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Antique Lights, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Antique Lights, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.



I can’t believe it’s Christmas Eve. Our cat Chaco, who we discovered last week is chronically ill, is resting comfortably in the bedroom. He spent Winter Solstice in the emergency hospital. We brought him home from the vet yesterday along with three prescription medications and a bag of fluids we’ll be administering subcutaneously over the next few days. Dr. Blackburn says he’s a fighter; he’s walking better, eating more regularly, and his little Spirit has more life than it did last week.

We’ll take him back on Saturday to see how his vitals look. In the meantime, we are learning to care for a chronically ill cat. It goes without saying, Liz and I haven’t been getting much sleep. So the energy for posting has flagged. But then I ran across this inspirational poem by Russell Libby.

Described by kindle, site of the Northern New England Bioneers, as “a farmer, a selectman, an economist, a poet, and a visionary builder of local, organic food systems in Maine and beyond,” he seems like a man close to the Earth. Since 1983 he and his family have grown organic food for friends and family at Three Sisters Farm in Mount Vernon, and his Maine roots date back to 1635, when his forebears settled in the colony.

His poem reminded me of all the trees that lose their lives this time of year (31 million Christmas trees last year in the U.S. alone). Many Christmas trees come from tree farms these days (500 Minnesota tree farmers expect to harvest 500,000 trees this year), though I have been known to go out and cut my own from the forest of a friend’s ancestral lands. Fresh pine is the smell of Christmas for me. And I love sitting in the dark and staring at the lights on the tree.


Time For Your Close-Up!, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.Time For Your Close-Up!, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.Time For Your Close-Up!, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.Time For Your Close-Up!, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.


Since we haven’t had time to put a tree up this year, I thought I’d post these photographs of the antique Christmas lights mentioned in The Poet’s Letter — Robert Bly. It was at Poetry Group that night that our friend Teri shared a story about how her family discovered the lights hidden on top of a rainwater cistern in the basement of a Minnesota farmhouse that has been in her family for generations.

Trees provide balance and structure for the thousands of lights that burn brightly this time of year. I am grateful for the untouched land, places preserved for old growth forests, trees with skins that will never be touched by an ax or saw.

Here’s one last quote for the trees I found in an Alice Walker book, Anything We Love Can Be Saved — A Writer’s Activism. It’s printed below a black and white photograph of a man with his arms stretched wide around a tree. It’s a good time of year to remember what is worth putting our arms around.


This photograph of an Indian man hugging a tree has been attached to my typing stand for years. Each day it reminds me that people everywhere know how to love. It gives me hope that when the time comes, each of us will know just exactly what is worth putting our arms around.

   -Robert A. Hutchison

 


Holding The Light, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved. Holding The Light, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Holding The Light, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved. Holding The Light, Minneapolis, Minnesota, September 2008, photo © 2008 by QuoinMonkey. All rights reserved.

Holding The Light, Minneapolis, Minnesota, September 2008, all photos © 2008 by QuoinMonkey. All rights reserved.




American Life in Poetry: Column 194

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006


Father and child doing a little math homework together; it’s an everyday occurrence, but here, Russell Libby, a poet who writes from Three Sisters Farm in central Maine, presents it in a way that makes it feel deep and magical.



Applied Geometry


Applied geometry,
measuring the height
of a pine from
like triangles,
Rosa’s shadow stretches
seven paces in
low-slanting light of
late Christmas afternoon.
One hundred thirty nine steps
up the hill until the sun is
finally caught at the top of the tree,
let’s see,
twenty to one,
one hundred feet plus a few to adjust
for climbing uphill,
and her hands barely reach mine
as we encircle the trunk,
almost eleven feet around.
Back to the lumber tables.
That one tree might make
three thousand feet of boards
if our hearts could stand
the sound of its fall.



American Life in Poetry is made possible by The Poetry Foundation publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2007 by Russell Libby, whose most recent book is “Balance: A Late Pastoral,” Blackberry Press, 2007.

Reprinted from “HeartLodge,” Vol. III, Summer 2007, by permission of Russell Libby. Introduction copyright (c) 2008 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.


-posted on red Ravine, Christmas Eve, Wednesday, December 24th, 2008

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I don’t remember the last time I felt this scattered. I don’t remember what time I went to bed last night. I don’t remember the color of the frosting on the last birthday cake someone presented to me. I think it was an ice cream cake. No, that was the one I gave Liz for her last birthday earlier this year. We spooned it up into Tupperware sized chunks and stacked the containers in the freezer. Once in a while, she’d take one of the delectables out of the freezer and munch away in front of the TV. I was delighted that a birthday cake could last that long. I recommend ice cream birthday cakes.

I don’t remember the alarm going off yesterday or any of the 3 cats stirring in the night. I do remember Chaco bolting across my head to get to the prime night view out the bedroom window near the corner. The cats like to stare out the back windows. There is a tan rabbit who lives in a burrow there. We saw her sunning herself last summer, stretched out near a pile of weathered boards and brush, just like the cats would stretch out. She was licking herself. We named her Tawny. Even though she is wild.

Yesterday we got a letter in the mail from the new vet where we took Mr. Stripeypants last week. He had a urinary infection and at 9 years old, we decided to give him the Senior Package physical. He was scared. But I couldn’t believe how good he was when we were in the waiting room with a large Golden Lab, longhaired Persian, and that vicious little Min-Pin.

The letter, I was struck by it. We laughed our heads off. It was addressed to Liz and Mr. Stripeypants in the Dear section. What section is that, the opening or salutation? The bones of a letter. Hmmmm. Anyway, the rest of the letter was full of references to Mr. Stripeypants. We read it out loud to him and kept laughing about it all night. They said we got the best prize for the best name.

Liz got a ribbing at her office the other day when she was making the vet appointment. When the vet assistant asked her the name of her cat, she slowly spelling out, Mr. S-t-r-i-p-e-y-p-a-n-t-s. Her office mates teased her about it the rest of the day. So now in the morning, we get up and say very slowly, Mr. Stripeyp-a-n-t-s. But we call him – well, we call him Pants.

I don’t know why I’m writng about Pants. He’s an adorable cat and a source of joy for me on a daily basis. I don’t remember the last time I bonded to a pet like that. I had a 13 year old cat named Sasha. She died shortly after I moved into my apartment in 1992. I was still in art school.  And fresh out of a long, long relationship. It was very sad for me. And I was already depressed.

The vet let me take Sasha’s body home with me so I could bury her where I wanted. I sat with her for a while there on a yellow terry cloth towel and cried my eyes out. Later, I would go north with my ex-partner to bury Sasha on the cabin lot at the shore of Deer Lake in Wisconsin.

I don’t remember the last time I wrote about that. You never know what’s going to come out in a practice.


Tuesday, April 10th, 2007
 

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