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Posts Tagged ‘Albuquerque’



By Sandra Vallie



It’s hot, pushing 100, and I have to wait until it’s cooler to water the heat-sapped garden. Until it’s cooler, or dark, or 7 pm, the time the city allows watering – whatever measure I decide today is the tipping point where the amount of water soaking into the sand is greater than what the bone-dry overheated air is sucking up into itself. In the house, safe out of the sun, I’m anxious looking at the heat-limp plants across the yard. Corn leaves curled into points, drooping tomato plants and cucumber leaves flat against the ground. I know the plants are well-watered; some of what I see is self-protection and some a part of the taking up and giving off of water. As soon as the sun moves further toward the west and I carry water to the plants through the hose, the leaves and stems will fill with water and this limp spread of green will become plants again.


I’m from Michigan and this is my first year trying to grow vegetables in New Mexico. I pretty much planted the garden twice because I hadn’t learned that we can still have below-freezing nights even when the temperature in the day is 80 degrees. How much water is too much and what is enough. Why, when I asked the woman at the nursery about gardening in New Mexico, she told me to not even try. Half the plants I put in my son’s yard last fall didn’t make it through the winter, falling to the cold and what I haven’t learned yet.


For 20 years, I watched peonies, lilacs, tulips, hosta, coneflowers, azalea, iris, daylilies and butterfly bushes grow tall, wide, and fragrant. Lush. Luxuriant and juicy. Moisture in the air reflected the hundred greens growing around the yard and the air glowed. Lettuces, green, red and purple, came in the spring, followed by peas and beans that reached across the raised beds to share the poles supporting plants and pods. Tomatoes grew so fast and heavy they kicked away their cages. Cucumbers ran across the garden to the corn and climbed high enough I could pick the fruit without bending over.


I exaggerate. A little. Lush it was, very different from my yard here, each plant holding to its own space, as if each one feels it deserves only so much water and so many nutrients from the spare soil. I’ve never seen plants grow so slowly; at first it’s almost as if each morning they decide whether or not to push up, out, forward, just one little bit. As if they know that growing higher will put them closer to the sun and they’ll be hotter. My plants in Albuquerque work harder than plants in Michigan. In this place where there is so much space, where I finally feel I can be as big as I am, exuberant, joyful, expansive and – well – lush, my vegetables appear so tentative and afraid.


Cactus spread, although I don’t know that I’ll ever call them lush. There are several in the neighborhood I’m drawn to, even a couple I’m lusting after for their deep, almost hallucinatory red-purple blooms or their improbable flowers, yellow and ten feet above the plant their stalk grew from. Cactus, though, and weeds like the silverleaf nightshade, the most prolific plant in my landscape cloth- and gravel-covered yard, are what led me to write a few years ago after a visit: “Everything green here bites.” I know I’m never going to embrace a cactus or walk barefoot across the goatheads and foxtails to get to them. I yearn to load my arms with heavy-headed peonies and stargazer lilies that are deep enough to serve soup in, although I’m afraid I’d have to drain the remaining water out of the Rio Grande to do it. Before I moved here I asked a friend if I could grow roses in Albuquerque. “You can grow anything you want in Albuquerque as long as you can afford the water.”


The roots of my grandmother’s peonies I carried south are in pots out back, not growing. Soon, not yet, I’ll have to admit what I know and stop watering. I didn’t have time before we moved last fall to lift lilies or divide a few coneflowers. The rose bush by my bedroom window, though, is the same as the one that died in my Michigan garden a couple of years ago, my grandmother’s favorite. There are green tomatoes on the plants and sooner than I know they’ll be full and red enough for dinner. Lush is changing, from the huge bushes and plants that grew in the Michigan rain to the sound of water rushing through the garden hose, the sight of it spreading around the watermelon plants and at the feet of the raspberries, the corn leaves unfolding as the still skinny stalks draw up water from the soil, and the gratitude I feel that I have water to grow food with. The air may not be green from the plants, but the sky is crystal blue. While I’ve written this, it has become late enough to head outside to water and the first flowers on the cucumber plants have opened today in the heat.




