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Posts Tagged ‘Accept loss forever’

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Wheel Of Life, Minneapolis, Minnesota, October 2008, photo © 2008-2013 by QuoinMonkey. All rights reserved.


ONE: Gates Of Death, Stage 10 of The Great Round, begins the natural process of ending the Great Round cycle in preparation for a new beginning. Experiences that open this stage often come in losses or obstructions that challenge us to question who we are. The first mandala, Wheel Of Life, brings us face to face with the relentless passage of time. The Wheel of Life turns on, sometimes up, sometimes down, urging us to let go.

Medium: Crayola markers, Portfolio Brand Water-Soluble Oil Pastels, Rainbow Magic pens that erase and change color, Reeves Water Colour Pencils




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Celtic Cross, Minneapolis, Minnesota, October 2008, photo © 2008-2013 by QuoinMonkey. All rights reserved.


TWO: In Stage 10, we are being separated from that which is no longer needed. Celtic crosses made of tall, silent, enduring stone dot the landscape of Scotland. They stand against the sky, washed by the winds and rains of countless seasons, reminders that even though things change, there is a part of us that lives on.

Medium: Crayola markers, Portfolio Brand Water-Soluble Oil Pastels, and Reeves Water Colour Pencils




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Lotus, Minneapolis, Minnesota, October 2008, photo © 2008-2013 by QuoinMonkey. All rights reserved.


THREE: In mandala three, based on the Kali Yantra of Hinduism, destruction opens the way for creation. The eight-petaled lotus represents the goddess Kali in her nurturing maternal aspect. The inner circle, traditionally colored black, reveals her also as a Destroyer, the dark womb that absorbs all into non-being. The central triangle, ultimate symbol of divine feminine creative energy, holds the spark of new life.

Medium: Crayola markers, Portfolio Brand Water-Soluble Oil Pastels, and Reeves Water Colour Pencils




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Gateway, Minneapolis, Minnesota, October 2008, photo © 2008-2013 by QuoinMonkey. All rights reserved.


FOUR: Stage 10, Gates of Death, opens the last segue leading to the completion of a Great Round cycle, and urges us to walk through the gate into the unknown. It is time to let go of the way things have been and clear the way for a new beginning.

Medium: Reeves Water Colour Pencils, Crayola markers




October Mandalas — Stage 10 – Gates Of Death


The last few months I have been feeling empty, like I am nearing the end of a creative cycle. I have been wanting to shed the old, to wrap up lingering projects and push them out into the world, so that I can open to something new. It’s disconcerting to not know where you are going—a good time to revisit old practices. Yesterday, I spent most of the day in silence and opened the book on mandalas. When I revisited Stage 10, Gates of Death, I knew it was time to sit with the lessons it had to teach.

The mandalas are from the 10th month of a year-long mandala practice that began with the post Coloring Mandalas and followed the twelve passages of Joan Kellogg’s Archetypal Stages of the Great Round. I spent that year taking the Great Round to completion. But there was something I had yet to understand—-it would take until 2013 for events of my life to catch up to the last cycles of the Great Round. Some of the signs of Stage 10 – Gates of Death are:

  • losses or obstructions that challenge us, causing us to question who we are
  • things that once seemed important, seem empty & meaningless
  • bittersweet parting with what was; painful rending from what can no longer be
  • desire to let go of life the way it was, with no sense of what is to come
  • sense of deflation when the connection between Ego & Self grows more distant
  • aware of cycles of decay in nature and the eventual approach of death


Adding to the sense of disorientation I’ve been feeling, I lost a writing friend in July. And in November, I found out my blood father died on October 31st, ending any chance he might have to read the letter I wrote. Death. Decay. Loss. Rebirth. I still believe that anything we take on as a practice takes us where we need to go. It is the time it takes to get there that remains a mystery.



