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Santa At Holidazzle - 178/365

Santa At Holidazzle – 178/365, Archive 365, Droid Shots, December 2012, Downtown Minneapolis, Minnesota, photo © 2012 by QuoinMonkey. All rights reserved.



Christmas Day. Presents opened, eggnog half gone, phone calls East and West. Longing, joy, gratitude, loss. What to leave behind, what to keep. Emptiness. Love.

Reading Dylan Thomas aloud, Christmas Eve. The moon-buried sky over a village churchyard in Laugharne. The close and holy darkness must have haunted him. A child’s sugarplum dreams—tufted hooves flick mediæval snow off the rooftop Castle of Abercorran.

Waiting for Santa—
the frigid windless night
soothes and comforts me.



Looking through my bedroom window, out into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other houses on our hill and hear the music rising from them up the long, steadily falling night. I turned the gas down, I got into bed. I said some words to the close and holy darkness, and then I slept. –Dylan Thomas, A Child’s Christmas in Wales

Laugharne is a town in Carmarthenshire, Wales on the estuary of the River Tâf, and home to Dylan Thomas from 1949 until his death in 1953. Thought to have been an inspiration for the fictional town of Llareggub in Under Milk Wood, the Township was originally known as Abercorran. The name was changed to Laugharne after the English Civil War.

-posted on red Ravine, Tuesday, December 25th, 2012

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Ode To Joy & Christmas Eve, snapshot of my art studio desk, BlackBerry Shots, Minneapolis, Minnesota, December 2009, all photos © 2009 by QuoinMonkey. All rights reserved.




savor the small things
the joy of writing haiku
in the dead of night;
the silence of snow falling,
calms the chatter in my mind


circumspect darkness
relative humidity
what matters to me?
seeing clearly with the heart
things invisible to the eye


Holiday blizzard
thank you for braving the storm
following footprints
of those who walked before us —
Joy hides in the strangest places




It’s the dead of night. I’m staring out the window at snow falling on cedars, oaks, and ash. A Holiday blizzard. I’ve always liked Christmas Eve almost better than Christmas. When I was growing up, I’d stay up way past the time when my five younger siblings were in bed, rocking in the leather recliner, bathed in the glow of firelight and candles. Some years the living room would be blue from head to toe, my mother’s favorite color, with a tree dressed in angel hair and the front door wrapped like a package with pine cones and ribbon. Do they still have contests for best door decorations?

I can smell Amelia’s fruit cake and rocks, ladles of egg nog, cloves spiking the Christmas ham. It’s the time of year when I count my blessings. I’m grateful for family, friends, and lovers, for blog partners and red Ravine readers, for puffy orange coats and wet mittens. Thank you for walking with us through murky and uncertain waters. Thank you for running through rain. And pausing in the darkness of Winter. There is so much joy in the silence.


Happy Holidays from red Ravine, December 24th, 2009

-related to posts: haiku 2 (one-a-day), Poem For The Trees (Keepers Of The Light), A Few Of My Favorite Things, On Eating December Snowflakes, Tamales — A Christmas Tradition, Merry Merry, Happy Happy, A Partridge In A Pear Tree, A Christmas Gift From Dad, On Collecting Pigs Against Your Will

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Antique Lights, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Antique Lights, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.



I can’t believe it’s Christmas Eve. Our cat Chaco, who we discovered last week is chronically ill, is resting comfortably in the bedroom. He spent Winter Solstice in the emergency hospital. We brought him home from the vet yesterday along with three prescription medications and a bag of fluids we’ll be administering subcutaneously over the next few days. Dr. Blackburn says he’s a fighter; he’s walking better, eating more regularly, and his little Spirit has more life than it did last week.

We’ll take him back on Saturday to see how his vitals look. In the meantime, we are learning to care for a chronically ill cat. It goes without saying, Liz and I haven’t been getting much sleep. So the energy for posting has flagged. But then I ran across this inspirational poem by Russell Libby.

Described by kindle, site of the Northern New England Bioneers, as “a farmer, a selectman, an economist, a poet, and a visionary builder of local, organic food systems in Maine and beyond,” he seems like a man close to the Earth. Since 1983 he and his family have grown organic food for friends and family at Three Sisters Farm in Mount Vernon, and his Maine roots date back to 1635, when his forebears settled in the colony.