_________________________




About Sandra:  My fairly recent move from my job and life in Michigan to Albuquerque, New Mexico, has opened up the opportunity (for which I’m gut-wrenchingly grateful) to write in spans of hours instead of stolen minutes. Although I’ve written mostly poetry in the past few months, I’m enjoying the process of exploring different forms for different subjects. I’ve been fortunate to have a community of encouraging and creative writers in the Albuquerque Ink Slingers, a local Meetup group, and my husband’s graceful willingness to live and work in 100 degree temperatures.


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In honor of Women’s History Month, the National Hispanic Cultural Center in Albuquerque, NM, in partnership with local arts organizations, artists, writers, and businesses has organized a month-long celebration: Women & Creativity 2010. All over the city, you can attend workshops, exhibits, panels, and many other fun activities. Case in point:




creativity + the artist

Seeds: The Spirit of Women Writers



6 p.m. March 11 at National Hispanic Cultural Center
1701 Fourth St. SW, Salon Ortega

A featured event in the Women & Creativity series





Join us for an invigorating evening of readings from women writers featuring poet Kathleen Driskell, whose collection of poems, Seed Across Snow, was on the Poetry Foundation’s best seller list twice in 2009; Lisa Lenard-Cook, author of Dissonance and Coyote Morning, as well as The Mind of Your Story; Carolyn Flynn, award-winning literary fiction and creative nonfiction writer, as well as author of numerous books and editor of the Albuquerque Journal’s SAGE magazine; and yours truly (aka ybonesy, Roma Arellano), writer, artist and co-founder of this wonderful writing and art community blog.

Santa Fe poet laureate and organizer of Women & Creativity, Valerie Martinez, will kick off the evening with an introduction and reading.

The theme of the panel will be the interrelatedness of the arts — other forms of art as inspiration for writing. Admission is free.


If you are in Albuquerque or the surrounding area, please join us!

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By Lita Sandoval


Let’s just say that 2009 has not been my best year. I was laid off from my job in January. I accepted a position for another job soon after I was laid off and it turned out to be a terrible situation. I quit within three months. To add to the stress of finding a job, I got kidney stones twice, caught two teenage girls trying to steal my car from the driveway, and even had my garbage can stolen!

I am fortunate I have a temporary part-time job, which basically has saved my life. I make just enough money to pay bills and only have enough left over for a few extras. I’ve been thinking about how I am going to afford Christmas gifts for my family. I cut my list way back to gifts for immediate family only. My daughter also wants to give gifts to her friends—six of them.

I decided that I would make gifts for everyone. And I wanted my daughter to make gifts for her friends, too. Together we made jewelry for her friends. It was fun spending time together picking out beads and deciding which friends would like certain beads and colors. The whole idea of making gifts together was definitely cost effective, but what came out of that experience was a great bonding opportunity. It was also fun watching my daughter’s creativity explode. We can now check six people off the Christmas list!

My father helped me to decide on very special gifts I will be making for my sister, niece, and daughter. My father is always heavy on my mind during the holidays. He passed away seven years ago. The man was a fabulous cook. Family and friends still salivate when they talk about his amazing marinated steaks or his incredible paella. I thought it would be cool to gather all of his recipes, re-type them, put them in a beautiful box and give them to my sister, niece, and daughter for Christmas.

It has been an incredible experience going through those recipes! It was like going back through a time machine. I can look at a recipe and associate a special occasion with the meal my dad prepared. On many of his recipe cards, he wrote little notes that made me remember his wicked sense of humor. He named dishes after himself or altered the name of something that would incorporate his name.

Some of his notes were just cool, like the one on his paella recipe. He named it Paella Al Al. My dad’s name was Al and if you speak Spanish, you get the humor in the title. At the bottom of the recipe card it says:

Recipe from a restaurant at La Carihuela – a fishing village on the Mediterranean outside Torremolinos. 1984


While going through the recipes, I found one of my favorites: my dad’s Tequila Shrimp. I had never attempted to make this particular dish. I decided I would make the Tequila Shrimp and take it to a party I was invited to.

I used to love going to the grocery store with my dad and helping him find just the right ingredients for his meals. Going to the store and picking out ingredients for the shrimp dish with my dad’s very particular eye was important. I was excited to put it all together. I took out the special cazuela my dad gave me and took care to make sure the tequila shrimp not only tasted good, but looked good. I think I succeeded.

