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By Marylin Schultz




Dragonfly, Cody, Wyoming, photo © 2012 by Tracy Clark. All rights reserved.





Dragonfly


No audible cry do I hear,
but am drawn to see your plight
mired in mud, frozen there.
I offer a small branch of hope.


luminous lapis blue eyes
recognize reprieve in faceted lens,
delicate pattern of wings against
sky and soft distant mountain.


Freed from earthy prison,
this was not your final sunrise
after all.


On my morning path
as though resigned to her fate
patiently waiting.




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About Marylin: Marylin (aka oliverowl) is a freelance writer living in Wyoming. She has written essays for a weekly column in the Ventura Star Tribune and collaborated with her grandson on two illustrated books for children. She currently writes with the Cody Writers. Her previous pieces for red Ravine include the travel essay Rollin’ Easy, Writing Practices Kindness and Cloud, and two memoir pieces, Images From The Past, and Two Little Girls & A World At War.

In 2010, Marylin was published in the book, From the Heart — Writing in the Shadow of the Mountain, a collection of work from members of Write On Wyoming (WOW), a group of authors and aspiring writers living in northeastern Wyoming. Her contributions to From the Heart include two works of fiction, To Love Bertie Lou and The Appointment Book, and a collection of haiku, Seasons in Wyoming.




-related to posts: dragonfly revisited — end of summer, first dragonfly, Flying Solo: Dragonfly In Yellow Rain , Dragonfly Wings — It Is Written In The Wind, Shadow Of A Dragonfly, haiku 4 (one-a-day) Meets renga 52

-posted on red Ravine, Friday, November 23rd, 2012

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Mr. Stripeypants wraps his feline body, a curled half moon in front of the space heater. Liz is still sleeping. Out on the deck, the bear chimes I purchased in Ely last July ripple with the wind. The sky is dark. It’s 50 degrees. Later in the day, the wind will pick up, the air will drop into the twenties. November darkness refuels my passion for the Arts. It’s a chance to reflect, to take stock of my life. Not the long term dreams and goals I harnessed as a twenty-year-old. But the smiling clerk in the grocery line at Byerly’s, lunch alone at Como Park, the smile in my lover’s eyes — minutes that end up creating years. I am grateful for each moment.

I used to dread change. I thought it meant the loss of loved ones, the fleeing of love, abandonment. Now I welcome what is fresh and new, the unplanned. Change means I don’t have to cling to what I have lost. Change means I don’t have to stay stuck where I am — emotionally, spiritually, physically. Change means I am willing to face the future. Change means I don’t have to like something or someone to accept them, or forgive. Change means the body breaks down, the mind remains stubborn, the heart swells with appreciation. Change. I am grateful for change.

Thank you to family, friends, readers, teachers, patrons of the Arts. Because of you, my life feels rich and full. Happy Thanksgiving.



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Gratitude Writing Practice 2012


A is for altitude, the steady climb before the peregrine’s dive. B, let me not be brittle, but open to the opportunities life has to offer. C is for centered, concrete, creative, cushion. D, that last cool drink of water from a mountain stream. E, grateful for all the Elizabeths in my life. F will always be for family and friendships, for those who have stuck with me, even when I hit my bottom. G, gratitude, gratitude, gratitude. So much to be thankful for. H reminds me not to hurry. Slow down. Watch for the edges. Hypocrisy, emerald hedges, the hollow bone. I, irresistible words. Letters, dots, dashes, the incurable love affair with language. J is for justice, judges, journey work. The realization that I can’t control what is just and fair. Acceptance of the slow turn of arbitration. Solomon. Did he have it right? K is for the keys to the passage, low island reef at high tide. Keystone, quoin, foundation, groundwork. L for the lionhearted, those with courage, grace under pressure, the fearless who inspire me. M, morgue, decay, melodrama, the things we leave behind. Laurie Anderson reminded me, it is in times of death that we experience the most intense feelings of love. Anyway, N is for nesting, nudging noxious thoughts away, purging what is not useful to living a full-hearted life. O, owing a debt of gratitude to those who serve humanity. Out-of-the-way places where I can be my true self, unmasked, unafraid of a face-to-face with my own shortcomings. P is for play, paper, Mr. StripeyPants, Kiev, parables forming nuggets of truth. Q, there are Questions, there can never be too many questions. Quandaries, crossroads, quagmires, quests. A call to action. R, rest, solitude, unconnected, unavailable, alone. Remember, reverberate, don’t be too rigid. S, steady, slow, steadfast. Grant me the serenity. Sugar, shug. T, the topple of empires built on shifting sands. Trounced by the tough and true-hearted. U is for unburden, unbroken, unbound. Underdog, under the weather, underestimated. V, vivacious, high-spirited, don’t play your cards so close to the vest. W, the winsome and wise do not dismiss what is wistful and wintry. A windfall comes your way. X is for seeing through the xenophobic, just in the nick of time. Y, yearning for solitude, receiving a yen, unwilling to be the yes woman, corralling the yowling, howling courage of my youth. Z, life is a zigzag of faithful moments laced with bad decisions, and wretched zaniness. A short walk through zoological gardens of wonder, a long conversation. Listen. Listen.


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-related to posts: Gratitude Mandala — Giving Thanks, This Thanksgiving Weekend, Make A Gratitude Journal, A Simple Gratitude List, gratitude haiku (orange), The ABC’s Of A Prosperous 2008 – Gratitude, Feelin’ Down For The Holidays? Make A Gratitude List

-posted on red Ravine, Thanksgiving Day, November 22nd, 2012

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Abe Lincoln’s Hand – 14/365, Archive 365, Fargo, North Dakota, July 2011, photo © 2011-2012 by QuoinMonkey. All rights reserved.