Archetypal Stages Of The Great Round on red Ravine:


Crystallization — September Mandalas
Functioning Ego – August Mandalas (Goethe & Color)
Squaring The Circle – July Mandalas (Chakras & Color)
Dragon Fight — June Mandalas
Target — May Mandalas
Beginnings — April Mandalas
Labyrinth – March Mandalas
Bliss – February Mandalas
The Void – January Mandalas
Coloring Mandalas


-posted on red Ravine, Thanksgiving weekend, Saturday, November 30th, 2013




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Walking The Bluff, last Midwest Writing Retreat, Lion’s Den Gorge Nature Preserve, Grafton, Wisconsin, March 2013, photo © 2013 by QuoinMonkey. All rights reserved.


Writing friends are hard to come by. Friends who are good practitioners of writing, even harder. The last time I saw Bob was at the Milwaukee airport in March 2013. He smiled and gave me a hug, then we walked to separate gates after five days of Sit, Walk, Write with Jude and Teri. We met many years ago at a Natalie Goldberg writing retreat in Taos, New Mexico. The Midwest Writing Group we formed has continued to meet every year since to practice writing. To honor silence.

For me, Bob was one of the pillars of our writing group. He held the space, led the slow walking, kept time when we wrote, engaged in lively discussions at the dinners he prepared. He was an excellent cook. I will never forget his laugh. Bob contributed work to red Ravine and continued to post practices with me after others fell away. I could count on him. Today, Sunday, August 4th, 2013 at 3:30pm, a memorial service for Robert Tyler Chrisman will be held at All Souls Unitarian Universalist Church, 4501 Walnut St., Kansas City, Missouri.

Bob Chrisman, born Robert Tyler Chrisman on May 3, 1952 in St. Joseph, Missouri, passed away peacefully Friday, July 12, 2013, at Kansas City Hospice following a massive stroke. He was surrounded by family and friends who sang to him until his final breath. When I was reading back through Bob’s writing on red Ravine, I realized we had done a Writing Practice together in 2011 on Death & Dying. I find comfort in his words:


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Why all this focus on death at a time of year when the world screams with life and beauty? Why must death occur during these spring months when the earth bursts forth in new life and beautiful shades of yellow-green, when flowers of all colors open and scent the air, and when we can say, “Winter is gone for at least seven months”? Why?

Maybe all this life and beauty replaces the darkness and depression of the winter and I want no more of it. Give me life in all of its forms and beauty. I suffer enough during the winter and I’m over it, but I’m not, it seems.

I notice the beauty and revel in it because I know the bleakness of winter. Joy returns to my life because I know that the good times may not last forever. The friends I carry in my heart as the treasures of a lifetime will die. I must rejoice in their being while they are with me and not put that off for a change in the season or the approach of death.

How is it that the richness of life requires us to know the poverty of despairing times? Does it work like salt on cantaloup or watermelon? The saltiness makes the sweetness that much sweeter as death makes life more precious.

If I could stop death and dying, would I? No, I would let things happen as they must. I might even bring death to those I love earlier if they desired it, but that’s not my place in life. Sitting next to the bedside of a friend who’s dying makes me aware of the value of the time we had together and what a loss their death will be. If they must die (and they must), I can spend the final days and hours with them and carry them and those times in my heart until I pass from this earth.


-Bob Chrisman, excerpt from a 2011 Writing Practice on the WRITING TOPIC — DEATH & DYING.

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GATE GATE PARAGATE
PARASAMGATE
BODHI SVAHA

Gone, gone, gone beyond
Gone completely beyond
Praise to awakening


-posted on red Ravine, Sunday, August 4th, 2013. I miss you, friend. And I carry you in my heart until I pass from this earth. I believe..

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By Elizabeth Statmore


Fromage died on Saturday, May 12th 2012 at 11:30 p.m. at All Animals Emergency Hospital, surrounded by us and our love. He was dehydrated and disoriented, with a temperature of 105.6. Normal temperature for dogs is 101-ish, with 102 being in the high fever range. So Fromage had a raging fever, probably from a combination of a brain tumor (or nervous system tumor) and end-stage kidney disease.

We knew it was serious when he couldn’t do anything with a Beggin’ Strip — his favorite treat in the universe. And I’d dreamed Wednesday morning that he died. I knew it was a precognitive dream, but I didn’t know how or when the end would happen.

