laws be explained, and interpreted in his favor in a more liberal sense, and he will live with the license of a higher order of beings.

In proportion, as he simplifies his life the laws of the Universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.

Henry David Thoreau, Walden, 1854

Journal/Sketchbook Entry, March 18th, 2001
Near the Spring Equinox
Time of Crane Migration Through Nebraska

Providence Revisited

Do you believe in Providence? Not magic or miracles. But that if you make positive effort with Great Determination, the Earth and Sky, a Higher Power, will help you along? Do you believe in Fate? Or do you call it Faith?

Providence extends to the neighborhood, the state, the region, the country, the world. If the time is right, the old systems will crash to the ground, making way for the new. The right person will come into power, into the place they need to be. Change is not always positive. But it may be necessary.

Providence – is it fate or faith? Neither or both? Usually when it’s time to move on, challenging personal opportunities present themselves. Do we bite? Show a willingness to sink into the gristle? Or ignore the signs and keep living the status quo. Every day, we are presented with the chance to make a new choice.

If we’ve built castles in the air, then those are our dreams. The time is not lost. With effort, and practice, structure creates a solid foundation. What once seemed impossible is now routine. Am I living old dreams? Maybe it’s time to replace them with something new.

Journal Entry – Thoreau, Ryōkan By Hand, Ryōkan Journal, Corners, from 2001 sketchbook & journal, Minneapolis, Minnesota, October 2008, all photo © 2008 by QuoinMonkey. All rights reserved.

-posted on red Ravine, Thursday, October 16th, 2008

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Ink Illuminations

By Katherine Repka*


My boyfriend got a tattoo when we were in Florida. We were leaving Universal Studios with “his and hers” children in tow, our feet aching from a day spent zigzagging through the park to catch the best rides and avoid the longest lines. We spotted the tattoo parlor as we approached the park exit. He said we should just keep going—it was late—but I saw a flash of longing in his eyes as he spoke. I suggested we at least check it out; after all, being from an obscure Canadian town, when would we be near a Hart & Huntington again?

We trudged up the stairs like drones, the glitzy neon sign beckoning with its promise of adventure. As we flipped through endless pages of sample designs, I told him he should go ahead and get one. A tattoo he had “commissioned” years ago, in the back of a Greyhound bus, looked more like an amoeba than a peace sign, and he always talked about replacing it with a more professional image once he could afford to. As it turned out, a little encouragement was all he needed.

While he negotiated his choice with the artist, I continued to browse through the photos of inked flesh, intent on finding a Lily of the Valley design I could display as a symbol of my artistic spirit, my appreciation for simple beauty in nature, and my birth month of October. One of the tattooists, clearly skilled at helping potential customers realize their dreams of entering the world of rebellion, helped me look for images of Lily of the Valley on the internet and explained the cons of using white ink in any tattoo. As I contemplated how to avoid white ink in an image comprised of white flowers, my boyfriend made his way to the table to get his tattoo.

The kids rambled aimlessly about the store. The sugar high from candy used as a bribe to get them through the hour-long wait was wearing off and their faces wore telltale signs of the exhaustion I felt. My window of opportunity to enter the world of nonconformity was rapidly shrinking.

At some point I figured out how to avoid white ink but I could not decide on a location for the emblem of my individuality. I was convinced that in order for any indeliable piece of artwork to enhance rather than disfigure, it had to be located in a spot where it could be tastefully revealed or concealed, a place that would not sag or wrinkle as I aged nor become distorted when I gained or lost weight.

I looked over at my boyfriend. He was fixated on his tattoo artist—herself tattooed and pierced—as she worked at turning the amoeba, unsightly evidence of his decision to trust someone while inebriated, into a symbol of his newfound passion for dirt biking.

Unable to decide on a location for my tat, and after convincing my boyfriend’s five-year-old that the rack of t-shirts and belts was not the ideal place to practice for a career as an international spy, I resigned myself to the knowledge that this was not my night to get inked. I succumbed to the lure of an upholstered vinyl bench near the wall and waited until my boyfriend’s tattoo was finished.

As we made our way to the vehicle, my boyfriend’s eyes sparkled in the moonlight. I could taste the sizzle of exhilaration and excitement that emanated from his pores. The satisfaction on his face was as fierce as the brand he now sported on his ankle. I glanced down at my own feet half expecting to see blocks of cement.

Pangs of envy stabbed at my insides as we walked. I had encouraged him. I had pushed aside my own hope for a tattoo, too concerned for everyone else—concerned that three young children couldn’t possibly endure waiting any longer in an adult oriented environment at the end of a long day, concerned that my boyfriend’s desire should be fulfilled and that he have a memory to tell and retell his friends back home, and concerned that I find just the right tattoo for myself so as not to offend the sensibilities of strangers.

Like a coarse tag on a shirt collar, the envy irritated and scratched. I was sure my boyfriend’s lack of clairvoyance was proof of his lack of insight in to my soul. I questioned my sense of practicality, which suddenly seemed more a yoke than a virtue.

We followed the freeway back to our hotel. The children dozed in the backseat, their heads lolling from side to side as we drove over the grooves in the pavement. My boyfriend gazed ahead, far away in his thoughts. As my own thoughts drifted over the past few hours, days, and months, I began to feel like I was treading water, my feelings of panic and despair accentuated by his assuredness, his distance, his thinly veiled contempt for my insecurity and his attempts to hide his waning love for me with displays of affection that lacked depth or intimacy.

The vacation, filled with fun and activity, had provided us both with some distraction from reality. The hollow space between us, which had once been overflowing with passion and unconditional love, seemed to open up to the lurking shadows. The lights of each passing motorist illuminated a well worn pathway for my self-doubt, beginning in my head and ending in my chest. Clearly, I was not ready to get a tattoo. There was no room for regret when the ink-filled needles pierced the skin.




Katherine Repka (*not her real name) lives in a small northern town in a remote region of British Columbia, Canada. She shares her life with her two children, her boyfriend, two stepchildren, two dogs, and two cats. Katherine, who works for a community college, has recently returned to writing in her spare time.

About her writing, Katherine says: Writing is something that I am beginning to open up to and make space for in my life. I know I have at least one book in me and possibly several other pieces looking for a way out. I have this mass of content all squished up in a ball inside me that I feel I have to unravel somehow.

I have written poetry in the distant past and some short stories when I took a creative writing class years ago in my first year of college, but overall my writing has taken the form of workplace communications and the occasional love letter or journal entry.

Personal writing is a way for me to explore deep feelings and process emotions, but to date none of my writing has made its way to any publishable format. I see this return to writing as a way to do something for the purpose of personal development, something I can do to get in touch with who I am and nurture my spirit.

My goal is to give myself permission to take time to write more than just on an intermittent basis in the hopes that writing will allow me to reach deeper levels of self awareness and give me a an outlet for self expression and creativity.




-related to Topic post, WRITING TOPIC – TATTOOS

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