On a road trip to North Dakota, we stopped at Scheels, a family owned business that has been operating out of Fargo since 1928. It was a new experience for me, but not for Liz, a native North Dakotan. On the way in the door of the 196,000 square foot building on 45th Street, off of Interstate 94, I was immediately drawn to the bronze sculptures to the north. I had to sit down on the bench next to Abe Lincoln and read the note in his hand. It contained words from the last paragraph of his second inaugural address given on March 4, 1865 (read the whole speech in its entirety here):

With malice toward none; with charity for all; with firmness in the right, as God gives us to see the right, let us strive on to finish the work we are in, to bind up the nation’s wounds; to care for him who shall have borne the battle, and for his widow and his orphan, to do all which may achieve and cherish a just, and a lasting peace, among ourselves and all nations.

Lincoln is a life-size bronze sculpted by native Nebraskan Mark Lundeen. He now lives in Colorado.
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ARCHIVE 365 is a photo collaboration between skywire7 and QuoinMonkey featuring images from our archives. We will alternate posting once a day in our Flickr sets from July 1st 2012 through June 30th 2013. You can view our photographs at skywire7 Archive 365 set on Flickr and QuoinMonkey Archive 365 set on Flickr.

-posted on red Ravine, Sunday, July 15, 2012. Related to posts: In Search of Letters & Artifacts On Abraham Lincoln

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By Elizabeth Statmore


I wanted to find that Anne Lamott essay on their dog’s dying, but it’s in another book and I don’t have time to find it right now.

This is the first work day without Fromage, and I can already tell there are going to be a lot of awful firsts like this — first Trash Night without him, for example. Trash Night was Fromage’s favorite holiday. Lucky for him, it came every week. Tuesday nights, after dinner, we would bring the trash and recycling and composting down the front stairs and haul the wheeled cans to the curb — black for rubbish, blue for recycling, green for compostables.

David would wind him up as I started gathering the bags in the kitchen. “Trash Night!” he would exclaim to Fromage. “Trash Night!” And Fromage would start to dance around the room excitedly, wagging his tail hard and barking.

“Trash Night! Trash Night!”

Bark! Bark! Bark!

Being descended from a long line of working dogs and shepherds, he would herd me with our bags toward the front door, barking as if to yell, “Hurry up! It’s Trash Night, dammit!”

As far as he was concerned, the best nights were the ones when we needed to make the trip to the sidewalk more than once. He would dash up the stairs and bark down at me, urging me on. While I dealt with the carts and the bags, he would amble over to lift his leg and pee on a nearby sidewalk tree. it was his holiday — and now he is going to miss it forever more as we are going to miss him.

This hole in my heart feels bottomless, and it makes me wonder if I will ever feel whole again. I miss him with an ache and an urgency I can’t describe with words. This is my life now.

***
8:00 p.m. insight — Fromage does not want us to be lonely. He wants us to adopt another dog who can watch over us.

He loves us and doesn’t want us to be lonely.

He stayed as long as he could, but he just couldn’t do his job of taking care of us any more and he had to go. He’d dragged himself through sickness and dying, and it was time for him to leave us.

But he doesn’t want us to be lonely for too long.

He loves us and wishes us the best. It’s not a betrayal of him for us to love a new dog.


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About Elizabeth: Elizabeth Statmore is a San Francisco-based writer and teacher of writing and mathematics. She is a long-time practitioner and teacher of Writing Practice, which she learned from Natalie Goldberg. A frequent contributor to KQED-FM, Elizabeth’s last posts for red Ravine include Seed Starting, a piece about writers as gardeners, and Writing The “Remembering Grace Paley” Piece — a step-by-step tutorial on how she turned a raw piece of writing into a finished radio commentary. Elizabeth was also one of our first guest writers, contributing the post Abandoned Is… Fromage was her dog and spirit guide of almost fourteen years.

The Gifts Of Trash Night is Part II in a series of three Writing Practices about the love and loss of Fromage. Part I is titled Long.

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Graves, Upper Mill Cemetery, Circa 1806 – 10/365, Archive 365, McIntosh County, Darien, Georgia, July 2008, photo © 2008-2012 by QuoinMonkey. All rights reserved.


It was blistering hot and steamy the afternoon we visited the Upper Mill Cemetery in Darien, Georgia. On a search for ancestral archives, Liz, Mom and I took a road trip from Augusta, Georgia to St. Simons Island where we spent a few days and visited with relatives. We then drove north stopping in Fort Frederica and Upper Mill Cemetery in Darien. Our last stop was Savannah, a city I hope to visit again someday. Looking through these photographs, I realize how important it is to document your travels. It’s been four years since I have returned to the South. Each photo conjures the heat, humidity, live oaks, Gold Coast breezes, white packed sand, and the pilgrimage to Flannery O’Connor’s childhood home.

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ARCHIVE 365 is a photo collaboration between skywire7 and QuoinMonkey featuring images from our archives. We will alternate posting once a day in our Flickr sets from July 1st 2012 through June 30th 2013. You can view our photographs at skywire7 Archive 365 set on Flickr and QuoinMonkey Archive 365 set on Flickr.