He did his utmost to stay alive for me — to support me and love me through this disorienting chapter of my life. He showed the same heroic courage and love he had shown us all his life. He was an impeccable warrior to the end, but in the end it was time to let him go.

It was the night before Mother’s Day.

It’s the little things that really punch me in the gut — the moments that interrupt my conditioned habits, such as automatically tucking the newspaper bags into the plastic bag collection next to the front door, only to realize that I don’t have a need to save dog poop bags any more.

I put his sterling silver tag on a chain and started wearing it around my neck last night as I went to bed.

He was the only being who has ever called me his mother. On our first Mother’s Day he bought me a pair of dog socks.

He was the dog of my life.

He was the dog of my heart.

I somehow left my favorite fountain pen at school on Friday, but I was too stressed-out and worried yesterday to deal with it. But this morning, all I wanted to do was write, so I drove down to school and back to retrieve it.

When we got to All Animals, Fromage had a fever of 105.6. This was a raging brain fever. He couldn’t even walk down our front stairs. I carried him in my arms down the thirteen front steps — all 60+ pounds of him. David carried him into the car. He was dehydrated and disoriented and scared. He was dying.

I held him in the back seat while David drove. He lay quietly on the back seat, watching where we were going.

He had kept himself alive so he could support me. And now I knew it was my turn to support him by letting him go and by easing his passage into the next world, into his next life.

Fred always said that Fromage was my spirit guide.

Now my heart just aches. David’s too. Fromage loved David so much, even though David felt hurt that Fromage was always so freaked out and demented these last few years. David hugged him and loved him too, even though there was so much dog hair. By last night, no one cared.

I can’t put away his old beds or mats yet. I am still processing the fact that he is gone. There is a giant Fromage-shaped hole in my heart — one with one stand-up ear and one flappy ear. The stand-up ear is his right one. It has a bite taken out of the tip. My lips and fingers know the shape of that missing spot instinctively. Completely. Like a fingerprint.

He’d been staying alive to get me through this tough time. On Wednesday night I got the word that my layoff notice had been rescinded. He went downhill fast from there.

I loved that dog so much.

He loved me more purely and wholeheartedly than I had ever been loved before. It was a healing kind of love. He healed me. He made me whole.

When Crystal and I saw Mary Oliver the first time at the Herbst a few years ago, Mary had recently lost her longtime partner, Molly Malone Cook, and had been writing about it for some time. A woman in the audience asked how she’d gotten through the devastating loss. “Well,” she said, first you go a little crazy. You go nuts for a while.” That thought comforts me now. I am going to have to go a little nuts for a while while I grieve.

The loss feels cavernous.

It’s also tinged with fear and shame that I might not be experiencing appropriate gratitude for the gift of his life. I *do* feel a bottomless gratitude for his life. It’s just that right now, this is the part where I have to take in and let out the hurting — the loss and the groundlessness of impermanence.

In legal terms, I rescued him, but the emotional truth is that he is the one who rescued me.

He was a magical dog, a magical creature. In mythical terms, he was my magical helper-being.

“A dog lives fifteen years, if you’re lucky,” Mary Oliver writes in one of her dog poems. In so many, many ways I’ve been very, very lucky. Fromage was in good health and good spirits until this very last week. He enjoyed long walks and Trash Night and giving David five and ten and eating Beggin’ Strips until the very last day of his life. He watched for my return through the glass in the front door every single day of our life together.

As we left the hospital room after it was over, I kissed him behind his flappy ear — where, even in death, he still smelled like a puppy — and I whispered to him, “Okay, Puppity, guard the house.”

Then we left the treatment room and closed the door behind us.

I did not look back.


Fromage at the Dog Garden, Dog Garden, San Francisco, California, April 2004, photo © 2004 by Carlos Hillson. All rights reserved.