I hope my sister, niece, and daughter will think of my dad when they try out one of his famous dishes. It really is a wonderful legacy that he has left all of us. What better way is there to connect with family and friends than to sit around a table with a wonderful meal? And because I saw that my mom had her own little box of recipes, I’ve decided I must put hers in with my dad’s. Most of her best recipes aren’t written down, so we made a date to sit down and write them all out.

Needless to say, my stress of holiday gift giving has gone by the wayside. Jewelry has been made, recipes have been written out and precious time has been spent being with, thinking of and enjoying time with family. It seems as though my year has ended so much better than it started out.





Dad Grilling, photo of Al Sandoval (Lita’s father) grilling
steaks at home circa 1966, photo © 1966-2009
by Olga Sandoval. All rights reserved.







Tequila Shrimp

  • 2 lbs. cooked shrimp
  • 2 oz. Tequila
  • ¼ cup olive oil
  • ¼ cup fresh lemon juice
  • ¼ cup fresh lime juice
  • 3 garlic cloves crushed
  • 1 bay leaf broken up
  • ½ tsp. salt
  • Dash black pepper
  • Garlic salt to taste

Mix well and add to shrimp. Coat well. Add:

  • 1 lemon and 1 lime thin sliced
  • 4 pearl onions thin sliced
  • 1 cup black olives sliced
  • 2 Tbs. chopped pimiento
  • 2 roasted, peeled, chopped green chilies

Marinade in refrigerator for at least three hours.






Lita Sandoval is a native of Albuquerque, New Mexico. She is a local blogger (currently on hiatus) known as Adelita—she made the top five “Best Bloggers” in Albuquerque the Magazine’s Best of City 2009, and for the past two years she’s been in the top three bloggers in the Alibi‘s Best of Burque—who writes about the funky hometown she affectionately calls “Burque” (pronounced boor-keh, extra roll on the “r”). She’s also a jewelry artist (check out her work at her Etsy shop, although she warns that she hasn’t had time to add much to it lately but will in the new year) and collector of many unusual things. Her teenage daughter keeps her on her toes, as do her rowdy dogs, Zsa Zsa Gabor and Etta James. Her favorite saying is, “Oh sí liar!”

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Our Lady of Guadalupe Tree, carving of the Virgen de Guadalupe in a
cottonwood in Albuquerque, taken with my mother-in-law’s iPhone,
October 2008, photo © 2008-2009 by ybonesy. All rights reserved.










healing from inside
the heart of a cottonwood
nuestra señora













The story goes that in 1970 a parishioner of the 300-year-old San Felipe de Neri, Albuquerque’s oldest Catholic parish, carved the image of the Virgen de Guadalupe into the open wound of an ancient dying cottonwood. The Virgen saved the tree’s life.

Hundreds of people, many tourists, pass the cottonwood each day—it stands behind the church, which is in Old Town—without ever knowing that Nuestra Señora is hidden inside.

I took my mother-in-law, Celia, to see the tree one day in October of last year. We had just visited another sacred spot, a hidden chapel, also dedicated to the Virgen de Guadalupe, to pray for Celia’s recovery. She is a private woman, and this is the first time I’ve divulged on red Ravine that for the past four years she has been fighting a deadly form of lung cancer called Small Cell Carcinoma. 

Celia completed the latest round of chemotherapy in November, and last week she got a clean bill of health. I’ve been holding on to this photo since our visit last year; I wanted to post it today as a way of thanking the saints and the universe for Celia’s remission.

Today many people I know confront challenges. Illness, job loss, matters of the heart and spirit. For all of you and all of us, may the Virgen de Guadalupe bring solace and healing.

The cottonwood’s scar is closing, and soon the carving will be locked inside. I’ve been told that the carver’s son is seeking a way to remove the carving without harming the tree. I wonder if the best course would be to allow the Virgen to become the tree, as she is already.


-related to posts haiku 2 (one-a-day), Mary In Minnesota (haiku for yb), Virgin Mary Sightings, and The Virgin Mary Appears On A Bug.