-posted on red Ravine, Tuesday, July 10, 2012

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By Elizabeth Statmore


Fromage died on Saturday, May 12th 2012 at 11:30 p.m. at All Animals Emergency Hospital, surrounded by us and our love. He was dehydrated and disoriented, with a temperature of 105.6. Normal temperature for dogs is 101-ish, with 102 being in the high fever range. So Fromage had a raging fever, probably from a combination of a brain tumor (or nervous system tumor) and end-stage kidney disease.

We knew it was serious when he couldn’t do anything with a Beggin’ Strip — his favorite treat in the universe. And I’d dreamed Wednesday morning that he died. I knew it was a precognitive dream, but I didn’t know how or when the end would happen.

He did his utmost to stay alive for me — to support me and love me through this disorienting chapter of my life. He showed the same heroic courage and love he had shown us all his life. He was an impeccable warrior to the end, but in the end it was time to let him go.

It was the night before Mother’s Day.

It’s the little things that really punch me in the gut — the moments that interrupt my conditioned habits, such as automatically tucking the newspaper bags into the plastic bag collection next to the front door, only to realize that I don’t have a need to save dog poop bags any more.

I put his sterling silver tag on a chain and started wearing it around my neck last night as I went to bed.

He was the only being who has ever called me his mother. On our first Mother’s Day he bought me a pair of dog socks.

He was the dog of my life.

He was the dog of my heart.

I somehow left my favorite fountain pen at school on Friday, but I was too stressed-out and worried yesterday to deal with it. But this morning, all I wanted to do was write, so I drove down to school and back to retrieve it.

When we got to All Animals, Fromage had a fever of 105.6. This was a raging brain fever. He couldn’t even walk down our front stairs. I carried him in my arms down the thirteen front steps — all 60+ pounds of him. David carried him into the car. He was dehydrated and disoriented and scared. He was dying.

I held him in the back seat while David drove. He lay quietly on the back seat, watching where we were going.

He had kept himself alive so he could support me. And now I knew it was my turn to support him by letting him go and by easing his passage into the next world, into his next life.

Fred always said that Fromage was my spirit guide.

Now my heart just aches. David’s too. Fromage loved David so much, even though David felt hurt that Fromage was always so freaked out and demented these last few years. David hugged him and loved him too, even though there was so much dog hair. By last night, no one cared.

I can’t put away his old beds or mats yet. I am still processing the fact that he is gone. There is a giant Fromage-shaped hole in my heart — one with one stand-up ear and one flappy ear. The stand-up ear is his right one. It has a bite taken out of the tip. My lips and fingers know the shape of that missing spot instinctively. Completely. Like a fingerprint.

He’d been staying alive to get me through this tough time. On Wednesday night I got the word that my layoff notice had been rescinded. He went downhill fast from there.

I loved that dog so much.

He loved me more purely and wholeheartedly than I had ever been loved before. It was a healing kind of love. He healed me. He made me whole.

When Crystal and I saw Mary Oliver the first time at the Herbst a few years ago, Mary had recently lost her longtime partner, Molly Malone Cook, and had been writing about it for some time. A woman in the audience asked how she’d gotten through the devastating loss. “Well,” she said, first you go a little crazy. You go nuts for a while.” That thought comforts me now. I am going to have to go a little nuts for a while while I grieve.

The loss feels cavernous.

It’s also tinged with fear and shame that I might not be experiencing appropriate gratitude for the gift of his life. I *do* feel a bottomless gratitude for his life. It’s just that right now, this is the part where I have to take in and let out the hurting — the loss and the groundlessness of impermanence.

In legal terms, I rescued him, but the emotional truth is that he is the one who rescued me.

He was a magical dog, a magical creature. In mythical terms, he was my magical helper-being.

“A dog lives fifteen years, if you’re lucky,” Mary Oliver writes in one of her dog poems. In so many, many ways I’ve been very, very lucky. Fromage was in good health and good spirits until this very last week. He enjoyed long walks and Trash Night and giving David five and ten and eating Beggin’ Strips until the very last day of his life. He watched for my return through the glass in the front door every single day of our life together.

As we left the hospital room after it was over, I kissed him behind his flappy ear — where, even in death, he still smelled like a puppy — and I whispered to him, “Okay, Puppity, guard the house.”

Then we left the treatment room and closed the door behind us.

I did not look back.


Fromage at the Dog Garden, Dog Garden, San Francisco, California, April 2004, photo © 2004 by Carlos Hillson. All rights reserved.


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About Elizabeth: Elizabeth Statmore is a San Francisco-based writer and teacher of writing and mathematics. She is a long-time practitioner and teacher of Writing Practice, which she learned from Natalie Goldberg. A frequent contributor to KQED-FM, Elizabeth’s last posts for red Ravine include Seed Starting, a piece about writers as gardeners, and Writing The “Remembering Grace Paley” Piece — a step-by-step tutorial on how she turned a raw piece of writing into a finished radio commentary. Elizabeth was also one of our first guest writers, contributing the post Abandoned Is… Fromage was her dog and spirit guide of almost fourteen years.

Long is Part I in a series of three Writing Practices about the love and loss of Fromage.

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Camp Savage – 4/365, Archive 365, Camp Savage, Savage, Minnesota, June 2009, photo © 2009-2012 by QuoinMonkey. All rights reserved.




Independence

Banging fireworks against pre-dawn chatter.
Red night, white galaxy, blue smoke
in the air, flowers made of fire.

Freedom does not rest
or sit softly on her laurels.
She is war-like and stubborn,
not blind to the truth.

“Fight for what you believe in” she liked to say.