His poem reminded me of all the trees that lose their lives this time of year (31 million Christmas trees last year in the U.S. alone). Many Christmas trees come from tree farms these days (500 Minnesota tree farmers expect to harvest 500,000 trees this year), though I have been known to go out and cut my own from the forest of a friend’s ancestral lands. Fresh pine is the smell of Christmas for me. And I love sitting in the dark and staring at the lights on the tree.


Time For Your Close-Up!, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.Time For Your Close-Up!, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.Time For Your Close-Up!, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.Time For Your Close-Up!, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.


Since we haven’t had time to put a tree up this year, I thought I’d post these photographs of the antique Christmas lights mentioned in The Poet’s Letter — Robert Bly. It was at Poetry Group that night that our friend Teri shared a story about how her family discovered the lights hidden on top of a rainwater cistern in the basement of a Minnesota farmhouse that has been in her family for generations.

Trees provide balance and structure for the thousands of lights that burn brightly this time of year. I am grateful for the untouched land, places preserved for old growth forests, trees with skins that will never be touched by an ax or saw.

Here’s one last quote for the trees I found in an Alice Walker book, Anything We Love Can Be Saved — A Writer’s Activism. It’s printed below a black and white photograph of a man with his arms stretched wide around a tree. It’s a good time of year to remember what is worth putting our arms around.


This photograph of an Indian man hugging a tree has been attached to my typing stand for years. Each day it reminds me that people everywhere know how to love. It gives me hope that when the time comes, each of us will know just exactly what is worth putting our arms around.

   -Robert A. Hutchison

 


Holding The Light, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved. Holding The Light, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Holding The Light, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved. Holding The Light, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Holding The Light, Minneapolis, Minnesota, September 2008, all photos © 2008 by QuoinMonkey. All rights reserved.




American Life in Poetry: Column 194

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006


Father and child doing a little math homework together; it’s an everyday occurrence, but here, Russell Libby, a poet who writes from Three Sisters Farm in central Maine, presents it in a way that makes it feel deep and magical.



Applied Geometry


Applied geometry,
measuring the height
of a pine from
like triangles,
Rosa’s shadow stretches
seven paces in
low-slanting light of
late Christmas afternoon.
One hundred thirty nine steps
up the hill until the sun is
finally caught at the top of the tree,
let’s see,
twenty to one,
one hundred feet plus a few to adjust
for climbing uphill,
and her hands barely reach mine
as we encircle the trunk,
almost eleven feet around.
Back to the lumber tables.
That one tree might make
three thousand feet of boards
if our hearts could stand
the sound of its fall.



American Life in Poetry is made possible by The Poetry Foundation publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2007 by Russell Libby, whose most recent book is “Balance: A Late Pastoral,” Blackberry Press, 2007.

Reprinted from “HeartLodge,” Vol. III, Summer 2007, by permission of Russell Libby. Introduction copyright (c) 2008 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.


-posted on red Ravine, Christmas Eve, Wednesday, December 24th, 2008

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Pig in a Cornfield, Christmas card from 1993, linocut and ink wooden spoon print © 2007 by ybonesy. All rights reserved.


My poor mother-in-law. For years and years, she received pig-everything for Christmas. Pig statues, flying pigs, pig art, pig earrings, pig containers. Jim and I single-handedly contributed to at least a fourth of her vast pig collection.

It sat in a corner in her kitchen. The carved pig folk art piece that I thought was so adorable stood on the floor, next to the iron pig shoe scraper. Other pig paraphernalia congregated there, too, as if queuing for entry into a pig convention.

And then there were the two old wooden coke bottle trays whose many stalls were filled with mini-pigs. Plastic squishy pigs, glass pigs, porcelain pigs, metal and wood. She even had half a black walnut shell that someone noticed resembled exactly the snout of a pig and, thus, gave it to her.

I once asked my mother-in-law how she came to love pigs. She told me that she didn’t actually love pigs at all, but rather someone had given her one as a joke. Shortly thereafter the pigs started coming.

Even when she told me this story I blanked out the part of her not loving pigs. Instead I glommed onto the idea that from there on out and forever more, I knew what to buy my mother-in-law for Christmas, Mother’s Day, and birthdays.

It wasn’t until my in-laws moved to a new home a few years ago that the pigs were banished. My mother-in-law made it clear that she didn’t want any more pig gifts.

So far, only one unsuspecting neighbor has given her a pig. I, on the other hand, now take the time to find the kind of cotton or denim shirt that I notice she likes to wear.

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