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About Elizabeth: Elizabeth Statmore is a San Francisco-based writer and teacher of writing and mathematics. She is a long-time practitioner and teacher of Writing Practice, which she learned from Natalie Goldberg. A frequent contributor to KQED-FM, Elizabeth’s last posts for red Ravine include Seed Starting, a piece about writers as gardeners, and Writing The “Remembering Grace Paley” Piece — a step-by-step tutorial on how she turned a raw piece of writing into a finished radio commentary. Elizabeth was also one of our first guest writers, contributing the post Abandoned Is… Fromage was her dog and spirit guide of almost fourteen years.

Long is Part I in a series of three Writing Practices about the love and loss of Fromage.

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By Linda Phillips Thune

 
 
 
 
 

This Wind
 
     (For Annie and her sisters — Mother’s Day, 2010)
 
 
 
This wind lifts through
the grass and leaves and curtains
taking with it some dreams
     but not all
some tears
     but not all
some joy
     but not all.
What weighed unbearably
becomes light
riding away on this wind
brushing by my face —
invisibly, softly, sweetly —
on its way to where ever wind begins.
A fresh chance remains.
A clear view remains.
Prayers remain.
Love lives.


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About Linda: My name is Linda Phillips Thune. Writing, for me, has long been a series of offerings, gifts, to those who needed a thought, a prayer, a part of me. Now, as the focus of my life moves away from my children toward my self, writing is becoming my raft… I’ve loved words always, and after a long road to a Master’s in Literature, I am fortunate to share that love with my students. Recently, I lost a daughter. Her father, her sisters, and I are still wavering in the pain of her loss…hopefully, words will keep us looking to the light.

To read more of Linda’s writing, please visit her blog, In the Margins.

 
 

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Sweet Boy Chaco, February 22nd, 1996 — June 25th, 2009, Minneapolis, Minnesota, BlackBerry Shots, December 2009, photo © 2009-2010 by QuoinMonkey. All rights reserved.


Sometimes you mark the passage of time by the death of a beloved pet. It’s been a year since we made the tough decision to let Chaco go after a brave battle with kidney disease. He was born February 22nd, 1996; Liz adopted him from the Golden Valley Animal Humane Society in April. If you had to choose breeds, Chaco looked like a cross between a Bombay and a Havana Brown. He loved vanilla yogurt, batted at his water dish until it was bone dry, purred like a 1969 Chevy Camaro, and talked incessantly (but not quite as much as a Siamese).

The eve of June 25th, 2009 was a sleepless night. Chaco spread out over the couch on a white blanket next to a wrapped bouquet of tickseed, spiderwort, and Queen Anne’s lace Liz picked from the garden. We took turns sitting with him. When Liz went to bed, I got up and nestled beside him, stroking his back and chin, silently crying. It’s a gut-wrenching decision to choose to put a pet to sleep. It all comes down to quality of life.

On the afternoon of June 25th, Chaco stared up through the ash tree on our deck, his emerald eyes wide and curious when Liz carried him to the Saturn for his last drive to the vet. In August, we donated bags of saline to the Golden Valley Humane Society in his name. By December 2009, we spread his ashes around the circle to the drumbeat of Winter Solstice.

If you’ve never lost a pet, it’s hard to describe the mourning. Or the space that opens up after the time spent caring for a chronically ill cat is finally over. But I can tell you that Kiev and Mr. Stripeypants mourned; they moped around the house for weeks. And Liz and I cried 1000 tears. Chaco’s death left a hole in our lives.

I can also say that life goes on. Hearts heal. And words of grief and loss are sometimes best left to the poets. When Liz read Charles Simic’s poem Little Unwritten Book at our Poetry & Meditation Group last week, I cried another tear — 1001.



LITTLE UNWRITTEN BOOK

by Charles Simic


Rocky was a regular guy, a loyal friend.
The trouble was he was only a cat.
Let’s practice, he’d say, and he’d pounce
On his shadow on the wall.
I have to admit, I didn’t learn a thing.
I often sat watching him sleep.
If the birds tried to have a bit of fun in the yard
He opened one eye.
I even commended him for good behavior.