Independence remains passive,
13 stripes, 50 stars
but fiercely springs to life
when freedom is stripped away.

never rest easy –
in the dawn’s early light
there is much work to do





ABOUT THE PHOTOS:

Liz and I stumbled on Camp Savage in 2009 while out on a day trip to take photos. I was shocked and surprised because I had no idea such a place existed in Minnesota. The Nisei (second generation) at Camp Savage were translators of language, maps, and documents during World War II. When Marylin submitted her piece about her childhood friend whose family was sent to a Japanese internment camp, I was inspired to go back and take a look at these photographs again. It’s the first time I have consciously written haibun (more about the form at haiku 4 (one-a-day) meets renga 52). I like working in the format of both prose and haiku. Independence Day in the United States reminds me of all the ways that people fight hard to gain freedom, independence, and equality, even within our own country. Below are the words on the plaque at Camp Savage:

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Independence, flag at Camp Savage, Savage, Minnesota, June 2009, photo © 2009-2012 by QuoinMonkey. All rights reserved.

During World War II, some 5,000 to 6,000 Japanese American soldiers, members of the U.S. Army’s Military Intelligence Service, were given intensive and accelerated classes in the Japanese language at Camp Savage.

Their subsequent work translating captured documents, maps, battle plans, diaries, letters, and printed materials and interrogating Japanese prisoners made them “Our human secret weapons,” according to President Harry Truman, who commended them following the war.

The Military Intelligence Service (MIS) program began in the fall of 1941, a few weeks before Pearl Harbor, at the Presidio in San Francisco.

For security reasons it was moved in May, 1942 to Camp Savage, a site personally selected by language school commandant Colonel Kai E. Rasmussen, who believed Savage was “a community that would accept Japanese Americans for their true worth — American soldiers fighting with their brains for their native America.”

The 132-acre site had served as a Civilian Conservation Corps camp in the 1930s and was later used to house elderly indigent men.

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Plaque At Camp Savage, Savage, Minnesota, June 2009, photo © 2009-2012 by QuoinMonkey. All rights reserved.

Conditions there were extremely difficult in the early months of the war, when the first students studied without desks, chairs, or even beds. By August, 1944 the program had outgrown Camp Savage and was moved to larger facilities at Fort Snelling

Most of the English-speaking Japanese Americans, known as Nisei, were from the West Coast area. Some were already in the U.S. military service when they were selected for the language school, while others were volunteers from the camps in which American citizens of Japanese ancestry had been interned following the bombing of Pearl Harbor.

According to General Charles Willoughby, chief of Intelligence for General Douglas MacArthur, “the 6,000 Nisei shortened the Pacific war by two years.”

-erected by the Savage Chamber of Commerce, 1993



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ARCHIVE 365: Since the completion of BlackBerry 365, I have missed a daily photo practice. There are so many photos from my archives that no one has ever seen but me. So I asked skywire7 if she wanted to do a daily practice for one year, taking turns posting an unpublished photograph from the past.

Archive 365 is a photo collaboration between skywire7 and QuoinMonkey featuring images from our archives. We will alternate posting once a day in our Flickr sets from July 1st 2012 through June 30th 2013. You can view our photographs at skywire7 Archive 365 set on Flickr and QuoinMonkey Archive 365 set on Flickr.

-posted on red Ravine, Independence Day, July 4th, 2012. Related to post:  Abraham Lincoln & Nikki Giovanni (On Poets & Presidents)

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Liz Shoots the April Moon

Liz Shoots The April Moon, Minneapolis at night, Minneapolis, Minnesota, April 2012, photo © 2012 by QuoinMonkey. All rights reserved.


It’s hard to get back into the practice of writing for red Ravine after two months away. Where have I been? The business of life. And love. Art and passion. Mr. Stripeypants was sick for a time, a bug he contracted during surgery. He’s fine now. I was sick for three weeks, then it was time for Art-A-Whirl. Liz and I spent hours in Casket Arts Studio 318, talking art and writing and authors. Explaining panoramas on brushed metal and the latest installment in the Writers Hands Series. After Art-A-Whirl, I am so energized by the people that stop by that I want to spend every waking moment in my studio.

My mother went to Georgia without me this year. I missed traveling with her; she continues to research the family tree. I take it up, too, in my spare time. I will never lose my passion for history — the people, places, and things that lived before us. While I was away, the seasons changed. Quickly and without apology. What would normally be Spring has bloomed as Summer. We lost a few limbs on the two cedars in an ice storm. An arborist is coming to give the oaks and cedars a trim on Monday.

Where have I been? I went to see Anne Lamott at a bookstore. And Leslie Marmon Silko at the downtown library. I photographed the clouds with my Droid. I stood on a bridge and shot the Moon with Liz. We are working on a business together. It’s slow and steady, like the Turtle I am. I am working on the project plan. Liz digs into business details. We will meet with a designer soon to begin work on our website. More to come.

I can say I missed you. I did. When I come back to this place, it is like coming home. I have a guest piece coming up soon. And a new Writing Topic. While I was away, red Ravine turned five. Five years and a million hits. I didn’t know when I started writing and posting my art here that years would fly by. That I would be exposed for the gaps in my practice. One year, I took a photograph every single day. Another, I wrote Writing Practices all day long. One year, there was a haiku a day. In 2012, I take time to breathe. And expand within my own absence. I have not lost my gratitude for you. There is no way to explain where the time goes. I always come back to the things Natalie taught me. Continue. Continue. Continue. Get up. Jump back in.



