by Alissa King
The Note on the Refrigerator
When I have memories of my mother, they are other
peoples;
other people’s mothers, other people’s memories.
A perfume like violets, and the cadence of gypsy
music,
vials and colored glass bottles, pearl strands and
glittery earrings
arranged upon an upturned mirror; gold brooches,
delicate curios.
And there is tinkling laughter, and a swishy, glittery
dress.
This creature is surely a machination, for she is the
ultimate counterpoint to
the bold, broad shouldered woman forever hauling an
infant around
on a shoulder, a hip.
That harried creature of bustling industry with
kids seeping out of every nook and cranny.
No, I see chatelaines and laces, opera glasses, velvet
masques —
a curl dropped just so;
a deep red Tiffany Box with inlaid satin.
Whose mother was this?
And who is this other lady hiking through the Sequoia
forest;
the maternal one with arms and extra padding for comfy
hugs,
wielding a trowel or a walking stick?
Yesterday, she scrawled a note and left it on my
refrigerator
in that loopy slant that is rounder and more measured
than my own:
“I brought you a medicine bracelet from the Cahuilla
Reservation. The red stone beads remind me of your
hair. Palm Springs was nice, we spent a day at the spa
but my favorite day was at Rancho Mirage, on the
reservation. We took photos. Beautiful places. Your
refrigerator was a MESS! I cleaned it out. Remember to
pick Sierra up at the library, 2pm. Stroganoff for
dinner, don’t be late.”
I study my note now, looking for the fusion, the
turning point.
It is just a little more than something that you read
and then
don’t look at any more.
I read it twice today, and fold it, and put it in a
shoebox
with other sacred artifacts that cannot be thrown
away.
This is today’s tangent, making me sensitive.
Morbid, my mother would call it, but I need to guard
against the day when such a simple thing, such a
casual scrawl
may be treasured and revered.
Reflections, photo © 2007 by QuoinMonkey. All rights
reserved.
Discount Days at the Zoo
It’s been a handful of years
I’ve reigned as that supreme creature:
A mother minus a mate.
Funny how it has become a little box now
On certain administrative forms —
Single mother, broken and regal;
the words don’t communicate deficiency
in and of themselves.
They speak of obstacles
and somewhere, back and back,
trouble.
Despite the challenges,
we find joy outside the lines.
We color new trails around
a path more customary,
marking our way with personal occasions.
I liked evenings in underwear,
companionable;
a diapered, milk mustachioed young lady
grinning cheerfully.
The woman curled around her soft, sweet form
giggling and making expressions.
What so cozy as this half clad cuddle time?
Later,
after the stem fell off, after colic,
when dimpled buns could fill the thrift store
stroller,
we’d make our sojourns out to the park
and the library,
and sometimes to bigger adventures.
Some days we would see printed in the paper
half way down, in bright, bold letters:
“Discount Day at the Zoo!”
Here was a cause for celebration!
This was call for preparation and ritual.
We would set out our clothes, the emerald tee shirt,
a tiny jumper, the box of crackers that would quickly
be forgotten
in the presence of more tantalizing treats.
We would revisit our short list,
making sure our favorites were still our favorites:
Polar Bears, Orangutans and Lions.
(For should some calamity befall mid-trip
such as the sky dropping unceremoniously
onto the concrete wall of the lion’s exhibit,
these were the creatures who would receive a final
glance,
a fond farewell. The Zebras and the Lemmings, however,
were simply on their own.)
And so we’d go, always to the shortlist first
making our rounds, stopping at the fountain
and at the statue park to play.
My darling is sunny in pigtails
beaming out of half a dozen photographs;
feeding ice cream to fiercely tarnished alligators
We would stare at one animal for twenty minutes,
sometimes,
and my baby would be transfixed
and I would be smiling,
lifting her up to see, my back strong and muscled
like the capable heroines of the bible.
I knew my strength and my joy to be here on this
planet
with all these wondrous things; confident in my place
among the fur watchers, the beast seekers.