He was black except for the white gloves he wore.
He played the piano in the parlor
By walking over its keys back and forth.
With exquisite tact he chewed my ear
If I wouldn’t get up from my chair.
Then one day he vanished. I called.
I poked in the bushes.
I walked far into the woods.

The mornings were the hardest. I’d put out
A saucer of milk at the back door.
Peekaboo, a bird called out. She knew.
At one time we had ten farmhands working for us.
I’d make a megaphone with my hands and call.
I still do, though it’s been years.
Rocky, I cry!
And now the bird is silent too.


-from WALKING THE BLACK CAT, published by Harcourt Brace and Company (1996)


Chaco Dust, Minneapolis, Minnesota, December 2009, photo © 2009-2010 by QuoinMonkey. All rights reserved.


-posted on red Ravine, Tuesday, June 29th, 2009

-related to posts: Chaco’s Creature Comforts (10 Cat Care Tips), From The Earth, Back To The Earth , Winter Solstice — The Quiet Strength Of Bear, Life Of An American Green Tree Frog, Children Helping Children (And Animals)

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Blue Moon Over Ice Skating Rink – 0/365, BlackBerry Shots, Full Blue Moon on New Year’s Eve, December 31st, 2009, Minneapolis, Minnesota, photo © 2009-20010 by QuoinMonkey. All rights reserved.





Through The Looking Glass


season to season
hindsight is 20/20
reflecting the past;
future remains uncertain,
jumps hoops through the looking glass


–tanka from hindsight haiku — pink cadillac (on the road), October 25, 2009





Writing Practice — Looking Back – 15min


Looking back I see hot hazy days when I didn’t have a job. What seems like the best opportunity to work on writing, art, photography, becomes consumed with worry. Looking back I see that Chaco died. He didn’t just die. We made the hard decision to put him to sleep. An odd turn of phrase, put him to sleep. It’s the second cat where I’ve had to make that hard decision. The first was my cat Sasha; it was years ago. Looking back I feel gratitude. For Liz, Kiev, Mr. Stripeypants. For my writing group, for Roma and her partnership with me on red Ravine. I feel grateful I have my health. Age, I’m aging. But overall, I have survived another year. The gray hair is multiplying.

Looking back, there were visits with Amelia, visits with Marylin. Mothers are important to me. Time with mothers. Time with my mother. How much time do we have? One never knows if they will live into old age. I like the yearly trips I take to the South and this one was no exception. There wasn’t enough time but the time we were in Georgia and South Carolina was relaxed. The reconnections I have made there the last three years are invaluable. Links to what was, links to what might be.

Looking back, I feel like I don’t do enough, don’t accomplish enough of my yearly goals. I hate setting them anymore, but I must. I feel like I get so little done. Recently a friend called and mused that we might feel an urgency to get more done because of our age. We are not spring chickens, not in our twenties, not even in our thirties, and here we are trying to make some kind of alternative life work out. Looking back, my car Greta made it through the recession with only the need for a radiator and some new wiper blades. Sylvia the Saturn made it, too. No new car payments — yet.

Looking back, I am happy where I live. Indria is humble, tiny, small. But every day I wake up and look out over the oaks, ash, and cedar. I feel happy to come home and watch the moon rise behind the cottage. I wish it was larger, that we had two more bedrooms, one to write, one for art. Hers and hers. Should we build on? Or buy a new house? Is it ever in the cards to have enough room? Small is good, too. I’m used to small, crowded houses. That’s the way I grew up with 5 younger siblings. There is something comforting about small.

Looking back, I don’t want to trade my life for anyone else’s. My mistakes are my mistakes. I can live with them. I have to. I don’t often remember the bad that happens in a year, mostly the good. And the gratitude I feel for the richness in my life, no matter how much I might be lacking. Is that keeping me from going forward? Have I gotten lazy. Or am I simply tired. Looking back, I’m happy to have a job, though it takes a toll on me. If you had asked me even a year ago, I would have said, “No, I’m never going to be driving truck.” But here I am. Never say never.