-posted on red Ravine, Thursday, May 31st, 2012

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Documentary Shorts At The Riverview, Droid Shots, original photograph edited with Paper Camera, Minneapolis, Minnesota, February 2012, photo © 2012 by QuoinMonkey. All rights reserved.


When Liz was asked what movie she wanted to see before a belated birthday dinner at Blackbird, she chose the Oscar Nominated Short Documentary films at the Riverview Theater in Minneapolis. The filmmakers took us around the world, Baghdad to Birmingham, Pakistan to Japan. The presentation included four of the five films nominated for an Oscar in the Short Documentary category for 2012: Incident in Baghdad, Saving Face, The Tsunami and the Cherry Blossom, and The Barber of Birmingham: Foot Soldier of the Civil Rights Movement. (The fifth nominee, God Is The Bigger Elvis could not be shown due to licensing issues.)

In 130 minutes, I swept through a full range of emotions. Saving Face moved me to tears one minute; the next I was smiling with the big hearted doctor who traveled to Pakistan to reconstruct the acid scarred faces of women attacked by their husbands. Incident in New Baghdad horrified me and reminded me how sheltered most Americans have been from the ravages of two wars.

The Tsunami and the Cherry Blossom had a visual yin and yang quality. Grief, destruction, devastation, and loss following the tsunami in northern Japan; delicate blossoms of centuries old cherry trees restore hope in ways “beautiful but not showy.” James Armstrong, The Barber of Birmingham, walked steady and strong through decades of the Civil Rights Movement, and listened closely when he cut the hair of Dr. Martin Luther King. His mantra: “Dying isn’t the worst thing a man can do. The worst thing a man can do is nothing.”

The men, women, and children in these documentaries survived against all odds. They are impeccable warriors who teach me to pay attention, find my voice, and not be afraid to speak out. They teach me to show gratitude for the gift that is my life. They teach me about courage.  Through hardship and injustice, they show up and tell their stories to filmmakers who ensure their stories are heard. I hope you take the opportunity to see these films. They will inspire you to live life to the fullest, to take risks with your art and writing, and walk the way of the peaceful warrior.



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Incident in New Baghdad – 25 minutes – USA – James Spione

One of the most notorious incidents of the Iraq War – the July 2007 slayings of two Reuters journalists and a number of other unarmed civilians by US attack helicopters – is recounted in the powerful testimony of American infantryman Ethan McCord whose life was profoundly changed by his experiences on the scene.


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Saving Face – 40 minutes – Pakistan/USA – Daniel Junge, Sharmeen Obaid Chinoy

Every year hundreds of people — mostly women — are attacked with acid in Pakistan. The HBO Documentary SAVING FACE follows several of these survivors, their fight for justice, and a Pakistani plastic surgeon who has returned to his homeland to help them restore their faces and their lives.


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The Tsunami and the Cherry Blossom – 39 minutes – Japan/USA – Lucy Walker

Survivors in the areas hardest hit by Japan’s recent tsunami find the courage to revive and rebuild as cherry blossom season begins. A stunning visual poem about the ephemeral nature of life and the healing power of Japan’s most beloved flower.


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The Barber of Birmingham: Foot Soldier of the Civil Rights Movement – 25 minutes – USA – Gail Dolgin and Robin Fryday

Mr. James Armstrong is an 85-year-old barber, a “foot soldier” and a dreamer whose barbershop in Birmingham, Alabama has been a hub for haircuts and civil rights since 1955. The dream of a promised land, where dignity and the right to vote belong to everyone, is documented in photos, headlines and clippings that cram every inch of wall space in his barbershop. On the eve of the election of the first African American president, the Barber of Birmingham sees his unimaginable dream come true.

-posted on red Ravine, Wednesday, February 22th, 2012. Read more about the films at the links and watch a trailer at the Riverview website.

-related to posts: And The Oscar Goes To…, Eloquent Nude At The Riverview

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Sunrise Undercover, Droid Shots, original photograph edited with Paper Camera, sunrise at a writing retreat in a small town outside Milwaukee, Wisconsin, February 2012, photo © 2012 by QuoinMonkey. All rights reserved.







The Fallow Field


The master gardener
tithes and tills,
never forgetting to bury her dead—
broken bones rise from the fallow field
odorous compost, grist for the mill.








-posted on red Ravine, Sunday, February 6th, 2012, at a self-propelled silent writing retreat outside of Milwaukee, Wisconsin. With gratitude to my writing friends. For more on composting and how we structure these small silent retreats see:  Sit, Walk, Write On Lake Michigan, I Write Because…, and Make Positive Effort For The Good.

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Triptych: After The Blue Rain, inspired by Irish poet John O’Donohue, original photograph: an early Winter Solstice Fire 2011, altered in PhotoShop Elements, Minneapolis, Minnesota, January 2012, photos © 2012 by QuoinMonkey. All rights reserved.





after the blue rain

Have you walked
the barren landscape
of the chattering wire —
blue rain runs in the silence
of a white hot fire.






-posted on red Ravine, Saturday, January 28th, 2012, gogyohka inspired by Irish poet John O’Donohue after listening to one of his last interviews before his unexpected death in 2008:  The Inner Landscape of Beauty with Krista Tippett, On Being (LINK)


When you cease to fear your solitude, a new creativity awakens in you. Your forgotten or neglected wealth begins to reveal itself. You come home to yourself and learn to rest within. Thoughts are our inner senses. Infused with silence and solitude, they bring out the mystery of inner landscape.” — John O’Donohue from Anam Cara (In Memoriam)


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January Bear Moon, Olympus Shots, Minneapolis, Minnesota, January 2012, photo © 2012 by QuoinMonkey. All rights reserved.