I was indomitable and graced —
some days.
There were other days my eyes were avid
raking the people, not the zebras.
Seeing the women shuffle and snort
instead of the rhinoceros;
their mouths complaining, soothing, calling.
There were days my eyes were searching
for women with two or three children;
I was searching fingers, taking note.
We would sit close to the families of four,
so pretty a picture in their family groups;
and you would see the family men:
The daddies with diaper bags slung over their
shoulder,
or a toddler in tow, gripping, yanking.
Men with daughters, men with sons
ruffling hair, teasing their women folk.
Their women folk.
Sometimes I wasn’t anyone’s women folk,
and I knew it.
Sierra and I would sit at the sticky, metal tables
beside the snack bar, and I would spread out our stuff
making it big; bags and coats filling up the benches,
filling up the space.
And I’d talk loud, and I’d laugh frequently, and sing
serenading my daughter, so lovely she was
heartbreaking;
so small, she could snap, and break,
If I should chance to take my eyes away too long.
I’d talk and laugh and sing to her,
creating bold outlines for our family of two.
And then, inevitably, the day would fade.
The frenetic energy of the throngs would give out
Slowly, and then more surely
sugar rushes would crash;
and while twilight advanced on the people of the park,
the birds of prey exhibit would wake.
Eerie hoots would indicate the advent
of fuzzy heads bent over tired shoulders.
A slow parade of people would make their way
gently from the gates of the park
and out into the world.
My daughter is cuddled in her car seat.
The velour snuggles her body like a womb.
We are two creatures on the planet heading out again,
to connect and to have our hearts broken,
to celebrate our little stretch of life here;
and tonight there is so much reason to
look forward.
About Alissa: Alissa King attended Marylhurst University, a private college near Portland, Oregon for three years. She is a single mother who lives near her family on the Oregon Coast. She writes articles and stories online for Helium.com, Associated Content, and Elance.
About writing Alissa says: I have always written, since the age of five. I used to get out my mom’s old typewriter and compose short poems to hand out as ‘presents’ to my oh-so-patient family members. This year I’m taking the opportunity to really devote time to writing. Having developed a daily discipline, now it’s about finding the confidence to try and write the bigger stories. It’s scary in a way to actually attempt your dream. You can no longer say, “Oh, I could do that if I tried.” There’s no cushion between you and the dream anymore. You just have to do it.
I have been moved to tears by these two poems – simply, they are wonderful! G
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I, too, was moved. “Discount Days at the Zoo” says so much. I picture the families and the dads with bags hanging off their shoulders, and I recall a certain loneliness I felt when I was in my mid-20s living in Spain, a wall between me and the happy families. I didn’t have the wherewithal then to find my own happiness, unlike what the narrator of this poem achieves.
I also wanted to say that the refrigerator note — folding it up and tucking it away into a box where sacred things are saved. I do that, too. I have little pieces of paper tucked away all over — notes people I love gave me, or notes I wrote about people I love. And voicemails — I had one of my husband being goofy, and I thought, What if something happens to him, I’ll want to have this forever. And one of Natalie so I could hear her voice. And my mother-in-law, who has cancer. I saved them for a year, and then finally, just recently, I deleted them.
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I’ve read these about 5 times now. Each time has deeper meaning. And I notice different words and turns of phrase. I love how both poems tie together in the way they weave in and out of mother/daughter relationships of all ages. It doesn’t matter how old or young we are – we are always our mother’s daughters (and sons).
The poems seem sad to me. But also strong. As if something wise is being passed down. Hopeful.
I wanted to ask Alissa about her revision process with poetry. How many drafts did it take you to complete these? And what kind of time frame? Ever since I read about Donald Hall’s revision process, I like to ask writers about that.
And to ybonesy, what made you finally delete them?