There is an opening in there somewhere. Gratitude for the abundance of having a job. Money coming in. So many are without work. Yet my work is my art, my writing, my photography. It will be the dilemma of every artist — how to make a living while being a creative soul. Our world does not support it. We have to. We create our own worlds, surround ourselves with people who help hold the dream. People matter. But it is each of us who has to do the work. Am I doing the work?



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Post Script: I wanted to combine several of my yearly practices in this post on looking back. Above is a tanka I wrote on the trip to Georgia this year, the Reflection part of my Writing Practice on WRITING TOPIC — REFLECTION & INTENTION, and a photograph of the Blue Moon from my photo practice. Below is my yearly Gratitude list. I do one at the end of every year, a result of peering through the looking glass, looking back on the good things in life.


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A – Accept loss forever. Learned this from Kerouac, then from Natalie Goldberg.  Easy to say, hard to do. Makes the world a much better place to live.


B – Breaking free. From the ties that bind. I am the one who keeps me back. It was a constant battle over the year to let myself be. To do nothing when I needed it. To sit and stare into space. To break free from old worn out habits that are keeping me back.


C – Cats. These 3 bundles of joy brought much happiness to my life in 2009. Chaco has moved on but we don’t forget. We scattered his ashes this year around the fire at Winter Solstice. Sometimes I still hear him pattering through the house, keeping night watch on the back of the couch. Chaco was a Nightowl.


D – Dead of Winter. I love Winter. It makes me feel alive. January to January, the Midwest Winter is nothing to sneeze at. It was -21 this morning. It’s warmed up to -8. Sometimes the Dead of Winter is when I have the most ripeness going on inside.


E – The letter “E”. I’m thankful for the vowels. They hold up a lot of words. Like Elizabeth. I thank my lucky stars every day that she’s my partner, that she’s in my life.


F – Fathers. I have a new respect for the role that fathers play with their children. Young children. Adult children. I have learned from reconnecting with my step-father in the South that it is never too late to heal. Never too late to realize the love. I have learned from my brothers who are good fathers how important it is to be there for your kids. I have learned from ybonesy and Jim how good fathers make a difference.


G – Gratitude – humble gratitude for others, those who came before us, those who run parallel, the children of the future, all teach me perspective. Sometimes I feel great loss. I try hard to get back to Gratitude for what remains.


H – Humble Pie. I’ve eaten a lot of it. Humility helps me remember — Do not waste this precious life. Humility always takes me back to center — Home. (Oh, and wasn’t Humble Pie a band from the 1970’s?)


I – Itches, those nagging, pesky things that make you want to jump out of your skin. You can’t scratch every itch. But don’t the itches raise the most important questions?


J – January. Some years I’m glad to be starting over, to walk into the clean slate of a New Year. This is one of them. Time may be boundless but the calendar offers a structure. Something that helps keep me on track.


K – Kindred Spirits. Make the list again this year. Not just community or people who are alive. But those who travel with us across the Ethers. And animals, like our cat Kiev. She’s solid as a rock. There are so many life forms that walk the Earth with us. The veil is thin.


L – Love. Love is underappreciated. The word is thrown around loosely. There are so many kinds of love, I have lost count. But the feeling of giving or receiving love — I would not trade it for money, fame, or fortune.


M – Mothers. Most of the nurturing of the world falls to women. This was true when I was born, it may still be true at the end of my life. I wish I could say it’s different, that all nurture the world. But it doesn’t seem to be women that take us into war. Or perpetrate most of the violence in the world. If I was wrong, I’d happily admit it. If I’m right, I pray for more balance. That’s too heavy a weight to carry.


N – North Carolina. I know it seems odd. But driving through North Carolina, it seems like one of the most beautiful places. I’ve also discovered that many of my relatives come from North Carolina, something I didn’t expect. This is true on the paternal and maternal side. I am rooted in the South.


O – Overdrive. Wait, I guess this is something that should go on my future Intentions list. But it popped into my head. People who run on Overdrive teach me about reaching goals. I don’t want to be a Type A personality–I only want a pinch of their drive.