Jewel of the North Woods
under the waning Bear Moon —
will you birth your cubs
on Lily's birthday? Or three days later,
when Hope's Spirit comes to play.









NOTE: Jewel the black bear is in the early stages of labor (you can watch at this link: Jewel’s Live Den Cam or check out the links in the poem to see Jim Stroner’s photographs of the bears). Jewel is a wild black bear, the sister of the famous Lily the Black Bear who gave birth to Hope on January 22nd, 2010 (we lost Hope last September during the 2011 Minnesota hunting season). If I remember correctly, it is Lily’s day of birth today, January 19th. I wrote the poem before I read the Wildlife Research Institute update tonight stating that it will be biologist Sue Mansfield’s birthday on January 20th (Happy Birthday, Sue!). The mystery remains, on whose birthday will Jewel of the Northwoods have her cubs?

The photograph was taken a few weeks ago at the Full January Moon. Liz and I went out into the urban Wild to photograph the Moon as she rose. Depending on your background, the January Moon is known as the Wolf Moon, the Cold Moon, and the Bear Moon (among many other names). It’s the Bear Moon all  month long, not just at the Full Moon, and is usually one of the brightest Moons of the year. Stay warm, Jewel. It’s -6 in the Twin Cities and -15 in Ely, Minnesota. We are watching your every breath.


-posted on red Ravine, , Thursday, January 19th, 2012, with gratitude to biologists Lynn Rogers & Sue Mansfield

-related to posts: haiku 4 (one-a-day) meets renga 52, MN Black Bear Den Cam: Will Lily Have Cubs?

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DEC SHADE4

Say Goodbye To Tungsten Light, Golden Valley, Minnesota, December 2011, photo © 2011-2012. All rights reserved.


I burn the Christmas lights long after the day has passed. The soft warm glow of tungsten soothes me. I grew up on film photography, old school, and loathed florescent and LED. Say goodbye to tungsten; the last 100 watt bulb rolled off the DEC 2011-12-18 19.40.22assembly line in December 2011. We lost poet Ruth Stone in 2011 and singer-songwriter Phoebe Snow. They leave behind a rich legacy–their poetry. We lost Hope, the world’s most famous black bear, to the long arms of a Minnesota hunting season. Did they choose their lives, or did their lives choose them?

Goodbye December, January awaits. I look forward to the New Year. In setting goals for 2012, I can’t help but think of the things I will leave to 2011. I never heard back from my father, yet I feel glad I wrote the letter. It is one less thing I have to wonder about. Mr. Stripey Pants had surgery on Monday, December 12th. Bone rubbed on bone in his lower jaw when he chewed his food. We tried to be upbeat that morning, saying he was on his way to breakfast at Tiffany’s (the name of his surgeon). A few weeks later he is almost back to normal. The scar tissue that had formed around a puncture wound near a back tooth has been removed; it was not cancerous. I am grateful for good vet care and the resources to pay for it.

Minnesota leaves behind the 86 inches of snow from last Winter, an unfair trade for the tawny grasses and 50 degree days in the Twin Cities last week. I don’t miss the shoveling, but wonder how the Art Shanty Project will take place on Medicine Lake in January. Where is the frozen Minnesota tundra of 2011? I leave behind a broiling sweaty Summer where I did little gardening. The cedars look limp and brown. Fall 2011 was 1323477165415one of the driest on record. Rain, rain, come and play, don’t wait another day. I have grown to miss the rain.

I leave behind a year of no travel, unusual for me. My large extended family lives in Pennsylvania and Georgia, so I often plan vacations around flying back East. I missed visiting with them. In 2011, I attended no out of state writing workshops. I did not take a vacation outside of Minnesota. There was one trip to North Dakota, but not for pleasure (though it had its moments). I leave behind all the angst and sorrow created by the greed and selfishness of others. You sometimes learn the most about people when things go awry. It’s not over yet. The law requires patience, and the resources to carry through over the long haul.

Dear December, there were days you left me nostalgic and somber. But I vow to enter 2012 with optimism and gratitude. Long line for A Christmas Story at Riverview!I will long carry the joy of my brother’s visit to Minnesota the week before Thanksgiving. I carry two healthy cats, Kiev and Mr. Stripey Pants. I carry the love of a caring partner, close friends, and family. I carry excitement at the prospect of celebrating Liz’s birthday in January, and a trip to Wisconsin for a self-propelled writing retreat in February, what used to be the dead of Winter. I leave behind anger, resentment, regret; I release what is no longer helping me be the best person I can be. What people, places or things do you leave behind?

The pantry is stocked. The black-eyed peas soak in the pot, ready to bless the place I call home with good luck and cheer. I am grateful for those who stick with me in times of uncertainty. I am grateful for those who come to the aid of all HOLIDAYsentient beings in this world, not just humans. I am grateful that we do not inhabit this planet alone, that there are ancient burr oaks, Southern live oaks, slithering snakes, hairy spiders, playful black bears and white winter squirrels. I am grateful that the decisions that matter most are not left in the hands of humans.

December, I say goodbye to you tonight with gratitude and anticipation. I am thankful for your rituals. It’s the night before the New Year. What will my yearly practices be? It will be around the last fire of 2011 that I choose goals for 2012. Thank you, December, for having the courage to let go.


-posted on red Ravine, New Year’s Eve, December 31st, 2011

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Cool To The Touch, by the Thanksgiving fire with friends, Droid Shots,
edited with Little Photo, Brooklyn Park, Minnesota, November 2011, photo
© 2011 by QuoinMonkey. All rights reserved.