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suburbanlife- That means a lot to me to hear, thank you!
ybonesy- I do that too! I still have a message from a long ago ex, just because it was a particularly nice message and I wanted to remember him in a nice way. One day I’ll delete it. Some things are important to keep an archive of, but other things I save might tip the scales more toward ‘obsessive’ or ‘morbid’. As long as that shoebox is up there, it’s easier to stay present in the land of the living.
QuoinMonkey- Revision.. that’s an interesting question. 🙂
Both of these poems were written for a poetry anthology I attempted two years ago for the independent press, Milkweed Editions (Based in Minneapolis!) The anthology was rejected but with some very nice words from one of their poetry readers. I left The Note on the Refrigerator the same, but Discount Days at the Zoo I go through and change every couple of months, it seems. The ending part, with the birds of prey wasn’t added until this last January.
I’m still not sure of the beginning and it might go through several revisions more until it’s what I’d call completed. The quintessential ‘work in progress’. Total drafts for the first poem: 3 minor revisions for flow and language. Total drafts for the second poem: More than two dozen.
I want to know what made ybonesy delete the messages, too.
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I’m glad to hear you were encouraged by one of the readers for the anthology. That doesn’t seem to be the norm. Are you still writing much poetry?
Deleting the phone messages…well. I used to save little. Three letters from my dad, a few from previous loves. I lived in Spain yet didn’t take photographs. I used to believe that there was no way I could hang on to the past. And that changed. Little by little I’ve accumulated. So, one day when the system voicemail thingmabob prompted me to listen to my old messages for what seemed like the 50th time, forcing me to resave them, I let them go. It was partly feeling inconvenienced and partly wondering if I was just waiting for something bad to happen. Like the messages were my life insurance policy.
But, I’m still saving paper.
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Alissa, I wondered, too, if you are still writing much poetry. Or if the project you mention in your bio is another type of project. I think what you say is true – it is harder to actually start living your writing dreams than it is to dream about them.
ybonesy, interesting about deleting the messages. It is annoying to go through old voicemails when the phone memory gets full. I’ve got a few I still save though. I just like to hear the good stuff once in a while.
You know what I love? To find an old letter or postcard tucked into a book I’ve read. I recently found a few postcards from the Intensive last year and a couple of letters. Nice surprise. 8)
I have a letter tucked away somewhere from my mother telling me about the day I was born and what she loves about me. I cherish it. I have lost track of some of my artifacts since the move last December. I am slowly going through them.
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You’re right, ybonesy, it was really nice to hear encouraging words, especially when you wait so long to hear back on submissions.
I write poetry now and then. Usually I’ll have a little fit of poetry for a day or two, but mostly now it’s articles and stories. Poetry’s kind of a fascination; and definitely not where my comfort zone lies.
That’s so neat, QM, to stumble upon letters in the midst of a great book. A little gift. Sometimes I find a letter or a postcard in a book from the library. It’s sometimes more valuable than the book itself, because you wonder about the writer’s story from the little snippet, and that can jump start the writing process in a unique way.
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Excellent writing! I loved Discount Days at the Zoo:)
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The first one really got me thinking. Turning points. There’s a moving line where the present flips to nostalgia. Once in a great while, they happen almost simultaneously.
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Alissa, I very much like the duality in the fridge note poem, the “other mothers” and your own. A reference to society’s concept of what maternal is, and the individual reality of each of our own?
And the zoo poem is very touching; found myself wondering if Sierra’s preferences at the zoo carry over into stuffed animals.
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Funny how it has become a little box now
On certain administrative forms –
Single mother, broken and regal;
the words don’t communicate deficiency
in and of themselves.
They speak of obstacles
and somewhere, back and back,
trouble.
Each time I read the poem, something different stands out for me. This time it is the above stanza, which captures an impression we have in society about single mothers. And, as you say, it’s not deficiency, per se. I love how you grabbed that essence.