P – Pants. Mr. Stripeypants is over a decade old; he acts like a kitten. I can’t explain the joy this cat brings into my life. He plays fetch with me in the morning, drapes over my arm when I write, greets us at the door after a hard day at work, follows us around the house in a constant state of curious abandon. I learn a lot from Mr. Pants.


Q – Quest. I’m always questing. Like a Knight but not in shining armor. I’d be one of those Dark Knights. After all, you need them, too. The ones that sit at the Round Table contemplating, one foot underground, one foot in the sky. They are all searching for the Grail. I think curiosity is an asset. I just wish it would quit jumping around. Hopscotch, 1-2-1-2-1-2-1, back again. Once in a while I wish throwing the rock was enough, just to see where it lands.


R – red Ravine. It makes the list again. Every year there is something different. It’s a practice in the collaborative spirit. Sometimes it’s the thing that keeps me going when things get hard. Where will it lead? Right here, right now. I’m grateful for every single person who has ever visited red Ravine.


S – Snow. It’s practical and romantic. A water reserve for dry summers, a heart bouncer for Winter rides on the horse-drawn sleigh. We got a boatload in December. It snowed like a banshee over the Christmas weekend. I used to ski but these days I’m happy to get out and walk in the snow. I don’t mind shoveling. But I have to admit, this year I thought about buying a snow blower.


T – Tracks. Animal cairns. We follow tracks in the snow in our front yard. Raven, crow, moles and voles. Rabbits, squirrels, raccoon. Tracking takes patience and an eye for detail. I’m not that good at identifying which tracks go to what animal. But I love to guess. Then check my tracking book for the right answer.


U – Understanding. It’s the brother of forgiveness. I had to live a while before I understood what it meant to forgive. Not everyone can be understood. But it helps to try. I understand that not everyone is perfect or impeccable. I forgive myself for not being those things either.


V – Veracity. An unwillingness to tell lies. A propensity for the truth.  They even made a movie about it — The Invention of Lying. Is telling the truth always the best route? What truth? Whose truth? I like looking at the Underbelly — the unwillingness to tell lies seems more realistic.


W – Woodpeckers. We had two sightings of the Pileated Woodpecker on our property this year. What a joy it is to see them. They’ve got to be the closest thing to seeing a prehistoric Ivory-Billed. The Ivory-Billed Woodpecker is a lot like the Loch Ness monster — now you see it, now you don’t.


X – X-Ray Vision. The absence of it. I’m thinking if I had X-Ray vision, I could see into the future. But I wouldn’t want to know. I’d rather take my chances. And make small decisions along the way.


Y – ybonesy makes the list again. She’s made leaps and bounds with her art this year. That inspires me, fires me up for my own creative endeavors. She’s a woman who seems to be able to do it all. I admire that. And feel so much gratitude that she’s collaborating with me on red Ravine.


Z – ZigZags. Like lightning. I’m grateful for zigzags because they are the way I live my life. Cancer the Crab rarely takes the straight line anywhere. Back and forth, testing the waters. She does finally land. Solid. For a day or two. Then off again on her quest. You can’t have a zig without a zag.


-posted on red Ravine, Saturday, January 2nd, 2009

-related posts and to read more about the practice of Gratitude: Feelin’ Down For The Holidays? Make A Gratitude List, The ABC’s Of A Prosperous 2008 – Gratitude, I Am Grateful For The Alphabet ;-), Runes, Oracles, & Alphabets

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I was listening to NPR early Saturday morning on the way to a meeting. The journalist was interviewing a soldier from Wisconsin who had been shipped to Iraq for another tour of duty. In his cache, the soldier had illegally stashed a stack of books, including a copy of Jack Kerouac’s On the Road. He said he had read it as a young man and it inspired him.

Thinking he would get in trouble if anyone discovered his bivouac library, the soldier seemed pleasantly surprised when his superior was happy he had packed the literature. They now regularly swap books.