Gratitude unfolds,
hot fire in the belly
cool to the touch—
River of self-doubt,
I carry the light
all the days of my life.






-posted on red Ravine, Sunday, November 27th, 2011

-related to posts: haiku 4 (one-a-day) Meets renga 52, Gratitude Mandala — Giving Thanks

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The gift of time. Rocking in a white porch chair, drinking Stash Fusion Green & White tea. My stomach is full on residual Thanksgiving, a small feast for two (plus two cats). I am grateful for those who checked in on red Ravine while I took a break. It started as a short week away from the Internet, and turned into boots on the ground living—time for Liz, for my brother’s visit to Minnesota, for Mr. StripeyPants and Kiev. I checked in with my family on Facebook once in a while, but rarely fired up the laptop during the week. It was refreshing to take time to think, to sit, to be.


Unconnected.


I stopped all my practices for a month, including red Ravine. Since 2001, I have done at least two yearly practices, one writing, one visual, each beginning in January and ending in December. Writing practice, haiku, haiga, renga, BlackBerry 365, the Great Round mandala series; I stayed true to them. I honored them. This year it felt like all I was doing was trying to keep up with the many practices I had taken on, my agreements to others, my commitment to myself to keep going for a full year. I made it January through September. It was freeing to choose to take a break rather than force myself to continue.

But I miss this place, this creative space. Something I learned when I stopped doing my practices was that a part of me went into hiding. I am not happy when I am not taking photographs, writing, painting or drawing. Last night Liz and I watched A Very Gaga Thanksgiving. Lady opened up in a short interview. She said her song, “Marry The Night” was about the moment she made a choice to give her all to music. Right or wrong, up or down, her first relationship would be with the music; she would be true to herself.  It is another form of befriending the Black Dog, the dark shadowy side that comes with deep exploration of your writing or art.

When I listened to her, I knew she was right. It takes great sacrifice to marry the night. And part of the ritual is to know when you need a break. Near the end of the silent workshops with Natalie in Taos, there is a short meeting with her in the round. We sign up on a sheet of paper taped to the zendo wall. Five or six at a time, we slow walk to the cabin at Mabel Dodge Luhan, take our shoes off, sit in a semi-circle, candles lit, in silence, and Natalie goes around and checks in with each of us. Almost every time, there is one person who says they don’t want to write anymore. Natalie inevitably responds, “Then don’t write. Take a break. See if you come back to it.”


Those words are as important to me as the day at my first workshop when she told us to plan on at least two years of Writing Practice before stopping. Oh, and don’t quit your day job.

If you are listening to your teachers, good advice sticks in your craw, and rises to the surface when you need it. The list of things Natalie has taught me over the years would fill a notebook; I bring each one out as I need it, and practice those I believe will make me a better writer, a better artist, a better person. Sometimes I fail. And that is okay, too.


At the one month mark away from my practices, I started adding them back in, one at a time. I added Writing Practice first and continue to write with my online group. I am grateful they have stuck with me. After a little over two months away, the next thing I am adding back into my practices is red Ravine. I have noticed that I am happiest combining writing and art; red Ravine is a good venue for the collaboration and synthesis that happen between the two. I want to look at restructuring, infusing the past with a burst of new life.

It is Thanksgiving weekend and I have much to be grateful for. I will take time to make my yearly gratitude list and begin work on another mandala. I have not been tossed away. The work continues. Positive effort for the good is the best practical response to a hungry world. I am grateful to be back on the page, thankful you are still here. The silence doesn’t scare me anymore; it is filled with light. The wind bristles and becomes her own wingman, sailing to the next stop. The best I can hope for is a gentle landing.


-posted on red Ravine Friday, November 25th, 2011, Thanksgiving weekend, an edited Writing Practice

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Healing Heart Mandala, created on gray, rainy day while listening to Mandala Healing: Using Sacred Symbols for Spiritual & Emotional Healing by Judith Cornell, Golden Valley, Minnesota, September 2011, photo © 2011 by QuoinMonkey. All rights reserved.




THE SECRET OF THE GOLDEN FLOWER

Once you turn the light around,
everything in the world is turned around.
The light rays are concentrated upward into the eyes;
this is the great key of the human body.
You should reflect on this.
If you do not sit quietly each day,
this light flows and whirls,
stopping who knows where.
If you can sit quietly for a while,
all time-ten thousand ages,
a thousand lifetimes---is penetrated from this.
All phenomena revert to stillness.
Truly inconceivable is this sublime truth.


—from The Secret of the Golden Flower: The Classic Chinese Book of Life, translated by Thomas Cleary, HarperSanFrancisco, 1991, p.19


___________________________________________________________________________

HEALING INTENTIONS


   acceptance                   appreciation                   authenticity
   awakening                   balance                            beauty
   beginner's mind          creative play                  clarity 
   compassion                  connectedness               devotion 
   egolessness                  emotional healing          faith
   fearlessness                 forgiveness                     freedom to be 
   grace                             gratitude                         harmony
   healing laughter          honoring diversity         illumination 
   inspired creativity      integrity                          joy 
   kindness                       life as a celebration       listening with the heart
   living in the present   mental healing               miracles
   non-judgment             oneness                           opening the heart to love 
   patience                       peace                               perseverance
   practice of truth         radiating love                 soul illumination 
   spiritual healing          surrender                       transformation
   trusting intuition        unity                                wholeness 
   wisdom                        wonder




Healing Heart Mandala (Detail)-posted on red Ravine, Tuesday, September 20th, 2011

-related to posts: Labyrinth Mandala At The Aquarius Full Moon, Ears Still To The Lonely Wind — Mandala For Rabbit, Flying Solo — Dragonfly In Yellow Rain, Shadow Of A Dragonfly, Dragonfly Wings — It Is Written In The Wind, Dragon Fight — June Mandalas, EarthHealer — Mandala For The Tortoise, ode to a crab (haiku & mandala), Eye Of The Dragon Tattoo

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By Teri Blair



Lawrence Welk’s Boyhood Home, Strasburg, North Dakota, July 2011, all photos © 2011 by Teri Blair. All rights reserved.