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LB- Thank you!
jason- that’s what caught me too… when we tried to come up with a post title it was that line about the fusion/turning point that I kept coming back to. Trying to think of an example of the simultaneous experience… all I can think of this early sensory/perception. Ever had background noise while you’re dreaming and somehow the noise becomes a part of your dream as you’re dreaming it? That always boggles my mind.
Ombudsben- Thanks. I’m happy to report that polar bears and orangutans have stood the test of time in her ‘top fuzzy creatures’ list. But now it’s all about the horses. What is it about horses? Why do little girls fall so in love with them?
ybonesy- Thank you. 😉
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Oh my gosh, girls and horses. There’s a great topic for a post. From age 3-11, horses were the thing for my daughter. She has a horse, although we’re now starting to notice, she’s not that interested in it. Egads.
We also have a ton of horse stuffed animals. If you’ve ever driving through NM, Alissa, just give me a ring. Sierra will be in horse heaven.
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Whether to let girls have horses or not seems to be topical. Recently read this about Arden Hills, MN, where I’ll visit Saturday:
http://www.startribune.com/462/story/1443595.html
I think the city council did a favor for this girl’s parents.
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I have been anxious to comment on the immensity of these two poems. I have been eagerly reading all the comments. The conversation has just been wonderful.
This is such a great site to visit.
That is me, the little arm crossed girl demanding a horse, in OmbudsBen’s comment link. I swore I could keep one on a lot the size of a postage stamp.
Thank you, Alissa for the art of words you share.
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ben, I think 10-year-old Natalie from Arden Hills is headed down politician lane. I mean look at the defiance in her face! I did see in the article that her dad put her up to it though. I have to say, I think the city council did the horse a favor.
Hey, I’ll be thinking about you in Minnesota Saturday. Have a safe trip. It’s rainy and the leaves are starting to turn down here. They are already well underway further north. There’s no place like home. 8)
leslie, I would have pictured you like little Natalie from Arden Hills. I bet you were a great friend to have around….strong and a lot of fun.
ybonesy, I can’t believe she’s not interested in her horse anymore. Wasn’t it just last summer when she was riding her heart out? Is this the time when peer pressure takes over. It reminds me of the team vs individual sports post you did. There is more pressure for kids to play team sports. But I always admired the kids who ran track, rode horses, and played tennis, the one to one sports. Ah, keep us posted.
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“The Note on the Refrigerator” touched me at some very deep level. Those contradictions in the reality of a person who is also a symbol to us… and the need to preserve as you go, steeling yourself against the inevitable. Very touching, very true and real. Thank you, Alissa.
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I suddenly had a new question about these poems. Is “Note on the Refrigerator” more about being a child and having a mother, whereas “Discount Days at the Zoo” is more about having a child and being a mother? Maybe it’s not so simple as that, but for some reason, my mind toggled that way between the two poems as soon as I read pmousse’s comment.
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These are beautiful. I particularly like the imagery, both of the mother image that seems so different from your own–and I think it’s common. I have that too, a different image seems to wedge itself in there, wanting to challenge the reality of memory. I also particularly liked the imagery at the tables at the zoo, the small family becoming larger, taking up space, filled with love.
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[…] The Turning Point: Two Poems by Alissa King […]
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Just a note – we have the same name. Fascinating.
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Your writing is absolutely mesmerizing! You have always had such an amazing “way” about you. Oh, I so hope you are still writing… You have such a gift. I will never forget playing with your Brothers’s New Microscope in the bathroom, and I accidently spilled the shrimp eggs onto the toothbrushes… 🙂 Oh, the good ol’ days….
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Alissa/nissa,
Both of your poems are amazing and just so well written. I knew you were good but wow… I have to tell you however, that “Discount Days At The Zoo” (really) struck a chord. So poignant and so very familiar. I think about that day we spent together, the three of us, and when I do it warms my heart and without fail finds a slow smile spreading across my face. I’ve missed the lively banter we so often shared and I’ve especially missed your keen wit and dry sense of humor, more than you could ever know… Good Things.
Edward/Needs
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