At the end of the interview, the journalist asked the Wisconsin soldier how he reconciled reading On the Road in the middle of a raging war with the Beat Generation’s anti-war sentiments. The soldier responded, “War is hell. But I’m a soldier and this is my job. It’s what I signed up for. I wouldn’t want it any other way.”

When I got home last night, there was a program on PBS about the Blue Star Mothers of Minnesota. The Blue Star Mothers of America, an organization that originated in 1942 in Flint, Michigan, is a support group of mostly women whose sons and daughters have gone to war. If their children don’t come home, they become Gold Star Mothers. No mother ever wants to become a Gold Star Mother.

I watched with sad tenderness as these strong women told their stories. It reminded me of when I was about 12 or 13 and the 22-year-old boy, James, who had just married my young Aunt Emmalyne, was killed in Vietnam only months after he’d left South Carolina for the front lines. She was pregnant with a child that would never see his father. The impact on our family was immediate and devastating.

I later lost contact with my Aunt after we moved to the North. But in my 30’s, I happened to be in Washington, D.C. when the Vietnam Veterans Memorial, designed by Maya Ying Lin, was dedicated. There were veterans milling around everywhere – some decorated and in wheel chairs, some in civilian clothes, most in fatigues strolling the grounds solemn and teary eyed. It was a rainy afternoon. When you walk in the mist, you get wet.

I walked the 246 feet of black granite until I found my Uncle’s name. Then I reached up on tiptoes, placed the rectangular paper over the 9 letters, and rubbed a graphite pencil across the granite. After I was done, I placed a red rose at the base. It was very powerful. The paper is tucked away with my keepsakes.

War is a horrible thing. And families are stuck in the middle. How do they keep supporting their sons, daughters, husbands, and wives in the face of the adversity, deceit, and media spin that flies at them every day?

In Taos last year, a woman in the writing retreat wrote about her two sons preparing to go off to Iraq. I think that’s when I started to see how none of this is black and white. From an emotional perspective, there are no winners. There are losses. And more losses.

I don’t support this war. I don’t support any kind of war. I believe in working toward peaceful solutions. But I do have a new empathy for families and friends who go off to fight for what they believe are the right reasons – individual freedoms. And I support every person on this planet being able to celebrate the richness and freedoms I wake up with every morning. I take them for granted. I don’t want to do that anymore.

I want to remember my Uncle James and every sentient being who has ever perished in war. My way of doing that is to write. And I know of at least two soldiers who are reading another writer, Jack Kerouac, in their downtime in Iraq as a way to lift their spirits. So this is for them.

 

BELIEF & TECHNIQUE FOR MODERN PROSE
Jack Kerouac

1. Scribbled secret notebooks, and wild typewritten pages, for yr own joy
2. Submissive to everything, open, listening
3. Try never get drunk outside yr own house
4. Be in love with yr life
5. Something that you feel will find its own form
6. Be crazy dumbsaint of the mind
7. Blow as deep as you want to blow
8. Write what you want bottomless from bottom of the mind
9. The unspeakable visions of the individual
10. No time for poetry but exactly what is
11. Visionary tics shivering in the chest
12. In tranced fixation dreaming upon object before you
13. Remove literary, grammatical and syntactical inhibition
14. Like Proust be an old teahead of time
15. Telling the true story of the world in interior monolog
16. The jewel center of interest is the eye within the eye
17. Write in recollection and amazement for yourself
18. Work from pithy middle eye out, swimming in language sea
19. Accept loss forever
20. Believe in the holy contour of life
21. Struggle to sketch the flow that already exists intact in mind
22. Dont think of words when you stop but to see picture better
23. Keep track of every day the date emblazoned in yr morning
24. No fear or shame in the dignity of yr experience, language & knowledge
25. Write for the world to read and see yr exact pictures of it
26. Bookmovie is the movie in words, the visual American form
27. In praise of Character in the Bleak inhuman Loneliness
28. Composing wild, undisciplined, pure, coming in from under, crazier the better
29. You’re a Genius all the time
30. Writer-Director of Earthly movies Sponsored & Angeled in Heaven


Sunday, April 29th, 2007

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