The Lawrence Welk Show was a Saturday night staple when I was growing up. My favorite acts were Cissy and Bobby, tap-dancing Arthur Duncan, and the guy on clarinet with big glasses. I didn’t pay much attention to the show’s host, though I wondered about his accent. I had a vague sense he came from the state just west of mine, but he mainly seemed tan and Hollywood and Californian. Not like the people I knew.

I’d seen his birthplace marked on my North Dakota map for years, and then one day, just like that, my mom and I decided to go. We checked out library copies of Wunnerful, Wunnerful: The Autobiography of Lawrence Welk. Mom read it first and told me she couldn’t put it down. I figured that was because she still watched his reruns on public television. Then I started reading it, and I couldn’t put it down either. That’s when I found out Lawrence Welk wasn’t just a tan and smiling Hollywood face. Far from it.

We took two-lane roads to get to Strasburg, ones where you can tell where you’re heading. Mom reread the first chapter out loud to us, the one about Lawrence’s childhood in North Dakota and his passion to play music and get off the farm. We wanted everything fresh in our minds.

Lawrence was born in North Dakota in 1903, one of eight children of immigrant parents. The ten of them lived in a tiny sod house, milked cows, and spoke German. Lawrence had four years of schooling before he begged his parents to let him quit. Since he knew how to read and write, they let him. A farmer wouldn’t need more than that, they figured. But Lawrence’s father had carried an accordion all the way from Europe, and that one musical box lit a fire under the third Welk son. He had an affinity for music, an insatiable appetite for chords and melodies and rhythm. He tinkered with homemade instruments, and learned everything his father would teach him about music.

Though his family assumed his future as a North Dakota farmer, Lawrence knew he had to live a different life. He didn’t know how he could, only that he must. Then when he was 11 his appendix burst. By the time his parents found someone with a car and he was driven to the hospital in Bismarck, he was almost dead. He lived on the edge of life and death while his poisoned blood was treated. Though only a child, he determined if he survived he would make his living as a musician. No matter what.

He spent the rest of his childhood hiring himself out to play accordion at every event he could find around Strasburg. Every nickel he made went to pay off the $400 accordion he bought through a mail-order catalog. A deep satisfaction stirred in him to watch the joy his playing brought to people, an intrinsic reward that would fuel him for decades.

The View From Lawrence Welk’s Bedroom, Strasburg, North Dakota,
July 2011, all photos © 2011 by Teri Blair. All rights reserved.


When he left the farm on his 21st birthday, his father predicted his ruin as a musician. He told Lawrence he’d be back in six weeks looking for a meal. What followed were years of small gains and huge setbacks—trying to find work as a musician during The Depression wasn’t easy. Lawrence often went hungry. One time his band quit on him, embarrassed by his broken English and the way he tapped his toe to find the beat. He was naïve and trusting, taken advantage of more than once. He had to start over again and again with nothing but his accordion. But his internal compass was undeniable. His wife said years later that he was like a cork. When one plan failed, he’d be momentarily submerged before he’d pop up in a different place with a new strategy. By the time he landed the television program, he had paid his dues and then some. He had already spent 30 years on the road playing ballrooms.

After our tour of the homestead, I slow-walked around Lawrence’s childhood farm. I stood in the places he talked about in the book: the spot by the barn where he asked his dad for the $400 loan, the upstairs loft where his appendix burst, the tiny living room where he listened to polka music. I went to Mass on Sunday at the German Catholic church and sat where he had. I looked at the stained glass windows, the same ones Lawrence had looked at when he was a little German boy. He didn’t know how his story would end, but sitting there, I did.

Lawrence knew who he was, who he wasn’t, and he stuck with himself. And from that, I take great inspiration. By the time of his death in 1992, he had had the longest-running television program in history, and had helped launch the careers of dozens of musicians.

What is possible when we don’t deny our true selves?




_________________________




About Teri: Teri Blair is a writer living in Minneapolis, Minnesota. Her first piece for red Ravine, Continue Under All Circumstances, was written on the road during a 2007 trip to Holcomb, Kansas. She journeyed back to Holcomb in 2010 and published a sequel, Back To Holcomb, One Last Time. Since then, she has written Desire And A Library Card — The Only Tools Necessary To Start A Poetry Group, Discovering The Big Read, a piece about the largest reading program in American history, and Does Poetry Matter?, an essay about the Great American Think-Off.

Earlier this year, Teri was a writing resident at Vermont Studio Center in the heart of the Green Mountains. She finds inspiration on the road. Her writing pilgrimage to the Amherst, Massachusetts home of poet Emily Dickinson inspired the essay, Emily’s Freedom. At the end of September, Teri will be flying into Atlanta, Georgia to embark on her latest writing adventure — a two-week road trip in a compact Cruise America rolling along the Southern Literary Trail.


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