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Two cottonwoods, old majestic trees and geese in Albuquerque’s north valley, Thanksgiving Day afternoon, photo © 2008 by ybonesy. All rights reserved.












it rained all the day
from morning to afternoon
then the sun came out















-related to post: haiku (one-a-day)

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By Sharon Sperry Bloom


under your voodoo
Under Your Voodoo, 27″x 22.5″acrylic on stretched canvas, painting © 2007 by Sharon Sperry Bloom. All rights reserved.


            vloop
            Vloop, 18″x 24″acrylic on stretched canvas, painting © 2007
            by Sharon Sperry Bloom. All rights reserved.



untitled
Untitled, 20″x 16″acrylic on stretched canvas, painting © 2007 by Sharon Sperry Bloom. All rights reserved.


            War
            War, 18″x 24″acrylic on stretched canvas, painting © 2007
            by Sharon Sperry Bloom. All rights reserved.


          
          “Love & Happiness,” 18″x 24″acrylic on stretched canvas, painting 
          © 2007 by Sharon Sperry Bloom. All rights reserved.


Making Art, An Essay by Sharon Sperry Bloom

When I was a young child, I took ballet. Not to the level of standing on point, but there were recitals at the elementary school multi-purpose room and my mom sewed costumes with fluffy tutus and glued sequins on ballet slippers. I never got to be in the front row of my group. It wasn’t because of poor technique; I could plié like nobody’s business. I just couldn’t remember the sequence of steps. I was a follower in ballet – a back row ballerina.

One recital we all had itchy gold costumes with red-trimmed tutus and red plastic flowers in our hair. The music was vaguely Spanish. During recital, those flowers flew right off my head. After our dance, the instructor and my parents were beaming at me. Me! From the back row! They were full of praise because I ignored the errant flowers and kept my chin high as I continued my performance. Truth is, I never noticed the flying blooms.

The ballet lessons ended when my dad was laid off from his job with General Motors. Dad worked as a technical writer, and I can remember him changing jobs every few years. Sometimes he wrote owner’s manuals for cars; other times he wrote specifications for army tanks. Once he had a big glass-walled office in a tall building, and my brother and I got to visit him there and watch cars and trucks go around on the freeway interchange below.

Mom told me years later she worried I would be upset about not being able to continue with ballet lessons. Truth is, I never noticed.

These were the days before we had soccer. I was always doing something though. There were swimming lessons, from Guppies and Minnows all the way on to synchronized swimming. Brownies and Juniors and Girl Scouts. Piano lessons all the way through Grade 4, the Brown Book. And finally, art.

In middle school, someone told my folks about a woman a couple of miles away teaching young teens drawing and painting in her basement. Mrs. Marinello had about 6 of us at her home after supper on Tuesday nights. We drew and painted, and each of us worked at our own speed. She supplied all the paper and paints and props.

This lady was a beautiful, talented artist whose work hung in big museums and private collections and she loved sharing her time with kids. She painted intricate hunt scenes showing dozens of people on horseback with black-and-white dogs in lush woods. The paintings were gorgeous and huge. She always hid the fox in the foliage.

I painted a little in high school but never really got along with the art teacher there. I should have had art classes in architecture school, yet weaseled out of them by showing my portfolio to my advisor. My last paintings were on the walls of my parents’ basement where I later set up a studio while in architecture school. They were mainly doodles, some nudes, a Buddha, the logo from Woodstock, and one giant copy of the album cover “Quadrophenia,” which I did all in Payne’s Gray (more a deep blue/black color than gray).

I satisfied my artistic side in other ways over the years. But I never threw away my paints. Early this year I got them out again and started painting. I could not believe how great it felt. At first it was awkward, but talking about it with other artists helped me work through the weirdness.

I am trying to lose some of the perfectionism of my architecture career and embrace more serendipity in my work; hence, most of my work is abstract. That is not to say it is random paint on canvas. It’s just that rather than create something dependent on outside constructs and limits, I let the design come from the painting itself.

It’s a technique a good friend and talented artist taught me: step back and see what the painting has to say, then elaborate on it. I’m starting to get it. And I really enjoy it.



Come to my show!About Sharon:  In the ten months that Sharon has rediscovered painting, she produced 22 paintings — while holding down a full-time job! You can see all of her paintings on her Flickr account, bloomgal.

Sharon will join other artists at the Black Market Goods art show in Albuquerque on October 20. Black Market Goods is organized by Josh Jones, whose motto is “Bad ass art for bad ass people.”

These are dynamic, emerging artists whose work will tantalize and inspire. If you live in Albuquerque, get yourself to the show. Support art and artists in this city.

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